Christopher Hitchens Remembers Ayatollah Khomeini’s Fatwa Against His Friend Salman Rushdie, 2010

When his tele­phone rang on Feb­ru­ary 14, 1989, Christo­pher Hitchens was thun­der­struck. A news­pa­per reporter was on the line, ask­ing for his reac­tion to a radio speech from Tehran ear­li­er that day in which the theo­crat­ic ruler of Iran, Aya­tol­lah Ruhol­lah Komei­ni, called on Mus­lims around the world to mur­der his friend the nov­el­ist Salman Rushdie because of some­thing Rushdie had writ­ten in his book The Satan­ic Vers­es. As Hitchens lat­er wrote in his mem­oir, Hitch-22:

I felt at once that here was some­thing that com­plete­ly com­mit­ted me. It was, if I can phrase it like this, a mat­ter of every­thing I hat­ed ver­sus every­thing I loved. In the hate col­umn: dic­ta­tor­ship, reli­gion, stu­pid­i­ty, dem­a­gogy, cen­sor­ship, bul­ly­ing, and intim­i­da­tion. In the love col­umn: lit­er­a­ture, irony, humor, the indi­vid­ual, and the defense of free expres­sion. Plus, of course, friendship–though I like to think that my reac­tion would have been the same if I had­n’t known Salman at all. To re-state the premise of the argu­ment again: the theo­crat­ic head of a for­eign despo­tism offers mon­ey in his own name in order to sub­orn the mur­der of a civil­ian cit­i­zen of anoth­er coun­try, for the offense of writ­ing a work of fic­tion. No more root-and-branch chal­lenge to the val­ues of the Enlight­en­ment (on the bicen­ten­ni­al of the fall of the Bastille) or to the First Amend­ment to the Con­sti­tu­tion, could be imag­ined.

Rushdie went into hid­ing, but his Japan­ese trans­la­tor, Hitoshi Igarashi, was mur­dered, and attempts were made against the lives of sev­er­al oth­er trans­la­tors and a pub­lish­er. Book­stores in Eng­land and Cal­i­for­nia were fire­bombed, and many more received threats of vio­lence. The pub­lic reac­tion to all of this was a bit­ter dis­ap­point­ment to Hitchens. In his book, God is Not Great: How Reli­gion Poi­sons Every­thing, he wrote:

One might have thought that such arro­gant state-spon­sored homi­cide, direct­ed at a lone­ly and peace­ful indi­vid­ual who pur­sued a life devot­ed to lan­guage, would have called forth a gen­er­al con­dem­na­tion. But such was not the case. In con­sid­ered state­ments, the Vat­i­can, the arch­bish­op of Can­ter­bury, the chief sephardic rab­bi of Israel all took a stand in sym­pa­thy with–the aya­tol­lah. So did the car­di­nal arch­bish­op of New York and many oth­er less­er reli­gious fig­ures. While they usu­al­ly man­aged a few words in which to deplore the resort to vio­lence, all these men stat­ed that the main prob­lem raised by the pub­li­ca­tion of The Satan­ic Vers­es was not mur­der by mer­ce­nar­ies, but blas­phe­my. Some pub­lic fig­ures not in holy orders, such as the Marx­ist writer John Berg­er, the Tory his­to­ri­an Hugh Trevor-Rop­er, and the doyen of espi­onage authors John Le Car­ré, also pro­nounced that Rushdie was the author of his own trou­bles, and had brought them on him­self by “offend­ing” a great monothe­is­tic reli­gion. There seemed noth­ing fan­tas­tic, to these peo­ple, in the British police hav­ing to defend an Indi­an-born ex-Mus­lim cit­i­zen from a con­cert­ed cam­paign to take his life in the name of god.

