Filmmaker Creates a Luxury-Style Car Commercial to Sell a 21-Year-Old Used Honda Accord

This is not your aver­age car com­mer­cial. It has the look and feel of the lux­u­ry car com­mer­cials you’ve seen so many times. And yet it fea­tures a car with 141,095 miles on it. Film­mak­er Max Lan­man cre­at­ed the ad to help his girl­friend sell her used 1996 Hon­da Accord. For rea­sons you’ll quick­ly under­stand, the video went viral, clocked more than 5 mil­lion views this past week, and when the car was list­ed on eBay, bids soared to $150,000–before eBay appar­ent­ly pulled the plug “due to con­cerns around ille­git­i­mate bid­ding.” Enjoy the ad. And remem­ber, “Lux­u­ry is a state of mind.”

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

178,000 Images Doc­u­ment­ing the His­to­ry of the Car Now Avail­able on a New Stan­ford Web Site

Hunter S. Thompson’s Edgy 1990s Com­mer­cial for Apple’s Mac­in­tosh Com­put­er: A Med­i­ta­tion on Pow­er

Jim Henson’s Com­mer­cials for Wilkins Cof­fee: 15 Twist­ed Min­utes of Mup­pet Cof­fee Ads (1957–1961)

 

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An Online Trove of Historic Sewing Patterns & Costumes

As Hal­loween draws nigh, our thoughts turn to cos­tumes.

Not those rub­bery, poor­ly con­struct­ed, sexy and/or gory off-the-rack ready­mades, but the sort of lav­ish, his­tor­i­cal­ly accu­rate, home-sewn affairs that would have earned praise and extra can­dy, if only our moth­er had been inclined to spend the bulk of Octo­ber chained to a sewing machine.

Not that one needs the excuse of a hol­i­day to suit up in a fluffy 50’s crino­line, a Tudor-style kir­tle gown, or a 16th-cen­tu­ry Flem­ish out­fit with all the trim­mings.…

Accoun­tant Artemisia Moltaboc­ca, cre­ator of the his­tor­i­cal and cos­play cos­tum­ing blog Cos­tum­ing Diary, has primed our pump with a list of free his­tor­i­cal medieval, Eliz­a­bethan and Vic­to­ri­an pat­terns, includ­ing ones for the gar­ments men­tioned above.

Click through the many links on her site and you may find your­self tum­bling down a rab­bit hole of some oth­er cos-play­er’s gen­eros­i­ty.

That link to the cus­tom corset pat­tern gen­er­a­tor may set you on the road to cre­at­ing a per­fect­ly fit­ted Viking apron or a good-for-begin­ners tunic. (Bring out yer dead!)

Fan­cy even more choic­es? Moltabocca’s Free His­tor­i­cal Cos­tume Pat­terns Pin­ter­est board is a ver­i­ta­ble trove of dress-up fun.

The Los Ange­les Coun­ty Muse­um of Art’s Cos­tume and Tex­tiles Project has detailed down­load­able PDFs to walk you through con­struc­tion of such anachro­nis­tic fin­ery as a 1940’s Zoot Suit, a 19th-cen­tu­ry boy’s frock (above), and a man’s vest with remov­able chest pads (hub­ba hub­ba).

An 1812 Ohio Mili­tia Officer’s Coat from the Ohio His­tor­i­cal Soci­ety.

A pair of Nan­keen Trousers cour­tesy of the Roy­al Ontario Muse­um.

A bul­let bra (hub­ba bub­ba redux!)—pair it with a 1940s Vogue hat and hand­bag and you’re ready to go!

A Regency Drawn Bon­net and an Improved Seam­less Whale­bone Under­skirt from E. & J. Holmes & Co, Boston, 1857.

If you’re feel­ing less than con­fi­dent about your sewing abil­i­ties, you might make like an upper-class Roman in an Ion­ian chi­ton.

Or just curl a syn­thet­ic wig!

Press some­one else’s seams with a straight­en­ing iron (above), then kick back and enjoy the vin­tage ads, pho­tos of antique gar­ments, and the peri­od infor­ma­tion that often accom­pa­nies these how-tos. And check out the 1913 patent appli­ca­tion for Marie Perillat’s Bust Reduc­er, a mir­a­cle inven­tion designed to “pre­vent flesh bulging while pro­vid­ing self adjustable, com­fort­able, hygien­ic sup­port.”

Begin with some of Cos­tum­ing Diary’s his­tor­i­cal sewing pat­terns before delv­ing into its mas­sive pat­tern col­lec­tion board on Pin­ter­est.

