Stephen Fry Explains Humanism in 4 Animated Videos: Happiness, Truth and the Meaning of Life & Death

Answers to life’s big ques­tions don’t come cheap, but they very often come free, or at least we feel they should. Which answers you find com­pelling among your avail­able options is up to you. In the wide­ly plu­ral­ist parts of the world—or at least in their urban centers—the answers come as often in the form of sec­u­lar human­ism as they do in any oth­er vari­ety, and they gen­er­al­ly come with a cer­tain amount of sat­is­fac­tion that it is human­ism, in part, that makes such vari­ety pos­si­ble. So what is human­ism and why is it some­times so proud of itself? You could do much worse than ask Stephen Fry, the genial Eng­lish actor, come­di­an, writer, and pas­sion­ate activist and advo­cate.

Fry nar­rates the video series here, “That’s Human­ism,” for the British Human­ism Asso­ci­a­tion. He begins in “How do we know what is true?” at the top of the post by telling us what human­ism is not. It is not a belief that knowl­edge comes from a super­nat­ur­al source, from rev­e­la­tions, prophet­ic visions, or divine­ly inspired books. While many a human­ist has found poet­ic inspi­ra­tion in such things, as Fry explains, it’s only the sci­en­tif­ic method that pro­vides us with reli­able infor­ma­tion about the nat­ur­al world.

In the video just above, Fry takes an evi­dence-based approach to the ques­tion of ques­tions: what hap­pens when we die. The human­ist answer, as he plain­ly states, seems per­fect­ly obvi­ous to anyone—everyone dies, and every­one can live on in the lives of the peo­ple who’ve loved them. We leave the work we’ve done behind, and our bod­ies return to the ele­ments from which they came. Any­thing else, he sug­gests, is wish­ful think­ing.

The third video con­fronts the ques­tion that runs neck and neck with fear of death as a rea­son peo­ple seem to believe in the super­nat­ur­al. “What makes some­thing right or wrong?” Fry asks, then goes on to con­trast in layman’s terms two moral the­o­ries: divine com­mand and a gen­er­al­ly altru­ist, proso­cial eth­i­cal stance. Not all human­ists sub­scribe to his ethics and not all, as Fry does above, would describe empa­thy as the prime motive of moral choice. He also cites “Rea­son,” “Expe­ri­ence,” and “Respect for Oth­ers” as meth­ods by which human­ists deter­mine right from wrong, and he touch­es super­fi­cial­ly on the role of cul­ture as a con­tain­er of moral­i­ty, though he avoids the many thorny issues implied in that asser­tion.

The fourth video of the series, below, takes on the much more clas­si­cal­ly philo­soph­i­cal ques­tion, “How can I be hap­py?” For Fry, who has can­did­ly dis­cussed his strug­gles with bipo­lar dis­or­der and sui­ci­dal depres­sion, the ques­tion is not a pure­ly abstract one. His answers eschew grand cos­mic nar­ra­tives for the val­ue of the nat­ur­al, the famil­ial, and the observ­able. Through­out the series, Fry remains upbeat and con­fi­dent, but if you think him inno­cent of life’s cru­el­ties, I invite you to read the brief biog­ra­phy in this Guardian arti­cle.

If this seems like evan­ge­lism, per­haps it is. The British Human­ist Asso­ci­a­tion is, after all, the orga­ni­za­tion behind Richard Dawkins’ athe­ist bus cam­paign in Eng­land, which plas­tered signs on “bendy bus­es” around Lon­don say­ing “There’s prob­a­bly no God. Now stop wor­ry­ing and enjoy your life.” But Fry is a much more approach­able, avun­cu­lar face of human­ism than the can­tan­ker­ous, some­times cal­lous, Dawkins (or the con­fronta­tion­al Sam Har­ris). What these videos don’t address are the spe­cif­ic advo­ca­cy goals and pro­grams of the British Human­ist Asso­ci­a­tion, which include such peren­ni­al­ly con­tro­ver­sial sub­jects as assist­ed dying and abor­tion rights. Learn more about the association’s cam­paigns, goals, and out­reach attempts at their web­site.