This month Rushdie pub­lished Joseph Anton: A Mem­oir, describ­ing his nine-years of life in hid­ing under the Ayotol­lah’s death order. The new book’s rel­e­vance could not be more obvi­ous, giv­en the Anti-Amer­i­can riot­ing that broke out in much of the Mus­lim world this month in reac­tion to a YouTube video called Inno­cence of Mus­lims. Hitchens died last Decem­ber, and his voice in the mat­ter is sore­ly missed. But it isn’t hard to imag­ine what he might have said. In a 2009 Van­i­ty Fair essay, “Assas­sins of the Mind,” Hitchens wrote: “For our time and gen­er­a­tion, the great con­flict between the iron­ic mind and the lit­er­al mind, the exper­i­men­tal and the dog­mat­ic, the tol­er­ant and the fanat­i­cal, is the argu­ment that was kin­dled by The Satan­ic Vers­es.”

For a recent dis­cus­sion with Rushdie, lis­ten to his Sep­tem­ber 21 inter­view with Studio360:

Fear of a Female Planet: Kim Gordon (Sonic Youth) on Why Russia and the US Need a Pussy Riot

Coura­geous fem­i­nist punk band Pussy Riot has received more pub­lic expo­sure than they ever could have hoped for since three mem­bers were arrest­ed after a Feb­ru­ary 21st per­for­mance at Moscow’s Christ the Sav­ior Cathe­dral and charged with “hooli­gan­ism.” The band formed last Sep­tem­ber in direct response to Vladimir Putin’s deci­sion to seek the pres­i­den­cy again in March 2012, and they have demon­strat­ed against his rule ever since, stag­ing con­fronta­tion­al, but non-vio­lent, protest per­for­mances in Red Square and oth­er Russ­ian land­marks. They draw much of their ener­gy and inspi­ra­tion from work­ing-class British Oi! bands of the 80s, the Amer­i­can fem­i­nist punk of the 90s Riot Grrrl move­ment, and from the stal­wart Son­ic Youth, whose three decade run has put singer/bassist Kim Gor­don in the spot­light as a musi­cian, artist, and icon.

In the video inter­view above from Explod­ed View, Gor­don offers her take on Pussy Riot’s sig­nif­i­cance and their rel­e­vance to the polit­i­cal strug­gles of women in the U.S.. Gor­don reads Pussy Riot as “dis­si­dent art… tar­get­ed as a weapon” against a sys­tem, and its author­i­tar­i­an leader, that has wide­ly sup­pressed dis­sent. Like the noto­ri­ous online col­lec­tive Anony­mous and their end­less­ly pro­lif­er­at­ing Guy Fawkes masks, Pussy Riot eschews the trap­pings of indi­vid­ual fame, wear­ing bal­a­clavas to obscure their iden­ti­ties. As they state in a Vice Mag­a­zine inter­view before the arrests, “new mem­bers can join the bunch and it does not real­ly mat­ter who takes part in the next act—there can be three of us or eight, like in our last gig on the Red Square, or even 15. Pussy Riot is a pul­sat­ing and grow­ing body.” The band keeps its focus on the body, as a grow­ing col­lec­tive or as a sym­bol of resis­tance to patri­ar­chal con­trol. One mem­ber explains the band’s name in the Vice inter­view:

A female sex organ, which is sup­posed to be receiv­ing and shape­less, sud­den­ly starts a rad­i­cal rebel­lion against the cul­tur­al order, which tries to con­stant­ly define it and show its appro­pri­ate place. Sex­ists have cer­tain ideas about how a woman should behave, and Putin, by the way, also has a cou­ple thoughts on how Rus­sians should live. Fight­ing against all that—that’s Pussy Riot.

