The Podcast History of Our World Will Take You From Creation Myths to (Eventually) the Present Day

podcast history of the world

For­ward-think­ing his­to­ri­ans almost come close to for­ward-think­ing come­di­ans in terms of their enthu­si­asm for pod­cast­ing. Per­haps it stands to rea­son, since excel­lence at either pur­suit, dif­fer­ent as they may seem, demands no small degree of mem­o­ry and artic­u­late­ness. We’ve cov­ered sev­er­al ster­ling exam­ples of the his­tor­i­cal pod­cast right here on Open Cul­ture, includ­ing The His­to­ry of Rome, The His­to­ry of Byzan­tium, and The His­to­ry of Phi­los­o­phy With­out Any Gaps. My own his­tor­i­cal­ly-mind­ed pod­cast explo­rations have led me to every­thing from A His­to­ry of the World in 100 Objects to My His­to­ry Can Beat Up Your Pol­i­tics. If you pre­fer to take your his­to­ry lessons through a pair of ear­buds, tech­no­log­i­cal­ly savvy his­to­ry pro­fes­sion­als and pas­sion­ate­ly fas­ci­nat­ed ama­teurs alike have stepped up to fill the need. Rob Mona­co, one of the newest entrants into the game, has tak­en on per­haps the most ambi­tious his­to­ry pod­cast chal­lenge of them all: to tell the entire Pod­cast His­to­ry of Our World.

“The gen­e­sis of the show hap­pened late one night after quite a few Dog­fish Head Midas Touch brews were con­sumed with this pod­cast­er’s long­time good bud­dy,” writes Mona­co on the pod­cast’s about page. “As I was a fresh­ly unem­ployed social stud­ies teacher with a mas­ters degree and noth­ing to do, my ami­go sug­gest­ed that I take up the micro­phone and start mak­ing my own show.” Begin­ning with an episode on the ear­li­est cre­ation myths, embed­ded above, he goes on to dis­cuss the dawn of man, the third dynasty of Ur, the ancient Hebrews, King Solomon, and so on, show­ing no signs of slow­ing in his mis­sion to, even­tu­al­ly, get up to the present day. No need to rush him, though, since, like any his­to­ri­an worth his salt, ama­teur or pro­fes­sion­al, he under­stands that telling his­to­ry well means telling a sto­ry well. “Pod­cast­ing is a beau­ti­ful medi­um that gives some­one like me a chance to reach out and share my love and knowl­edge of his­to­ry and cul­ture to a huge audi­ence,” he writes, “an audi­ence that even ten years ago, I would not have been able to reach with­out the back­ing of tra­di­tion­al media. And that’s incred­i­ble.” If he suc­cess­ful­ly pod­casts the whole his­to­ry of our world, well, that’s even more so.

The Pod­cast His­to­ry of Our World is also avail­able on iTunes.

Relat­ed con­tent:

The His­to­ry of Rome in 179 Pod­casts

The His­to­ry of Byzan­tium Pod­cast Picks Up Where The His­to­ry of Rome Left Off

The His­to­ry of Phi­los­o­phy With­out Any Gaps – Peter Adamson’s Pod­cast Still Going Strong

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on lit­er­a­ture, film, cities, Asia, and aes­thet­ics. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall.

“The Value of Culture” Revealed in a New BBC Radio Series by Melvyn Bragg

value of cultureYour pres­ence here indi­cates that you have an inter­est in cul­ture. But what, exact­ly is cul­ture? I’ve long addressed that per­haps too-broad ques­tion with a sim­ple work­ing def­i­n­i­tion: if Melvyn Bragg broad­casts about it, it’s prob­a­bly cul­ture. You may remem­ber the Eng­lish writer, pre­sen­ter, and House of Lords mem­ber from our posts on his doc­u­men­taries on Jack­son Pol­lock and Fran­cis Bacon, or from the men­tion of his long-run­ning BBC Radio 4 pro­gram In Our Time. But while that show cer­tain­ly has cov­ered sci­en­tif­ic top­ics — evo­lu­tion­ary psy­chol­o­gy, genet­ic muta­tion, the neu­tri­no — Bragg and his pan­els of experts spend even more air­time dis­cussing sub­jects claimed by the human­i­ties. Some of its most inter­est­ing moments hap­pen at the crossover, with sci­en­tif­ic angles on the human­is­tic and vice ver­sa; “Goethe and the Sci­ence of the Enlight­en­ment” comes to mind, to name but one exam­ple. Where con­ver­sa­tions like those can arise, I dare­say we have cul­ture at its most robust.

