Hear Albert Einstein Read “The Common Language of Science” (1941)

Albert Ein­stein, 1921, by Fer­di­nand Schmutzer via Wiki­me­dia Com­mons

Here’s an extra­or­di­nary record­ing of Albert Ein­stein from the fall of 1941, read­ing a full-length essay in Eng­lish:

The essay is called “The Com­mon Lan­guage of Sci­ence.” It was record­ed in Sep­tem­ber of 1941 as a radio address to the British Asso­ci­a­tion for the Advance­ment of Sci­ence. The record­ing was appar­ent­ly made in Amer­i­ca, as Ein­stein nev­er returned to Europe after emi­grat­ing from Ger­many in 1933.

Ein­stein begins by sketch­ing a brief out­line of the devel­op­ment of lan­guage, before explor­ing the con­nec­tion between lan­guage and think­ing. “Is there no think­ing with­out the use of lan­guage,” asks Ein­stein, “name­ly in con­cepts and con­cept-com­bi­na­tions for which words need not nec­es­sar­i­ly come to mind? Has not every one of us strug­gled for words although the con­nec­tion between ‘things’ was already clear?”

Despite this evi­dent sep­a­ra­tion between lan­guage and think­ing, Ein­stein quick­ly points out that it would be a gross mis­take to con­clude that the two are entire­ly inde­pen­dent. In fact, he says, “the men­tal devel­op­ment of the indi­vid­ual and his way of form­ing con­cepts depend to a high degree upon lan­guage.” Thus a shared lan­guage implies a shared men­tal­i­ty. For this rea­son Ein­stein sees the lan­guage of sci­ence, with its math­e­mat­i­cal signs, as hav­ing a tru­ly glob­al role in influ­enc­ing the way peo­ple think:

The super­na­tion­al char­ac­ter of sci­en­tif­ic con­cepts and sci­en­tif­ic lan­guage is due to the fact that they have been set up by the best brains of all coun­tries and all times. In soli­tude, and yet in coop­er­a­tive effort as regards the final effect, they cre­at­ed the spir­i­tu­al tools for the tech­ni­cal rev­o­lu­tions which have trans­formed the life of mankind in the last cen­turies. Their sys­tem of con­cepts has served as a guide in the bewil­der­ing chaos of per­cep­tions so that we learned to grasp gen­er­al truths from par­tic­u­lar obser­va­tions.

Ein­stein con­cludes with a cau­tion­ary reminder that the sci­en­tif­ic method is only a means toward an end, and that the wel­fare of human­i­ty depends ulti­mate­ly on shared goals.

Per­fec­tion of means and con­fu­sion of goals seem–in my opinion–to char­ac­ter­ize our age. If we desire sin­cere­ly and pas­sion­ate­ly for the safe­ty, the wel­fare, and the free devel­op­ment of the tal­ents of all men, we shall not be in want of the means to approach such a state. Even if only a small part of mankind strives for such goals, their supe­ri­or­i­ty will prove itself in the long run.

The imme­di­ate con­text of Ein­stein’s mes­sage was, of course, World War II. The air force of Ein­stein’s native coun­try had only recent­ly called off its bomb­ing cam­paign against Eng­land. A year before, Lon­don weath­ered 57 straight nights of bomb­ing by the Luft­waffe. Ein­stein had always felt a deep sense of grat­i­tude to the British sci­en­tif­ic com­mu­ni­ty for its efforts dur­ing World War I to test the Gen­er­al The­o­ry of Rel­a­tiv­i­ty, despite the fact that its author was from an ene­my nation.

“The Com­mon Lan­guage of Sci­ence” was first pub­lished a year after the radio address, in Advance­ment of Sci­ence 2, no. 5. It is cur­rent­ly avail­able in the Ein­stein antholo­gies Out of My Lat­er Years and Ideas and Opin­ions.

