How Meditation Can Change Your Brain: The Neuroscience of Buddhist Practice

Nir­vana is a place on earth. Pop­u­lar­ly thought of a Bud­dhist “heav­en,” reli­gious schol­ars dis­cuss the con­cept not as an arrival at some­place oth­er than the phys­i­cal place we are, but as the extinc­tion of suf­fer­ing in the mind, achieved in large part through inten­sive med­i­ta­tion. If this state of enlight­en­ment exists in the here and now—the sci­en­tif­ic inquir­er is jus­ti­fied in asking—shouldn’t it be some­thing we can mea­sure?

Maybe it is. Psy­chol­o­gist Daniel Gole­man and neu­ro­sci­en­tist Richard David­son set out to do just that when they flew sev­er­al “Olympic lev­el med­i­ta­tors” from Nepal, India, and France to Davidson’s lab at the Uni­ver­si­ty of Wis­con­sin.

Once they put the med­i­ta­tors under David­son’s scan­ners, researchers found that “their brain waves are real­ly dif­fer­ent,” as Gole­man says in the Big Think video above.

Per­haps the most remark­able find­ings in the Olympic lev­el med­i­ta­tors has to do with what’s called a gam­ma wave. All of us get gam­ma for a very short peri­od when we solve a prob­lem we’ve been grap­pling with, even if it’s some­thing that’s vexed us for months. We get about half sec­ond of gam­ma; it’s the strongest wave in the EEG spec­trum….

What was stun­ning was that the Olympic lev­el med­i­ta­tors, these are peo­ple who have done up to 62,000 life­time hours of med­i­ta­tion, their brain­wave shows gam­ma very strong all the time as a last­ing trait just no mat­ter what they’re doing. It’s not a state effect, it’s not dur­ing their med­i­ta­tion alone, but it’s just their every day state of mind. We actu­al­ly have no idea what that means expe­ri­en­tial­ly. Sci­ence has nev­er seen it before.

The med­i­ta­tors them­selves describe the state of mind in terms con­sis­tent with thou­sands of years of lit­er­a­ture on the sub­ject; “it’s very spa­cious and you’re wide open, you’re pre­pared for what­ev­er may come.” Gole­man and David­son have elab­o­rat­ed their find­ings for the pub­lic in the book Altered Traits: Sci­ence Reveals How Med­i­ta­tion Changes Your Mind, Brain, and Body. For more on Davidson’s work on the sub­ject, see his talk at Google, “Trans­form Your Mind, Change Your Brain.”

The bar to enlight­en­ment seems high. Gole­man and Davidson’s “Olympic lev­el” test sub­jects spent a min­i­mum of 62,000 hours in med­i­ta­tion, which amounts to some­thing like 20 years of eight-hour days, sev­en days a week (and maybe explains why the path to enlight­en­ment is often spread out over sev­er­al life­times in the tra­di­tion). But that doesn’t mean med­i­ta­tion in less­er dos­es does not have sig­nif­i­cant effects on the brain as well.

As Gole­man explains in the video above, med­i­ta­tion induces a state of hyper-focus, or “flow,” that acts as a gym for your brain: low­er­ing stress, rais­ing the lev­el of resilience under stress, and increas­ing focus “in the midst of dis­trac­tions.” At some point, he says, these tem­po­rary “altered states” become per­ma­nent “altered traits.” Along the way, as with any con­sis­tent, long-term work­out pro­gram, med­i­ta­tors devel­op strength, sta­mi­na, and flex­i­bil­i­ty the longer they stick with the prac­tice. Find resources to get you start­ed in the Relat­eds below.

Relat­ed Con­tent:

How Bud­dhism & Neu­ro­science Can Help You Change How Your Mind Works: A New Course by Best­selling Author Robert Wright

Free Guid­ed Med­i­ta­tions From UCLA: Boost Your Aware­ness & Ease Your Stress

Med­i­ta­tion 101: A Short, Ani­mat­ed Beginner’s Guide

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

A First Look at The Animated Mind of Oliver Sacks, a Feature-Length Journey Into the Mind of the Famed Neurologist

“Every day a word sur­pris­es me,” famed neu­rol­o­gist Oliv­er Sacks once told Bill Hayes, with whom he spent the final six years of his life. The com­ment came “apro­pos of noth­ing oth­er than that a word had sud­den­ly popped into his head,” writes Hayes in a recent New York Times piece on Sacks’ love of lan­guage. “Often this hap­pened while swim­ming — ‘ideas and para­graphs’ would devel­op as he back­stroked, after which he’d rush to the dock or pool’s edge to get the words down on paper — as Dempsey Rice has cap­tured in an enchant­i­ng forth­com­ing film, The Ani­mat­ed Mind of Oliv­er Sacks.” You can get a glimpse of that film, and its por­tray­al of Sacks’ habit of get­ting ideas while swim­ming, in the trail­er above.

“In 1982 I wrote a sec­tion of A Leg to Stand On” — his mem­oir of his expe­ri­ence recov­er­ing from a moun­taineer­ing acci­dent that left him with­out aware­ness of his left leg — “by a lake.” We watch his ani­mat­ed form mak­ing its way across the water in cap and speedo, a wake of words trail­ing behind them.

