Hear All of C.S. Lewis’ Chronicles of Narnia Novels as Free Audio Books

NarniaMap-e1324285473899

I have not seen the sec­ond two of a promised sev­en films based on the nov­els in C.S. Lewis’ The Chron­i­cles of Nar­nia series. But I tend to agree with sev­er­al crit­ics of the first filmed adap­ta­tion, The Lion, the Witch and the Wardrobe: “The PG-rat­ed movie feels safe and con­strict­ed,” Peter Tra­vers observed, “in a way the sto­ry nev­er does on the page.” Although Lewis “did noth­ing to hide his devout Chris­tian­i­ty” in his alle­gor­i­cal Nar­nia books for young adults, nor in his grown-up sci-fi fan­ta­sy series, The Space Tril­o­gy, Lewis on the page comes across as a rig­or­ous writer first and a Chris­t­ian apol­o­gist sec­ond. Except, I’d argue, for his work of explic­it­ly pop­ulist, and rather facile, apolo­get­ics, Mere Chris­tian­i­ty (orig­i­nal­ly a series of radio lec­tures), his fic­tion and pop­u­lar non-fic­tion alike present readers—whatever their beliefs—with chal­leng­ing, inven­tive, wit­ty, and mov­ing ways to think about the human con­di­tion.

Lewis’ immer­sion in Euro­pean Medieval and Renais­sance lit­er­a­ture in his day-job role as an Oxford don—and his ecu­meni­cal, almost Jun­gian, approach to lit­er­a­ture generally—gives his fic­tion a seri­ous arche­typ­al depth that most mod­ern reli­gious nov­el­ists lack, mak­ing him, along with fel­low “Inkling” J.R.R. Tolkien, some­thing of a lit­er­ary saint in mod­ern Chris­tian­i­ty. Though it may offend the ortho­dox to say so, Lewis’ nov­els cap­ture a “deep mag­ic” at the heart of all mytho­log­i­cal and lit­er­ary tra­di­tions. And they do so in a way that makes explor­ing heavy, grown-up themes excit­ing for both chil­dren and adults. Though I’ve per­son­al­ly left behind the beliefs that ani­mat­ed my first read­ings of his books, I can still return to The Chron­i­cles of Nar­nia and find in them deep mag­ic and mys­tery.

There’s no deny­ing the enor­mous influ­ence these books have had on children’s fan­ta­sy lit­er­a­ture, from Har­ry Pot­ter to Lewis’ athe­ist antag­o­nist Philip Pull­man. I look for­ward to shar­ing his books with my daugh­ter, what­ev­er she ends up mak­ing of their reli­gios­i­ty. I’ve still got my tat­tered paper­back copies, and I’ll glad­ly read them to her before she can tack­le them her­self, but I’m also grate­ful for the com­plete audio record­ings of The Chron­i­cles of Nar­nia, avail­able free online and read by Eng­lish child psy­chol­o­gist and author Chris­si Hart. In install­ments of two chap­ters at a time, Hart reads all sev­en of the Nar­nia books, The Lion, the Witch and the Wardrobe, Prince Caspi­an, The Voy­age of the Dawn Tread­er, The Sil­ver Chair, The Horse and His Boy, The Magician’s Nephew, and The Last Bat­tle.

You can hear the first two chap­ters of The Lion, the Witch and the Wardrobe above, and stream or down­load the remain­ing chap­ters, and the remain­ing six books, at Ancientfaith.com. Although Hart and the Ancient Faith site who host her read­ings clear­ly approach the nov­els from an explic­it­ly Ortho­dox per­spec­tive, I don’t think read­ers need to share their beliefs, or Lewis’, to enjoy and appre­ci­ate the sto­ry­telling mag­ic of The Chron­i­cles of Nar­nia.

And it should be not­ed that CS Lewis Pte. Ltd. grant­ed per­mis­sion to put these record­ings online, accord­ing to the Ancient Faith web site. The record­ings are there­fore list­ed in our col­lec­tion, 1,000 Free Audio Books: Down­load Great Books for Free. Enjoy.

