Pico Iyer on “the Art of Stillness”: How to Enrich Your Busy, Distracted Life by Unplugging and Staying Put

Hav­ing known Pico Iyer for quite some time, on paper and in per­son, as a per­pet­u­al exam­ple and occa­sion­al men­tor in the writ­ing of place, it delights me to watch him attract more lis­ten­ers than ever with the talks he’s giv­en in recent years, the most pop­u­lar of which advo­cate some­thing called “still­ness.” But at first I won­dered: did this shift in sub­ject mean that Iyer—a Cal­i­for­nia-grown Brit from an Indi­an fam­i­ly who most­ly lives in Japan (“a glob­al vil­lage on two legs,” as he once called him­self), known for books like Video Night in Kath­man­duFalling off the Map, and The Glob­al Soulhad put his sig­na­ture hard-trav­el­ing ways behind him?

Hard­ly. But he did start telling the world more about his long-stand­ing habit of rou­tine­ly seek­ing out the most qui­et, least “con­nect­ed” places he can—the sea­side no-speech-allowed Catholic her­mitage, the rur­al vil­lage out­side Kyoto—in order to reflect upon the time he has spent cir­cling the globe, trans­pos­ing him­self from cul­ture to alien cul­ture. “24 years ago, I took the most mind-bend­ing trip across North Korea,” he tells us, “but the trip last­ed a few days. What I’ve done with it sit­ting still—going back to it in my head, try­ing to under­stand it, find­ing a place for it in my thinking—that’s last­ed 24 years already, and will prob­a­bly last a life­time.”

If we want to fol­low Pico’s exam­ple, we must strike a bal­ance: we must process the time we spend doing some­thing intensely—traveling, writ­ing, pro­gram­ming, lift­ing weights, what have you—with time spent not doing that some­thing, a pur­suit in its own way as intense. He con­nects all this with the 21st-cen­tu­ry tech­nol­o­gy cul­ture in which we find our­selves, cit­ing the exam­ple of folks like Wired co-founder Kevin Kel­ly and even cer­tain enlight­en­ment-mind­ed Googlers who reg­u­lar­ly and rig­or­ous­ly detach them­selves from cer­tain kinds of mod­ern devices, going “com­plete­ly offline in order to gath­er the sense of direc­tion and pro­por­tion they’ll need when they go online again.”

Achiev­ing such a prop­er intel­lec­tu­al, psy­cho­log­i­cal, social, and tech­no­log­i­cal com­part­men­tal­iza­tion in life may seem like a rare trick to pull off. But if you ever doubt its pos­si­bil­i­ty, just revis­it the last talk from Pico we fea­tured, in which he describes his encounter with Leonard Cohen, the only man alive who has suc­cess­ful­ly com­bined the lifestyles of rock star and Zen monk.

Relat­ed Con­tent:

The Best Writ­ing Advice Pico Iyer Ever Received

Pico Iyer on “The Joy of Less”

How Leonard Cohen’s Stint As a Bud­dhist Monk Can Help You Live an Enlight­ened Life

Col­in Mar­shall writes on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer, and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

A Day in the Life of Zen Monk Leonard Cohen: A 1996 Documentary

I don’t think any­body real­ly knows why they’re doing any­thing. If you stop some­one on the sub­way and say, “Where are you going — in the deep­est sense of the word?” you can’t real­ly expect an answer. I real­ly don’t know why I’m here. It’s a mat­ter of “What else would I be doing?” Do I want to be Frank Sina­tra, who’s real­ly great, and do I want to have great ret­ro­spec­tives of my work? I’m not real­ly inter­est­ed in being the old­est folksinger around. 

- Leonard Cohen, speak­ing to author Pico Iyer in April 1998

 

One need not have lived a rock n’ roll lifestyle to be famil­iar with its plea­sures and pit­falls. That heady mix of drugs, sex, and pub­lic adu­la­tion isn’t sus­tain­able. Some can’t sur­vive it. Some retire to a more staid domes­tic scene while oth­ers are left chas­ing a spot­light that’s unlike­ly to favor them twice. But rarely do you find one who choos­es to give it all up to become a Bud­dhist monk.