The choice of name—which has forced dozens of news­cast­ers to say the word “pussy” with a straight face—is, in all seri­ous­ness, a point­ed ref­er­ence to what Gor­don calls a “fear of women,” which may explain what near­ly every­one who has an opin­ion on the case char­ac­ter­izes as an extreme­ly dis­pro­por­tion­ate sen­tence for the three con­vict­ed mem­bers. As Gor­don says above, “Clear­ly Putin is afraid.” Relat­ing the events in Rus­sia to the back­lash against women’s leg­isla­tive gains in this coun­try, Gor­don says, “what’s going on in Wash­ing­ton is real­ly indica­tive of that [fear],” and she won­ders “why there aren’t more men who aren’t con­cerned about it or bring­ing it up. It’s beyond a women’s issue.” Nev­er­the­less, she strong­ly implies that the U.S. is ripe for a “pussy riot”—a new punk-rock women’s movement—since “women make nat­ur­al anar­chists and rev­o­lu­tion­ar­ies because they’ve always been sec­ond-class cit­i­zens and had to claw their way up.”

Pussy Riot has cit­ed Son­ic Youth’s “Kool Thing” (above) as an influ­ence, a taunt­ing fem­i­nist retort to male come-ons that asks its tar­get “are you gonna lib­er­ate us girls / From male white cor­po­rate oppres­sion?” The unstat­ed answer is, no, he isn’t. As Gor­don implies above, and as Pussy Riot explain in an inter­view with The Guardian below, the only response to so-called “wars on women” every­where may be a “fem­i­nist whip”:

Josh Jones is a doc­tor­al can­di­date in Eng­lish at Ford­ham Uni­ver­si­ty and a co-founder and for­mer man­ag­ing edi­tor of Guer­ni­ca / A Mag­a­zine of Arts and Pol­i­tics.

 

Franklin D. Roosevelt Says to Moneyed Interests (EG Bankers) in 1936: “I Welcome Their Hatred!”

In 1936 Franklin D. Roo­sevelt was seek­ing a sec­ond term as pres­i­dent of the Unit­ed States. Hav­ing assum­ing the office in the depths of the Great Depres­sion, Roo­sevelt had sta­bi­lized and reformed the bank­ing sys­tem, put mil­lions of unem­ployed peo­ple to work build­ing pub­lic infra­struc­ture, and cre­at­ed Social Secu­ri­ty to bring mil­lions of elder­ly cit­i­zens out of pover­ty.

The reforms, known col­lec­tive­ly as the New Deal, were pop­u­lar with the major­i­ty of cit­i­zens. But by the next pres­i­den­tial elec­tion year the bankers and busi­ness­men were push­ing back hard. Although Roo­sevelt came from a priv­i­leged back­ground, he was despised by many in his social class. Unfazed, Roo­sevelt bold­ly pro­claimed in his famous cam­paign speech of Octo­ber 31, 1936: “I wel­come their hatred!”

With Pres­i­dent Barack Oba­ma prepar­ing to address the Demo­c­ra­t­ic Nation­al Con­ven­tion tomor­row night it might be an inter­est­ing time to lis­ten to a lit­tle of Roo­sevelt’s speech, which he deliv­ered at Madi­son Square Gar­den in New York City three days before the elec­tion. In the audio clip above he talks about how things were in Amer­i­ca before he took office, and about the forces seek­ing to drag the coun­try back:

For twelve years this nation was afflict­ed with hear-noth­ing, see-noth­ing, do-noth­ing gov­ern­ment. The nation looked to gov­ern­ment but the gov­ern­ment looked away. Nine mock­ing years with the gold­en calf and three long years of the scourge! Nine crazy years at the tick­er and three long years in the bread­lines! Nine mad years of mirage and three long years of despair! And, my friends, pow­er­ful influ­ences strive today to restore that kind of gov­ern­ment with its doc­trine that that gov­ern­ment is best which is most indif­fer­ent to mankind.

Roo­sevelt defeat­ed his oppo­nent Alf Lan­don, the Repub­li­can gov­er­nor of Kansas, by a his­toric land­slide, tak­ing more than 60 per­cent of the pop­u­lar vote and all but eight of the 531 elec­toral votes. To read the full text of Roo­sevelt’s speech, click here.

