Is It Really Ever a Good Idea to Revive an Old TV Show? Pretty Much Pop #13 Considers

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An appalling num­ber of shows are now being con­tin­ued long after their deaths. Revivals (not to be con­fused with reboots) bring us back to the com­fort of old friends, who are now real­ly old. What can a revival’s suc­cess tell us about why the show was appeal­ing in the first place? Would­n’t you rather see a new work by the same cre­ative team than more of the same? Mark, Eri­ca, and Bri­an con­sid­er some suc­cess­es, fail­ures, and hypo­thet­i­cals.

We con­sid­er Arrest­ed Devel­op­ment, The Twi­light Zone, X‑Files, Twin Peaks, Will & Grace, Dead­wood, Full House, Gilmore Girls, Queer Eye, Doc­tor Who, Veron­i­ca Mars, and talk too much about The Brady Bunch and Alf.

Some arti­cles we looked at:

This episode includes bonus dis­cus­sion that you can only hear by sup­port­ing the pod­cast at patreon.com/prettymuchpop. This pod­cast is part of the Par­tial­ly Exam­ined Life pod­cast net­work.

Pret­ty Much Pop is the first pod­cast curat­ed by Open Cul­ture. Browse all Pret­ty Much Pop posts or start with the first episode.

Quentin Tarantino’s Once Upon a Time… In Hollywood Examined on Pretty Much Pop #12

Wes Alwan, who co-hosts The Par­tial­ly Exam­ined Life phi­los­o­phy pod­cast with PMP host Mark Lin­sen­may­er, joins the dis­cus­sion along with PMP co-hosts Eri­ca Spyres and Bri­an Hirt to dis­cuss Quentin Tarantino’s Once Upon a Time… In Hol­ly­wood in the con­text of Tarantino’s oth­er films.

Wes thinks the film is bril­liant, even though he’s not oth­er­wise a Taran­ti­no fan. How is this film dif­fer­ent? We con­sid­er T’s strange sense of pac­ing, his com­ic vio­lence, his his­tor­i­cal revi­sion­ism, and cast­ing choic­es. Is this a bril­liant film or a fun­da­men­tal­ly mis­guid­ed idea bad­ly in need of an edi­tor?

Some arti­cles we drew on:

Wes is work­ing on a very long essay on this film that isn’t yet com­plete, but he’s writ­ten plen­ty of oth­er long essays about the media and has record­ed sev­er­al episodes of his own PEL spin-off show, (sub)Text: Get it all here.

This episode includes bonus dis­cus­sion that you can only hear by sup­port­ing the pod­cast at patreon.com/prettymuchpop. This pod­cast is part of the Par­tial­ly Exam­ined Life pod­cast net­work.

Pret­ty Much Pop is the first pod­cast curat­ed by Open Cul­ture. Browse all Pret­ty Much Pop posts or start with the first episode.

Is the Live Music Experience Irreplaceable? Pretty Much Pop #11

Sure­ly tech­no­log­i­cal advances have made it unnec­es­sary to ever leave the house, right? Is there still a point in see­ing live peo­ple actu­al­ly doing things right in front of you?

Dave Hamil­ton (Host of Gig GabMac Geek Gab) joins Mark Lin­sen­may­er, Eri­ca Spyres, and Bri­an Hirt to dis­cuss what’s so damn cool about live music (and the­ater), the alter­na­tives (live-streamed-to-the­aters or devices, record­ed for TV, VR), why tick­ets are so expen­sive, whether trib­ute bands ful­fill our needs, the con­nec­tion between live music and drugs, singing along to the band, and more.

We touch on Rush (and their trib­ute Lotus Land), Damien Rice, Todd Rund­gren, The Who, Cop RockBat out of Hell: The Musi­calHed­wig and the Angry Inch, the filmed Shrek The Musi­cal, and Riff­trax Live.

We used some arti­cles to feed this episode, though we didn’t real­ly bring them up:

You know Mark also runs a music pod­cast, right? Check out Eri­ca doin’ her fid­dlin’ and sin­gin’. Lis­ten to Mark’s mass of tunes. Here’s Dave singing and drum­ming some Badfin­ger live with his band Fling, and here’s Mark live singing “The Grinch.”