But I mere­ly cir­cle around the issue. Brag­g’s five-part Radio 4 series The Val­ue of the Cul­ture deals with the ques­tion of cul­ture’s nature head-on. Need we call cul­ture any­thing more spe­cif­ic than the body of things that mankind makes? Does cul­ture work as a force for good? What does cul­ture look like from an anthro­po­log­i­cal per­spec­tive? Must works reach a cer­tain stan­dard, or dis­play cer­tain qual­i­ties, to count as cul­ture? What does the gap between the sci­ences and the human­i­ties mean for cul­ture? How did “mass cul­ture” come about, as opposed to “high cul­ture”? And what does all this say about the cul­ture we have today? Assem­bling his typ­i­cal­ly impres­sive range of lumi­nar­ies from across the British intel­lec­tu­al land­scape, Bragg asks these ques­tions and many more besides, using as a point of depar­ture ninetheenth-cen­tu­ry poet, crit­ic, and school inspec­tor Matthew Arnold’s descrip­tion of cul­ture as “the best which has been thought and said” which pro­vides life its “sweet­ness and light.” But much has changed in how we regard cul­ture since the nine­teenth cen­tu­ry, and here we have just the pro­gram to get us think­ing hard­er than ever about it.

All episodes of The Val­ue of Cul­ture: Cul­ture and Anar­chy (above), Cul­ture and the Anthro­pol­o­gists, Two Cul­tures, Mass Cul­ture, What’s the Val­ue of Cul­ture Today?

Relat­ed con­tent:

Watch Por­trait of an Artist: Jack­son Pol­lock, the 1987 Doc­u­men­tary Nar­rat­ed by Melvyn Bragg

Fran­cis Bacon on the South Bank Show: A Sin­gu­lar Pro­file of the Sin­gu­lar Painter

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on lit­er­a­ture, film, cities, Asia, and aes­thet­ics. Fol­low him on Twit­ter at @colinmarshall.

David Sedaris Reads You a Story By Miranda July

Thanks to his fre­quent appear­ances on radio’s This Amer­i­can Life, David Sedaris pos­sess­es one of the most rec­og­niz­able author voic­es in the world. Simul­ta­ne­ous­ly light and insin­u­at­ing, it has come to seem as much a part of his oeu­vre as the San­ta­land Diaries and his anec­dotes about his par­ents, sib­lings and boyfriend. His arch spin on var­i­ous region­al and gen­er­a­tional phras­es is noth­ing if not instant­ly rec­og­niz­able.

What a plea­sure, then, to hear the sin­cer­i­ty with which he deploys this instru­ment in ser­vice of a fel­low author’s work. Invit­ed to choose a sto­ry to read aloud for the New York­er’s fic­tion pod­cast, Sedaris went with “Roy Spivey” by Miran­da July, anoth­er writer who could nev­er be accused of hid­ing behind her work. One sus­pects there are ele­ments of auto­bi­og­ra­phy with­in this tale, though don’t dri­ve your­self nuts try­ing to fig­ure out the iden­ti­ty of the male movie star seat­ed next to the main char­ac­ter. Just enjoy the non-wink­ing gen­eros­i­ty with which Sedaris embod­ies July’s female nar­ra­tor, even when called upon to get her through a bath­room scene that — in spir­it, any­way — recalls one of his most cel­e­brat­ed, non­fic­tion­al fol­lies.

(Speak­ing of which, stay tuned for the post-sto­ry inter­view for the sort of admis­sion Sedaris fans have come to crave.)