After the swim, “drip­ping, I would write.” We then see James Sil­ber­man, then pres­i­dent and edi­tor at Sum­mit Books, read­ing Sacks’ hand­writ­ten, still-sog­gy man­u­script. The sog­gi­ness might be artis­tic license, but the hand­writ­ten-ness was­n’t: Sil­ber­man “wrote me back say­ing, did I think this was the 19th cen­tu­ry? No one has sent him a man­u­script for thir­ty years. And besides, this one looked like it had been dropped in the bath.”

So maybe the ani­ma­tors did­n’t get quite as cre­ative draw­ing those pages as it might seem, but they still must have had to get cre­ative indeed to keep up with Sacks him­self, a decade of whose con­ver­sa­tions with Rice pro­vide the film’s nar­ra­tion. “Oliv­er saw his patients as whole peo­ple, rather than iso­lat­ed dis­or­ders,” she says by way of explain­ing what made Sacks’ books, like Awak­en­ingsThe Man Who Mis­took His Wife for a Hat, and many more besides, so res­o­nant with read­ers the world over. “He was­n’t afraid to open­ly inquire of the patient with autism or amne­sia, ‘What is it like to be you?’ ” The Ani­mat­ed Mind of Oliv­er Sacks fin­ished a suc­cess­ful Kick­starter cam­paign in July, but you can still donate and keep up with release details at its offi­cial site. As a view­ing expe­ri­ence, it should con­firm what read­ers have long sus­pect­ed: though they come for a look into the unusu­al minds of Oliv­er Sacks’ patients, they stay to inhab­it the even more unusu­al mind of Oliv­er Sacks.

Relat­ed Con­tent:

A Fas­ci­nat­ing Case Study by Oliv­er Sacks Inspires a Short Ani­mat­ed Film, The Lost Mariner

Oliv­er Sacks Explains the Biol­o­gy of Hal­lu­ci­na­tions: “We See with the Eyes, But with the Brain as Well”

This is What Oliv­er Sacks Learned on LSD and Amphet­a­mines

Oliv­er Sacks Con­tem­plates Mor­tal­i­ty (and His Ter­mi­nal Can­cer Diag­no­sis) in a Thought­ful, Poignant Let­ter

Oliv­er Sacks’ Final Inter­view: A First Look

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Cheap Trick’s Bassist Tom Petersson Helps Kids With Autism Learn Language With Rock ‘n’ Roll: Discover “Rock Your Speech”

You can’t fault peo­ple for turn­ing away from cur­rent events these days, but there are many pock­ets of light, even if they rarely make head­lines or get curat­ed by gloom and doom algo­rithms. Some opti­mism has come to us by way of musi­cians like David Byrne, whose good-news aggre­ga­tor “Rea­sons to Be Cheer­ful” show­cas­es pos­i­tive devel­op­ments around the world. Indie rock drum­mer Thor Har­ris has encour­aged fans with tips on how to stay healthy in try­ing times, and he has announced a run for gov­er­nor of Texas. And last fall, Cheap Trick’s bassist Tom Peters­son start­ed a project called Rock Your Speech, which “lever­ages the pow­er of music to build lan­guage skills in chil­dren who are work­ing to over­come speech delay asso­ci­at­ed with autism.”

As Peters­son and his wife Ali­son explain above, they were inspired by their expe­ri­ence with their son, Liam, who, “until the age of five,” reports David Chiu at Huff­in­g­ton Post, “had dif­fi­cul­ty com­mu­ni­cat­ing,” They dis­cov­ered that music could help when Liam began singing along to one of her favorite Elton John songs. Peters­son want­ed “to help oth­er par­ents,” he told Huff­Po, “and to let peo­ple know they’re not alone.” An L.A. ben­e­fit con­cert har­nessed the col­lec­tive pow­er of celebri­ties and indie artists to jump­start the project, with bands like the Dandy Warhols and Red Kross and actors Ed Asner and Bil­ly Bob Thorn­ton par­tic­i­pat­ing.

Rock Your Speech is not the only such ini­tia­tive, but it is prob­a­bly the most high-pro­file, and could bring atten­tion to sim­i­lar efforts like Audi­to­ry-Motor Map­ping Train­ing, devel­oped by Dr. Got­tfried Schlaug of the Music and Neu­roimag­ing Lab­o­ra­to­ry. At the Autism Speaks blog, Schlaug writes, “as many as three in ten chil­dren with autism are non­ver­bal. Yet many chil­dren with autism have supe­ri­or audi­to­ry skills and a par­tic­u­lar attrac­tion to music.” Like Rock Your Speech, his approach uses “forms of music-mak­ing that encour­age vocal­iza­tion as a path­way to devel­op­ing lan­guage.” Musi­cian and psy­chol­o­gist Adam Reece has also writ­ten about his research show­ing the pos­i­tive role music ther­a­py can play in lan­guage acqui­si­tion for kids on the spec­trum.