This episode includes bonus dis­cus­sion that you can only hear by sup­port­ing the pod­cast at patreon.com/prettymuchpop. This pod­cast is part of the Par­tial­ly Exam­ined Life pod­cast net­work.

Pret­ty Much Pop is the first pod­cast curat­ed by Open Cul­ture. Browse all Pret­ty Much Pop posts or start with the first episode.

The Wisdom of Ram Dass Is Now Online: Stream 150 of His Enlightened Spiritual Talks as Free Podcasts

Image by Barabeke, via Cre­ative Com­mons

“Over the course of his life, it would appear that Ram Dass has led two vast­ly dif­fer­ent lives,” writes Katie Ser­e­na in an All That’s Inter­est­ing pro­file of the man for­mer­ly known as Richard Alpert. By embody­ing two dis­tinct, but equal­ly influ­en­tial, beings in one life­time, he has also embod­ied the fusion, and divi­sion, of two sig­nif­i­cant cul­tur­al inher­i­tances from the 60s: the psy­che­del­ic drug cul­ture and the hip­pie syn­cretism of East­ern reli­gion Chris­tian­i­ty, Yoga, etc.

These strains did not always come togeth­er in the health­i­est of ways. But Ram Dass is a unique indi­vid­ual. As Alpert, the Mass­a­chu­setts-born Har­vard psy­chol­o­gy pro­fes­sor, he began con­trolled exper­i­ments with LSD at Har­vard with Tim­o­thy Leary.

When both were dis­missed, they con­tin­ued their famous ses­sions in Mill­brook, New York, from 1963 to 1967, in essence cre­at­ing the lab­o­ra­to­ry con­di­tions for the coun­ter­cul­ture, in research that has since been val­i­dat­ed once again as hold­ing keys that might unlock depres­sion, anx­i­ety, and addic­tion.

Then, Alpert trav­elled to India in 1967 with a friend who called him­self “Bha­ga­van Das,” begin­ning an epic spir­i­tu­al jour­ney that rivals the leg­ends of the Bud­dha, as he describes it in the trail­er below for the new doc­u­men­tary Becom­ing Nobody. He trans­formed from the infa­mous Richard Alpert to the soon-to-be-world-famous Ram Dass (which means “ser­vant of god”), a guide for West­ern seek­ers who encour­ages peo­ple not to leave it all behind and do as he did, but to find their path in the mid­dle of what­ev­er lives they hap­pen to be liv­ing.

“I think that the spir­i­tu­al trip in this moment,” he said in one of his hun­dreds of talks, “is not nec­es­sar­i­ly a cave in the Himalayas, but it’s in rela­tion to the tech­nol­o­gy that’s exist­ing, it’s in rela­tion to where we’re at.” It might sound like a friend­ly mes­sage to the sta­tus quo. But Ram Dass is a true sub­ver­sive, who asked us, through all of the reli­gious, aca­d­e­m­ic, and psy­che­del­ic trap­pings he picked up, put down, and picked up again at var­i­ous times, to take a good hard look at who we’re try­ing to be and why.

Ram Dass’ moment has come again, “as the par­al­lels between today’s fraught polit­i­cal envi­ron­ment and that of the Viet­nam era mul­ti­ply,” writes Will Welch at GQ. “Yoga, organ­ic foods, the Grate­ful Dead,” and psychedelics—“all of them are back in fash­ion,” and so are Ram Dass’ talks about how we might find clar­i­ty, authen­tic­i­ty, and con­nec­tion in a dis­tract­ed, tech­no­crat­ic, polar­iz­ing, pow­er- and per­son­al­i­ty-mad soci­ety.

There are 150 of those talks now on the pod­cast Ram Dass Here and Now, with intro­duc­tions from Raghu Markus of Ram Dass’ Love Serve Remem­ber Foun­da­tion. You can stream or down­load them at Apple Pod­casts or at the Be Here Now Net­work, named for the teacher’s rad­i­cal 1971 book that gave the coun­ter­cul­ture its mantra. Ram Dass is still teach­ing, over fifty years after his trans­for­ma­tion from acid guru to… well, actu­al guru.