Relat­ed Con­tent:

C.S. Lewis’ Pre­scient 1937 Review of The Hob­bit by J.R.R. Tolkien: It “May Well Prove a Clas­sic”

Watch Hand-Drawn Ani­ma­tions of 7 Sto­ries & Essays by C.S. LewisWatch Hand-Drawn Ani­ma­tions of 7 Sto­ries & Essays by C.S. LewisWatch Hand-Drawn Ani­ma­tions of 7 Sto­ries & Essays by C.S. Lewis

The Only Known Record­ings of C.S. Lewis (1944–1948)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Pope Francis Set to Release a Rock/Pop Album: Listen to the First Single

pope francis album

That’s right, I said it. In Novem­ber, the Pope will offi­cial­ly release a rock/pop album called Pope Fran­cis: Wake Up! (which you can already pre-order on iTunes). And below, you can hear the first sin­gle, “Wake Up! Go! Go! For­ward!” It’s one of 11 tracks.

Accord­ing to Rolling Stone, “The Vat­i­can-approved LP â€¦ fea­tures the Pon­tiff deliv­er­ing sacred hymns and excerpts of his most mov­ing speech­es in mul­ti­ple lan­guages paired with uplift­ing musi­cal accom­pa­ni­ment rang­ing from pop-rock to Gre­go­ri­an chant.” The Pope’s songs will focus on themes that Amer­i­cans are get­ting famil­iar with this week: â€śpeace, dig­ni­ty, envi­ron­men­tal con­cerns and help­ing those most in need.“Pope Fran­cis: Wake Up! will offi­cial­ly go on sale on Novem­ber 27th. Yup, Black Fri­day.

via Rolling Stone

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Tolstoy and Gandhi Exchange Letters: Two Thinkers’ Quest for Gentleness, Humility & Love (1909)

Gandhi.Tolstoy

Some of the most rig­or­ous moral thinkers of the past cen­tu­ry have spent time on the wrong side of ques­tions they deemed of vital impor­tance. Mohan­das Gand­hi, for exam­ple, at first remained loy­al to the British, man­i­fest­ing many of the vicious prej­u­dices of the Empire against Black South Africans and lob­by­ing for Indi­ans to serve in the war against the Zulu. Maya Jasanoff in New Repub­lic describes Gand­hi dur­ing this peri­od of his life as a “crank.” At the same time, he devel­oped his phi­los­o­phy of non-vio­lent resis­tance, or satya­gra­ha, in South Africa as an Indi­an suf­fer­ing the injus­tices inflict­ed upon his coun­try­men by both the Boers and the British.

Gandhi’s some­time con­tra­dic­to­ry stances may be in part under­stood by his rather aris­to­crat­ic her­itage and by the warm wel­come he first received in Lon­don when he left his fam­i­ly, his caste, and his wife and child in India to attend law school in 1888. And yet it is in Lon­don that he first began to change his views, becom­ing a staunch veg­e­tar­i­an and encoun­ter­ing theos­o­phy, Chris­tian­i­ty, and many of the con­tem­po­rary writ­ers who would shift his per­spec­tive over time. Gand­hi received a very dif­fer­ent recep­tion in Eng­land when he returned in 1931, the de fac­to leader of a bur­geon­ing rev­o­lu­tion­ary move­ment in India whose exam­ple was so impor­tant to both the South African and U.S. civ­il rights move­ments of suc­ceed­ing decades.