For more lit­er­ary read­ings, see our pre­vi­ous post: The New Yorker’s Fic­tion Pod­cast: Where Great Writ­ers Read Sto­ries by Great Writ­ers.

- Ayun Hal­l­i­day’s region­al accent does noth­ing for her book sales.

The Moth Now Streams its Brilliant & Quietly Addictive Stories on the Web

The Moth, a New York City-based sto­ry­telling orga­ni­za­tion, is a rare crea­ture indeed. Found­ed in 1997 by poet and nov­el­ist George Dawes Green, The Moth was orig­i­nal­ly Green’s attempt to re-cre­ate sum­mer nights in his native Geor­gia, when friends would gath­er on the porch and tell each oth­er stories—a south­ern tra­di­tion Green missed in the north, sym­bol­ized by the moths he remem­bered as part of the scene. From its begin­nings in Green’s New York liv­ing room, the orga­ni­za­tion has grown into a mul­ti-media phe­nom­e­non, with live sto­ry­tellers on stage in New York and Los Ange­les, and on tour around the world, a pod­cast, and The Moth Radio Hour, air­ing on over 200 sta­tions nation­wide.

So who tells sto­ries at The Moth? An amaz­ing range of peo­ple, from actors, authors, and musi­cians, to every­day peo­ple with some­thing to say and the courage to say it in front of a crowd. In fact, if you feel like you belong in that last cat­e­go­ry, The Moth invites you to pitch them two min­utes of your sto­ry and sub­mit it for a chance to tell it live. Oh, one oth­er thing: The Moth stip­u­lates that all sto­ries must be true sto­ries and must be your sto­ries, not some­one else’s. How do they know? I sup­pose they’ve just got fine­ly-tuned BS detec­tors after 15 years in the sto­ry­telling busi­ness.

To give you an idea of what a Moth sto­ry is like (I almost wrote “a typ­i­cal Moth sto­ry,” but there is no such thing) have a look at the video above, with Neil Gaiman telling a dri­ly humor­ous sto­ry from his teenage years. Gaiman’s pre­sen­ta­tion is sub­dued, in his under­stat­ed Eng­lish way, and replete with delight­ful digres­sions and asides. An exam­ple of a more impas­sioned, urgent Moth tale comes from come­di­an Antho­ny Grif­fith, who tells the sto­ry of his rise to com­ic fame with his Tonight Show appear­ances while he was also nurs­ing his young daugh­ter who had can­cer.

As I said, there is no “typ­i­cal Moth sto­ry,” and that’s the appeal. Every­one who takes the stage has some­thing to say that no one else could, because it’s theirs alone. Both of the videos above are avail­able on The Moth’s Youtube chan­nel, which fea­tures dozens more live sto­ry­tellers (I’d rec­om­mend Dan Savage’s sto­ry among so many oth­ers).

Oh, but wait, there’s more! (Can you tell I’m excit­ed about this?). The Moth is now stream­ing audio of recent sto­ry­telling events on its web­site, with some avail­able for free down­load. Some here are not-to-be-missed. For instance, you should drop what­ev­er you’re doing (read­ing this sen­tence, I assume) and lis­ten to Damien Echols’ har­row­ing sto­ry of his 18 years on death row as one of the wrong­ly-con­vict­ed, and recent­ly freed, “West Mem­phis Three.” Still here? Fine. Then you must imme­di­ate­ly go away and lis­ten to play­wright A.E. Hotch­n­er tell his sto­ry about watch­ing a bull­fight with his friend Ernest Hem­ing­way. If nei­ther of these appeals, you’re prob­a­bly hope­less, but hey, what can it hurt to scroll through the exten­sive list of sto­ries stream­ing on The Moth web­site and find a few that speak to you? Invari­ably, this will hap­pen: when you start lis­ten­ing to Moth sto­ry­tellers, you’ll find it very hard to stop. It’s a pret­ty great non-prof­it rack­et they’ve got going: bank­ing on the old­est and most durable form of enter­tain­ment and human con­nec­tion.