In a recent inter­view with The New York Times, he described “nos­tal­gia for the ‘60s and ‘70s” as a younger gen­er­a­tion show­ing “they’re tired of our cul­ture. They’re inter­est­ed in cul­ti­vat­ing their minds and their soul.” How do we do that? The jour­ney does resem­ble his in one way, he says. If we want to change the cul­ture, we first have to change our­selves. Fig­ure out who we’ve been pre­tend­ing to be, then drop the act. “Once you have become some­body,” he says in the talk fur­ther up from 1976, “then you are ready to start the jour­ney to becom­ing nobody.”

Learn much more about Ram Dass’ jour­ney and hear many more of his inspir­ing talks at the Be Here Now Net­work.

Relat­ed Con­tent:

Med­i­ta­tion for Begin­ners: Bud­dhist Monks & Teach­ers Explain the Basics

The Wis­dom of Alan Watts in Four Thought-Pro­vok­ing Ani­ma­tions

The His­toric LSD Debate at MIT: Tim­o­thy Leary v. Pro­fes­sor Jerome Lettvin (1967)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Voice Actor Dee Bradley Baker (Clone Wars,American Dad) Defends Cartoons on Pretty Much Pop: A Culture Podcast #9

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Are car­toons an inher­ent­ly juve­nile art form? Even ani­ma­tion aimed at adults is still typ­i­cal­ly con­sid­ered genre fiction–a guilty pleasure–and the form enables tones and approach­es that might sim­ply be con­sid­ered awful if pre­sent­ed as tra­di­tion­al live action. So what’s the appeal?

Dee’s voice can be heard in sub­stan­tial por­tion of today’s car­toons, espe­cial­ly for ani­mal or mon­ster nois­es, like Boots in the new big-screen adap­ta­tion of Dora the Explor­er, Momo and Appa in The Last Air­ben­der, Ani­mal in the new Mup­pet Babies, etc. He’s also a deep thinker who proud­ly defends car­toons as pro­vid­ing pri­mal delights of humor, jus­tice, and nar­ra­tive mean­ing.

Mark, Eri­ca, and Bri­an engage Dee about his expe­ri­ence as a voice actor (e.g. as Klaus Ger­man fish in a Seth Mac­Far­lane sit-com, fig­ur­ing out what Adven­ture Time was actu­al­ly about, doing all the sim­i­lar-but-dis­tinct voic­es of the var­i­ous clones in Clone Wars, com­ing up with a lan­guage for The Box­trolls, and recre­at­ing Mel Blanc’s voic­es in Space Jamand oth­er Looney Tunes projects), his role in col­lab­o­ra­tive cre­ation,  the con­nec­tion between car­toons and vaude­ville, how live-action films can be made “car­toon­ish,” graph­ic nov­els, car­toon music, and more. We also touch on Love & Robots, A Scan­ner Dark­ly, Lar­va, the doc­u­men­tary I Know That Voice, and the 1972 film What’s Up, Doc? Intro­duc­tion by Chick­ie.

We did read a few arti­cles in prepa­ra­tion for this about the phe­nom­e­non of adults watch­ing kid car­toons:

There’s also a lengthy red­dit thread that we mined for per­spec­tives.

This episode includes bonus con­tent that you can only hear by sup­port­ing the pod­cast at patreon.com/prettymuchpop. This pod­cast is part of the Par­tial­ly Exam­ined Life pod­cast net­work.

Pret­ty Much Pop is the first pod­cast curat­ed by Open Cul­ture. Browse all Pret­ty Much Pop posts or start with the first episode.

Pretty Much Pop: A Culture Podcast #8 Discusses Spider-Man: Far From Home and the Function of Super-Hero Films

Mark Lin­sen­may­er, Eri­ca Spyres, and Bri­an Hirt final­ly cov­er a cur­rent film, and of course use it as an entry point in dis­cussing the social func­tion of super-hero films more gen­er­al­ly, how much real­ism or grit­ti­ness is need­ed in such sto­ries, whether to repeat or bypass the ori­gin sto­ry, ever­last­ing fran­chis­es, the use of mul­ti-vers­es as a sto­ry­telling device, exag­ger­at­ing the poten­tial in a sto­ry of new tech­nolo­gies that the audi­ence doesn’t real­ly under­stand, and more.