Well, not all.

As direc­tor Armelle Brusq’s 1996 doc­u­men­tary, above, shows, singer-songwriter—and yes—Zen monk Leonard Cohen’s rou­tine at the Mount Baldy Zen Cen­ter out­side Los Ange­les extend­ed beyond the usu­al mind­ful­ness prac­tice. His sim­ple quar­ters were out­fit­ted with a com­put­er, print­er, radio, and a Tech­nics KN 3000 syn­the­siz­er. He some­times doffed his robes to enter the record­ing stu­dio or enjoy a bowl of soup at Canter’s Deli. Com­par­a­tive­ly, his world­ly attach­ments were few, divvied between the pro­fes­sion­al­ly nec­es­sary and the fond. Still, call­ing his daugh­ter, Lor­ca, to pass along a veterinarian’s update, Cohen sounds every inch the dot­ing Jew­ish dad.

Celebri­ty devo­tion to Kab­bal­ah or var­i­ous East­ern spir­i­tu­al prac­tices often stinks of the super­fi­cial, a pass­ing fan­cy that won’t last more than a year or two. Cohen’s rela­tion to Zen Bud­dhism is endur­ing, a gift from his long­time friend and teacher, Mount Baldy’s Roshi, Kyozan Joshu Sasa­ki, who died last year at the age of 107.

One of Cohen’s respon­si­bil­i­ties was help­ing Roshi with the myr­i­ad small details the elder­ly abbot would have had dif­fi­cul­ty nav­i­gat­ing on his own. Cohen seems entire­ly at peace in the road­ie role, keep­ing track of lug­gage while on tour, and fetch­ing cones for the entire par­ty from a near­by ice cream truck.

The poem Cohen penned in hon­or of Roshi’s 89th birth­day is of a piece with his most endur­ing work. Think Suzanne’s oranges were the only fruit? Not so:

His stomach’s very hap­py

The prunes are work­ing well

There’s no one left in heav­en

And there’s no one going to hell

Film­mak­er Brusq is chiefly con­cerned with doc­u­ment­ing Cohen’s spir­i­tu­al real­i­ty, but she toss­es in a few treats for those hun­gry for pop iconog­ra­phy, par­tic­u­lar­ly the impromp­tu show-and-tell at the 25-minute mark, when the crew peeks into the leg­end’s mem­o­ra­bil­ia-filled LA office.

The sound­track, too, is music to a Cohen fan’s ears, and lyri­cal­ly inspired giv­en the sub­ject:

Wait­ing for The Mir­a­cle

Teach­ers

A Thou­sand Kiss­es Deep 

Democ­ra­cy

The Future

Suzanne

Dance Me to the End of Love

Clos­ing Time

Nev­er Any Good

Relat­ed Con­tent:

How Leonard Cohen’s Stint As a Bud­dhist Monk Can Help You Live an Enlight­ened Life

Leonard Cohen Nar­rates Film on The Tibetan Book of the Dead, Fea­tur­ing the Dalai Lama (1994)

Ladies and Gen­tle­men… Mr. Leonard Cohen: The Poet-Musi­cian Fea­tured in a 1965 Doc­u­men­tary

200 Free Doc­u­men­taries Online

Ayun Hal­l­i­day is an author, illus­tra­tor, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Hap­py 18th birth­day to her favorite for­mer­ly-17-year-old play­wright! Fol­low her @AyunHalliday

Watch President Obama Sing “Amazing Grace” at the Funeral of Clementa Pinckney

It was quite a week for Pres­i­dent Oba­ma. On Mon­day, we all got to hear the reveal­ing inter­view Oba­ma record­ed in the Los Ange­les garage of come­di­an Marc Maron. Mid­week, the Supreme Court reject­ed the lat­est legal chal­lenge to the Afford­able Health­care Act, his sig­na­ture piece of leg­is­la­tion. Now on Fri­day — the same day that Oba­ma wel­comed the court’s land­mark deci­sion on gay mar­riage — the Pres­i­dent solemn­ly presided over the funer­al of Clemen­ta Pinck­ney, one of the nine African-Amer­i­cans mur­dered in a Charleston church last week.

