Enjoy, but the rule is once you start, you have to listen through to the very, very end. :)
A couple weeks back, Burls Art dared to make a Stratocaster out of 1200 Crayola colored pencils. Now comes a Telecaster-style guitar, which Fender first put into production back in 1950. You can watch it get made, from start to finish, in the 11-minute video above.
On a more serious note, anyone interested in the history of the electric guitar–particularly the Strat, Tele and Les Paul–should spend time with the new book by Ian S. Port, The Birth of Loud: Leo Fender, Les Paul, and the Guitar-Pioneering Rivalry That Shaped Rock ‘n’ Roll. It offers a pretty rich and lively account of the inventors and instruments who created a new modern sound. If interested, you can get The Birth of Loud as a free audiobook if you sign up for Audible.com’s free trial program. Find details on that here.
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From composer and electronic musician Isaac Schankler comes an experimental take on Beethoven’s Moonlight Sonata. As the title says, the bass is a bar late and the melody is a bar early. Sheet music for the experiment can be found here. And some of Schankler’s more serious compositions here.
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If you would like to support the mission of Open Culture, consider making a donation to our site. It’s hard to rely 100% on ads, and your contributions will help us continue providing the best free cultural and educational materials to learners everywhere. You can contribute through PayPal, Patreon, and Venmo (@openculture). Thanks!
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How Did Beethoven Compose His 9th Symphony After He Went Completely Deaf?
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Alice’s Restaurant. It’s now a Thanksgiving classic, and something of a tradition around here. Recorded in 1967, the 18+ minute counterculture song recounts Arlo Guthrie’s real encounter with the law, starting on Thanksgiving Day 1965. As the long song unfolds, we hear all about how a hippie-bating police officer, by the name of William “Obie” Obanhein, arrested Arlo for littering. (Cultural footnote: Obie previously posed for several Norman Rockwell paintings, including the well-known painting, “The Runaway,” that graced a 1958 cover of The Saturday Evening Post.) In fairly short order, Arlo pleads guilty to a misdemeanor charge, pays a $25 fine, and cleans up the thrash. But the story isn’t over. Not by a long shot. Later, when Arlo (son of Woody Guthrie) gets called up for the draft, the petty crime ironically becomes a basis for disqualifying him from military service in the Vietnam War. Guthrie recounts this with some bitterness as the song builds into a satirical protest against the war: “I’m sittin’ here on the Group W bench ’cause you want to know if I’m moral enough to join the Army, burn women, kids, houses and villages after bein’ a litterbug.” And then we’re back to the cheery chorus again: “You can get anything you want, at Alice’s Restaurant.”
We have featured Guthrie’s classic during past years. But, for this Thanksgiving, we give you the illustrated version. Happy Thanksgiving to everyone who plans to celebrate the holiday today.
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If you would like to support the mission of Open Culture, consider making a donation to our site. It’s hard to rely 100% on ads, and your contributions will help us continue providing the best free cultural and educational materials to learners everywhere. You can contribute through PayPal, Patreon, and Venmo (@openculture). Thanks!
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William S. Burroughs Reads His Sarcastic “Thanksgiving Prayer” in a 1988 Film By Gus Van Sant
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William Shatner Raps About How to Not Kill Yourself Deep Frying a Turkey
F. Scott Fitzgerald’s 13 Tips for What to Do with Your Leftover Thanksgiving Turkey
Austin Weber traveled to Kyoto and sang ABBA’s “Mamma Mia” in a big cold river. What made the resulting video so strangely compelling? Maybe, as one YouTube commenter noted, it’s that the “video has about 100 pixels but every one is used to their full potential.” Or maybe, as another YouTuber said, “it’s the synthy ABBA, the goofy zooms and editing, or the bittersweet premise combined with the song.” Or maybe it’s that the video simply “brings us back to the mid 2000’s,” when our YouTube culture all got started. It’s hard to know. But maybe we shouldn’t overthink it and just enjoy.
If you would like to sign up for Open Culture’s free email newsletter, please find it here. Or follow our posts on Threads, Facebook, BlueSky or Mastodon.
If you would like to support the mission of Open Culture, consider making a donation to our site. It’s hard to rely 100% on ads, and your contributions will help us continue providing the best free cultural and educational materials to learners everywhere. You can contribute through PayPal, Patreon, and Venmo (@openculture). Thanks!
Someone in the Office of Sheriff, in Monroe County, New York, has a good sense of humor. And if you’re from the Looney Tunes/Merrie Melodies generation, you will get a good laugh.
In other news, Warner Bros. just announced that it’s developing an animated Wile E. Coyote movie, some 70 years after he first appeared on the screen. Appropriately the film is called, Coyote vs. Acme. Somehow that pummeled coyote manages to endure.
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Gavin Free and Dan Gruchy, otherwise known as “The Slow Mo Guys,” took a vinyl record and spun it so fast that it shattered into roughly 50,000 pieces–give or take a few. Thanks to a Phantom v2640 camera, you can watch things disintegrate in slow motion, at about 12,500 frames per second. In a previous episode recorded several years ago, Free and Gruchy pushed a CD to its physical limits. You can watch that here.
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How Vinyl Records Are Made: A Primer from 1956