Note: An ear­li­er ver­sion of this post appeared on our site in March 2013.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Albert Ein­stein on Indi­vid­ual Lib­er­ty, With­out Which There Would Be ‘No Shake­speare, No Goethe, No New­ton’

Albert Ein­stein Tells His Son The Key to Learn­ing & Hap­pi­ness is Los­ing Your­self in Cre­ativ­i­ty (or “Find­ing Flow”)

Albert Ein­stein Called Racism “A Dis­ease of White Peo­ple” in His Lit­tle-Known Fight for Civ­il Rights

Find Cours­es on Ein­stein in the Physics Sec­tion of our Free Online Cours­es Col­lec­tion

Hidden Ancient Greek Medical Text Read for the First Time in a Thousand Years — with a Particle Accelerator

Image by Far­rin Abbott/SLAC, via Flickr Com­mons

Long before human­i­ty had paper to write on, we had papyrus. Made of the pith of the wet­land plant Cype­r­us papyrus and first used in ancient Egypt, it made for quite a step up in terms of con­ve­nience from, say, the stone tablet. And not only could you write on it, you could rewrite on it. In that sense it was less the paper of its day than the first-gen­er­a­tion video tape: giv­en the expense of the stuff, it often made sense to erase the con­tent already writ­ten on a piece of papyrus in order to record some­thing more time­ly. But you could­n’t com­plete­ly oblit­er­ate the pre­vi­ous lay­ers of text, a fact that has long held out promise to schol­ars of ancient his­to­ry look­ing to expand their field of pri­ma­ry sources.

The decid­ed­ly non-ancient solu­tion: par­ti­cle accel­er­a­tors. Researchers at the Stan­ford Syn­chro­tron Radi­a­tion Light­source (SSRL) recent­ly used one to find the hid­den text in what’s now called the Syr­i­ac Galen Palimpsest. It con­tains, some­where deep in its pages, “On the Mix­tures and Pow­ers of Sim­ple Drugs,” an “impor­tant phar­ma­ceu­ti­cal text that would help edu­cate fel­low Greek-Roman doc­tors,” writes Aman­da Sol­l­i­day at the SLAC Nation­al Accel­er­a­tor Lab­o­ra­to­ry.

Orig­i­nal­ly com­posed by Galen of Perg­a­mon, “an influ­en­tial physi­cian and a philoso­pher of ear­ly West­ern med­i­cine,” the work made its way into the 6th-cen­tu­ry Islam­ic world through a trans­la­tion into a lan­guage between Greek and Ara­bic called Syr­i­ac.

Image by Far­rin Abbott/SLAC, via Flickr Com­mons

Alas, “despite the physician’s fame, the most com­plete sur­viv­ing ver­sion of the trans­lat­ed man­u­script was erased and writ­ten over with hymns in the 11th cen­tu­ry – a com­mon prac­tice at the time.” Palimpsest, the word coined to describe such texts writ­ten, erased, and writ­ten over on pre-paper mate­ri­als like papyrus and parch­ment, has long since had a place in the lex­i­con as a metaphor for any­thing long-his­to­ried, mul­ti-lay­ered, and ful­ly under­stand­able only with effort. The Stan­ford team’s effort involved a tech­nique called X‑ray flu­o­res­cence (XRF), whose rays “knock out elec­trons close to the nuclei of met­al atoms, and these holes are filled with out­er elec­trons result­ing in char­ac­ter­is­tic X‑ray flu­o­res­cence that can be picked up by a sen­si­tive detec­tor.”

Those rays “pen­e­trate through lay­ers of text and cal­ci­um, and the hid­den Galen text and the new­er reli­gious text flu­o­resce in slight­ly dif­fer­ent ways because their inks con­tain dif­fer­ent com­bi­na­tions of met­als such as iron, zinc, mer­cury and cop­per.” Each of the leather-bound book’s 26 pages takes ten hours to scan, and the enor­mous amounts of new data col­lect­ed will pre­sum­ably occu­py a vari­ety of experts on the ancient world — on the Greek and Islam­ic civ­i­liza­tions, on their lan­guages, on their med­i­cine — for much longer there­after. But you do have to won­der: what kind of unimag­in­ably advanced tech­nol­o­gy will our descen­dants a mil­len­ni­um and a half years from now be using to read all of the stuff we thought we’d erased?

via SLAC

Relat­ed Con­tent:

2,000-Year-Old Man­u­script of the Ten Com­mand­ments Gets Dig­i­tized: See/Download “Nash Papyrus” in High Res­o­lu­tion

The Turin Erot­ic Papyrus: The Old­est Known Depic­tion of Human Sex­u­al­i­ty (Cir­ca 1150 B.C.E.)

