Notebook on Cities and Culture’s In-Depth Podcast Tour of South Korea Kickstarts Today

NCC-Korea-Tour1

When not writ­ing here at Open Cul­ture, I host and pro­duce Note­book on Cities and Cul­ture (iTunes link), a globe-trav­el­ing pod­cast ded­i­cat­ed to in-depth con­ver­sa­tion with cul­tur­al cre­ators, inter­na­tion­al­ists, and observers of the urban scene about the work they do and the world cities they do it in. Through Kick­starter, I’ve fund­ed the show’s first four sea­sons, with inter­views record­ed in places like Los Ange­les, Osa­ka, Van­cou­ver, Mex­i­co City, Copen­hagen, and Lon­don. Today, a new Kick­starter dri­ve begins to fund the show’s lat­est and most ambi­tious ven­ture: the Korea Tour, a sea­son of con­ver­sa­tions record­ed all around the most fas­ci­nat­ing coun­try in Asia today.

You may well have already enjoyed the con­sid­er­able and often sur­pris­ing fruits of mod­ern Kore­an cul­ture through its film (Hong Sang­soo’s work first pulled me in, and boy, does it con­tin­ue to), its music (which, I can assure you, goes well beyond Girls’ Gen­er­a­tion and “Gang­nam Style”), its tele­vi­sion (which, by the same token, offers more than all report­ed­ly addic­tive melo­dra­mas), or its food (the expe­ri­ence of which does­n’t start and end at bar­be­cue joints). On Note­book on Cities and Cul­ture’s Korea Tour, you’ll go much deep­er, hear­ing from a wide vari­ety of inter­est­ing peo­ple based in Korea, out­side as well as in the vast and undoubt­ed­ly excit­ing cap­i­tal of Seoul. I’ll talk to as wide a range as pos­si­ble of Kore­ans and for­eign­ers alike, includ­ing the lit­er­ar­i­ly, tech­no­log­i­cal­ly, aca­d­e­m­i­cal­ly, culi­nar­i­ly, and cin­e­mat­i­cal­ly inclined — to name but a few of their many incli­na­tions.

If you’d like to make the Korea Tour hap­pen, please do vis­it its Kick­starter page with­in the week, dur­ing which we’ll need to raise its $5000 bud­get. Should you decide to become a backer, rewards include post­cards from Korea, men­tions of your project or mes­sage on the show, and copies from the very-lim­it­ed-indeed print run of my tex­tu­al and pho­to­graph­ic Korea Diary. 여러분, 읽어 주셔서 감사합니다. 한국에 갑시다!

Relat­ed Con­tent:

“Note­book on Cities and Cul­ture,” a World­wide In-Depth Inter­view Pod­cast, Kick­start­ing Now

A Wealth of 20th-Cen­tu­ry Kore­an Cin­e­ma, Free Online from the Kore­an Film Archive

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Actresses Lucy Lawless & Jaime Murray Perform Jean-Paul Sartre’s “No Exit” for The Partially Examined Life Podcast

Spartacus sartre

Lucy Law­less (Star of Xena the War­rior Princess and notable con­trib­u­tor to such shows as Spar­ti­ca, Bat­tlestar Galac­ti­ca, and Parks & Recre­ation) pre­vi­ous­ly appeared on the Par­tial­ly Exam­ined Life Phi­los­o­phy Pod­cast in Fall 2012. And, in Spring 2013, she sang with me (under my musi­cian moniker Mark Lint) on an orig­i­nal song called “Things We Should Do Before We Die.” Now she’s joined fel­low PEL host Wes Alwan (“The Valet”) and me to cre­ate an audio­play of Jean-Paul Sartre’s 1944 play “No Exit,” where she plays the work­ing class, hos­tile les­bian Inès Ser­ra­no with a pret­ty hilar­i­ous off-the-cuff gener­i­cal­ly Euro­pean accent against my rel­a­tive­ly dead­pan Joseph Garcin.

The third damned soul in our one-room hell was played by a delight­ful­ly shrieky Jaime Mur­ray, friend and Spar­ta­cus co-star of Lucy’s. You like­ly know Jaime for her role as Lila, the psy­chot­ic main guest star in Sea­son 2 of Dex­ter, and right now she appears in the sci-fi shows Defi­ance and Ware­house 13.

The play is about three dead peo­ple stuck in a room togeth­er, any two of which would prob­a­bly reach some equi­lib­ri­um. But, as a three­some, they enter into a tox­ic dynam­ic where none can get what he or she needs out of the oth­ers.