Relat­ed Con­tent:

Stephen Fry: What I Wish I Knew When I Was 18

A Guide to Hap­pi­ness: Alain de Bot­ton Shows How Six Great Philoso­phers Can Change Your Life

Shakespeare’s Satir­i­cal Son­net 130, As Read By Stephen Fry

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness.

Literary Critic Northrop Frye Teaches “The Bible and English Literature”: All 25 Lectures Free Online

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Image by Har­ry Palmer, via Wiki­me­dia Com­mons

One rea­son I’m glad for hav­ing had a child­hood reli­gious edu­ca­tion: it has made me con­ver­sant in even some of the most obscure sto­ries and ideas in the Chris­t­ian Bible, which is every­where in Eng­lish lit­er­a­ture. Not only was the King James trans­la­tion for­ma­tive for ear­ly mod­ern Eng­lish, but sto­ries like that of King David and his son Absa­lom have fur­nished mate­r­i­al for great works from John Dry­den’s dense polit­i­cal alle­go­ry “Absa­lom and Achi­tophel” to William Faulkner’s dense mod­ernist fable Absa­lom, Absa­lom!  Then, of course, there’s so much of the work of Blake, Shake­speare, and Mil­ton to account for. With­out a fair­ly sol­id ground­ing in Bib­li­cal lit­er­a­ture, it can be dou­bly dif­fi­cult to make head­way in a study of the sec­u­lar vari­ety.

The stu­dents of high­ly regard­ed Cana­di­an lit­er­ary crit­ic Northrop Frye found this to be true. As a junior instruc­tor, Frye had dif­fi­cul­ty get­ting his class to under­stand what was going on in John Milton’s Par­adise Lost because so many of the Bib­li­cal allu­sions were lost on them. (It’s a hard enough poem to grasp when you get the ref­er­ences.) “How do you expect to teach Par­adise Lost,” said the chair of Frye’s depart­ment, “to peo­ple who don’t know the dif­fer­ence between a Philis­tine and a Phar­isee?” Respond­ing to this gap in cul­tur­al lit­er­a­cy, Frye designed and taught “The Bible and Eng­lish Lit­er­a­ture.” The entire, video­taped course from a 1981 ses­sion at the Uni­ver­si­ty of Toron­to is avail­able online in 25 lec­tures.

It’s very much a treat to sit in on these lec­tures. Frye’s work on myth and folk­tale in Eng­lish lit­er­a­ture is still near­ly defin­i­tive; his 1957 Anato­my of Crit­i­cism, though picked apart many times over through the decades, retains an author­i­ta­tive place in stud­ies of lit­er­ary arche­types and rhetoric. Frye’s lec­tures on the Bible focus on what he sees as its “nar­ra­tive uni­ty,” due in part to “a num­ber of recur­ring images: moun­tain, sheep, riv­er, hill, pas­ture, bride, bread, wine and so on.” He also spends a good deal of time, at least in his first lec­ture above, dis­cussing church his­to­ry, the­o­log­i­cal and crit­i­cal con­flicts, and the his­to­ry of var­i­ous trans­la­tions. The UToron­to site includes full tran­scripts of each lec­ture, and the entire course promis­es to be enlight­en­ing for stu­dents of lit­er­a­ture, of the Bible and church his­to­ry, or both.

The Bible and Eng­lish Lit­er­a­ture will be added to our list of Free Online Lit­er­a­ture Cours­es and Free Online Reli­gion Cours­es, part of our larg­er col­lec­tion, 1,700 Free Online Cours­es from Top Uni­ver­si­ties.

Relat­ed Con­tent:

Har­vard Presents Two Free Online Cours­es on the Old Tes­ta­ment

Oxford Uni­ver­si­ty Presents the 550-Year-Old Guten­berg Bible in Spec­tac­u­lar, High-Res Detail

Dis­cov­er Thomas Jefferson’s Cut-and-Paste Ver­sion of the Bible, and Read the Curi­ous Edi­tion Online

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness.

Help Kickstart Baba Brinkman’s Animated Rap Guide to Religion

If you’ve been fre­quent­ing Open Cul­ture long enough, you’ll know all about the Cana­di­an “geek rap­per” Baba Brinkman and his epic raps. The sub­jects of Brinkman’s raps have includ­ed evo­lu­tion, arti­fi­cial selec­tionThe Can­ter­bury Tales, and British ver­sus Cana­di­an Eng­lish. Now, he’s try­ing to crowd­source a new rap album through Kick­starter. Actu­al­ly it’s an ani­mat­ed rap album about the sci­en­tif­ic study of reli­gion. You can lis­ten to two songs (of an even­tu­al eight) over at Kick­starter. They’re called “Reli­gion Evolves” and “Big Gods.”