Petersson’s project puts a rock star face on music ther­a­py and comes “from the point of view of the par­ent,” he says. Rock Your Speech not only rais­es autism aware­ness but also offers orig­i­nal music and videos designed to stim­u­late and inspire kids. Hear “Blue” from the Rock Your Speech, Vol­ume 1 album above, one of sev­er­al songs Peters­son wrote that “employs actu­al rock music,” Chiu writes, “not nec­es­sar­i­ly the gen­tle, kid­die-type of sounds that are gen­er­al­ly preva­lent in children’s music.” Videos on the Rock Your Speech site for “Blue” and oth­er songs “not only show the words but also demon­strate to kids how those words are formed and mouthed.”

The project’s Vimeo chan­nel shows the Peters­son fam­i­ly involved in Liam’s speech devel­op­ment through music, includ­ing his old­er sis­ter Lilah coach­ing her broth­er with a song called “Wash Your Hands.” (See Lilah’s video above for her song “All the Same,” writ­ten for Liam.) Liam, now ten, has come a long way. “He’s in school,” says Peters­son, “He loves music… He’s def­i­nite­ly on the autism spec­trum, but he speaks, he’s social. He’s the sweet­est lit­tle guy.” His musi­cal fam­i­ly has a lot to do with that, but Rock Your Speech offers even non-musi­cian par­ents a wealth of catchy tools to help kids strug­gling with speech to con­nect with lan­guage through rock ‘n’ roll. For many fam­i­lies, that could be very good news indeed.

via Huff­Po

Relat­ed Con­tent:

New Research Shows How Music Lessons Dur­ing Child­hood Ben­e­fit the Brain for a Life­time

Music in the Brain: Sci­en­tists Final­ly Reveal the Parts of Our Brain That Are Ded­i­cat­ed to Music

Sun Ra Plays a Music Ther­a­py Gig at a Men­tal Hos­pi­tal; Inspires Patient to Talk for the First Time in Years

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

How Does Language Shape the Way We Think? Cognitive Scientist Lera Boroditsky Explains

Imag­ine a jel­ly­fish waltz­ing in a library while think­ing about quan­tum mechan­ics. “If every­thing has gone rel­a­tive­ly well in your life so far,” cog­ni­tive sci­en­tist Lera Borodit­sky says in the TED Talk above, “you prob­a­bly haven’t had that thought before.” But now you have, all thanks to lan­guage, the remark­able abil­i­ty by which “we humans are able to trans­mit our ideas across vast reach­es of space and time” and “knowl­edge across minds.”

Though we occa­sion­al­ly hear about star­tling rates of lan­guage extinc­tion — Borodit­sky quotes some esti­mates as pre­dict­ing half the world’s lan­guages gone in the next cen­tu­ry — a great vari­ety still thrive. Does that mean we have an equal vari­ety of essen­tial­ly dif­fer­ent ways of think­ing? In both this talk and an essay for Edge.org, Borodit­sky presents intrigu­ing pieces of evi­dence that what lan­guage we speak does affect the way we con­ceive of the world and our ideas about it. These include an Abo­rig­i­nal tribe in Aus­tralia who always and every­where use car­di­nal direc­tions to describe space (“Oh, there’s an ant on your south­west leg”) and the dif­fer­ences in how lan­guages label the col­or spec­trum.

“Russ­ian speak­ers have to dif­fer­en­ti­ate between light blue, gol­uboy, and dark blue, siniy,” says the Belarus-born, Amer­i­can-raised Borodit­sky. “When we test peo­ple’s abil­i­ty to per­cep­tu­al­ly dis­crim­i­nate these col­ors, what we find is that Russ­ian speak­ers are faster across this lin­guis­tic bound­ary. They’re faster to be able to tell the dif­fer­ence between a light and dark blue.” Hard­ly a yawn­ing cog­ni­tive gap, you might think, but just imag­ine how many such dif­fer­ences exist between lan­guages, and how the habits of mind they shape poten­tial­ly add up.

“You don’t even need to go into the lab to see these effects of lan­guage; you can see them with your own eyes in an art gallery,” writes Borodit­sky in her Edge essay. “How does an artist decide whether death, say, or time should be paint­ed as a man or a woman? It turns out that in 85 per­cent of such per­son­i­fi­ca­tions, whether a male or female fig­ure is cho­sen is pre­dict­ed by the gram­mat­i­cal gen­der of the word in the artist’s native lan­guage.” More Ger­mans paint death as a man, and more Rus­sians paint it as a woman. Per­son­al­ly, I’d like to see all the var­i­ous ways artists speak­ing all the world’s lan­guages paint that waltz­ing jel­ly­fish think­ing about quan­tum mechan­ics in the library. We’d bet­ter hur­ry com­mis­sion­ing them, though, before too many more of those lan­guages van­ish.