Try the Old­est Known Recipe For Tooth­paste: From Ancient Egypt, Cir­ca the 4th Cen­tu­ry BC

Learn Ancient Greek in 64 Free Lessons: A Free Course from Bran­deis & Har­vard

Intro­duc­tion to Ancient Greek His­to­ry: A Free Online Course from Yale

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Applause Fills the Air as Stephen Hawking Gets Laid to Rest in Cambridge, England

Ear­li­er today, they laid Stephen Hawk­ing to rest in a pri­vate funer­al held at Uni­ver­si­ty Church of St. Mary the Great in Cam­bridge, Eng­land. Although the funer­al itself was attend­ed by only 500 guests, the streets of Cam­bridge swelled with onlook­ers who broke into applause as the cof­fin hold­ing the physi­cist made its way into the church, leav­ing us with some proof that there’s still some­thing right in a world tilt­ing toward the wrong, that we can still appre­ci­ate some­one who over­came so much, and left us with even more.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Stephen Hawk­ing Picks the Music (and One Nov­el) He’d Spend Eter­ni­ty With: Stream the Playlist Online

The Big Ideas of Stephen Hawk­ing Explained with Sim­ple Ani­ma­tion
Stephen Hawking’s Lec­tures on Black Holes Now Ful­ly Ani­mat­ed with Chalk­board Illus­tra­tions

Watch Stephen Hawking’s Inter­view with Neil DeGrasse Tyson, Record­ed 10 Days Before His Death: A Last Con­ver­sa­tion about Black Holes, Time Trav­el & More

by | Permalink | Make a Comment ( 6 ) |

What Happened When Stephen Hawking Threw a Cocktail Party for Time Travelers (2009)

Who among us has nev­er fan­ta­sized about trav­el­ing through time? But then, who among us has­n’t trav­eled through time? Every sin­gle one of us is a time trav­el­er, tech­ni­cal­ly speak­ing, mov­ing as we do through one sec­ond per sec­ond, one hour per hour, one day per day. Though I nev­er per­son­al­ly heard the late Stephen Hawk­ing point out that fact, I feel almost cer­tain that he did, espe­cial­ly in light of one par­tic­u­lar piece of sci­en­tif­ic per­for­mance art he pulled off in 2009: throw­ing a cock­tail par­ty for time trav­el­ers — the prop­er kind, who come from the future.

“Hawking’s par­ty was actu­al­ly an exper­i­ment on the pos­si­bil­i­ty of time trav­el,” writes Atlas Obscu­ra’s Anne Ewbank. “Along with many physi­cists, Hawk­ing had mused about whether going for­ward and back in time was pos­si­ble. And what time trav­el­er could resist sip­ping cham­pagne with Stephen Hawk­ing him­self?” ”

By pub­lish­ing the par­ty invi­ta­tion in his mini-series Into the Uni­verse With Stephen Hawk­ing, Hawk­ing hoped to lure futur­is­tic time trav­el­ers. You are cor­dial­ly invit­ed to a recep­tion for Time Trav­ellers, the invi­ta­tion read, along with the the date, time, and coor­di­nates for the event. The the­o­ry, Hawk­ing explained, was that only some­one from the future would be able to attend.”