One of the writ­ers who most deeply guid­ed Gandhi’s polit­i­cal, spir­i­tu­al, and philo­soph­i­cal evo­lu­tion, Leo Tol­stoy, expe­ri­enced his own dra­mat­ic trans­for­ma­tion, from land­ed aris­to­crat to social rad­i­cal, and also renounced prop­er­ty and posi­tion to advo­cate stren­u­ous­ly for social equal­i­ty. Gand­hi eager­ly read Tolstoy’s The King­dom of God is With­in You, the novelist’s state­ment of Chris­t­ian anar­chism. The book, Gand­hi wrote in his auto­bi­og­ra­phy, “left an abid­ing impres­sion on me.” After fur­ther study of Tolstoy’s reli­gious writ­ing, he “began to real­ize more and more the infi­nite pos­si­bil­i­ties of uni­ver­sal love.”

It was in Eng­land, not India, where Gand­hi first read “A Let­ter to a Hin­du,” Tolstoy’s 1908 reply to a note from Indi­an rev­o­lu­tion­ary Tarak­nath Das on the ques­tion of Indi­an inde­pen­dence. Tol­stoy divides his lengthy, thought­ful “Let­ter” into short chap­ters, each of which begins with a quo­ta­tion from the Vedas. “Indeed,” writes Maria Popo­va, the mis­sive “puts in glar­ing per­spec­tive the nuance­less and hasty op-eds of our time.” It so affect­ed Gand­hi that, in 1909, he wrote to Tol­stoy, thus begin­ning a cor­re­spon­dence between the two that last­ed through the fol­low­ing year. “I take the lib­er­ty of invit­ing your atten­tion to what has been going on in the Trans­vaal for near­ly three years,” begins Gandhi’s first let­ter, some­what abrupt­ly, “There is in that Colony a British Indi­an pop­u­la­tion of near­ly 13,000. These Indi­ans have, for sev­er­al years, labored under var­i­ous legal dis­abil­i­ties.”

The prej­u­dice against col­or and in some respects against Asians is intense in that Colony….The cli­max was reached three years ago, with a law that many oth­ers and I con­sid­ered to be degrad­ing and cal­cu­lat­ed to unman those to whom it was applic­a­ble. I felt that sub­mis­sion to a law of this nature was incon­sis­tent with the spir­it of true reli­gion. Some of my friends and I were and still are firm believ­ers in the doc­trine of non­re­sis­tance to evil. I had the priv­i­lege of study­ing your writ­ings also, which left a deep impres­sion on my mind.

Gand­hi refers to a law forc­ing the Indi­an pop­u­la­tion in South Africa to reg­is­ter with the author­i­ties. He goes on to inquire about the authen­tic­i­ty of the “Let­ter” and asks per­mis­sion to trans­late it, with pay­ment, and to omit a neg­a­tive ref­er­ence to rein­car­na­tion that offend­ed him. Tol­stoy respond­ed a few months lat­er, in 1910, allow­ing the trans­la­tion free of charge, and allow­ing the omis­sion, with the qual­i­fi­ca­tion that he believed “faith in re-birth will nev­er restrain mankind as much as faith in the immor­tal­i­ty of the soul and in divine truth in love.” Over­all, how­ev­er, he express­es sol­i­dar­i­ty, greet­ing Gand­hi “fra­ter­nal­ly” and writ­ing,

God help our dear broth­ers and co-work­ers in the Trans­vaal! Among us, too, this fight between gen­tle­ness and bru­tal­i­ty, between humil­i­ty and love and pride and vio­lence, makes itself ever more strong­ly felt, espe­cial­ly in a sharp col­li­sion between reli­gious duty and the State laws, expressed by refusals to per­form mil­i­tary ser­vice.

The two con­tin­ued to write to each oth­er, Gand­hi send­ing Tol­stoy a copy of his Indi­an Home Rule and the trans­lat­ed “Let­ter,” and Tol­stoy expound­ing at length on the errors—and what he saw as the supe­ri­or characteristics—of Chris­t­ian doc­trine. You can read their full cor­re­spon­dence here, along with Tolstoy’s “Let­ter to a Hin­du” and Gandhi’s intro­duc­tion to his edi­tion. Despite their reli­gious dif­fer­ences, the exchange fur­ther gal­va­nized Gand­hi’s pas­sive resis­tance move­ment, and in 1910, he found­ed a com­mu­ni­ty called “Tol­stoy Farm” near Johan­nes­burg.