You can watch his eulo­gy above in its entire­ty, but we’re fast for­ward­ing to the end, when, rather unex­pect­ed­ly, the pres­i­dent led the con­gre­ga­tion in singing Amaz­ing Grace, a Chris­t­ian hymn writ­ten in 1779 by John New­ton. In an iron­ic his­toric foot­note, New­ton was the cap­tain of Eng­lish slave ships and wrote the spir­i­tu­al song when his ship, buf­fet­ed by a storm, near­ly met its demise. This marked the begin­ning of a spir­i­tu­al con­ver­sion for New­ton, dur­ing which he remained active in the slave trade. Only years lat­er did he repent and focus his ener­gy on abol­ish­ing slav­ery. He would write ‘Thoughts upon the African Slave Trade,’ an influ­en­tial tract that “described the hor­rors of the Slave Trade and his role in it.”

Like many things, the descen­dants of slaves took the good from “Amaz­ing Grace” and made it their own.

Note: the singing starts at the 35:20 mark if you real­ly need to move things along.

Fol­low us on Face­book, Twit­ter, Google Plus and LinkedIn and  share intel­li­gent media with your friends. Or bet­ter yet, sign up for our dai­ly email and get a dai­ly dose of Open Cul­ture in your inbox.

via Moth­er Jones

Relat­ed Con­tent:

1.5 Mil­lion Slav­ery Era Doc­u­ments Will Be Dig­i­tized, Help­ing African Amer­i­cans to Learn About Their Lost Ances­tors

Pres­i­dent Oba­ma Chats with David Simon About Drugs, The Wire & Omar

Visu­al­iz­ing Slav­ery: The Map Abra­ham Lin­coln Spent Hours Study­ing Dur­ing the Civ­il War

Free Online His­to­ry Cours­es

The Psychology of Messiness & Creativity: Research Shows How a Messy Desk and Creative Work Go Hand in Hand

Emin-My-Bed

You may have come into con­tact at some point with Tracey Emin’s My Bed, an art instal­la­tion that repro­duces her pri­vate space dur­ing a time when she spent four days as a shut-in in 1998, “heart­bro­ken”: the bed’s unmade, the bed­side strewn with cig­a­rettes, moc­casins, a bot­tle of booze, food, and “what appears to be a six­teen year old con­dom”…. If you were savvy enough to be Tracey Emin in 1998—and none of us were—you would have sold that messy room for over four mil­lion dol­lars last year at a Christie’s auc­tion. I doubt anoth­er buy­er of that cal­iber will come along for a knock-off, but this doesn’t mean the mess­es we make while slob­bing around our own homes are with­out their own, intan­gi­ble, val­ue.

Those mess­es, in fact, may be seedbeds of cre­ativ­i­ty, con­firm­ing a cliché as per­sis­tent as the one about doc­tors’ hand­writ­ing, and per­haps as accu­rate. It seems a messy desk, room, or stu­dio may gen­uine­ly be a mark of genius at work. Albert Ein­stein for exam­ple, writes Elite Dai­ly, had a desk that “looked like a spite­ful ex-girl­friend had a mis­sion to destroy his work­space.” Ein­stein respond­ed to crit­i­cism of his work habits by ask­ing, “If a clut­tered desk is a sign of a clut­tered mind, then what are we to think of an emp­ty desk?”