Relat­ed Con­tent:

Learn 40+ Lan­guages for Free: Span­ish, Eng­lish, Chi­nese & More

A Col­or­ful Map Visu­al­izes the Lex­i­cal Dis­tances Between Europe’s Lan­guages: 54 Lan­guages Spo­ken by 670 Mil­lion Peo­ple

How Lan­guages Evolve: Explained in a Win­ning TED-Ed Ani­ma­tion

Speak­ing in Whis­tles: The Whis­tled Lan­guage of Oax­a­ca, Mex­i­co

Steven Pinker Explains the Neu­ro­science of Swear­ing (NSFW)

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

The French Village Designed to Promote the Well-Being of Alzheimer’s Patients: A Visual Introduction to the Pioneering Experiment

Hav­ing seen first­hand in my own fam­i­ly how dev­as­tat­ing Alzheimer’s dis­ease can be to the suf­fer­er and those who care for them, I acute­ly feel the need for bet­ter social reme­dies than those we cur­rent­ly have. Insti­tu­tion­al­iz­ing rel­a­tives places them at risk of abuse, neglect, or extreme lone­li­ness and anx­i­ety, over and above what they already expe­ri­ence. Rely­ing on fam­i­ly mem­bers can result in high­ly over­stressed care­tak­ers who lack resources, time, and train­ing. In either case, patients and care­tak­ers can end up iso­lat­ed, emo­tion­al­ly over­whelmed, and heav­i­ly reliant on med­ica­tions.

While there is yet no cure for Alzheimer’s and age-relat­ed demen­tia, the good news is that there may soon be a treat­ment that pro­vides suf­fer­ers with care, atten­tion, dig­ni­ty, and gen­er­ous social inter­ac­tion, while also giv­ing researchers humane and eth­i­cal oppor­tu­ni­ties to study the pro­gres­sion of the dis­ease. The not-so-good news is that it might require build­ing an entire vil­lage, com­plete with a super­mar­ket, hair­dress­er, library, gym and oth­er facil­i­ties. But if an exper­i­ment in Dax, in south­west­ern France, proves viable, many oth­er munic­i­pal­i­ties might will­ing­ly shoul­der the expense.

Designed by Cham­pag­nat & Grè­goire Archi­tects and NORD Archi­tects, the 12-acre Vil­lage Landais Alzheimer will cost a hefty $28 mil­lion, reports Newsweek. Curbed quotes the even high­er fig­ure of $34 mil­lion, “pri­mar­i­ly fund­ed by the gov­ern­ment.” Expect­ed to open at the end of 2019, the vil­lage will “house 120 patients, 100 live-in care­tak­ers, 12 vol­un­teers, and a team of researchers who will approach the treat­ment cen­ter as a test­bed for alter­na­tive Alzheimer’s care.” Designed to repli­cate a tra­di­tion­al medieval town com­mon to the area, the exper­i­ment was inspired by a sim­i­lar under­tak­ing in the Nether­lands, in which res­i­dents showed increased well-being and lived longer than expect­ed.

Neu­rol­o­gist and epi­demi­ol­o­gist Jean-François Dar­tigues explains the pur­pose of the vil­lage as main­tain­ing “the par­tic­i­pa­tion of res­i­dents in social life,” a proven fac­tor in slow­ing mem­o­ry loss and improv­ing men­tal health, as stud­ies have shown. The vil­lage will also give res­i­dents a sense of free­dom and con­trol over their envi­ron­ment, while mak­ing sure atten­tive care is on hand at all times, and it will “host trained dogs,” reports the BBC, “to help res­i­dents escape their psy­cho­log­i­cal iso­la­tion.” More­over, “drug treat­ments will be set aside,” along with the side effects of med­ica­tion that can neg­a­tive­ly affect qual­i­ty of life.

The pre­vi­ous exper­i­ment and cur­rent state of the research pre­dict that Vil­lage Landais Alzheimer will be suc­cess­ful in improv­ing the lives of its res­i­dents. While one can imag­ine this idea tak­ing hold among pri­vate investors will­ing to build exclu­sive vil­lages for wealthy patients, the ques­tion is whether coun­tries far less inclined to fund health­care would invest pub­lic resources. Local offi­cials in Dax at least “have promised,” Curbed reports, “to match nurs­ing home fees and make some form of gov­ern­ment assis­tance avail­able so as not to pre­vent poor­er patients from resid­ing in the facil­i­ty.”

Relat­ed Con­tent:

What’s a Sci­en­tif­i­cal­ly-Proven Way to Improve Your Abil­i­ty to Learn? Get Out and Exer­cise

Dis­cov­er the Retire­ment Home for Elder­ly Musi­cians Cre­at­ed by Giuseppe Ver­di: Cre­at­ed in 1899, It Still Lives On Today

How the Japan­ese Prac­tice of “For­est Bathing”—Or Just Hang­ing Out in the Woods—Can Low­er Stress Lev­els and Fight Dis­ease

The Health Ben­e­fits of Drum­ming: Less Stress, Low­er Blood Pres­sure, Pain Relief, and Altered States of Con­scious­ness

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Harvard Launches a Free Online Course to Promote Religious Tolerance & Understanding

It is dif­fi­cult to have dis­cus­sions in our cur­rent pub­lic square with­out becom­ing forced into false choic­es. Fol­low­ing Mar­shall McLuhan, we might think that the nature of the dig­i­tal medi­um makes this hap­pen, as much as the con­tent of the mes­sages. But some mes­sages are more polar­iz­ing than others—with argu­ments over reli­gion seem­ing­ly primed for bina­ry oppo­si­tions.