Josh Jones is a doc­tor­al can­di­date in Eng­lish at Ford­ham Uni­ver­si­ty and a co-founder and for­mer man­ag­ing edi­tor of Guer­ni­ca / A Mag­a­zine of Arts and Pol­i­tics.

Learn New Languages (From Arabic to Yiddish) with 150+ Free Podcasts

I spend a great deal of time vis­it­ing unfa­mil­iar cities, spend­ing days walk­ing, cycling, or rid­ing trains and bus­es through them. Some­times the peo­ple of these cities speak lan­guages I know; some­times they speak lan­guages I don’t. Either way, dur­ing all these hours in motion, my per­son­al sound­track comes from an iPod loaded with lan­guage-learn­ing pod­casts. If you’d like to engage in this delight­ful­ly men­tal­ly stim­u­lat­ing prac­tice your­self — and I high­ly rec­om­mend it — you can get start­ed by brows­ing Open Cul­ture’s col­lec­tion of Free Lan­guage Lessons avail­able online. The list cov­ers no few­er than 40 tongues, and many of the lessons come in pod­cast form. Should you find your­self in need of shows offer­ing Bul­gar­i­an sur­vival phras­es, instruc­tion in Swedish expres­sions and cul­ture, or Pol­ish in one minute a day, here is the list you want. From my efforts in study­ing Span­ish, Kore­an, and Japan­ese, I can per­son­al­ly (and strong­ly) rec­om­mend sev­er­al of its offer­ings.

Cof­fee Break Span­ish and the more advanced Show Time Span­ish, both pro­duced by the Radio Lin­gua net­work (out of Scot­land, of all places) start you off from an absolute zero of pre­sumed knowl­edge and pro­ceeds to get you up to “cruis­ing alti­tude,” which I call the point in lan­guage acqui­si­tion at which you become able to learn from real, untrans­lat­ed speech. You might then con­sid­er down­load­ing a show like Notes in Span­ish, and espe­cial­ly the con­ver­sa­tion­al­ly focused Notes in Span­ish Gold. For Japan­ese, few lan­guage pod­casts cater to a wider vari­ety of pro­fi­cien­cy lev­els at once than does JapanesePod101, which I sup­ple­ment with Japan­ese nation­al broad­cast­er NHK’s lessons (which also come taught in quite a few lan­guages besides Eng­lish.) And for Kore­an, the lan­guage that first cul­ti­vat­ed in me this whole intel­lec­tu­al­ly and social­ly thrilling learn­ing addic­tion, you can do no bet­ter than Hyun­woo Sun’s Talk to Me in Kore­an, quite pos­si­bly the most thor­ough, fre­quent, slick, and enter­tain­ing lan­guage-instruc­tion pod­cast of any kind. Lis­ten­ing to these shows has con­vinced me that every moment spent not acquir­ing a new lan­guage is a moment wast­ed. But even if you don’t believe any­thing that extreme, it’s still a lot of fun. And doing it through these free pod­casts, you cer­tain­ly can’t argue with the price.

Here’s our col­lec­tion once again: Learn 40 Lan­guages for Free: Span­ish, Eng­lish, Chi­nese & More

Relat­ed Con­tent:

375 Free eBooks: Down­load to Kin­dle, iPad/iPhone & Nook

450 Free Audio Books: Down­load Great Books for Free

530 Free Online Cours­es from Top Uni­ver­si­ties

500 Free Movies Online: Great Clas­sics, Indies, Noir, West­erns, etc.

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture. Fol­low him on Twit­ter at @colinmarshall.

How Political Commitment Led Lucy Lawless (AKA Xena, the Warrior Princess) to Study Philosophy

It’s cer­tain­ly not uncom­mon for celebri­ties to take up polit­i­cal caus­es, though this does not usu­al­ly lead to them get­ting arrest­ed for hol­ing up in a high tow­er oil-drilling ship for four days. What’s less com­mon is for this inter­est to bur­geon into a full-on obses­sion with all things philo­soph­i­cal, but that’s exact­ly what hap­pened to Lucy Law­less (best known as Xena, the War­rior Princess).