Alas, no time trav­el­ers turned up. Since some­one pos­sessed of that tech­nol­o­gy at any point in the future would the­o­ret­i­cal­ly be able to attend, does Hawk­ing’s lone­ly par­ty, which you can see in the clip above, prove that time trav­el will nev­er become pos­si­ble? Maybe — or maybe the poten­tial time-trav­el­ers of the future know some­thing about the space-time-con­tin­u­um-threat­en­ing risks of the prac­tice that we don’t. As for Dr. Hawk­ing, I have to imag­ine that he came away sat­is­fied from the shindig, even though his hoped-for Ms. Uni­verse from the future nev­er walked through the door. “I like sim­ple exper­i­ments… and cham­pagne,” he said, and this cham­pagne-laden sim­ple exper­i­ment will con­tin­ue to remind the rest of us to enjoy our time on Earth, wher­ev­er in that time we may find our­selves.

Relat­ed Con­tent:

Watch Stephen Hawking’s Inter­view with Neil DeGrasse Tyson, Record­ed 10 Days Before His Death: A Last Con­ver­sa­tion about Black Holes, Time Trav­el & More

Stephen Hawk­ing (RIP) Explains His Rev­o­lu­tion­ary The­o­ry of Black Holes with the Help of Chalk­board Ani­ma­tions

The Lighter Side of Stephen Hawk­ing: The Physi­cist Cracks Jokes and a Smile with John Oliv­er

Pro­fes­sor Ronald Mal­lett Wants to Build a Time Machine in this Cen­tu­ry … and He’s Not Kid­ding

What’s the Ori­gin of Time Trav­el Fic­tion?: New Video Essay Explains How Time Trav­el Writ­ing Got Its Start with Charles Dar­win & His Lit­er­ary Peers

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Infographics Show How the Different Fields of Biology, Chemistry, Mathematics, Physics & Computer Science Fit Together

Ask any­one who’s pur­sued a career in the sci­ences what first piqued their inter­est in what would become their field, and they’ll almost cer­tain­ly have a sto­ry. Gaz­ing at the stars on a camp­ing trip, rais­ing a pet frog, fool­ing around with com­put­ers and their com­po­nents: an expe­ri­ence sparks a desire for knowl­edge and under­stand­ing, and the pur­suit of that desire even­tu­al­ly deliv­ers one to their spe­cif­ic area of spe­cial­iza­tion.

Or, as they say in sci­ence, at least it works that way in the­o­ry; the real­i­ty usu­al­ly unrolls less smooth­ly. On such a jour­ney, just like any oth­er, it might help to have a map.

Enter the work of sci­ence writer and physi­cist Dominic Wal­li­man, whose ani­mat­ed work on the Youtube chan­nel Domain of Sci­ence we’ve pre­vi­ous­ly fea­tured here on Open Cul­ture. (See the “Relat­ed Con­tent” sec­tion below for the links.)

Wal­li­man’s videos astute­ly explain how the sub­fields of biol­o­gy, chem­istry, math­e­mat­ics, physics, and com­put­er sci­ence relate to each oth­er, but now he’s turned that same mate­r­i­al into info­graph­ics read­able at a glance: maps, essen­tial­ly, of the intel­lec­tu­al ter­ri­to­ry. He’s made these maps, of biol­o­gy, chem­istry, math­e­mat­ics, physics, and com­put­er sci­ence, freely avail­able on his Flickr account: you can view them all on a sin­gle page here along with a few more of his info­graph­ics..

As much use as Wal­li­man’s maps might be to sci­ence-mind­ed young­sters look­ing for the best way to direct their fas­ci­na­tions into a prop­er course of study, they also offer a help­ful reminder to those far­ther down the path — espe­cial­ly those who’ve strug­gled with the blind­ers of hyper­spe­cial­iza­tion — of where their work fits in the grand scheme of things. No mat­ter one’s field, sci­en­tif­ic or oth­er­wise, one always labors under the threat of los­ing sight of the for­est for the trees. Or the realm of life for the bioin­for­mat­ics, bio­physics, and bio­math­e­mat­ics; the whole of math­e­mat­ics for the num­ber the­o­ry, the dif­fer­en­tial geom­e­try, and the dif­fer­en­tial equa­tions; the work­ings of com­put­ers for the sched­ul­ing, the opti­miza­tion, and the boolean sat­is­fi­a­bil­i­ty.