Gand­hi’s views on African inde­pen­dence would change, and Nel­son Man­dela lat­er adopt­ed Gand­hi and the Indi­an inde­pen­dence move­ment as a stan­dard for the anti-apartheid move­ment. We’re well aware, of course, of Gand­hi’s influ­ence on Mar­tin Luther King, Jr. For his part, Gand­hi wrote glow­ing­ly of Tol­stoy, and the mod­el the nov­el­ist pro­vid­ed for his own anti-colo­nial cam­paign. In a speech 18 years lat­er, he said, “When I went to Eng­land, I was a votary of vio­lence, I had faith in it and none in non­vi­o­lence.” After read­ing Tol­stoy, “that lack of faith in non­vi­o­lence vanished…Tolstoy was the very embod­i­ment of truth in this age. He strove uncom­pro­mis­ing­ly to fol­low truth as he saw it, mak­ing no attempt to con­ceal or dilute what he believed to be the truth. He stat­ed what he felt to be the truth with­out car­ing whether it would hurt or please the peo­ple or whether it would be wel­come to the mighty emper­or. Tol­stoy was a great advo­cate of non­vi­o­lence in his age.”

Relat­ed Con­tent:

Hear Gandhi’s Famous Speech on the Exis­tence of God (1931)

Albert Ein­stein Express­es His Admi­ra­tion for Mahat­ma Gand­hi, in Let­ter and Audio

Leo Tolstoy’s Masochis­tic Diary: I Am Guilty of “Sloth,” “Cow­ardice” & “Sissi­ness” (1851)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

A Day in the Life of Zen Monk Leonard Cohen: A 1996 Documentary

I don’t think any­body real­ly knows why they’re doing any­thing. If you stop some­one on the sub­way and say, “Where are you going — in the deep­est sense of the word?” you can’t real­ly expect an answer. I real­ly don’t know why I’m here. It’s a mat­ter of “What else would I be doing?” Do I want to be Frank Sina­tra, who’s real­ly great, and do I want to have great ret­ro­spec­tives of my work? I’m not real­ly inter­est­ed in being the old­est folksinger around. 

- Leonard Cohen, speak­ing to author Pico Iyer in April 1998

 

One need not have lived a rock n’ roll lifestyle to be famil­iar with its plea­sures and pit­falls. That heady mix of drugs, sex, and pub­lic adu­la­tion isn’t sus­tain­able. Some can’t sur­vive it. Some retire to a more staid domes­tic scene while oth­ers are left chas­ing a spot­light that’s unlike­ly to favor them twice. But rarely do you find one who choos­es to give it all up to become a Bud­dhist monk.

Well, not all.

As direc­tor Armelle Brusq’s 1996 doc­u­men­tary, above, shows, singer-songwriter—and yes—Zen monk Leonard Cohen’s rou­tine at the Mount Baldy Zen Cen­ter out­side Los Ange­les extend­ed beyond the usu­al mind­ful­ness prac­tice. His sim­ple quar­ters were out­fit­ted with a com­put­er, print­er, radio, and a Tech­nics KN 3000 syn­the­siz­er. He some­times doffed his robes to enter the record­ing stu­dio or enjoy a bowl of soup at Canter’s Deli. Com­par­a­tive­ly, his world­ly attach­ments were few, divvied between the pro­fes­sion­al­ly nec­es­sary and the fond. Still, call­ing his daugh­ter, Lor­ca, to pass along a veterinarian’s update, Cohen sounds every inch the dot­ing Jew­ish dad.