That many nuanced posi­tions exist between deny­ing the valid­i­ty of every reli­gion and pro­claim­ing a spe­cif­ic ver­sion as the only one true path shows how durable and flex­i­ble reli­gious thought can be. The wide­spread diver­si­ty among reli­gions can­not mask the sig­nif­i­cant degree of com­mon­al­i­ty between them, in all human soci­eties, lead­ing schol­ars like anthro­pol­o­gist Pas­cal Boy­er to con­clude, as he writes in Reli­gion Explained, that “the expla­na­tion for reli­gious beliefs and behav­iors is to be found in the way all human minds work….”

I real­ly mean all human minds not the just the minds of reli­gious peo­ple or some of them. I am talk­ing about human minds, because what mat­ters here are prop­er­ties of minds that are found in all mem­bers of our species with nor­mal brains.

Famed Stan­ford biol­o­gist Robert Sapol­sky, who hap­pens to be an athe­ist, claims that some­where around 95% of the human pop­u­la­tion believes in some sort of super­nat­ur­al agency or reli­gious set of expla­na­tions, and that such faith has “unde­ni­able health ben­e­fits,” and is thus bio­log­i­cal­ly moti­vat­ed.

The real ques­tion, he reluc­tant­ly admits, is not why so many peo­ple believe, but “what’s up with the 5% of athe­ists who don’t do that?” The ques­tion needn’t imply there’s any­thing abnor­mal, infe­ri­or, or supe­ri­or, about athe­ists. Vari­a­tions don’t come with inher­ent val­ues, though they may even­tu­al­ly become the norm.

But if we accept the well-sup­port­ed the­sis that reli­gion is a phe­nom­e­non root­ed in and nat­u­ral­ly expressed by the human mind, like art, lan­guage, and lit­er­a­ture, we would be neg­li­gent in remain­ing will­ful­ly igno­rant of its expres­sions. And yet, Diane Moore, direc­tor of Har­vard Divin­i­ty School’s Reli­gious Lit­er­a­cy Project, tells the Huff­in­g­ton Post, “wide­spread illit­er­a­cy about reli­gion… spans the globe” and “fuels big­otry and prej­u­dice and hin­ders capac­i­ties for coop­er­a­tive endeav­ors in local, nation­al, and glob­al are­nas.”

Har­vard aims to help change atti­tudes with their Reli­gious Lit­er­a­cy Project, which offers free online cours­es on the world’s five major reli­gions—Chris­tian­i­ty, Islam, Judaism, Bud­dhism, and Hin­duism—through their edX plat­form. The first course of the series, taught by Moore, is self paced. “Reli­gious Lit­er­a­cy: Tra­di­tions and Scrip­tures” sur­veys the method­ol­o­gy of the project as a whole, explor­ing “case stud­ies about how reli­gions are inter­nal­ly diverse, how they evolve and change through time, and how reli­gions are embed­ded in all dimen­sions of human expe­ri­ence.” (See a pro­mo video at the top and a teas­er for the project as a whole above.)

Under­stand­ing reli­gion as both a uni­ver­sal phe­nom­e­non and a set of cul­tur­al­ly and his­tor­i­cal­ly spe­cif­ic events resolves mis­un­der­stand­ings that result from over­sim­pli­fied, sta­t­ic stereo­types. Study­ing the his­tor­i­cal, the­o­log­i­cal, and geo­graph­i­cal vari­eties of Islam, for exam­ple, makes it impos­si­ble to say any­thing defin­i­tive about one sin­gu­lar, mono­lith­ic “Islam,” and there­fore about Mus­lims in gen­er­al. The same goes for Chris­tians, Hin­dus, Jews, Bud­dhists, etc. The fact that reli­gion is embed­ded in near­ly every facet of human expe­ri­ence, writes Moore in an intro­duc­to­ry essay for the project, means that we can cred­it it with the “full range of agency from the heinous to the hero­ic,” rather than flip­ping between these extremes to score chau­vin­ist points or inval­i­date entire realms of social life.

We’ve pre­vi­ous­ly fea­tured one of the cours­es from the big five series of class­es, “Bud­dhism through its Scrip­tures.” The method there applies to each course, which all engage rig­or­ous­ly with pri­ma­ry sources and schol­ar­ly com­men­tary to get stu­dents as close as pos­si­ble to under­stand­ing reli­gious prac­tice from both the inside and the out­side. Grant­ed this canon­i­cal approach ignores the prac­tices of mil­lions of peo­ple out­side the big five cat­e­gories, but one could osten­si­bly apply a sim­i­lar aca­d­e­m­ic rubric to the study of syn­cretisms and indige­nous reli­gions all over the world.

Pro­fes­sor Moore’s “Reli­gious Lit­er­a­cy” class—which you can audit free of charge or take for a cer­tifi­cate for $50—promises to give stu­dents the tools they need to under­stand how to sur­vey reli­gions crit­i­cal­ly, yet sym­pa­thet­i­cal­ly, and to “inter­pret the roles reli­gions play in con­tem­po­rary and his­toric con­texts.” Like it or not, reli­gions of every kind remain per­va­sive and seem­ing­ly intractable. Rather than fight­ing over this fact of life, we would all do bet­ter to try and under­stand it. Begin to enlarge your own under­stand­ing by sign­ing up for “Reli­gious Lit­er­a­cy: Tra­di­tions and Scrip­tures” for free.