Relat­ed Con­tent:

The Map of Biol­o­gy: Ani­ma­tion Shows How All the Dif­fer­ent Fields in Biol­o­gy Fit Togeth­er

The Map of Com­put­er Sci­ence: New Ani­ma­tion Presents a Sur­vey of Com­put­er Sci­ence, from Alan Tur­ing to “Aug­ment­ed Real­i­ty”

The Map of Math­e­mat­ics: Ani­ma­tion Shows How All the Dif­fer­ent Fields in Math Fit Togeth­er

The Map of Physics: Ani­ma­tion Shows How All the Dif­fer­ent Fields in Physics Fit Togeth­er

The Map of Chem­istry: New Ani­ma­tion Sum­ma­rizes the Entire Field of Chem­istry in 12 Min­utes

The Art of Data Visu­al­iza­tion: How to Tell Com­plex Sto­ries Through Smart Design

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Watch Stephen Hawking’s Interview with Neil DeGrasse Tyson, Recorded 10 Days Before His Death: A Last Conversation about Black Holes, Time Travel & More

Ten days before Stephen Hawking’s death, Neil DeGrasse Tyson sat down with the world-famous physi­cist for an inter­view on Tyson’s StarTalk pod­cast. “I picked his leg­endary brain,” says Tyson in his intro­duc­tion, “on every­thing, from the big bang to the ori­gins of the uni­verse.” He starts off, how­ev­er, with some soft­balls. Hawking’s favorite food? He likes oys­ters. Favorite drink? Pimms.

Your appre­ci­a­tion for Tyson’s earnest­ly awk­ward small talk may vary. He’s prone to mak­ing him­self laugh, which doesn’t elic­it laughs from Hawk­ing, whose com­mu­ni­ca­tion was, of course, extra­or­di­nar­i­ly con­strained. And yet, when it came to mat­ters most of con­se­quence to him, he was elo­quent, wit­ty, pro­found into his final days.

Though we can­not detect any tonal inflec­tion in Hawking’s com­put­er voice, we know him as a sen­si­tive, com­pas­sion­ate per­son as well as a bril­liant mind. It doesn’t sound like he’s brag­ging when—in answer to Tyson’s ques­tion about his favorite equa­tion (at 4:10)—he replies, “the equa­tion I dis­cov­ered relat­ing the entropy of black hole to the area of its hori­zon.” “How many peo­ple,” Tyson replies, chuck­ling, “get to say that their favorite equa­tion is one they came up with? That’s badass.”

Cut­away seg­ments with Tyson, the­o­ret­i­cal physi­cist Jan­na Levin, and come­di­an Matt Kir­shen sur­round the short inter­view, with Levin offer­ing her pro­fes­sion­al exper­tise as a cos­mol­o­gist to explain Hawking’s ideas in lay terms. His favorite equa­tion, she says, demon­strates that black holes actu­al­ly radi­ate ener­gy, return­ing infor­ma­tion, though in a high­ly dis­or­dered form, that was pre­vi­ous­ly thought lost for­ev­er.

At 8:05, hear Hawking’s answer to the ques­tion of what he would ask Isaac New­ton if he could go back in time. Whether we under­stand his reply or not, we learn how “badass” it is in the cut­away com­men­tary (which begins to seem a lit­tle ESPN-like, with Levin as the sea­soned play­er on the pan­el). Rather than ask­ing New­ton a ques­tion Hawk­ing him­self didn’t know the answer to, which New­ton like­ly couldn’t answer either, Hawk­ing would ask him to solve a prob­lem at the lim­it of Newton’s own stud­ies, there­by test­ing the Enlight­en­ment giant’s abil­i­ties.

Offered ad-free in Hawking’s mem­o­ry, the pod­cast inter­view also tack­les the ques­tion of whether it might ever be pos­si­ble to actu­al­ly trav­el back in time, at 24:00 (the answer may dis­ap­point you). Michio Kaku joins the pan­el in the stu­dio to clar­i­fy and sticks around for the remain­der of the dis­cus­sion. The pan­el also answers fan-sub­mit­ted ques­tions, and Bill Nye makes an appear­ance at 42:16. Hawking’s inter­view makes up a com­par­a­tive­ly small por­tion of the show.