We touch on oth­er bits of the Mar­vel Uni­verse and the oth­er Spi­der-Man films, the orig­i­nal Amaz­ing Spi­der-Man #13 com­ic that intro­duced Mys­te­rio, The Lion KingWatch­menThe BoysStar TrekElec­tric Dreams, the Rob Lowe “John Smith’s Bach­e­lor Par­ty” scene in Austin Pow­ersthe recur­ring hench­man in Spi­der-Man (actu­al­ly Peter Billings­ley, i.e. Ral­phie in A Christ­mas Sto­ry), and the Exiles com­ic (a Mar­vel team that trav­els between mul­ti-vers­es).

Some arti­cles we looked at for this episode include:

This episode includes bonus con­tent that you can only hear by sup­port­ing the pod­cast at patreon.com/prettymuchpop. This pod­cast is part of the Par­tial­ly Exam­ined Life pod­cast net­work.

Pret­ty Much Pop is the first pod­cast curat­ed by Open Cul­ture. Browse all Pret­ty Much Pop posts or start with the first episode.

Pretty Much Pop: A Culture Podcast #6: Why Adults Might Play Video Games

Eri­ca Spyres, Bri­an Hirt, and Mark Lin­sen­may­er are joined by Ian Maio (who worked for mar­ket­ing for IGN and Turn­er in e‑sports) for our first dis­cus­sion about gam­ing. Do adults have any busi­ness play­ing video games? Should you feel guilty about your video game habits?

Ian gives us the lay of the land about e‑sports, com­par­ing it to phys­i­cal sports, and we dis­cuss the chang­ing social func­tions of gam­ing, alleged and actu­al gam­ing dis­or­ders, dif­fer­ent types of gamers, inclu­siv­i­ty, and more. Whether you game a lot or not at all, you should still find some­thing inter­est­ing here.

We touch on the King of Kong doc­u­men­taryGrand Theft AutoOver­watchThe Last of UsBor­der­landsSuper MarioCup­head, NY Times Elec­tron­ic Cross­word Puz­zle, and more. Be sure to watch the Black Mir­ror episode, “Strik­ing Vipers.”

Sources for this episode:

This episode includes bonus con­tent that you can only hear by sup­port­ing the pod­cast at patreon.com/prettymuchpop. This pod­cast is part of the Par­tial­ly Exam­ined Life pod­cast net­work.

Please go check out Mod­ern Day Philoso­phers at moderndayphilosophers.net and See You on the Oth­er Side at othersidepodcast.com.

Pret­ty Much Pop is the first pod­cast curat­ed by Open Cul­ture. Browse all Pret­ty Much Pop posts or start with the first episode.

Lucy Lawless Joins Pretty Much Pop: A Culture Podcast #5 on True Crime

Lucy Law­less (Xena the War­rior Princess, cur­rent­ly star­ring in My Life Is Mur­der) joins Mark Lin­sen­may­er, Eri­ca Spyres, and Bri­an Hirt to think about the true crime genre, of both the doc­u­men­tary and dra­ma­tized vari­ety. What’s the appeal? Why do women in par­tic­u­lar grav­i­tate to it?

We touch on Mak­ing of a Mur­der­er, Ser­i­alThe Stair­caseAman­da Knox, Ted Bundy Con­ver­sa­tions with a Killer, I Love You Now Die, Mom­my Dead and Dear­est (dra­ma­tized as The Act), Amer­i­can Crime Sto­ry: The Peo­ple v. O.J. Simp­son, My Favorite Mur­derCase­fileCrime Talk with Scott ReischTrue Mur­der, and Amer­i­can Van­dal.

Sources for this episode:

Here’s an arti­cle about Lucy’s new show and her love of the true crime genre. Watch the trail­er.

Get more at prettymuchpop.com. Sub­scribe on Apple Pod­casts, Stitch­er, or Google Play. Maybe leave us a nice rat­ing or review while you’re there to help the pod­cast grow. Pret­ty Much Pop: A Cul­ture Pod­cast is pro­duced by the Par­tial­ly Exam­ined Life Pod­cast Net­work. This episode includes bonus con­tent that you can only hear by sup­port­ing the pod­cast at patreon.com/prettymuchpop.

Pret­ty Much Pop is the first pod­cast curat­ed by Open Cul­ture. Browse all Pret­ty Much Pop posts or start with the first episode.

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Open Culture was founded by Dan Colman.