Relat­ed Con­tent:

Take Harvard’s Intro­duc­to­ry Course on Bud­dhism, One of Five World Reli­gions Class­es Offered Free Online

Athe­ist Stan­ford Biol­o­gist Robert Sapol­sky Explains How Reli­gious Beliefs Reduce Stress

Free Online Reli­gion Cours­es 

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

The Psychological & Neurological Disorders Experienced by Characters in Alice in Wonderland: A Neuroscience Reading of Lewis Carroll’s Classic Tale

Most rep­utable doc­tors tend to refrain from diag­nos­ing peo­ple they’ve nev­er met or exam­ined. Unfor­tu­nate­ly, this cir­cum­spec­tion does­n’t obtain as often among lay folk. When we lob unin­formed diag­noses at oth­er peo­ple, we may do those with gen­uine men­tal health issues a seri­ous dis­ser­vice. But what about fic­tion­al char­ac­ters? Can we ascribe men­tal ill­ness­es to the sur­re­al menagerie, say, in Lewis Carroll’s Alice’s Adven­tures in Won­der­land? It’s almost impos­si­ble not to, giv­en the overt themes of mad­ness in the sto­ry.

Car­roll him­self, it seems, drew many of his depic­tions direct­ly from the treat­ment of men­tal dis­or­ders in 19th cen­tu­ry Eng­land, many of which were linked to “extreme­ly poor work­ing con­di­tions,” notes Franziska Kohlt at The Con­ver­sa­tion. Dur­ing the indus­tri­al rev­o­lu­tion, “pop­u­la­tions in so-called ‘pau­per lunatic asy­lums’ for the work­ing class sky­rock­et­ed.” Carroll’s uncle, Robert Wil­fred Skeff­in­g­ton Lutwidge, hap­pened to be an offi­cer of the Luna­cy Com­mis­sion, which super­vised such insti­tu­tions, and his work offers “stun­ning insights into the mad­ness in Alice.”

Yet we should be care­ful. Like the sup­posed drug ref­er­ences in Alice, some of the lay diag­noses now applied to Alice’s char­ac­ters may be a lit­tle far-fetched. Do we real­ly see diag­nos­able PTSD or Tourette’s? Anx­i­ety Dis­or­der and Nar­cis­sis­tic Per­son­al­i­ty Dis­or­der? These con­di­tions hadn’t been cat­e­go­rized in Carroll’s day, though their symp­toms are noth­ing new. And yet, experts have long looked to his non­sense fable for its depic­tions of abnor­mal psy­chol­o­gy. One British psy­chi­a­trist didn’t just diag­nose Alice, he named a con­di­tion after her.

In 1955, Dr. John Todd coined the term Alice in Won­der­land Syn­drome (AIWS) to describe a rare con­di­tion in which—write researchers in the Jour­nal of Pedi­atric Neu­ro­sciences—“the sizes of body parts or sizes of exter­nal objects are per­ceived incor­rect­ly.” Among oth­er ill­ness­es, Alice in Won­der­land Syn­drome may be linked to migraines, which Car­roll him­self report­ed­ly suf­fered.

We might jus­ti­fi­ably assume the Mad Hat­ter has mer­cury poi­son­ing, but what oth­er dis­or­ders might the text plau­si­bly present? Hol­ly Bark­er, doc­tor­al can­di­date in clin­i­cal neu­ro­science at King’s Col­lege Lon­don, has used her schol­ar­ly exper­tise to iden­ti­fy and describe in detail two oth­er con­di­tions she thinks are evi­dent in Alice.

Deper­son­al­iza­tion:

“At sev­er­al points in the sto­ry,” writes Bark­er, “Alice ques­tions her own iden­ti­ty and feels ‘dif­fer­ent’ in some way from when she first awoke.” See­ing in these descrip­tions the symp­toms of Deper­son­al­iza­tion Dis­or­der (DPD), Bark­er describes the con­di­tion and its loca­tion in the brain.

This dis­or­der encom­pass­es a wide range of symp­toms, includ­ing feel­ings of not belong­ing in one’s own body, a lack of own­er­ship of thoughts and mem­o­ries, that move­ments are ini­ti­at­ed with­out con­scious inten­tion and a numb­ing of emo­tions. Patients often com­ment that they feel as though they are not real­ly there in the present moment, liken­ing the expe­ri­ence to dream­ing or watch­ing a movie. These symp­toms occur in the absence of psy­chosis, and patients are usu­al­ly aware of the absur­di­ty of their sit­u­a­tion. DPD is often a fea­ture of migraine or epilep­tic auras and is some­times expe­ri­enced momen­tar­i­ly by healthy indi­vid­u­als, in response to stress, tired­ness or drug use.

Also high­ly asso­ci­at­ed with child­hood abuse and trau­ma, the con­di­tion “acts as a sort of defense mech­a­nism, allow­ing an indi­vid­ual to become dis­con­nect­ed from adverse life events.” Per­haps there is PTSD in Carroll’s text after all, since an esti­mat­ed 51% of DPD patients also meet those cri­te­ria.