His answers, by neces­si­ty, were very brief and to the point. His final the­o­ries, by con­trast, are mind-expand­ing­ly vast, open­ing us up to the secrets of black holes and the exis­tence of the mul­ti­verse. While Hawk­ing’s the­o­ret­i­cal work may have been too spec­u­la­tive for the Nobel com­mit­tee, who need hard evi­dence to make a call, his lega­cy as “one of our great­est minds, of our gen­er­a­tion, of the cen­tu­ry, or maybe, ever,” as Tyson says, seems secure.

via Laugh­ing Squid

Relat­ed Con­tent:

Stephen Hawk­ing (RIP) Explains His Rev­o­lu­tion­ary The­o­ry of Black Holes with the Help of Chalk­board Ani­ma­tions

The Lighter Side of Stephen Hawk­ing: The Physi­cist Cracks Jokes and a Smile with John Oliv­er

Stephen Hawking’s Uni­verse: A Visu­al­iza­tion of His Lec­tures with Stars & Sound

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Stephen Hawking (RIP) Explains His Revolutionary Theory of Black Holes with the Help of Chalkboard Animations

Stephen Hawk­ing died last night at age of 76. I can think of no bet­ter, brief social media trib­ute than that from the @thetweetofgod: “It’s only been a few hours and Stephen Hawk­ing already math­e­mat­i­cal­ly proved, to My face, that I don’t exist.” Hawk­ing was an athe­ist, but he didn’t claim to have elim­i­nat­ed the idea with pure math­e­mat­ics. But if he had, it would have been bril­liant­ly ele­gant, even—as he  used the phrase in his pop­u­lar 1988 cos­mol­o­gy A Brief His­to­ry of Time—to a the­o­ret­i­cal “mind of God.”

Hawk­ing him­self used the word “ele­gant,” with mod­esty, to describe his dis­cov­ery that “gen­er­al rel­a­tiv­i­ty can be com­bined with quan­tum the­o­ry,” that is, “if one replaces ordi­nary time with so-called imag­i­nary time.” In the best­selling A Brief His­to­ry of Time, he described how one might pos­si­bly rec­on­cile the two. His search for this “Grand Uni­fied The­o­ry of Every­thing,” writes his edi­tor Peter Guz­zar­di, rep­re­sent­ed “the quest for the holy grail of science—one the­o­ry that could unite two sep­a­rate fields that worked indi­vid­u­al­ly but whol­ly inde­pen­dent­ly of each oth­er.”

The physi­cist had to help Guz­zar­di trans­late rar­i­fied con­cepts into read­able prose for book­buy­ers at “drug­stores, super­mar­kets, and air­port shops.” But this is not to say A Brief His­to­ry of Time is an easy read. (In the midst of that process, Hawk­ing also had to learn how to trans­late his own thoughts again, as a tra­cheoto­my end­ed his speech, and he tran­si­tioned to the com­put­er devices we came to know as his only voice.) Most who read Hawking’s book, or just skimmed it, might remem­ber it for its take on the big bang. It’s an aspect of his the­o­ry that piqued the usu­al cre­ation­ist sus­pects, and thus gen­er­at­ed innu­mer­able head­lines.

But it was the oth­er term in Hawking’s sub­ti­tle, “from the Big Bang to Black Holes,” that real­ly occu­pied the cen­tral place in his exten­sive body of less acces­si­ble sci­en­tif­ic work. He wrote his the­sis on the expand­ing uni­verse, but gave his final lec­tures on black holes. The dis­cov­er­ies in Hawk­ing’s cos­mol­o­gy came from his inten­sive focus on black holes, begin­ning in 1970 with his inno­va­tion of the sec­ond law of black hole dynam­ics and con­tin­u­ing through ground­break­ing work in the mid-70s that his for­mer dis­ser­ta­tion advi­sor, emi­nent physi­cist Den­nis Scia­ma, pro­nounced “a new rev­o­lu­tion in our under­stand­ing.”