Celebri­ty devo­tion to Kab­bal­ah or var­i­ous East­ern spir­i­tu­al prac­tices often stinks of the super­fi­cial, a pass­ing fan­cy that won’t last more than a year or two. Cohen’s rela­tion to Zen Bud­dhism is endur­ing, a gift from his long­time friend and teacher, Mount Baldy’s Roshi, Kyozan Joshu Sasa­ki, who died last year at the age of 107.

One of Cohen’s respon­si­bil­i­ties was help­ing Roshi with the myr­i­ad small details the elder­ly abbot would have had dif­fi­cul­ty nav­i­gat­ing on his own. Cohen seems entire­ly at peace in the road­ie role, keep­ing track of lug­gage while on tour, and fetch­ing cones for the entire par­ty from a near­by ice cream truck.

The poem Cohen penned in hon­or of Roshi’s 89th birth­day is of a piece with his most endur­ing work. Think Suzanne’s oranges were the only fruit? Not so:

His stomach’s very hap­py

The prunes are work­ing well

There’s no one left in heav­en

And there’s no one going to hell

Film­mak­er Brusq is chiefly con­cerned with doc­u­ment­ing Cohen’s spir­i­tu­al real­i­ty, but she toss­es in a few treats for those hun­gry for pop iconog­ra­phy, par­tic­u­lar­ly the impromp­tu show-and-tell at the 25-minute mark, when the crew peeks into the leg­end’s mem­o­ra­bil­ia-filled LA office.

The sound­track, too, is music to a Cohen fan’s ears, and lyri­cal­ly inspired giv­en the sub­ject:

Wait­ing for The Mir­a­cle

Teach­ers

A Thou­sand Kiss­es Deep 

Democ­ra­cy

The Future

Suzanne

Dance Me to the End of Love

Clos­ing Time

Nev­er Any Good

Relat­ed Con­tent:

How Leonard Cohen’s Stint As a Bud­dhist Monk Can Help You Live an Enlight­ened Life

Leonard Cohen Nar­rates Film on The Tibetan Book of the Dead, Fea­tur­ing the Dalai Lama (1994)

Ladies and Gen­tle­men… Mr. Leonard Cohen: The Poet-Musi­cian Fea­tured in a 1965 Doc­u­men­tary

200 Free Doc­u­men­taries Online

Ayun Hal­l­i­day is an author, illus­tra­tor, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Hap­py 18th birth­day to her favorite for­mer­ly-17-year-old play­wright! Fol­low her @AyunHalliday

How Leonard Cohen’s Stint As a Buddhist Monk Can Help You Live an Enlightened Life

There is a cer­tain kind of think­ing that the Bud­dha called “mon­key mind,” a state in which our ner­vous habits become com­pul­sions, haul­ing us around this way and that, forc­ing us to jump and shriek at every sound. It was exact­ly this neu­rot­ic state of mind that Leonard Cohen sought to quell when in 1994 he joined Mt. Baldy Zen Cen­ter in Los Ange­les and became a monk: “I was inter­est­ed in sur­ren­der­ing to that kind of rou­tine,” Cohen told The Guardian in 2001, “If you sur­ren­der to the sched­ule, and get used to its demands, it is a great lux­u­ry not to have to think about what you are doing next.”

There at Mt. Baldy the jour­nal­ist and cos­mopoli­tan racon­teur Pico Iyer met Cohen, unaware at first that it was even him. In his short Bac­calau­re­ate speech above to the 2015 grad­u­at­ing class of the Uni­ver­si­ty of South­ern Cal­i­for­nia, Iyer describes the meet­ing: After show­ing him fond hos­pi­tal­i­ty and set­tling him into the com­mu­ni­ty, Iyer says, Cohen told him that “just sit­ting still, being unplugged, look­ing after his friends was… the real deep enter­tain­ment that the world had to offer.”