“I went to the UN sum­mit on sus­tain­able devel­op­ment after get­ting involved in the whole… big oil protest… and I saw all of these peo­ple work­ing very hard but seem­ing­ly at cross-pur­pos­es about how do we cre­ate a just soci­ety.” On a full two-hour episode of The Par­tial­ly Exam­ined Life Phi­los­o­phy Pod­cast (which she claims was large­ly respon­si­ble for turn­ing her on to phi­los­o­phy), she describes how this polit­i­cal inter­est drove her to look at the foun­da­tions and his­to­ries of the­o­ries of jus­tice, and even­tu­al­ly decide to go back to school to study phi­los­o­phy, which she’s now doing in New Zealand between flights to the states to film TV spots such as her recent appear­ance on NBC’s Parks and Recre­ation.

The Par­tial­ly Exam­ined Life inter­view with Law­less is a five-per­son, round­table dis­cus­sion of Tom Payne’s 2010 book, Fame: What the Clas­sics Tell Us About Our Cult of Celebri­ty. You can lis­ten here:

The the­sis of the book is that celebri­ties serve as an out­let for soci­ety’s aggres­sive instincts. Draw­ing on canon­i­cal texts about reli­gious anthro­pol­o­gy like James Fraz­er’s The Gold­en Bough, the author com­pares the treat­ment of mod­ern celebri­ties to ancient rites where young maid­ens were lav­ish­ly bestowed with finer­ies and then sac­ri­fied. Lucy thinks this well match­es her own expe­ri­ences, and talks about the exis­ten­tial weird­ness involved with being and deal­ing with the famous.

The Par­tial­ly Exam­ined Life has also cov­ered relat­ed top­ics of Freud’s Civ­i­liza­tion and its Dis­con­tents and Niet­zsche’s Geneal­o­gy of Morals. You can sub­scribe to the pod­cast on iTunes.

Mark Lin­sen­may­er runs the Par­tial­ly Exam­ined Life phi­los­o­phy pod­cast and blog

The History of Byzantium Podcast Picks Up Where The History of Rome Left Off

In May we post­ed about Mike Dun­can’s The His­to­ry of Rome pod­cast, which, upon reach­ing episode 179, had con­clud­ed the tale of the Roman Empire’s hey­day. Over its five-year run, Dun­can’s show amassed a large, enthu­si­as­tic audi­ence, most of whom have no doubt con­tin­ued their explo­ration of Roman his­to­ry else­where. It has even inspired some to launch his­to­ry pod­casts of their own, one of which presents itself as The His­to­ry of Rome’s direct suc­ces­sor in sub­ject, style, and tone. The His­to­ry of Byzan­tium (RSS — iTunes), which debuted in May, aims to recount the sto­ry of Roman Empire of Late Antiq­ui­ty and the Mid­dle Ages, now bet­ter known as the Byzan­tine Empire, from the years 476 through 1453. Though per­haps less often dis­cussed by the aver­age his­to­ry buff, the Byzan­tine Empire nonethe­less offers a wealth of his­tor­i­cal inter­est, espe­cial­ly, it seems, to pod­cast­ers; you may already have heard Lars Brown­worth’s show 12 Byzan­tine Rulers, which even­tu­al­ly land­ed him a book deal. And many more Byzan­tine sto­ries remain to tell.

Pier­son, by day a tele­vi­son crit­ic, explic­it­ly describes his project as both an unof­fi­cial sequel and an homage to The His­to­ry of Rome. “I liked the sim­pli­fi­ca­tion and expla­na­tion of the Roman sto­ry,” he writes in his intro­duc­to­ry post. “I liked the half an hour length. I liked Mike’s sense of humour and tim­ing. I liked his neu­tral tone which nev­er felt like it was pro­vid­ing an over­bear­ing opin­ion on the nar­ra­tive. When Mike announced he would be stop­ping with the fall of the West in 476 I con­sid­ered whether I could pos­si­bly take on the task of con­tin­u­ing the sto­ry. [ … ] Ini­tial­ly at least I hope to emu­late Mike’s style. I want to keep the rough struc­ture and neu­tral tone estab­lished on The His­to­ry of Rome because I think so high­ly of it. I hope you won’t see it as sim­ply an imi­ta­tion and doubt­less over time my own style will emerge.” This seems as hon­est an account as any of the way cre­ators work off of their inspi­ra­tions, and His­to­ry of Rome fans will no doubt lis­ten with inter­est to The His­to­ry of Byzan­tium for both the devel­op­ments in the tale and in Pier­son­’s way of telling it.