Cur­rent­ly, 210 back­ers have pledged $13,419 towards the $20,000 he’s try­ing to raise. Above, Baba explains how the mon­ey will be spent. To move for­ward, the cam­paign needs to be ful­ly fund­ed by . We hope you’ll help push Baba over the top. You can make a con­tri­bu­tion here.

Relat­ed Con­tent:

What’s Your Eng­lish? British v. Cana­di­an Rap Bat­tle

Baba Brinkman: The Rap Guide to Evo­lu­tion

The Can­ter­bury Tales Remixed: Baba Brinkman’s New Album Uses Hip Hop to Bring Chaucer Into the 21st Cen­tu­ry, Yo

Free Online Reli­gion Cours­es

The Religions of Bob Dylan: From Delivering Evangelical Sermons to Singing Hava Nagila With Harry Dean Stanton

My first reac­tion upon learn­ing about Bob Dylan’s brief con­ver­sion to Evan­gel­i­cal Chris­tian­i­ty may have been some­thing like “What in the hell?” It wasn’t a reli­gious Dylan that sur­prised me; it was Dylan embrac­ing a faith that can often seem dogged­ly lit­er­al and, well, just a lit­tle inflex­i­ble. What with his love of ambi­gu­i­ty, of occult sym­bol­ism and sym­bol­ist poet­ry, and his res­olute con­tempt for con­ven­tion, Dylan has always struck me as more of an ancient Gnos­tic than a mod­ern Bible thumper. While Dylan’s immer­sion in the Chris­t­ian world may have been brief, it was deep, and it was confusing—enough so that Andy Greene in Rolling Stone com­ments that his pros­e­ly­tiz­ing from the stage “took audi­ence provo­ca­tion to the next lev­el.”

In his gospel shows of 1979/80, Dylan pre­sent­ed “a night of music devot­ed exclu­sive­ly to selec­tions from his new gospel records, often paus­ing for long, ram­bling ser­mons about Christ’s immi­nent return and the wicked­ness of man.” Hear one of those ser­mons at the top, a sev­en-minute the­o­log­i­cal dis­qui­si­tion, before Dylan and band launch into a pow­er­ful per­for­mance of “Sol­id Rock.” Just above, in anoth­er ser­mon from 1979, Dylan holds forth on the “spir­it of the Antichrist” before an unsym­pa­thet­ic crowd in Tempe, Ari­zona. That same year, he gave an inter­view to Bruce Heiman of KMGX Radio in Tuc­son on the sub­ject of his con­ver­sion (below).

In a cer­tain way, a Dylan obsessed with divine judg­ment and the book of Rev­e­la­tion jibes with his pur­suit of the arcane and the mys­ti­cal, with his con­sis­tent­ly apoc­a­lyp­tic vision, prophet­ic mum­blings, and ten­den­cy to mor­al­ize. But the preach­ing is just…. well, kin­da weird. I mean, not even Dylan’s friend, the deeply devout John­ny Cash, used his musi­cal plat­form to harangue audi­ences about the Bible. Was it a stunt or a gen­uine, if per­haps overzeal­ous, expres­sion of deeply held beliefs? That ques­tion could be asked of almost every move Dylan has ever made. This brief peri­od of very pub­lic reli­gios­i­ty may seem anom­alous, but Dylan’s inter­est in reli­gion is not. Google his name and any faith term, and you’ll see sug­ges­tions for “Dylan and Islam,” “Dylan and Bud­dhism,” “Dylan and Catholi­cism,” and, of course, “Dylan and Judaism,” the reli­gion of his birth. Some con­tend that Dylan still keeps faith with Jesus, and that it doesn’t mutu­al­ly exclude his Jew­ish­ness.