At the time, Iyer was dis­ap­point­ed. He had admired Cohen for exact­ly the oppo­site qualities—for trav­el­ing the world, being plugged into the cul­ture, and liv­ing a rock star life of self-indul­gence. It was this out­ward man­i­fes­ta­tion of Cohen that Iyer found allur­ing, but the poet and song­writer’s inward life, what Iyer calls the “invis­i­ble ledger on which we tab­u­late our lives,” was giv­en to some­thing else, some­thing that even­tu­al­ly brought Cohen out of a life­long depres­sion. Iyer’s the­sis, drawn from his encounter with Leonard Cohen, Zen monk, is that “it is real­ly on the mind that our hap­pi­ness depends.”

Iyer refers not to that per­pet­u­al­ly wheel­ing mon­key mind but what Zen teacher Suzu­ki Roshi called “begin­ner’s mind” or “big mind.” In such a med­i­ta­tive­ly absorbed state, we for­get our­selves, “which to me,” Iyer says, “is almost the def­i­n­i­tion of hap­pi­ness.” Cohen said as much of his own per­son­al enlight­en­ment: “When you stop think­ing about your­self all the time, a cer­tain sense of repose over­takes you.” After his time at Mt. Baldy, he says, “there was just a cer­tain sweet­ness to dai­ly life that began assert­ing itself.” Iyer’s short speech, filled with exam­ple after exam­ple, gives us and his new­ly grad­u­at­ing audi­ence sev­er­al ways to think about how we might find that sense of repose—in the midst of busy, demand­ing lives—through lit­tle more than “just sit­ting still, being unplugged” and look­ing after each oth­er.

Note: You can watch a Euro­pean doc­u­men­tary on Cohen’s stint as a bud­dhist monk here.

via Boing­Bo­ing

Relat­ed Con­tent:

Ladies and Gen­tle­men… Mr. Leonard Cohen: The Poet-Musi­cian Fea­tured in a 1965 Doc­u­men­tary

Young Leonard Cohen Reads His Poet­ry in 1966 (Before His Days as a Musi­cian Began)

Leonard Cohen Nar­rates Film on The Tibetan Book of the Dead, Fea­tur­ing the Dalai Lama (1994)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Alan Watts Explains Why Death is an Art, Adventure and Creative Act

Many of us in the West live in some of the most frag­ment­ed reli­gious land­scapes in the world, but in the midst of deep­en­ing lev­els of con­flict over poli­cies of birth and death, these two issues that divide us also join us togeth­er. More than at any time in his­to­ry, peo­ple live in expec­ta­tion of sim­i­lar spans of life; we all lament the loss of loved ones who die at any age; and most of us live with some fear of death, or at least vio­lent, untime­ly death like the kind Alan Watts describes above.

Watts, Eng­lish Zen guru of sorts (though he would not like the label) lec­tured more on death than per­haps any oth­er philo­soph­i­cal or reli­gious teacher since the Bud­dha, but he did so in a way that illu­mi­nates our ideas about the inevitable end, even if it should come upon us all of the sud­den.

You heard a bomb com­ing at you, you could hear it whis­tle and you knew it was right above you and head­ing straight at you, and that you were fin­ished. 

This is no abstract thought exper­i­ment, of course, but the his­tor­i­cal expe­ri­ence of mil­lions of peo­ple, from Dres­den to Iraq. But despite the ter­ri­fy­ing exam­ple, Watts describes achiev­ing in that moment absolute clar­i­ty and uni­ver­sal­i­ty. The dread­ed bomb whis­tles toward you, “and you accept­ed it,” he says.

How exact­ly does one achieve that accep­tance? With­out dog­ma­tiz­ing or mys­ti­cism, Watts offers some wis­dom in anoth­er excerpt from a lec­ture above. This video’s use of melo­dra­mat­ic film clips and cin­e­mat­ic music may be a lit­tle schmaltzy, but his mat­ter of fact talk isn’t less­ened by it. Though not every­one pass­es on their genes to a next gen­er­a­tion, an exam­ple he dis­cuss­es in both excerpts, we do all leave the plan­et to make room for new peo­ple, wher­ev­er they come from, and this, he says, “is an hon­or­able thing…. It’s a far more amus­ing arrange­ment for nature to con­tin­ue the process of life through dif­fer­ent indi­vid­u­als than it is through the same indi­vid­ual.”