To hear Lucy, Jamie and me per­form “No Exit,” click below or lis­ten at Partiallyexaminedlife.com.

 

The record­ing was made in sup­port of the Par­tial­ly Exam­ined Life episode dis­cussing Sartre, cov­er­ing this play as well as his essays “Exis­ten­tial­ism is a Human­ism” (1946), and “Bad Faith,” (which con­sti­tutes part 1, chap­ter 2 of Being & Noth­ing­ness, 1943). These con­vey the essence of Sartre’s exis­ten­tial­ism and give a pic­ture of his view of man’s rad­i­cal free­dom (we’re con­demned to be free!) and what for him serves as some sem­blance of an ethics.

For the Sartre episode, click below or lis­ten at Partiallyexaminedlife.com.

 

The audio­play is the sec­ond in a series, with the first being the PEL Play­ers’ per­for­mance of Pla­to’s dia­logue, The Gor­gias.

For those with who want more, PEL offers access to an out­takes reel. The pic­ture above fea­tures both actress­es in Spar­ta­cus.

Mark Lin­sen­may­er is the head hon­cho at The Par­tial­ly Exam­ined Life, the #1 down­loaded phi­los­o­phy pod­cast on the plan­et, which pro­vides amus­ing, in-depth dis­cus­sions of philoso­phers old and new. Mark is also a musi­cian who wrote a song just for this audio­play.

Relat­ed Con­tent:

Jean-Paul Sartre’s No Exit: A BBC Adap­ta­tion Star­ring Harold Pin­ter (1964)

Wal­ter Kaufmann’s Clas­sic Lec­tures on Niet­zsche, Kierkegaard and Sartre (1960)

The Exis­ten­tial­ism Files: How the FBI Tar­get­ed Camus, and Then Sartre After the JFK Assas­si­na­tion

100 Free Online Phi­los­o­phy Cours­es

The New Yorker Launches a New Poetry Podcast: Listen to Robert Pinsky Reading Elizabeth Bishop

A quick fyi: The New York­er has just launched a new poet­ry pod­cast, and it’s intro­duced and host­ed by Paul Mul­doon, the Pulitzer Prize-win­ning poet who for­mer­ly taught poet­ry at Oxford. On The New York­er’s web site, Mul­doon writes:

I can’t be but thrilled at the prospect of the first of a series of New York­er Poet­ry Pod­casts. For decades, The New York­er has led the field of poet­ry in print jour­nal­ism. But the eye is not the only buy­er into, and ben­e­fi­cia­ry of, the poem. The ear has been in the poet­ry busi­ness for much longer, giv­en poetry’s ori­gins in the oral tra­di­tion. That’s why it’s par­tic­u­lar­ly appro­pri­ate for us to take this oppor­tu­ni­ty to fore­ground poet­ry as an aur­al expe­ri­ence.

He then explains the for­mat of the pod­cast. “Each pod­cast con­sists of a con­ver­sa­tion between myself and a guest poet. In each, the guest reads not only a poem of hers that has appeared in The New York­er but also intro­duces, and reads, a poem by anoth­er con­trib­u­tor to the mag­a­zine that she par­tic­u­lar­ly admires.”  The first episode fea­tures Philip Levine. Feel free to play it above.

You can sub­scribe to The Poet­ry pod­cast on iTunes, and it should even­tu­al­ly find a home (I’d imag­ine) on Sound­Cloud too. More poems read aloud can be found in our col­lec­tion of Free Audio Books.

Relat­ed Con­tent:

The New Yorker’s Fic­tion Pod­cast: Where Great Writ­ers Read Sto­ries by Great Writ­ers

Hear the Very First Record­ing of Allen Gins­berg Read­ing His Epic Poem “Howl” (1956)

Bill Mur­ray Reads Poet­ry at a Con­struc­tion Site

Hear Sylvia Plath Read Fif­teen Poems From Her Final Col­lec­tion, Ariel, in 1962 Record­ing

