All of us here in the 2010s have, at one time or anothÂer, been street phoÂtogÂraÂphers. But up until 1838, nobody had ever been a street phoÂtogÂraÂphÂer. In that year when camÂera phones were well beyond even the ken of sciÂence ficÂtion, Louis Daguerre, the invenÂtor of the daguerreoÂtype process and one of the fathers of phoÂtogÂraÂphy itself, took the first phoÂto of a human being. In so doing he also became the first street phoÂtogÂraÂphÂer, capÂturÂing as his picÂture did not just a human being but the urban enviÂronÂment inhabÂitÂed by that human being, in this case Paris’ BouleÂvard du TemÂple. DaguerÂre’s picÂture begins the hisÂtorÂiÂcal jourÂney through 181 years of street phoÂtogÂraÂphy, one street phoÂto per year all soundÂtracked with periÂod-approÂpriÂate songs, in the video above.
From the dawn of the pracÂtice, street phoÂtogÂraÂphy (unlike smile-free earÂly phoÂtoÂgraphÂic porÂtraiÂture) has shown life as it’s actuÂalÂly lived. Like the lone Parisian who hapÂpened to be standÂing still long enough for DaguerÂre’s camÂera to capÂture, the peoÂple popÂuÂlatÂing these images go about their busiÂness with no conÂcern for, or even awareÂness of, being phoÂtographed.
The earÂliÂest street phoÂtographs come mostÂly from Europe — LonÂdon’s TrafalÂgar Square, CopenÂhagen’s forÂmer Ulfeldts Plads (now GrĂĄbrøÂdretorv), Rome’s Via di RipetÂta — but as phoÂtogÂraÂphy spread, so spread street phoÂtogÂraÂphy. RapidÂly indusÂtriÂalÂizÂing cities in AmerÂiÂca and elseÂwhere in the forÂmer British Empire soon get in on the action, and a few decades latÂer scenes from the cities of Asia, Africa, and the MidÂdle East begin to appear.
Each of these 181 street phoÂtographs was takÂen for a reaÂson, though most of those reaÂsons are now unknown to us. But some picÂtures make it obviÂous, espeÂcialÂly in the case of the starÂtlingÂly comÂmon subÂgenre of post-disÂasÂter street phoÂtogÂraÂphy: we see the afterÂmath of an 1858 brewÂery fire in MonÂtreÂal, an 1866 exploÂsion in SydÂney, an 1874 flood in PittsÂburgh, a 1906 earthÂquake in San FranÂcisÂco, and a 1920 bombÂing in New York. Each of these picÂtures tells a stoÂry of a moment in the life of a parÂticÂuÂlar city, but togethÂer they tell the stoÂry of the city itself, as it has over the past two cenÂturies grown outÂward, upward, and in every othÂer way necÂesÂsary to accomÂmoÂdate growÂing popÂuÂlaÂtions; transÂportaÂtion techÂnoloÂgies like bicyÂcles, streetÂcars, autoÂmoÂbiles; spaces like squares, cinÂeÂmas, and cafĂ©s; and above all, the ever-diverÂsiÂfyÂing forms of human life lived withÂin them.
RelatÂed ConÂtent:
Humans of New York: Street PhoÂtogÂraÂphy as a CelÂeÂbraÂtion of Life
19-Year-Old StuÂdent Uses EarÂly Spy CamÂera to Take CanÂdid Street PhoÂtos (CirÂca 1895)
Vivian Maier, Street PhoÂtogÂraÂphÂer, DisÂcovÂered
See the First PhoÂtoÂgraph of a Human Being: A PhoÂto TakÂen by Louis Daguerre (1838)
Based in Seoul, ColÂin MarÂshall writes and broadÂcasts on cities, lanÂguage, and culÂture. His projects include the book The StateÂless City: a Walk through 21st-CenÂtuÂry Los AngeÂles and the video series The City in CinÂeÂma. FolÂlow him on TwitÂter at @colinmarshall, on FaceÂbook, or on InstaÂgram.