Watts was not at all doc­tri­naire about death, par­tic­u­lar­ly in his lat­er years. In a con­ver­sa­tion with Aldous Huxley’s wife Lau­ra in 1968, he called dying “an art,” though not quite like Sylvia Plath did: “It is also,” he said, “an adven­ture.” He con­sid­ered Aldous Hux­ley’s unortho­dox death—on an LSD trip while Lau­ra read to him from the Tibetan Bar­do Thodol—a “high­ly intel­li­gent form of dying.” Nonethe­less, Watts, an Epis­co­pal priest become an explain­er of Zen Bud­dhism in Amer­i­ca, also had a great deal to say about more for­mal reli­gious ideas of death.

In the lec­ture above, from a 1959 Amer­i­can tele­vi­sion pro­gram, Watts explains a par­tic­u­lar Bud­dhist con­cept of rein­car­na­tion and rebirth through var­i­ous realms. It’s a pic­ture as fan­tas­tic and pic­turesque as Dante’s, and like his cre­ative act, one that can be read with some lit­er­al and much pro­found­ly philo­soph­i­cal sig­nif­i­cance. These con­cep­tions help demon­strate that far from fear­ful, our puz­zling over the inevitabil­i­ty and mys­tery of death can be, as it was for Watts, “one of the most cre­ative thoughts I ever thought in my life.”

Relat­ed Con­tent:

Zen Mas­ter Alan Watts Dis­cov­ers the Secrets of Aldous Hux­ley and His Art of Dying

The Wis­dom of Alan Watts in Four Thought-Pro­vok­ing Ani­ma­tions

The Zen Teach­ings of Alan Watts: A Free Audio Archive of His Enlight­en­ing Lec­tures

 Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

3D Printed Zoetrope Animates Rubens’ Famous Painting, “The Massacre of the Innocents”

In the 17th cen­tu­ry, the Flem­ish Baroque painter Peter Paul Rubens paint­ed “The Mas­sacre of the Inno­cents” (see below), an artis­tic depic­tion of a very brief Bib­li­cal pas­sage in The Gospel of Matthew. The pas­sage recounts the sto­ry of how Herod the Great, a Roman client king of Judea, ordered the exe­cu­tion of young male chil­dren in Beth­le­hem, hop­ing to avoid los­ing his throne to a new­ly-born King of the Jews. And it reads like this:

Then Herod, when he saw that he was deceived by the wise men, was exceed­ing­ly angry; and he sent forth and put to death all the male chil­dren who were in Beth­le­hem and in all its dis­tricts, from two years old and under, accord­ing to the time which he had deter­mined from the wise men. Then was ful­filled what was spo­ken by Jere­mi­ah the prophet, say­ing:

“A voice was heard in Ramah,
Lamen­ta­tion, weep­ing, and great mourn­ing,
Rachel weep­ing for her chil­dren,
Refus­ing to be com­fort­ed,
Because they are no more.”

In the 21st cen­tu­ry, Sebas­t­ian Bur­don and Mat Coll­ishaw have now come along and cre­at­ed “All Things Fall,” a 3d zoetrope that brings the “Mas­sacre of the Inno­cents” to life. Using a 19th cen­tu­ry opti­cal tech­nique that pro­duces the illu­sion of motion, the zoetrope vir­tu­al­ly ani­mates the grue­some Bib­li­cal scene. You can watch it play out, eeri­ly, above.

Accord­ing to Bur­don, it took “6 months to do all the 3d mod­el­ing and ani­ma­tions” and involved “cre­at­ing over 350 char­ac­ter fig­ures, envi­ron­ment ele­ments and archi­tec­ture. A pret­ty stun­ning effort.