Relat­ed con­tent:

‘The Right of the Peo­ple to Rule’: Hear Theodore Roo­sevelt Speak

Ayn Rand’s Philosophy and Her Resurgence in 2012: A Quick Primer by Stanford Historian Jennifer Burns

The Col­bert Report Mon — Thurs 11:30pm / 10:30c
Jen­nifer Burns
www.colbertnation.com
Col­bert Report Full Episodes Polit­i­cal Humor & Satire Blog Video Archive

In 2009, Stan­ford his­to­ri­an Jen­nifer Burns pub­lished God­dess of the Mar­ket: Ayn Rand and the Amer­i­can Right, which traced Rand’s intel­lec­tu­al devel­op­ment and her rela­tion­ship to the con­ser­v­a­tive and lib­er­tar­i­an move­ments. It was some­what for­tu­nate tim­ing. Indeed, from the first day Pres­i­dent Oba­ma took office, the defend­ers of pre-2008 cap­i­tal­ism began buy­ing Rand’s well-known book, Atlas Shrugged, by the dozens. Now, with Paul Ryan, a card-car­ry­ing Ran­di­an, get­ting the VP nod from the Grand Old Par­ty, Burns and her book are get­ting anoth­er moment back in the spot­light. They’re help­ing answer some very basic ques­tions peo­ple might have: How do you pro­nounce her first name? What is her phi­los­o­phy of objec­tivism all about? Why does the right adore some­one who mer­ci­less­ly mocked their core reli­gious beliefs? And, what would Rand have thought about a polit­i­cal fig­ure like Paul Ryan? Would the love have been rec­i­p­ro­cat­ed?

They’re all good ques­tions — ones that Burns recent­ly addressed on The Col­bert Report (above), in the Op-Ed pages of The New York Times, and now in the lat­est edi­tion of Stan­ford Mag­a­zine. We’ve extract­ed a few of the key Q & A’s:

First things first, I always stum­ble on her name. What is the cor­rect pro­nun­ci­a­tion of Ayn?

Here’s a good trick to remem­ber it. In keep­ing with her phi­los­o­phy of self­ish­ness, “Ayn” rhymes with the word “mine.”

So what does Rand’s phi­los­o­phy of objec­tivism boil down to?

Here is how Rand summed it up in ten words or less: “meta­physics: objec­tive real­i­ty; epis­te­mol­o­gy: rea­son; ethics: self-inter­est; pol­i­tics: cap­i­tal­ism.”

If I was going to break that down a lit­tle bit, meta­physics is objec­tive real­i­ty, which means we can only rely on our mind and on rea­son. It’s our only guide to thought and action. Epis­te­mol­o­gy, rea­son. The only way we can know any­thing is through the rea­son­ing mind. Ethics, self-inter­est. Rand claimed that self­ish­ness was a virtue. It was vir­tu­ous to pur­sue your own inter­ests and defend your own inter­ests. And pol­i­tics is cap­i­tal­ism because lais­sez-faire cap­i­tal­ism for her was the only sys­tem that allowed the indi­vid­ual to real­ize his or her full poten­tial and to keep the fruits of his or her labor and not be oblig­at­ed to oth­ers or pun­ished for suc­cess.

Was she con­cerned about the less for­tu­nate?

That was not a big part of her ethics. Her ethics were based on the indi­vid­ual and on the individual’s right to pur­sue his or her goals. The indi­vid­ual was not oblig­at­ed to oth­er peo­ple. If you chose, because of your own val­ues, to help oth­er peo­ple or to engage in char­i­ty, that was fine, but that did not make you a moral per­son. What made you a moral per­son is rely­ing on your­self, pur­su­ing your own inter­ests, and not being a bur­den on oth­ers.

Some of the char­ac­ters she depicts the most neg­a­tive­ly in her nov­els are peo­ple like social work­ers. She thought social work­ers were [about] the most evil peo­ple pos­si­ble because they made their lives on the mis­ery of oth­ers. Moral­i­ty and ethics, for her, had noth­ing to do with help­ing oth­er peo­ple.

Why has Ryan start­ed to mea­sure his sup­port for her?