Prosopag­nosia:

This con­di­tion is char­ac­ter­ized by “the selec­tive inabil­i­ty to rec­og­nize faces.” Though it can be hered­i­tary, prosopag­nosia can also result from stroke or head trau­ma. Fit­ting­ly, the char­ac­ter sup­pos­ed­ly affect­ed by it is none oth­er than Hump­ty-Dump­ty, who tells Alice “I shouldn’t know you again if we did meet.”

“Your face is the same as every­body else has – the two eyes, so-” (mark­ing their places in the air with his thumb) “nose in the mid­dle, mouth under. It’s always the same. Now if you had two eyes on the same side of the nose, for instance – or the mouth at the top – that would be some help.”

This “pre­cise descrip­tion” of prosopag­nosia shows how indi­vid­u­als with the con­di­tion rely on par­tic­u­lar­ly “dis­crim­i­nat­ing fea­tures to tell peo­ple apart,” since they are unable to dis­tin­guish fam­i­ly mem­bers and close friends from total strangers.

Schol­ars know that Carroll’s text con­tains with­in it sev­er­al abstract and seem­ing­ly absurd math­e­mat­i­cal con­cepts, such as imag­i­nary num­bers and pro­jec­tive geom­e­try. The work of researchers like Kohit and Bark­er shows that Alice’s Adven­tures in Won­der­land might also present a com­plex 19th cen­tu­ry under­stand­ing of men­tal ill­ness and neu­ro­log­i­cal dis­or­ders, con­veyed in a super­fi­cial­ly sil­ly way, but pos­si­bly informed by seri­ous research and obser­va­tion. Read Barker’s arti­cle in full here to learn more about the con­di­tions she diag­noses.

Relat­ed Con­tent:

Lewis Carroll’s Pho­tographs of Alice Lid­dell, the Inspi­ra­tion for Alice in Won­der­land

See The Orig­i­nal Alice In Won­der­land Man­u­script, Hand­writ­ten & Illus­trat­ed By Lewis Car­roll (1864)

See Sal­vador Dali’s Illus­tra­tions for the 1969 Edi­tion of Alice’s Adven­tures in Won­der­land

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness.

How Reading Increases Your Emotional Intelligence & Brain Function: The Findings of Recent Scientific Studies

Image by Sheila Sund, via Flickr Com­mons

Read­ing “availeth much,” to bor­row an old phrase from the King James Bible. To read is to expe­ri­ence more of the world than we can in per­son, to enter into the lives of oth­ers, to orga­nize knowl­edge accord­ing to use­ful schemes and cat­e­gories…. Or, at least it can be. Much recent research strong­ly sug­gests that read­ing improves emo­tion­al and cog­ni­tive intel­li­gence, by chang­ing and acti­vat­ing areas of the brain respon­si­ble for these qual­i­ties.

Is read­ing essen­tial for the sur­vival of the species? Per­haps not. “Humans have been read­ing and writ­ing for only about 5000 years—too short for major evo­lu­tion­ary changes,” writes Greg Miller in Sci­ence. We got by well enough for tens of thou­sands of years before writ­ten lan­guage. But neu­ro­sci­en­tists the­o­rize that read­ing “rewires” areas of the brain respon­si­ble for both vision and spo­ken lan­guage. Even adults who learn to read late in life can expe­ri­ence these effects, increas­ing “func­tion­al con­nec­tiv­i­ty with the visu­al cor­tex,” some researchers have found, which may be “the brain’s way of fil­ter­ing and fine-tun­ing the flood of visu­al infor­ma­tion that calls for our atten­tion” in the mod­ern world.

This improved com­mu­ni­ca­tion between areas of the brain might also rep­re­sent an impor­tant inter­ven­tion into devel­op­men­tal dis­or­ders. One Carnegie Mel­lon study, for exam­ple, found that “100 hours of inten­sive read­ing instruc­tion improved chil­dren’s read­ing skills and also increased the qual­i­ty of… com­pro­mised white mat­ter to nor­mal lev­els.” The find­ings, says Thomas Insel, direc­tor of the Nation­al Insti­tute of Men­tal Health, sug­gest “an excit­ing approach to be test­ed in the treat­ment of men­tal dis­or­ders, which increas­ing­ly appear to be due to prob­lems in spe­cif­ic brain cir­cuits.”

Read­ing can not only improve cog­ni­tion, but it can also lead to a refined “the­o­ry of mind,” a term used by cog­ni­tive sci­en­tists to describe how “we ascribe men­tal states to oth­er persons”—as the Inter­net Ency­clo­pe­dia of Phi­los­o­phy notes—and “how we use the states to explain and pre­dict the actions of those oth­er per­sons.” Improved the­o­ry of mind, or “intu­itive psy­chol­o­gy,” as it’s also called, can result in greater lev­els of empa­thy and per­haps even expand­ed exec­u­tive func­tion, allow­ing us to bet­ter “hold mul­ti­ple per­spec­tives in mind at once,” writes Brit­tany Thomp­son, “and switch between those per­spec­tives.”