Mark Twain also had a messy desk, “per­haps even more clut­tered than that of Albert Ein­stein.” To find out whether the messi­ness trait’s rela­tion to cre­ativ­i­ty is sim­ply an “urban leg­end” or not, Kath­leen Vohs (a researcher at the Uni­ver­si­ty of Min­neso­ta’s Carl­son School of Man­age­ment) and her col­leagues con­duct­ed a series of exper­i­ments in both tidy and unruly spaces with 188 adults giv­en tasks to choose from.

Vohs describes her find­ings in the New York Times, con­clud­ing that messi­ness and cre­ativ­i­ty are at least very strong­ly cor­re­lat­ed, and that “while clean­ing up cer­tain­ly has its ben­e­fits, clean spaces might be too con­ven­tion­al to let inspi­ra­tion flow.” But there are trade-offs. Read about them in Vohs’ paper—“Phys­i­cal Order Pro­duces Healthy Choic­es, Gen­eros­i­ty, and Con­ven­tion­al­i­ty, Where­as Dis­or­der Pro­duces Cre­ativ­i­ty.” And just above, see Vohs’ co-author Joe Red­den, Assis­tant Pro­fes­sor of Mar­ket­ing at the Uni­ver­si­ty of Minnesota’s Carl­son School of Man­age­ment, dis­cuss the team’s fas­ci­nat­ing results. If con­duct­ing such an exper­i­ment on your­self, it might be best to do so in a space that’s all your own, though, like the rest of us, you’re too late to cre­ative­ly turn the mess you make into lucra­tive con­cep­tu­al art.

Relat­ed Con­tent:

Albert Ein­stein Tells His Son The Key to Learn­ing & Hap­pi­ness is Los­ing Your­self in Cre­ativ­i­ty (or “Find­ing Flow”)

Why You Do Your Best Think­ing In The Show­er: Cre­ativ­i­ty & the “Incu­ba­tion Peri­od”

John Cleese’s Phi­los­o­phy of Cre­ativ­i­ty: Cre­at­ing Oases for Child­like Play

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Umberto Eco’s Advice to Aspiring Writers

Umber­to Eco, now 83 years old, has some advice to pass along to the young.

In March, the Ital­ian semi­oti­cian, philoso­pher, lit­er­ary crit­ic, and nov­el­ist — and, of course, author of Fou­cault’s Pen­du­lum — pub­lished How to Write a The­sisIt’s a wit­ty, irrev­er­ent and prac­ti­cal guide for the stu­dent labor­ing over a the­sis or dis­ser­ta­tion. Josh Jones has more on that here.

Now, in a new­ly-released video from The Louisiana Chan­nel (a media out­let based in Den­mark), Eco turns his atten­tion toward aspir­ing writ­ers. And his wise coun­sel comes down to this: Keep your ego in check, make sure your ambi­tions are real­is­tic, put in the time and the hard work, and don’t shoot for the Nobel Prize in Lit­er­a­ture straight out of the gate. That, Eco says, kills every lit­er­ary career. He’ll also tell you that writ­ing is “10% inspi­ra­tion and 90% per­spi­ra­tion.” They’re tru­isms — you dis­cov­er when you’re an octo­ge­nar­i­an — that turn out to be true.

Find more tips for aspir­ing writ­ers below.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Ernest Hem­ing­way Cre­ates a Read­ing List for a Young Writer, 1934

Ray Brad­bury Gives 12 Pieces of Writ­ing Advice to Young Authors (2001)

Toni Mor­ri­son Dis­pens­es Writ­ing Wis­dom in 1993 Paris Review Inter­view

John Steinbeck’s Six Tips for the Aspir­ing Writer and His Nobel Prize Speech

Stephen King Cre­ates a List of 96 Books for Aspir­ing Writ­ers to Read

Kurt Von­negut Gives Advice to Aspir­ing Writ­ers in a 1991 TV Inter­view

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Watch Lynda Barry’s Graduation Speech; Give a Shout Out to the Teachers Who Changed Your Life

The Uni­ver­si­ty of the Arts’ most recent grads are lucky ducks to have had a speak­er as engag­ing as car­toon­ist and edu­ca­tor Lyn­da Bar­ry deliv­er­ing their commencement’s keynote address.