Peter_Paul_Rubens_-_Massacre_of_the_Innocents_-_WGA20259

Relat­ed Con­tent:

Down­load Over 250 Free Art Books From the Get­ty Muse­um

Watch Art on Ancient Greek Vas­es Come to Life with 21st Cen­tu­ry Ani­ma­tion

5‑Minute Ani­ma­tion Maps 2,600 Years of West­ern Cul­tur­al His­to­ry

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Enter the Church of the SubGenius, the Parody Religion Backed by R. Crumb, David Byrne & Other Alt-Icons

You may not know much about the Church of the Sub­Ge­nius, but you’ve def­i­nite­ly seen its prophet. The inten­sive­ly groomed, Ward Cleaveresque J. R. “Bob” Dobbs (below) began as a hum­ble piece of 1950s clip art and went on to become “a way of life to mil­lions… yet half of them don’t even know it.” Or so claims the sweep­ing, absur­di­ty-laced, son­i­cal­ly (and per­haps intel­lec­tu­al­ly) twist­ed nar­ra­tion of Arise! The Sub­Ge­nius, an “instruc­tion­al bar­rage video” put out by the Church in 1992 as the most potent dis­til­la­tion of its reli­gion-sat­i­riz­ing sen­si­bil­i­ty.

Arise-Church-SubGenius

The obses­sion with world­wide con­spir­a­cies, the impor­tance grant­ed to vora­cious con­sump­tion and “remix­ing” of pop cul­ture (vis­i­ble every­where in Arise!), the hard­line oppo­si­tion to work, the all-impor­tant and nev­er-defined qual­i­ty of “Slack,” the askew escha­tol­ogy: how much of the Church of the Sub­ge­nius’ doc­trine has remained mere par­o­dy reli­gion, and how much, since its found­ing in the late 1970s, have its â€śfollowers”—a group that includes such alt-icons as David Byrne, Robert Crumb, and Mark Mothersbaugh—come to con­sid­er as good as the real thing?

But what­ev­er legit­i­ma­cy this sur­pris­ing­ly long-run­ning post­mod­ern joke has attained, we can also view it, like all reli­gions, as a cul­tur­al move­ment. This approach rais­es its own ques­tions: how, exact­ly, did Dobbs’ pipe-clench­ing, father­ly yet sin­is­ter vis­age become one of the most rec­og­niz­able sub­cul­tur­al emblems of the 1980s and 1990s? You may nev­er learn the answer, just as you may nev­er get a han­dle on the entire­ty of the Church’s ever more labyrinthine and aggres­sive­ly pre­pos­ter­ous mythol­o­gy, but you’ll cer­tain­ly find it all strange­ly com­pelling in the attempt.

And even if Arise! The Sub­Ge­nius does­n’t recruit you into the Church of the Sub­Ge­nius’ ranks, you’ve got to respect what they’ve pre­dict­ed: not the end of the world, as much as they talk about it, but our cur­rent­ly thriv­ing 21st-cen­tu­ry cul­ture of media appro­pri­a­tion, recon­tex­tu­al­iza­tion, and absur­di­fi­ca­tion. If ever there were a reli­gion for the Youtube era, here it is. And if you find noth­ing nov­el in its char­ac­ter­is­tic ambiva­lence about what counts as seri­ous and what does­n’t, maybe the Church of the Sub­Ge­nius’ teach­ings have pen­e­trat­ed even deep­er into the zeit­geist than all those “Bob” stick­ers made us sus­pect.

via Net­work Awe­some

Relat­ed Con­tent:

Watch 8 Clas­sic Cult Films for Free: Night of the Liv­ing Dead, Plan 9 from Out­er Space & More

When William S. Bur­roughs Joined Sci­en­tol­ogy (and His 1971 Book Denounc­ing It)

Mon­ty Python’s Life of Bri­an: Reli­gious Satire, Polit­i­cal Satire, or Blas­phe­my?

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture as well as the video series The City in Cin­e­ma and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

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