Relat­ed Con­tent:

Browse a Col­lec­tion of Over 83,500 Vin­tage Sewing Pat­terns

Kandin­sky, Klee & Oth­er Bauhaus Artists Designed Inge­nious Cos­tumes Like You’ve Nev­er Seen Before

1930s Fash­ion Design­ers Pre­dict How Peo­ple Would Dress in the Year 2000

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Her cur­rent sewing project is 19 head­pieces for Theater of the Apes Sub-Adult Division’s upcom­ing pro­duc­tion of Ani­mal Farm at the Tank in New York City. Fol­low her @AyunHalliday.

If You Drive Down a Stretch of Route 66, the Road Will Play “America the Beautiful”

If you find your­self in New Mex­i­co, trav­el­ing down a stretch of Route 66, you can dri­ve over a quar­ter mile-long rum­ble strip and your car’s tires will play “Amer­i­ca the Beau­ti­ful.”  That’s assum­ing you’re dri­ving at the speed lim­it, 45 miles per hour. Don’t believe me? Watch the clip above.

As Atlas Obscu­ra explains, the “Musi­cal High­way” or “Singing High­way” was “installed in 2014 as part of a part­ner­ship between the New Mex­i­co Depart­ment of Trans­porta­tion and the Nation­al Geo­graph­ic Chan­nel.” It’s all part of an elab­o­rate attempt to get dri­vers to slow down and obey the speed lim­it. “Get­ting the rum­ble strips to ser­e­nade trav­el­ers required a fair bit of engi­neer­ing. The indi­vid­ual strips had to be placed at the pre­cise dis­tance from one anoth­er to pro­duce the notes they need­ed to sing their now-sig­na­ture song.”

You’ll find this par­tic­u­lar stretch of road between Albu­querque and Tijeras. Here’s the loca­tion on Google Maps. Oth­er musi­cal rum­ble strips have popped up in Den­mark, Japan and South Korea.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

The Negro Trav­el­ers’ Green Book, the Pre-Civ­il Rights Guide to Trav­el­ing Safe­ly in the U.S. (1936–66)

Jack Kerouac’s On The Road Turned Into Google Dri­ving Direc­tions & Pub­lished as a Free eBook

Ancient Rome’s Sys­tem of Roads Visu­al­ized in the Style of Mod­ern Sub­way Maps

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The Velvet Underground Meets Lawrence Welk

The worlds of the Vel­vet Under­ground and Lawrence Welk are pret­ty far apart. On the one side, you have a grit­ty New York band city writ­ing lyrics about shoot­ing up hero­in. On the oth­er, a band­leader whose “cham­pagne music” charmed TV view­ers across Mid­dle Amer­i­ca for 27 straight years. And yet. And yet.

In this 2007 YouTube clas­sic, director/producer Dar­ren Hack­er found a way to cross the chasm, mash­ing up VU’s 1968 song “Sis­ter Ray” with footage from the Lawrence Welk Show. As he explained to Dan­ger­ous Minds, “I rigged up 2 ancient VCRs and a CD play­er across my liv­ing room floor, layed down on my stom­ach, cued every­thing up and then man­u­al­ly acti­vat­ed all 3 devices at pre­cise inter­vals, live…in real time. One take, no edits…” Every­thing lined up, just like that.

Enjoy “Lawrence Welk Meets Vel­vet Under­ground” and imag­ine a moment when, cir­ca 1968, VU went main­stream on the mil­que­toast Lawrence Welk Show.

Relat­ed Con­tent:

An Ani­ma­tion of The Vel­vet Underground’s “Sun­day Morn­ing” … for Your Sun­day Morn­ing

A Sym­pho­ny of Sound (1966): Vel­vet Under­ground Impro­vis­es, Warhol Films It, Until the Cops Turn Up

The Vel­vet Under­ground & Andy Warhol Stage Pro­to-Punk Per­for­mance Art: Dis­cov­er the Explod­ing Plas­tic Inevitable (1966)

Hear Lost Acetate Ver­sions of Songs from The Vel­vet Under­ground & Nico (1966)

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54 Cats Riding Out Hurricane Irma in Ernest Hemingway’s Key West Home

The Ernest Hem­ing­way Home and Muse­um pro­vides a sanc­tu­ary to 54 poly­dactyl (six-toed) cats.  Accord­ing to the muse­um, a ship cap­tain once gave Ernest a white six-toed cat, and now some of its descen­dents live in the Hem­ing­way Home and Muse­um locat­ed in Key West–precisely where Hur­ri­cane Irma is now mak­ing land­fall.

As cura­tor David Gon­za­les explains above, he and the 54 Hem­ing­way cats have no plans to evac­u­ate. They’re going to ride out the storm and pro­tect the nov­el­ist’s his­toric home. We wish them all the best. The same goes to all of our friends in Flori­da. We’ll see you when the storm pass­es.