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“Notebook on Cities and Culture,” a Worldwide In-Depth Interview Podcast, Kickstarting Now

https://vimeo.com/68246840

Ever since I’ve writ­ten posts here on Open Cul­ture, I’ve host­ed and pro­duced Note­book on Cities and Cul­ture, a pod­cast ded­i­cat­ed to in-depth, long-form inter­views with cul­tur­al cre­ators, inter­na­tion­al­ists, and observers of the urban scene. In its three sea­sons so far, I’ve roamed cities like Los Ange­les, San Fran­cis­co, Port­land, Van­cou­ver, Mex­i­co City, Kyoto, Nara, and Osa­ka record­ing all of these con­ver­sa­tions face to face with guests like writer of place Pico IyerBook­worm host Michael Sil­verblatt, MetaFil­ter founder Matt Haugh­ey, film crit­ic Kari­na Long­worth, Los Ange­les Review of Books edi­tor Tom Lutz, graph­ic design­er Clive Pier­cy, park­ing the­o­rist Don­ald Shoup, con­cep­tu­al artist Jonathon Keats, Slate pod­cast pro­duc­er Andy Bow­ers, Japan spe­cial­ist Roland Kelts, nov­el­ist Tim­o­thy Tay­lor, and monolo­gist Josh Korn­bluth.

ncclogoFor the next sea­son, the show’s fourth and most ambi­tious, I’ll record full-length con­ver­sa­tions with six­ty more lumi­nar­ies not just in Los Ange­les, but in the Lon­don, Toron­to, and Copen­hagen as well. As with pre­vi­ous sea­sons, I launched a Kick­starter dri­ve last week to fund it. As of this writ­ing, it’s raised $5,138 of its $8,000 bud­get, but it only has six­teen hours. If we don’t raise the full amount by Mon­day, June 24th at noon Pacif­ic time, the sea­son won’t hap­pen at all. If Note­book on Cities and Cul­ture’s fourth sea­son strikes you as some­thing you’d like to help make a real­i­ty, please do vis­it the show’s Kick­starter page. Thanks very much indeed!

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on lit­er­a­ture, film, cities, Asia, and aes­thet­ics. He’s at work on a book about Los Ange­lesA Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall.

Making Radiolab: A Soup-to-Nuts Recipe for a Great Radio Show/Podcast

Now that vir­tu­al­ly every­one in the West­ern Hemi­sphere has the means to make and dis­sem­i­nate a pod­cast, are there any tips to guar­an­tee suc­cess?

Jad Abum­rad, a host of the enor­mous­ly pop­u­lar, curios­i­ty-based pod­cast, Radi­o­lab, strives for every show to sound like “two guys talk­ing in a sur­re­al­is­tic mul­ti-dimen­sion­al space.” His degree in music com­po­si­tion at Ober­lin Col­lege is an asset in achiev­ing this goal, as is his easy rap­port with cohost Robert Krul­wich.

Radi­o­lab’s appeal is such that direc­tor David Fine sin­gled it out for his Amer­i­can Hip­ster project, a year long inves­ti­ga­tion into the tastes of a cer­tain seg­ment of the pop­u­lace. The result­ing video above sketch­es out the cre­ation process, from the first impulse to inter­view an inter­est­ing per­son to the fin­ished episode.

It’s not sur­pris­ing that Radi­o­lab’s brass has seized on Fine’s effort as a fundrais­ing tool. His depic­tion of their behind-the-scenes labors is insis­tent­ly upbeat, com­plete with a mon­tage of laugh­ing pro­duc­ers, writ­ers and stars. As hard to as it is to believe this tells the whole sto­ry of what it’s like to bar­rel toward a col­lec­tive cre­ative dead­line, it’s also hard to begrudge them their sun­ny depic­tion when Abum­rad him­self vol­un­teers that the cre­ation of a nat­ur­al-sound­ing pod­cast  is a far-from-nat­ur­al thing.

Per­haps the biggest take­away for aspir­ing pod­cast mavens is that qual­i­ty wins out. Radi­o­lab is right­ly renowned for its excel­lent pro­duc­tion val­ues, a lev­el of pro­fes­sion­al­ism that has paved the way for a live show fea­tur­ing such lumi­nar­ies as come­di­an Demetri Mar­tin and Pilobo­lus Dance The­ater. If you’re not famil­iar Radi­o­lab, then we sug­gest you catch an episode, “Mem­o­ry and For­get­ting,” below. More episodes can be found on Sound­Cloud.