Hawk­ing con­tin­ued to rev­o­lu­tion­ize the­o­ret­i­cal physics through the study of black holes into the last years of his life. In Jan­u­ary 2016, he pub­lished a paper on arXiv.org called “Soft Hair on Black Holes,” propos­ing “a pos­si­ble solu­tion to his black hole infor­ma­tion para­dox,” as Fiona Mac­Don­ald writes at Sci­ence Alert. Hawking’s final con­tri­bu­tions show that black holes have what he calls “soft hair” around them—or waves of zero-ener­gy par­ti­cles. Con­trary to his pre­vi­ous con­clu­sion that noth­ing can escape from a black hole, Hawk­ing believed that this quan­tum “hair” could store infor­ma­tion pre­vi­ous­ly thought lost for­ev­er.

Hawk­ing fol­lowed up these intrigu­ing, but excep­tion­al­ly dense, find­ings with a much more approach­able text, his talks for the BBC’s Rei­th Lec­tures, which artist Andrew Park illus­trat­ed with the chalk­board draw­ings you see above. The first talk, “Do Black Holes Have No Hair?” walks us briskly through the for­ma­tion of black holes and the big names in black hole sci­ence before mov­ing on to the heavy quan­tum the­o­ry. The sec­ond talk con­tin­ues to sketch its way through the the­o­ry, using strik­ing metaphors and wit­ti­cisms to get the point across.

Hawk­ing’s expla­na­tions of phe­nom­e­na are as pro­found, verg­ing on mys­ti­cal, as they are thor­ough. He doesn’t for­get the human dimen­sion or the emo­tion­al res­o­nance of sci­ence, occa­sion­al­ly sug­gest­ing metaphysical—or meta-psychological—implications. Thanks in part to his work, we first thought of black holes as nihilis­tic voids from which noth­ing could escape. He left us, how­ev­er with a rad­i­cal new view, which he sums up cheer­ful­ly as “if you feel you are in a black hole, don’t give up, There’s a way out.” Or, even more Zen-like, as he pro­claimed in a 2014 paper, “there are no black holes.”

Relat­ed Con­tent:

Stephen Hawking’s Ph.D. The­sis, “Prop­er­ties of Expand­ing Uni­vers­es,” Now Free to Read/Download Online

Watch A Brief His­to­ry of Time, Errol Mor­ris’ Film About the Life & Work of Stephen Hawk­ing

The Big Ideas of Stephen Hawk­ing Explained with Sim­ple Ani­ma­tion

Free Online Physics Cours­es

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Western Music Moves in Three and Even Four (!) Dimensional Spaces: How the Pioneering Research of Princeton Theorist Dmitri Tymoczko Helps Us Visualize Music in Radical, New Ways

Every musi­cian has some basic sense of how math and music relate con­cep­tu­al­ly through geom­e­try, in the cir­cu­lar and tri­adic shapes formed by clus­ters of notes when grouped togeth­er in chords and scales. The con­nec­tions date back to the work of Pythago­ras, and com­posers who explore and exploit those con­nec­tions hap­pen upon pro­found, some­times mys­ti­cal, insights. For exam­ple, the two-dimen­sion­al geom­e­try of music finds near-reli­gious expres­sion in the com­po­si­tion­al strate­gies of John Coltrane, who left behind dia­grams of his chro­mat­ic mod­u­la­tion that the­o­rists still puz­zle over and find inspir­ing. It will be inter­est­ing to see what imag­i­na­tive com­posers do with a the­o­ry that extends the geom­e­try of music into three—and even four (!)—dimen­sions.

Pio­neer­ing Prince­ton Uni­ver­si­ty music the­o­rist and com­pos­er Dmitri Tymoczko has made dis­cov­er­ies that allow us to visu­al­ize music in entire­ly new ways. He began with the insight that two-note chords on the piano could form a Möbius strip, as Prince­ton Alum­ni Week­ly report­ed in 2011, a two-dimen­sion­al sur­face extend­ed into three-dimen­sion­al space. (See one such Möbius strip dia­gram above.) “Music is not just some­thing that can be heard, he real­ized. It has a shape.”