You can sub­scribe to The His­to­ry of Byzan­tium via RSS or iTunes.

And, all of you his­to­ry buffs, remem­ber that you can find free cours­es in the His­to­ry sec­tion of our col­lec­tion of Free Online Cours­es from Great Uni­ver­si­ties.

Relat­ed con­tent:

The His­to­ry of Rome in 179 Pod­casts

The Dig­i­tal Tip­ping Point: The Wild Ride from Pod­cast to Book Deal

The Decline and Fall of the Roman (and Amer­i­can?) Empire: A Free Audio­book

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture. Fol­low him on Twit­ter at @colinmarshall.

Read Joyce’s Ulysses Line by Line, for the Next 22 Years, with Frank Delaney’s Podcast

If you need some­one to host a mul­ti-decade pod­cast on James Joyce’s Ulysses, then why set­tle for less than the most elo­quent man in the world? Vis­it Frank Delaney’s site, and you’ll find it less than shy about pro­claim­ing that Nation­al Pub­lic Radio once dubbed him just that. A pro­lif­ic man of let­ters, Delaney has in his 42-year-long career logged time as a news­read­er, book jour­nal­ist, inter­view­er, Edin­burgh Fes­ti­val Lit­er­a­ture Direc­tor, talk show host, Man Book­er Prize judge, radio broad­cast­er, nov­el­ist, and his­to­ri­an. In 1981, his book James Joyce’s Odyssey brought his sur­pass­ing enthu­si­asm for Joyce schol­ar­ship to pub­lic atten­tion, and it took a whole new form on, appro­pri­ate­ly enough, Blooms­day 2010, when Delaney added the title of pod­cast­er to his résumé by launch­ing Re: Joyce (iTunes — RSS). The show oper­ates on a sim­ple con­cept: each Wednes­day, Delaney decon­structs a piece of Ulysses, usu­al­ly for four to fif­teen min­utes. This will run, so the plan goes, for the next twen­ty-two years.

An ambi­tious project, cer­tain­ly, but I find that pod­cast­ing, espe­cial­ly lit­er­ary pod­cast­ing, could always use a lit­tle more ambi­tion. “Why?” Delaney asks of the show on its debut episode. “Well, why not? You could say, ‘Why both­er?’ And I would say, for the sheer fun of it. Because this is a book that has engrossed and delight­ed me for most of my adult life, and I know the enjoy­ment to be had from it. And I also know that such enjoy­ment has been denied to many, many peo­ple who would read Ulysses if they weren’t so daunt­ed by it, and indeed, who tried to read it but had to give up. How do I know this? Because I was one of them.” If this sounds a lit­tle like the script of an infomer­cial, Delaney embraces the sen­si­bil­i­ty, label­ing Re: Joyce his “infomer­cial for Ulysses.” As far as elo­quence — and eru­di­tion, not to men­tion rich­ness of sub­ject mat­ter — he’s cer­tain­ly sur­passed Ron Popeil.

You can down­load the pod­cast from iTunes for free or fol­low the RSS feed here. Copies of Joyce’s Ulysses can be found in our col­lec­tions of Free eBooks and Free Audio Books. The first episode of Re:Joyce appears below:

Relat­ed con­tent:

James Joyce Man­u­scripts Online, Free Cour­tesy of The Nation­al Library of Ire­land

Stephen Fry Explains His Love for James Joyce’s Ulysses

James Joyce’s Ulysses: Down­load the Free Audio Book

Hen­ri Matisse Illus­trates 1935 Edi­tion of James Joyce’s Ulysses

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture. Fol­low him on Twit­ter at @colinmarshall.

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Open Culture was founded by Dan Colman.