Relat­ed Con­tent:

The New Yorker’s Fic­tion Pod­cast: Where Great Writ­ers Read Sto­ries by Great Writ­ers

Neil deGrasse Tyson’s StarTalk Radio Show Pod­cast Tack­les the His­to­ry of Video Games

The Pod­cast His­to­ry of Our World Will Take You From Cre­ation Myths to (Even­tu­al­ly) the Present Day

Ayun Hal­l­i­day owes Radi­o­lab a depth of grat­i­tude for the cheer with which her hus­band does the dish­es.

via Coudal

The Always-NSFW Kevin Smith and Jason Mewes Catch Up in Jay and Silent Bob Get Old Podcast

With 1994’s Clerks, Kevin Smith opened up the flood­gates for inde­pen­dent­ly pro­duced, micro-bud­get, dia­logue-inten­sive, curs­ing-inten­sive movies by, for, and about a cer­tain stripe of feck­less Generation‑X twen­tysome­thing. These pic­tures show­cased more aggres­sive­ly foul­mouthed (but, in their way, more ener­getic) ver­sions of the over­grown kids and/or stalled adults whose mean­der­ing lives Richard Lin­klater had dra­ma­tized in Slack­er three years before. (Watch Slack­er online here.) Clerks hit when I had­n’t yet grown out of com­ic book-read­ing pre-ado­les­cence, though I do remem­ber becom­ing aware of Smith’s work from an ad on the back of, yes, a com­ic book. The page adver­tised Mall­rats, Smith’s big-bud­get Clerks fol­lowup; in its cor­ner posed a pair of smirk­ing young long­hairs. “Snootchie bootchies,” read an inex­plic­a­ble voice bub­ble ema­nat­ing from the thin­ner of the two. I had to know: who were those guys? The zeit­geist now rec­og­nizes Jay and Silent Bob, the out­ward­ly dumb but star­tling­ly wise drug deal­ers played by Jason Mewes and Kevin Smith him­self, as hav­ing stolen Clerks’ show. (You can watch one of their fin­er moments in Mall­rats above.)

Smith used the char­ac­ters in Mall­rats as well, and went on to write them into sub­se­quent movies like Chas­ing Amy, Dog­ma, and of course Clerks II and Jay and Silent Bob Strike Back, their pres­ence uni­fy­ing all these sto­ries into one coher­ent real­i­ty. Cinephiles argue over whether Smith has deliv­ered on his promise as a direc­tor, but some fans think the man has found his true voice as a pod­cast­er. Today, on his own pod­cast net­work, he hosts a stag­ger­ing array of shows, includ­ing SMod­cast, SMoviemak­ers, Hol­ly­wood Bab­ble-On, and Fat Man on Bat­man. Jay and Silent Bob Get Old (WebiTunesRSS feed) reunites the 42-year-old Smith and the 38-year-old Mewes for reg­u­lar con­ver­sa­tions about adult­hood, fame, and strug­gles with sobri­ety (in Mewes’ case) and weight (in Smith’s), always fea­tur­ing the most vul­gar jokes imag­in­able. If you haven’t caught up with these guys since the nineties, have a lis­ten to their pod­cast’s so-very-Not-Safe-for-Work first episode above. They’ve even got back into char­ac­ter for Jay and Silent Bob’s Super Groovy Car­toon Movie, which begins its road­show across North Amer­i­ca on April 20.

Relat­ed Con­tent:

Watch Free Online: Richard Linklater’s Slack­er, the Clas­sic Gen‑X Indie Film

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on lit­er­a­ture, film, cities, Asia, and aes­thet­ics. He’s at work on a book about Los Ange­lesA Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall.

Hear Jamaica Kincaid’s Classic Story “Girl” Read by Fellow New Yorker Writer Edwidge Danticat

Jamaica Kin­caid is out with her first nov­el in ten years, See Now Then, but she hasn’t been idle, steadi­ly pub­lish­ing non-fic­tion and essays in the span between 2002’s Mr. Pot­ter and now. Kin­caid is a many-faceted woman: Antiguan native, con­tent­ed Ver­mont gar­den­er, improb­a­ble lit­er­ary suc­cess sto­ry, fierce crit­ic of Euro­pean colo­nial­ism. She is also, most like­ly, one of the most anthol­o­gized writ­ers of the past few decades. Any­one who’s tak­en a writ­ing or intro lit class recent­ly has no doubt read her short sto­ry (or prose-poem) “Girl.”

With Kin­caid in the news for her new book, the New York­er’s Page-Turn­er blog caught up with one of her admir­ers, Hait­ian-Amer­i­can author and fel­low New York­er colum­nist Edwidge Dan­ti­cat and asked her to read two of Kincaid’s clas­sic sto­ries, “Girl” and “Wing­less,” pub­lished in the New York­er in 1978 and ’79, for their fic­tion pod­cast. Dan­ti­cat glad­ly oblig­ed (hear the audio above), but not before briefly dis­cussing her rela­tion­ship to Kin­caid and her work.

And for more on the new book, lis­ten to the NPR Kin­caid inter­view with All Things Con­sid­ered’s Celeste Headlee. Kin­caid dis­cuss­es writ­ing, the themes of the new nov­el, and the auto­bi­o­graph­i­cal con­tent in her work. You can read an excerpt from See Here Now here.