And yet, how Dylan’s Chris­t­ian preach­ing could line up with his lat­er com­mit­ment to Chabad—an Ortho­dox Hasidic move­ment that isn’t exact­ly warm to the idea of the Chris­t­ian mes­si­ah, to put it mildly—is beyond my ken. But log­i­cal con­sis­ten­cy does not rank high­ly on any list of virtues I’m famil­iar with. Dylan seemed to be recon­nect­ing with Judaism when he explic­it­ly expressed sol­i­dar­i­ty with Israel in 1983 in his Zion­ist anthem “Neigh­bor­hood Bul­ly” from Infi­dels, in oth­er respects, a whol­ly sec­u­lar record.

Three years lat­er, Dylan appeared on the Chabad telethon (above), accom­pa­ny­ing his son-in-law Peter Him­mel­man on har­mon­i­ca in a ren­di­tion of “Hava Nag­i­la,” along with, of all peo­ple, Har­ry Dean Stan­ton (whose chill­ing turn as polyg­a­mous Mor­mon sect leader in HBO’s Big Love you may well recall). By this time, at least accord­ing to Jew­ish Jour­nal, “Chabad rab­bis had helped Dylan return to Judaism after the musi­cian embraced Chris­tian­i­ty for a time.” The mid-90s saw Dylan wor­ship­ping with Brook­lyn Lubav­itch­ers, and in 2007, he was sight­ed in Atlanta at Yom Kip­pur ser­vices at the Chabad-Lubav­itch of Geor­gia, say­ing the “bless­ings in Hebrew with­out stum­bling, like a pro.”

So is Bob Dylan a fire­breath­ing Chris­t­ian or an Ortho­dox Jew? Or, some­how… both? Only Dylan knows, and frankly, only Dylan needs to. His beliefs are his busi­ness, but his pub­lic expres­sions of faith have giv­en his fans much to puz­zle over, read­ing the lyri­cal tea leaves for evi­dence of a sol­id rock cen­ter amidst the shift­ing sands of Dylanol­o­gy. Let ‘em sift. Some peo­ple obsess over Dylan’s reli­gious com­mit­ments, oth­ers over his “secret” wife and daugh­ter, his cor­po­rate sell­outs, or his some­times inscrutable per­son­al pol­i­tics. It’s all part of the busi­ness of fame. What I find fas­ci­nat­ing about the many lay­ers of Bob Dylan is not how much they tell me about the man, who has the right to change his mind, or not, as often as he likes, but how much they reveal about his strange lyri­cal themes. After all, Dylan’s seem­ing­ly con­tra­dic­to­ry alle­giances and ambiva­lent iden­ti­ties as an artist may in in fact make him all the more the arche­typ­al Amer­i­can song­writer he’s always said to be.

Relat­ed Con­tent:

An Intro­duc­tion to Dylanol­o­gy, or How to Under­stand Bob Dylan by Dig­ging Through His Garbage

The Times They Are a‑Changin’: 1964 Broad­cast Gives a Rare Glimpse of the Ear­ly Bob Dylan

Ani­mat­ed Video: John­ny Cash Explains Why Music Became a Reli­gious Call­ing

John­ny Cash Reads the Entire New Tes­ta­ment

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Ayn Rand Trashes C.S. Lewis in Her Marginalia: He’s an “Abysmal Bastard”

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Images via Wiki­me­dia Com­mons

The polit­i­cal inter­sec­tion of Ayn Ran­di­an lib­er­tar­i­ans and Evan­gel­i­cal con­ser­v­a­tives is a baf­fling phe­nom­e­non for most of us out­side the Amer­i­can right. It’s hard to rec­on­cile the athe­ist arch-cap­i­tal­ist and despis­er of social wel­fare with, for exam­ple, the Ser­mon on the Mount. But hey, mixed mar­riages often work out, right? Well, as for Rand her­self, one would hard­ly find her sym­pa­thet­ic to reli­gion or its expos­i­tors at any point in her career. Take her sound lash­ing of writer, schol­ar, and lay the­olo­gian C.S. Lewis, intel­lec­tu­al hero of Protes­tant Chris­tian­i­ty. (Wheaton Col­lege hous­es his per­son­al library, and there exists not only a C.S. Lewis Insti­tute, but also a C.S. Lewis Foun­da­tion.) Lewis’ The Abo­li­tion of Man (1943), while osten­si­bly a text on edu­ca­tion, also pur­ports, like Aquinas’ Sum­ma The­o­log­i­ca, to expound the prin­ci­ples of nat­ur­al law and objec­tive moral val­ue. Rand would have none of it.