She is very hard for politi­cians to embrace because not only is she not reli­gious, she’s antire­li­gious. The fact that Ryan gave Atlas Shrugged as a Christ­mas gift [to staffers] is a tremen­dous irony because Rand was a fire-breath­ing athe­ist. She did not believe in God. She called reli­gion a psy­cho­log­i­cal dis­or­der. She tru­ly believed you need­ed to use rea­son and log­ic and no faith what­so­ev­er.

So as Ryan’s star began to rise, he quick­ly began to back away from her for that very rea­son. And he made this sort of clum­sy sub­sti­tu­tion of St. Thomas Aquinas as his major inspi­ra­tion rather than Ayn Rand, although he’s on the record in mul­ti­ple places very recent­ly talk­ing about Rand and not talk­ing about Aquinas.

You can read the full inter­view here.

Relat­ed Con­tent: 

Ayn Rand Instructs John­ny Car­son on the Virtue of Self­ish­ness, 1967

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Henry Rollins Pitches Education as the Key to Restoring Democracy

Hen­ry Rollins had dropped out of col­lege and was work­ing at a Haa­gen-Dazs in Wash­ing­ton, DC when he joined the sem­i­nal L.A. hard­core punk band Black Flag in 1981, a career move that would shape the rest of the singer/author/actor/activist’s life. And although he left high­er edu­ca­tion for a more indi­vid­u­al­ized path, Rollins has a very high regard for the poten­tial of a good edu­ca­tion to change peo­ple’s lives.

We’ve pre­vi­ous­ly fea­tured Rollins’ moti­va­tion­al Big Think talk to young peo­ple on the dan­gers of resent­ment. In the short, but equal­ly inspir­ing, talk above–from the same set of inter­views–Rollins describes edu­ca­tion as the engine of a demo­c­ra­t­ic soci­ety, “the great equal­iz­er.” For Rollins, edu­ca­tion is the key to a “more vig­or­ous democ­ra­cy.” And although he makes some arguable claims about the pos­si­bil­i­ty of edu­ca­tion­al reform to sub­stan­tial­ly dimin­ish the effects of insti­tu­tion­al­ized racism and pover­ty, his view of what an edu­ca­tion should be cor­re­sponds to what edu­ca­tion­al reform­ers have stressed for decades—that mov­ing to a focus on crit­i­cal think­ing, rather than “teach­ing to the test,” is a shift that needs to hap­pen in order for stu­dents to become curi­ous, inten­tion­al, and inde­pen­dent learn­ers and, ulti­mate­ly, free and inde­pen­dent cit­i­zens.

Rollins spec­u­lates that cer­tain polit­i­cal actors and vest­ed inter­ests delib­er­ate­ly block edu­ca­tion­al reform to main­tain the sta­tus quo. Whether or not you accept his analy­sis, there’s no deny­ing that the state of pri­ma­ry, sec­ondary, and high­er edu­ca­tion in the U.S. is dire, and the func­tion­al effi­ca­cy of our demo­c­ra­t­ic process seems con­stant­ly in jeop­ardy. Allud­ing to the dic­tum attrib­uted to Thomas Jef­fer­son (who may not have actu­al­ly writ­ten this) that “An edu­cat­ed cit­i­zen­ry is a vital req­ui­site for our sur­vival as a free peo­ple,” Rollins believes that edu­ca­tion­al reforms offer “the way out” of our cur­rent polit­i­cal grid­lock and of the despair­ing sit­u­a­tions under­priv­i­leged peo­ple are born into. I think he makes a pret­ty com­pelling case in just under four min­utes.

Josh Jones is a doc­tor­al can­di­date in Eng­lish at Ford­ham Uni­ver­si­ty and a co-founder and for­mer man­ag­ing edi­tor of Guer­ni­ca / A Mag­a­zine of Arts and Pol­i­tics.