You can see some of the Hem­ing­way poly­dactyl cats here.

via Metafil­ter

Relat­ed Con­tent:

Sev­en Tips From Ernest Hem­ing­way on How to Write Fic­tion

Ernest Hem­ing­way Cre­ates a Read­ing List for a Young Writer, 1934

Hem­ing­way, Fitzger­ald, Faulkn­er: A Free Yale Course

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The Addams Family Dance to The Ramones’ “Blitzkrieg Bop”

In the spir­it of Andrew Sul­li­van’s Men­tal Health Break, we give you this: The Addams Fam­i­ly Danc­ing to The Ramones’ 1976 track, “Blitzkrieg Bop.” For a brief moment, for­get the hur­ri­canes, the threat of nuclear war, the fires burn­ing in LA, Mon­tana, Wash­ing­ton, DC and the hearts of white suprema­cists. Breathe in. Breathe out. And repeat after me. “Hey Ho.…..Let’s go!”

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

John Astin, From The Addams Fam­i­ly, Recites “The Raven” as Edgar Allan Poe

Talk­ing Heads Per­form The Ramones’ “I Wan­na Be Your Boyfriend” Live in 1977 (and How the Bands Got Their Start Togeth­er)

The Ramones’ First Press Release: We’re Part Musi­cians, Den­tists & Degen­er­ates (1975)

Hear Joey Ramone Sing a Piece by John Cage Adapt­ed from James Joyce’s Finnegans Wake

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Watch “The Woodswimmer,” a Stop Motion Film Made Entirely with Wood, and “Brutally Tedious” Techniques

Above you can watch “The Woodswim­mer,” a new stop-motion music video shot by Brett Foxwell. As Foxwell describes it, the film was shot with “a straight­for­ward tech­nique but one which is bru­tal­ly tedious to com­plete.”  Elab­o­rat­ing, he told the web­site This is Colos­sal, “Fas­ci­nat­ed with the shapes and tex­tures found in both new­ly-cut and long-dead pieces of wood, I envi­sioned a world com­posed entire­ly of these forms.”  “As I began to engage with the mate­r­i­al, I con­ceived a method using a milling machine and an ani­ma­tion cam­era set­up to scan through a wood sam­ple pho­to­graph­i­cal­ly and cap­ture its entire struc­ture. Although a dif­fi­cult and tedious tech­nique to refine, it yield­ed gor­geous imagery at once abstract and very real. Between the twist­ing growth rings, swirling rays, knot holes, ter­mites and rot, I found there is a lot going on inside of wood.”

Final­ly, Foxwell notes on his per­son­al web­site: “As a short film began to build from [the filmed sequences], I col­lab­o­rat­ed with bed­times, an ani­ma­tor and musi­cian of spe­cial tal­ents to write a song and help edit a tight visu­al and son­ic jour­ney through this won­drous and fas­ci­nat­ing mate­r­i­al. WoodSwim­mer is the result.”

Watch it, in all of its glo­ry, above.

via This is Colos­sal

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

The His­to­ry of Stop-Motion Films: 39 Films, Span­ning 116 Years, Revis­it­ed in a 3‑Minute Video

Watch The Amaz­ing 1912 Ani­ma­tion of Stop-Motion Pio­neer Ladis­las Stare­vich, Star­ring Dead Bugs

Mes­mer­iz­ing GIFs Illus­trate the Art of Tra­di­tion­al Japan­ese Wood Join­ery — All Done With­out Screws, Nails, or Glue

Watch Japan­ese Wood­work­ing Mas­ters Cre­ate Ele­gant & Elab­o­rate Geo­met­ric Pat­terns with Wood

Siri Can Sing Queen’s “Bohemian Rhapsody”

It’s true. And you can try it your­self, at home. Just sing “I see a lit­tle sil­hou­et­to of a man.” Then let Siri do the rest.

Have fun!

Relat­ed Con­tent:

65,000 Fans Break Into a Sin­ga­long of Queen’s “Bohemi­an Rhap­sody” at a Green Day Con­cert in London’s Hyde Park

1910 Fair­ground Organ Plays Queen’s “Bohemi­an Rhap­sody,” and It Works Like a Charm

Inside the Rhap­sody: A Short Doc­u­men­tary on the Mak­ing of Queen’s Clas­sic Song, ‘Bohemi­an Rhap­sody’ (2002)

Bohemi­an Grav­i­ty: String The­o­ry Explored With an A Cap­pel­la Ver­sion of Bohemi­an Rhap­sody

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Open Culture was founded by Dan Colman.