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Reli­gion jour­nal First Things brings us excerpts from the edit­ed col­lec­tion, Ayn Rand’s Mar­gin­a­lia: Her crit­i­cal com­ments on the writ­ings of over 20 authors. In it, Rand gloss­es Lewis’s Abo­li­tion of Man with sav­age feroc­i­ty, call­ing the author an “abysmal bas­tard,” “cheap, dri­v­el­ling non-enti­ty” [sic], and “abysmal scum!” The screen­shot above (Lewis left, Rand’s anno­ta­tions right) from the First Things’ blog post offers a typ­i­cal rep­re­sen­ta­tion of Rand’s tone through­out, and includes some par­tic­u­lar­ly elab­o­rate insults.

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The C.S. Lewis Foun­da­tion com­ments that Lewis “prob­a­bly would not have approved of the lev­el of ven­om, but he prob­a­bly would not have liked Rand’s phi­los­o­phy much either.” Anoth­er Chris­t­ian aca­d­e­m­ic has suc­cess­ful­ly squared an appre­ci­a­tion for both Rand and Lewis, but writes crit­i­cal­ly of Rand, who “seems to have inter­pret­ed Lewis’s book as a Lud­dite screed against sci­ence and tech­nol­o­gy,” part of her “ten­den­cy to car­i­ca­ture her oppo­nents.” Cer­tain­ly no one ever accused her of sub­tle­ty. “It’s pret­ty clear,” our pro­fes­sor con­tin­ues, “that when show­ing stu­dents how to engage in schol­ar­ly dis­course, Ayn Rand should not be the mod­el.” No, indeed, but how she would thrive on the Inter­net.

Read more at First Things, and down­load a PDF of the Rand-anno­tat­ed Lewis excerpts here.

Relat­ed Con­tent:

Free Audio: Down­load the Com­plete Chron­i­cles of Nar­nia by C.S. Lewis

The Only Known Record­ings of C.S. Lewis (1944–1948)

Watch Hand-Drawn Ani­ma­tions of 7 Sto­ries & Essays by C.S. Lewis

Flan­nery O’Connor: Friends Don’t Let Friends Read Ayn Rand (1960)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Johnny Cash Reads the New Testament

The best gospel recordings—by Aretha Franklin, The Sta­ples Singers, The Carter Fam­i­ly, even Elvis—hum with a deep sin­cer­i­ty that can be tru­ly mov­ing, despite the unin­ten­tion­al­ly fun­ny earnest­ness of bal­lads like “He Touched Me” (not to men­tion some of those album cov­ers). You can add to the list of South­ern gospel greats the name of John­ny Cash, who, like Elvis, got his start singing gospel and returned fre­quent­ly to the hymns of his youth. Unlike the King, how­ev­er, Cash also returned to the fold in the 1970s, part­ly influ­enced by his wife June Carter.

Cash would record a total of eight solo gospel albums with Colum­bia Records over his career, and a sort of old-time gospel great­est hits with The Mil­lion Dol­lar Quar­tet (Cash, Elvis, Jer­ry Lee Lewis, and Carl Perkins). He wrote a 1986 nov­el­iza­tion of the life of the Apos­tle Paul called Man in White, and a song of the same name (below), and in 1990, the aging star record­ed the entire New Tes­ta­ment, New King James Ver­sion. Hear the Gospel of Matthew above, and lis­ten to it on Youtube. Run­ning over 19 hours, the record­ing was repack­aged in 2008 as a DVD called Chap­ter and Verse, with a slideshow and a CD of 14 of Cash’s gospel record­ings.

Like his life and career, Cash’s reli­gious jour­ney was tumul­tuous, but once he’d kicked his addic­tion, he became some­thing of a “staunch, con­ser­v­a­tive Bible thumper,” writ­ing in the intro­duc­tion to The Man in White, “Please under­stand that I believe the Bible, the whole Bible, to be the infal­li­ble, indis­putable Word of God.” His the­o­log­i­cal views may have tem­pered over the years, but they remained staunch­ly Evan­gel­i­cal to the end of his life. That said, Cash “was a pri­vate man and pre­ferred to keep his faith to him­self,” once declar­ing, “If I’m with some­one who doesn’t want to talk about it, I don’t talk about it. I don’t impose myself on any­body in any way, includ­ing reli­gion.”