The read­ing above has been added to our col­lec­tion of Free Audio Books.

Josh Jones is a writer, edi­tor, and musi­cian based in Wash­ing­ton, DC. Fol­low him @jdmagness

Relat­ed Con­tent:

The New Yorker’s Fic­tion Pod­cast: Where Great Writ­ers Read Sto­ries by Great Writ­ers

Rare 1959 Audio: Flan­nery O’Connor Reads ‘A Good Man is Hard to Find’

David Sedaris Reads You a Sto­ry By Miran­da July

 

“PoemTalk” Podcast, Where Impresario Al Filreis Hosts Lively Chats on Modern Poetry

William-Carlos-Williams-001

 

Want to know what’s going on the poet­ry world? Ask Uni­ver­si­ty of Penn­syl­va­nia pro­fes­sor Al Fil­reis. A nation­al trea­sure for mod­ern Amer­i­can poet­ry, Fil­reis serves as Fac­ul­ty Direc­tor of the Kel­ly Writ­ers House, Direc­tor of UPenn’s Cen­ter for Pro­grams in Con­tem­po­rary Writ­ing, and Co-Direc­tor of the excel­lent poet­ry record­ing series and archive PennSound. He also teach­es a Cours­era mas­sive open online course, “Mod­Po,” which has reached over 36,000 stu­dents, bring­ing his thir­ty years of sem­i­nar-style teach­ing expe­ri­ence to the mass­es. On top of all that, Fil­reis is the pub­lish­er of con­tem­po­rary poet­ry webzine Jack­et 2, which hosts a pod­cast called “PoemTalk.”

“PoemTalk” brings togeth­er poets, writ­ers, and teach­ers to infor­mal­ly dis­cuss a sin­gle poem. Like Fil­reis’ classes—in which he prefers live­ly dis­cus­sions over long lectures—these sem­i­nar-like ses­sions involve a lot of friend­ly dis­agree­ment and serendip­i­tous insights, with many pearls of poet­ic wis­dom scat­tered through­out. The first episode of “PoemTalk” (above), from Decem­ber 2007, took on William Car­los Williams’ frag­men­tary mod­ernist provo­ca­tion “Between Walls”:

Between Walls

the back wings
of the

hos­pi­tal where
noth­ing

will grow lie
cin­ders

in which shine
the bro­ken

pieces of a green
bot­tle

If you don’t see much in this lit­tle imag­ist exer­cise, you might just want to read it again, sev­er­al times, after lis­ten­ing to Fil­reis, Saigon-born poet Linh Dinh, teacher and poet Ran­dall Couch, and poet Jes­si­ca Lowen­thal unpack the poem’s many res­o­nances and reflec­tions. (Or you might have had your fill by then). Williams’ approach was com­plete­ly inno­v­a­tive, strip­ping all of the rhetor­i­cal excess­es from Amer­i­can poet­ry, which suf­fered from a kind of Vic­to­ri­an hang­over into the first decades of the twen­ti­eth cen­tu­ry until those nasty mod­ernists fin­ished rough­ing it up. As the episode’s page points out, “‘Between Walls’ has had a huge influ­ence on poet­ry and pho­tog­ra­phy since its first pub­li­ca­tion in 1934.” Lis­ten to the dis­cus­sion above to find out why such a seem­ing­ly straight­for­ward­ly unsen­ti­men­tal, un-“poetic” piece of writ­ing had such an impact.

Since this inau­gur­al episode, “PoemTalk” has cov­ered sev­er­al dozen con­tem­po­rary, liv­ing poets, as well as such nota­bles as Ezra Pound, John Ash­bery, Adri­enne Rich, Allen Gins­berg, and Wal­lace Stevens. By the way, as an added bonus, all of the poems dis­cussed on “PoemTalk” are avail­able as audio record­ings on PennSound, read by the poets them­selves. Here’s Williams read­ing “Between Walls.”

“PoemTalk”’s most recent episode takes as its text Charles Alexander’s “Near or Ran­dom Acts.” You can lis­ten through the web­site or sub­scribe on iTunes.

Relat­ed Con­tent:

William Car­los Williams Reads His Poet­ry (1954)

Lis­ten­ing to Poet­ry Online

Lis­ten­ing to Famous Poets Read­ing Their Own Work

Josh Jones is a writer, edi­tor, and musi­cian based in Wash­ing­ton, DC. Fol­low him @jdmagness

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