This is not your average car commercial. It has the look and feel of the luxury car commercials you’ve seen so many times. And yet it features a car with 141,095 miles on it. Filmmaker Max Lanman created the ad to help his girlfriend sell her used 1996 Honda Accord. For reasons you’ll quickly understand, the video went viral, clocked more than 5 million views this past week, and when the car was listed on eBay, bids soared to $150,000–before eBay apparently pulled the plug “due to concerns around illegitimate bidding.” Enjoy the ad. And remember, “Luxury is a state of mind.”
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As Halloween draws nigh, our thoughts turn to costumes.
Not those rubbery, poorly constructed, sexy and/or gory off-the-rack readymades, but the sort of lavish, historically accurate, home-sewn affairs that would have earned praise and extra candy, if only our mother had been inclined to spend the bulk of October chained to a sewing machine.
Press someone else’s seams with a straightening iron, then kick back and enjoy the vintage ads, photos of antique garments, and the period information that often accompanies these how-tos. And check out the 1913 patent application for Marie Perillat’s Bust Reducer, a miracle invention designed to “prevent flesh bulging while providing self adjustable, comfortable, hygienic support.”
If you find yourself in New Mexico, traveling down a stretch of Route 66, you can drive over a quarter mile-long rumble strip and your car’s tires will play “America the Beautiful.” That’s assuming you’re driving at the speed limit, 45 miles per hour. Don’t believe me? Watch the clip above.
As Atlas Obscura explains, the “Musical Highway” or “Singing Highway” was “installed in 2014 as part of a partnership between the New Mexico Department of Transportation and the National Geographic Channel.” It’s all part of an elaborate attempt to get drivers to slow down and obey the speed limit. “Getting the rumble strips to serenade travelers required a fair bit of engineering. The individual strips had to be placed at the precise distance from one another to produce the notes they needed to sing their now-signature song.”
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The worlds of the Velvet Underground and Lawrence Welk are pretty far apart. On the one side, you have a gritty New York band city writing lyrics about shooting up heroin. On the other, a bandleader whose “champagne music” charmed TV viewers across Middle America for 27 straight years. And yet. And yet.
In this 2007 YouTube classic, director/producer Darren Hacker found a way to cross the chasm, mashing up VU’s 1968 song “Sister Ray” with footage from the Lawrence Welk Show. As he explained to Dangerous Minds, “I rigged up 2 ancient VCRs and a CD player across my living room floor, layed down on my stomach, cued everything up and then manually activated all 3 devices at precise intervals, live…in real time. One take, no edits…” Everything lined up, just like that.
Enjoy “Lawrence Welk Meets Velvet Underground” and imagine a moment when, circa 1968, VU went mainstream on the milquetoast Lawrence Welk Show.
As curator David Gonzales explains above, he and the 54 Hemingway cats have no plans to evacuate. They’re going to ride out the storm and protect the novelist’s historic home. We wish them all the best. The same goes to all of our friends in Florida. We’ll see you when the storm passes.
In the spirit of Andrew Sullivan’s Mental Health Break, we give you this: The Addams Family Dancing to The Ramones’ 1976 track, “Blitzkrieg Bop.” For a brief moment, forget the hurricanes, the threat of nuclear war, the fires burning in LA, Montana, Washington, DC and the hearts of white supremacists. Breathe in. Breathe out. And repeat after me. “Hey Ho.…..Let’s go!”
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Above you can watch “The Woodswimmer,” a new stop-motion music video shot by Brett Foxwell. As Foxwell describes it, the film was shot with “a straightforward technique but one which is brutally tedious to complete.” Elaborating, he told the website This is Colossal, “Fascinated with the shapes and textures found in both newly-cut and long-dead pieces of wood, I envisioned a world composed entirely of these forms.” “As I began to engage with the material, I conceived a method using a milling machine and an animation camera setup to scan through a wood sample photographically and capture its entire structure. Although a difficult and tedious technique to refine, it yielded gorgeous imagery at once abstract and very real. Between the twisting growth rings, swirling rays, knot holes, termites and rot, I found there is a lot going on inside of wood.”
Finally, Foxwell notes on his personal website: “As a short film began to build from [the filmed sequences], I collaborated with bedtimes, an animator and musician of special talents to write a song and help edit a tight visual and sonic journey through this wondrous and fascinating material. WoodSwimmer is the result.”
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