As in every­thing else Cash record­ed, his con­vic­tion comes through in his read­ing above. While he didn’t preach, he did prac­tice what he under­stood to be the val­ues of his faith, stand­ing up for the poor, impris­oned, and oppressed and against the pow­er struc­tures that con­stant­ly beat them down. Cash’s humil­i­ty and com­mit­ment to prin­ci­ple have inspired mil­lions of peo­ple who share his beliefs and mil­lions who don’t. To learn more about this lit­tle-dis­cussed side of the Man in Black, lis­ten to the one-hour radio doc­u­men­tary below from Pub­lic Radio Exchange.

Relat­ed Con­tent:

Ani­mat­ed Video: John­ny Cash Explains Why Music Became a Reli­gious Call­ing

Two Prison Con­certs That Defined an Out­law Singer: John­ny Cash at San Quentin and Fol­som (1968–69)

The First Episode of The John­ny Cash Show, Fea­tur­ing Bob Dylan & Joni Mitchell (1969)

Har­vard Presents Two Free Online Cours­es on the Old Tes­ta­ment

Free Online Reli­gion Cours­es

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Sonny Rollins Describes How 50 Years of Practicing Yoga Made Him a Better Musician

Indi­an mys­tic and philoso­pher Patan­jali sup­pos­ed­ly cre­at­ed mod­ern yoga by trans­mit­ting his doc­trine and dis­ci­plines to sev­en sages. In the mid-1950s, those teach­ings came down through the cen­turies to anoth­er sage, Son­ny Rollins, who, like his good friend John Coltrane, incor­po­rat­ed his exper­i­ments with East­ern spir­i­tu­al­i­ty into his jazz impro­vi­sa­tions. In Rollins’ case, yoga has giv­en him, as he recounts in the short video above, “spir­i­tu­al under­stand­ing” and “direc­tion.” Set­ting out for India in 1967 to find “uplift­ment,” Rollins checked him­self into an Ashram, with noth­ing but a bag and his horn, “and it worked out well,” he says. Rollins and his jazz “com­pa­tri­ots” like Coltrane “were try­ing to find a way to express life through our impro­vi­sa­tions,” he tells NPR. “The music has got to mean some­thing,” he says, “Jazz impro­vi­sa­tion is sup­posed to be the high­est form of com­mu­ni­ca­tion, and get­ting that to the peo­ple is our job as musi­cians.”

In his new set of live record­ings, Road Shows, Vol. 3, Rollins plays a “mantra-like” song called “Patan­jali,” a trib­ute to the dis­ci­pline that keeps him phys­i­cal­ly and musi­cal­ly vital. In his “Morn­ing Edi­tion” inter­view above, Rollins describes his yoga prac­tice as help­ing his “con­cen­tra­tion lev­el.” “The thing is this,” he says, “When I play, what I try to do is to reach my sub­con­scious lev­el. I don’t want to overt­ly think about any­thing, because you can’t think and play at the same time—believe me, I’ve tried.” At age 83, and still sound­ing as fresh as he does, one imag­ines he’s tried it all and learned some valu­able lessons. In 1963, Rollins met the Oki Yoga group in Japan, who com­bine yoga, Zen, and mar­tial arts prin­ci­ples, and he’s also stud­ied Rosi­cru­cian­ism, Bud­dhism, and “Kab­bal­ah, even—I was real­ly into those philoso­phies of life.”

As for whether Son­ny Rollins con­sid­ers him­self a mem­ber of any par­tic­u­lar sect, hear his thoughts on orga­nized reli­gion in answer to a recent Google Hang­out ques­tion (above). While he may not sub­scribe to a spe­cif­ic belief sys­tem, he’s cer­tain­ly found spir­i­tu­al tech­niques that give him—as he puts it in an inter­view with Yoga Jour­nal—“a cen­ter.” Rollins “still prac­tices asana [pos­es] every day, includ­ing Halasana (Plow Pose) and Urd­h­va Dha­nurasana (Upward Bow Pose).” Want to learn more about yoga? You could always read Patanjali’s famous sutras. For more prac­ti­cal instruc­tion in this peace­ful phys­i­cal dis­ci­pline, per­haps take a look at the rather iron­i­cal­ly named Les­ley Fightmaster’s Youtube chan­nel, with free lessons for vir­tu­al­ly every­one.