He soon saw that he could trans­form more com­plex chords the same way. Three-note chords occu­py a twist­ed three-dimen­sion­al space, and four-note chords live in a cor­re­spond­ing but impos­si­ble-to-visu­al­ize four-dimen­sion­al space. In fact, it worked for any num­ber of notes — each chord inhab­it­ed a mul­ti­di­men­sion­al space that twist­ed back on itself in unusu­al ways — a non-Euclid­ean space that does not adhere to the clas­si­cal rules of geom­e­try. 

Tymoczko dis­cov­ered that musi­cal geom­e­try (as Coltrane—and Ein­stein—had ear­li­er intu­it­ed) has a close rela­tion­ship to physics, when a physi­cist friend told him the mul­ti­di­men­sion­al spaces he was explor­ing were called “orb­ifolds,” which had found some appli­ca­tion “in arcane areas of string the­o­ry.” These dis­cov­er­ies have “phys­i­cal­ized” music, pro­vid­ing a way to “con­vert melodies and har­monies into move­ments in high­er dimen­sion­al spaces.”

This work has caused “quite a buzz in Anglo-Amer­i­can music-the­o­ry cir­cles,” says Prince­ton music his­to­ri­an Scott Burn­ham. As Tymoczko puts it in his short report “The Geom­e­try of Musi­cal Chords,” the “orb­ifold” the­o­ry seems to answer a ques­tion that occu­pied music the­o­rists for cen­turies: “how is it that West­ern music can sat­is­fy har­mon­ic and con­tra­pun­tal con­straints at once?” On his web­site, he out­lines his the­o­ry of “macro­har­mon­ic con­sis­ten­cy,” the com­po­si­tion­al con­straints that make music sound “good.” He also intro­duces a soft­ware appli­ca­tion, Chord­Ge­ome­tries 1.1, that cre­ates com­plex visu­al­iza­tions of musi­cal “orb­ifolds” like that you see above of Chopin sup­pos­ed­ly mov­ing through four-dimen­sions.

The the­o­rist first pub­lished his work in a 2006 issue of Sci­ence, then fol­lowed up two years lat­er with a paper co-writ­ten with Clifton Cal­len­dar and Ian Quinn called “Gen­er­al­ized Voice-Lead­ing Spaces” (read a three-page sum­ma­ry here). Final­ly, he turned his work into a book, A Geom­e­try of Music: Har­mo­ny and Coun­ter­point in the Extend­ed Com­mon Prac­tice, which explores the geo­met­ric con­nec­tions between clas­si­cal and mod­ernist com­po­si­tion, jazz, and rock. Those con­nec­tions have nev­er been sole­ly con­cep­tu­al for Tymoczko. A long­time fan of Coltrane, as well as Talk­ing Heads, Bri­an Eno, and Stravin­sky, he has put his the­o­ry into prac­tice in a num­ber of strange­ly mov­ing com­po­si­tions of his own, such as The Agony of Mod­ern Music (hear move­ment one above) and Straw­ber­ry Field The­o­ry (move­ment one below). His com­po­si­tion­al work is as nov­el-sound­ing as his the­o­ret­i­cal work is bril­liant: his two Sci­ence pub­li­ca­tions were the first on music the­o­ry in the magazine’s 129-year his­to­ry. It’s well worth pay­ing close atten­tion to where his work, and that of those inspired by it, goes next.

via Prince­ton Alum­ni Week­ly/@dark_shark

Relat­ed Con­tent:

John Coltrane Draws a Mys­te­ri­ous Dia­gram Illus­trat­ing the Math­e­mat­i­cal & Mys­ti­cal Qual­i­ties of Music

The Musi­cal Mind of Albert Ein­stein: Great Physi­cist, Ama­teur Vio­lin­ist and Devo­tee of Mozart

The Secret Link Between Jazz and Physics: How Ein­stein & Coltrane Shared Impro­vi­sa­tion and Intu­ition in Com­mon

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

« Go BackMore in this category... »
Quantcast