Russian Punk Band, Sentenced to Two Years in Prison for Deriding Putin, Releases New Single

Yes­ter­day was­n’t par­tic­u­lar­ly a good day for the free­dom of expres­sion in Rus­sia. On the same day that a top court banned gay pride march­es in Moscow for the next 100 years, three young mem­bers of the punk band Pussy Riot were sen­tenced to two years in a penal colony. Their crime?  Stag­ing an anti Putin protest on the altar of the Cathe­dral of Christ the Sav­ior in Moscow. Protests sup­port­ing Pussy Riot were held in 60 cities world­wide (includ­ing one in the cap­i­tal where chess cham­pi­on Gar­ry Kas­parov was beat­en by police); West­ern gov­ern­ments called the sen­tence dis­pro­por­tion­ate; and already the band has released a new sin­gle called “Putin Lights Up the Fires.” The Guardian has cre­at­ed an accom­pa­ny­ing video. Watch it above.…

via Boing­Bo­ing

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Ayn Rand (Paul Ryan’s Moral Heroine) Instructs Johnny Carson on the Virtue of Selfishness, 1967

Since Wis­con­sin Sen­a­tor Paul Ryan may soon be only a heart­beat away from the pres­i­den­cy of the Unit­ed States, it might be good to pause for a moment and con­sid­er the man’s val­ues. In par­tic­u­lar, it might make sense to get acquaint­ed with his stat­ed source of moral inspi­ra­tion.

“The rea­son I got involved in pub­lic ser­vice,” Ryan said in 2005, “by and large, if I had to cred­it one thinker, one per­son, it would be Ayn Rand.”

The Russ­ian émi­gré writer and philoso­pher Ayn Rand believed that self-inter­est was the great­est good and that altru­ism was unspeak­ably wicked. “Altru­ism is a mon­strous notion,” she said in 1981. “It is the moral­i­ty of can­ni­bals devour­ing one anoth­er. It is a the­o­ry of pro­found hatred for man, for rea­son, for achieve­ment, for any form of human suc­cess and hap­pi­ness on earth.”

Ryan was deeply impressed when he first read Rand’s books as a young­ster. “I grew up read­ing Ayn Rand, and it taught me quite a bit about who I am and what my val­ue sys­tems are,” Rand told The Atlas Soci­ety in 2005. “It inspired me so much that it’s required read­ing in my office for all interns and my staff.”

Rand called the Unit­ed States a “nation of mon­ey,” and she meant it as a com­pli­ment. “The words ‘to make mon­ey’ hold the essence of human moral­i­ty,” she wrote in a famous pas­sage in her 1957 nov­el, Atlas Shrugged. In Rand’s hier­ar­chy of virtue the Amer­i­can indus­tri­al­ist is “the high­est type of human being” and the needy are rab­ble. “Par­a­sites, moochers, loot­ers, brutes and thugs can be of no val­ue to a human being,” Rand wrote in 1963. “Nor can he gain any ben­e­fit from liv­ing in a soci­ety geared to their needs, demands and pro­tec­tion, a soci­ety that treats him as a sac­ri­fi­cial ani­mal and penal­izes him for his virtues in order to reward them for their vices, which means: a soci­ety based on the ethics of altru­ism.”

If Rand taught Ryan “quite a bit” about who he is and what his val­ue sys­tems are, then per­haps Rand’s state­ment above should tell us some­thing about Ryan’s cur­rent bud­get pro­pos­al, which would slash $3.3 tril­lion from pro­grams for low-income earn­ers over the next decade while pro­vid­ing a wind­fall for the wealthy in the form of tax cuts that would net an aver­age $265,000 a year for those with incomes greater than $1 million–over and above the $129,000 they would already receive from Ryan’s exten­sion of the Bush tax cuts. In Ryan’s bud­get the rich are released from their unjust bur­den as “sac­ri­fi­cial ani­mals” while the “par­a­sites,” “moochers” and “looters”–i.e. the elder­ly, the dis­abled and the poor–are taught a les­son in virtue.