Improved the­o­ry of mind comes pri­mar­i­ly from read­ing nar­ra­tives, research sug­gests. One meta-analy­sis pub­lished by Ray­mond A. Mar of Toronto’s York Uni­ver­si­ty reviews many of the stud­ies demon­strat­ing the effect of sto­ry com­pre­hen­sion on the­o­ry of mind, and con­cludes that the bet­ter we under­stand the events in a nar­ra­tive, the bet­ter we are able to under­stand the actions and inten­tions of those around us. The kinds of nar­ra­tives we read, more­over, might also make a dif­fer­ence. One study, con­duct­ed by psy­chol­o­gists David Com­er Kidd and Emanuele Cas­tano of the New School for Social Research, test­ed the effect of dif­fer­ences in writ­ing qual­i­ty on empa­thy respons­es, ran­dom­ly assign­ing 1,000 par­tic­i­pants excerpts from both pop­u­lar best­sellers and lit­er­ary fic­tion.

To define the dif­fer­ence between the two, the researchers referred to crit­ic Roland Barthes’ The Plea­sure of the Text. As Kidd explains:

Some writ­ing is what you call ‘writer­ly’, you fill in the gaps and par­tic­i­pate, and some is ‘read­er­ly’, and you’re enter­tained. We tend to see ‘read­er­ly’ more in genre fic­tion like adven­ture, romance and thrillers, where the author dic­tates your expe­ri­ence as a read­er. Lit­er­ary [writer­ly] fic­tion lets you go into a new envi­ron­ment and you have to find your own way.

The researchers used two the­o­ry of mind tests to mea­sure degrees of empa­thy and found that “scores were con­sis­tent­ly high­er for those who had read lit­er­ary fic­tion than for those with pop­u­lar fic­tion or non-fic­tion texts,” notes Liz Bury at The Guardian. Oth­er research has found that descrip­tive lan­guage stim­u­lates regions of our brains not clas­si­cal­ly asso­ci­at­ed with read­ing. “Words like ‘laven­der,’ ‘cin­na­mon’ and ‘soap,’ for exam­ple,” writes Annie Mur­phy Paul at The New York Times, cit­ing a 2006 study pub­lished in Neu­roIm­age, “elic­it a response not only from the lan­guage-pro­cess­ing areas of our brains, but also those devot­ed to deal­ing with smells.”

Read­ing, in oth­er words, can effec­tive­ly sim­u­late real­i­ty in the brain and pro­duce authen­tic emo­tion­al respons­es: “The brain, it seems, does not make much of a dis­tinc­tion between read­ing about an expe­ri­ence and encoun­ter­ing it in real life”—that is, if the expe­ri­ence is writ­ten about in sen­so­ry lan­guage. The emo­tion­al brain also does not seem to make a tremen­dous dis­tinc­tion between read­ing the writ­ten word and hear­ing it recit­ed or read. When study par­tic­i­pants in a joint Ger­man and Nor­we­gian exper­i­ment, for exam­ple, heard poet­ry read aloud, they expe­ri­enced phys­i­cal sen­sa­tions and “about 40 per­cent showed vis­i­ble goose bumps.”

But dif­fer­ent kinds of texts elic­it dif­fer­ent kinds of respons­es. We can read or lis­ten to a nov­el, for exam­ple, and, instead of only expe­ri­enc­ing sen­sa­tions, can “live sev­er­al lives while read­ing,” as William Sty­ron once wrote. The authors of a 2013 Emory Uni­ver­si­ty study pub­lished in Brain Con­nec­tiv­i­ty con­clude that read­ing nov­els can rewire areas of the brain, caus­ing “tran­sient changes in func­tion­al con­nec­tiv­i­ty.” These bio­log­i­cal changes were found to last up to five days after study par­tic­i­pants read Robert Har­ris’ 2003 nov­el Pom­peii. The height­ened con­nec­tiv­i­ty in cer­tain regions “cor­re­spond­ed to regions pre­vi­ous­ly asso­ci­at­ed with per­spec­tive tak­ing and sto­ry com­pre­hen­sion.”

So what? asks a skep­ti­cal Ian Stead­man at New States­man. Read­ing may cre­ate changes in the brain, but so does every­thing else, a phe­nom­e­non well-known by now as “neu­ro­plas­tic­i­ty.” Much of the report­ing on the neu­ro­science of read­ing, Stead­man argues, over­in­ter­prets the research to sup­port an “[x] ‘rewires’ the brain” myth both com­mon and “mis­tak­en.” Steadman’s cri­tiques of the Brain Con­nec­tiv­i­ty study are per­haps well-placed. The small sam­ple size, lack of a con­trol group, and neglect of ques­tions about dif­fer­ent kinds of writ­ing make its already ten­ta­tive con­clu­sions even less impres­sive. How­ev­er, more sub­stan­tive research, tak­en togeth­er, does show that the “rewiring” that hap­pens when we read—though per­haps tem­po­rary and in need of fre­quent refreshing—really does make us more cog­ni­tive­ly and social­ly adept. And that the kind of reading—or even lis­ten­ing—that we do real­ly does mat­ter.

via Big­Think/The Guardian/Har­vard

Relat­ed Con­tent:  

This Is Your Brain on Jane Austen: The Neu­ro­science of Read­ing Great Lit­er­a­ture

900 Free Audio Books: Down­load Great Books for Free 

7 Tips for Read­ing More Books in a Year

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

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