Of course, no one teacher should be con­sid­ered the author­i­ty on yoga. Like every spir­i­tu­al prac­tice, yoga has its many schisms and divi­sions, even so-called “Yoga Wars”: among Hin­dus and Chris­tians, between cor­po­rate giants like Lul­ule­mon (and West­ern teach­ers like Fight­mas­ter) and tra­di­tion­al Indi­an prac­ti­tion­ers, between “Hot Yoga” (and its con­tro­ver­sial founder) and every­one else…. I doubt Son­ny Rollins has time to get enmeshed in these squab­bles, and maybe nei­ther do you. For a much less uptight fusion of East­ern prac­tice and West­ern spir­it, per­haps try some Star Wars Yoga. In this video, instruc­tor Eri­ca Vetra offers a free beginner’s class for those who “A. love Star Wars, B. have nev­er seen Star Wars, C. love yoga, or D. have nev­er done yoga.” The ecu­meni­cal Son­ny Rollins might approve, though the ven­er­a­ble Patan­jali, indif­fer­ent to “fan­cy” and “illu­sion,” may not have been amused.

via A Piece of Mono­logue

Relat­ed Con­tent:

Son­ny Rollins’ New York City Bridge Sab­bat­i­cal Recre­at­ed in 1977 Pio­neer Elec­tron­ics Ad

Free Guid­ed Med­i­ta­tions From UCLA: Boost Your Aware­ness & Ease Your Stress

David Lynch Talks Med­i­ta­tion with Paul McCart­ney

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Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

The Only Known Recordings of C.S. Lewis (1944–1948)

When we come to know the work of nov­el­ist and schol­ar C.S. Lewis, we usu­al­ly do it through a tex­tu­al medi­um — specif­i­cal­ly in child­hood, through that thrilling writ­ten arti­fact known as The Lion, the Witch, and the Wardrobe. Often this leads us into the rest of his sev­en-vol­ume Chron­i­cles of Nar­nia series (find a free audio ver­sion here), and those most deeply intrigued by the world­view that shaped that high-fan­ta­sy world may find them­selves even­tu­al­ly read­ing even Lewis’ Chris­t­ian apolo­get­ics, of which 1952’s well-known Mere Chris­tian­i­ty came as only the first. That book drew its con­tent from a series of the­o­log­i­cal lec­tures Lewis gave on BBC radio between 1942 and 1944, dur­ing the Sec­ond World War. Lit­tle mate­r­i­al from these talks sur­vives — in fact, we have pre­cious few min­utes of his voice on tape in any con­text, and noth­ings at all of him on film — but you can hear about fif­teen min­utes of it in the clips above and below.

These excerpts come from “The New Men”, the last episode of Lewis’series Beyond Per­son­al­i­ty orig­i­nal­ly broad­cast on March 21, 1944, and an intro­duc­tion to The Great Divorce, his the­o­log­i­cal nov­el writ­ten in response to William Blake’s The Mar­riage of Heav­en and Hell. “If I’ve writ­ten of their divorce,” Lewis says, “this is not because I think myself a fit antag­o­nist for so great a genius, nor even because I feel at all sure that I knew what he meant.” The state­ment exem­pli­fies the clar­i­ty and humil­i­ty with which he always wrote, even when essen­tial­ly trum­pet­ing the ben­e­fits of his own faith. Giv­en the off-putting­ly com­bat­ive tenor of most high-pro­file reli­gious argu­ments made today, both for and against, the remains of Lewis’ broad­casts remind us how much we could use more thinkers like him today — in any form of media.

Relat­ed con­tent:

C.S. Lewis’ Pre­scient 1937 Review of The Hob­bit by J.R.R. Tolkien: It “May Well Prove a Clas­sic”

Watch Hand-Drawn Ani­ma­tions of 7 Sto­ries & Essays by C.S. Lewis

Free Audio: Down­load the Com­plete Chron­i­cles of Nar­nia by C.S. Lewis

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

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