For a quick primer on Rand’s philosophy–straight from the horse’s mouth–watch her 1967 appear­ance (above) on The Tonight Show Star­ring John­ny Car­son.

Relat­ed con­tent:

Stephen Col­bert on Ayn Rand

Mike Wal­lace Inter­views Ayn Rand (1959)

William F. Buck­ley Flogged Him­self to Get Through Atlas Shrugged

“The Ducktators”: Loony Tunes Turns Animation into Wartime Propaganda (1942)

George Orwell pub­lished his satir­i­cal alle­go­ry Ani­mal Farm in 1945 at the tail end of World War II. While Orwell claimed his inspi­ra­tion for the farm set­ting was a bucol­ic vil­lage scene, it’s tempt­ing to imag­ine that he also drew some of his ideas from Amer­i­can pro­pa­gan­da car­toons made dur­ing WWII by Dis­ney (see below) and Warn­er Broth­ers. One par­tic­u­lar­ly strik­ing exam­ple from 1942 is Loony Tunes’ “The Duck­ta­tors,” set on a farm that becomes Europe under a new­ly-hatched Adolf Hitler duck­ling, sport­ing the fore­lock and mus­tache and shout­ing “sieg heil” as soon as he emerges from his jet-black egg. Hitler-duck’s pos­tur­ing appeals to a strut­ting, broad­ly stereo­typ­i­cal Ital­ian goose (Mus­soli­ni), and many of the ducks and geese on the farm, who line to up salute and, um… goos­es­tep. There are plen­ty of lit­tle gags thrown in—it’s all played for comedy—but of course, there is a mes­sage (or two) here.

First, cut to the sim­per­ing “Dove of Peace,” an androg­y­nous crea­ture who wrings its hands and says, “Have they for­got? ‘Tis love that’s right, and naught is gained by show of might.” This is clear­ly a car­i­ca­ture of Neville Cham­ber­lain, whose inef­fec­tu­al poli­cies enabled and embold­ened Hitler.

Cham­ber­lain is remem­bered for pre­ma­ture­ly declar­ing that his appease­ment of Hitler in the 1938 Munich Pact (here rep­re­sent­ed by a barn­yard “Peace Con­fer­ence”) had secured “peace for our time.” The ref­er­ence is an inter­est­ing exam­ple of a wartime dig at the U.S.’s British allies.

Hitler-duck tears up the “Peace Con­fer­ence” treaty and beats up the British and French ducks. Then a (painful­ly racist) Japan­ese duck rows ashore singing “I’m a Japan­ese Sandman”—a stand in for Tojo Hide­ki or Emper­or Hiro­hi­to. The three “Duck­ta­tors” rule the roost and tram­ple the Dove of Peace under­foot. His­tor­i­cal alle­go­ry gives way to slap­stick, and the wimpy Dove morphs into a pudgy, vic­to­ri­ous Churchill with the Duck­ta­tors’ heads mount­ed on his wall. Then, mes­sage num­ber two appears with fan­fare: “If you’d like to make this true, here’s all you have to do: For Vic­to­ry Buy Unit­ed States Sav­ings Bonds and Stamps.” Over­all, The Duck­ta­tors is a fas­ci­nat­ing exam­ple of wartime adver­tis­ing, and of con­tem­po­rary U.S. feel­ings towards its Euro­pean allies. You can down­load The Duck­ta­tors here.

Find Dis­ney Pro­pa­gan­da Films Here:

The Mak­ing of a Nazi: Disney’s 1943 Ani­mat­ed Short

Don­ald Duck’s Bad Nazi Dream (1942)

Don­ald Duck Wants You to Pay Your Tax­es (1943)

Josh Jones is a doc­tor­al can­di­date in Eng­lish at Ford­ham Uni­ver­si­ty and a co-founder and for­mer man­ag­ing edi­tor of Guer­ni­ca / A Mag­a­zine of Arts and Pol­i­tics.

 

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Open Culture was founded by Dan Colman.