Speak­er Bar­ry was also made an Hon­orary Doc­tor of Fine Arts, an award that occa­sioned the ill-fit­ting tam seen in the video above, as well as a new title—Doctor Nursey—conferred by pre-kinder­garten­ers with whom she works at the Uni­ver­si­ty of Wis­con­sin. (Pre­vi­ous alias­es include Pro­fes­sor Chew­bac­ca and Pro­fes­sor Old Skull)

Bar­ry kept things live­ly by mix­ing in some tried and true mate­r­i­al from oth­er pub­lic appear­ances, includ­ing her Fil­ipino grandmother’s belief in the aswang, a poem set to music (here “Cot­ton Song” by Harlem Renais­sance poet, Jean Toomer) and the sto­ry of the col­lab­o­ra­tive car­toon, “Chick­en Attack by Jack.”

This last anec­dote con­tains a strong indict­ment of con­tem­po­rary society’s screen addic­tion, and it is heart­en­ing to see the graduates—members of the last gen­er­a­tion to pre-date the Internet—listening so atten­tive­ly, no one tex­ting or tweet­ing as the cam­era pans the crowd.

When Bar­ry exhort­ed them to shout out the names of their three most inspir­ing teach­ers on the count of three, most did!

For me, this was the most thrilling moment, though I also appre­ci­at­ed the advice on the best time to sched­ule oral surgery, and a bliss­ful untruth about Ever­green State Col­lege’s appli­ca­tion process cir­ca the mid-70s.

Not your typ­i­cal com­mence­ment speech… those lucky, lucky ducks!

Read­ers, we invite you to get in the spir­it and cel­e­brate the Class of 2015 by “shout­ing” the names of your most inspi­ra­tional teach­ers in the com­ment sec­tion below.

Relat­ed Con­tent:

Lyn­da Barry’s Won­der­ful­ly Illus­trat­ed Syl­labus & Home­work Assign­ments from Her UW-Madi­son Class, “The Unthink­able Mind”

Join Car­toon­ist Lyn­da Bar­ry for a Uni­ver­si­ty-Lev­el Course on Doo­dling and Neu­ro­science

John Waters’ RISD Grad­u­a­tion Speech: Real Wealth is Nev­er Hav­ing to Spend Time with A‑Holes

Robert De Niro Tells Grad­u­at­ing NYU Arts Grads, “You Made It… And You’re F*cked”

Ayun Hal­l­i­day is an author, illus­tra­tor, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Con­grat­u­la­tions, grad­u­ates, espe­cial­ly the mem­bers of NYC’s most fresh­ly forged the­ater com­pa­ny, Ras­cal Arts. Fol­low her @AyunHalliday

The Sketchbook Project Presents Online 24,000 Sketchbooks, Created by Artists from 135 Countries

sketchbook2

Artist: Helen Sander­son

If you love some­thing give it away.

If it doesn’t come back to you, it was nev­er real­ly yours…

Or, it’s a labor of love you cre­at­ed under the aus­pices of the Brook­lyn Art Library, with the full knowl­edge that giv­ing it away is a cost of par­tic­i­pa­tion.

Every year, thou­sands of artists, from the expe­ri­enced to the fledg­ling, pay a nom­i­nal fee to fill a 5x7 sketch­book with a cus­tom bar­code. Upon com­ple­tion, the books are to be mailed back to the one room Art Library, to become part of the per­ma­nent col­lec­tion, cur­rent­ly over 34,000 vol­umes strong (24,000 of which appear online). Vis­i­tors receive free library cards that allow them to view as many vol­umes as they like in-house, three at a time.

Artists will­ing to cough up a slight­ly more sub­stan­tial fee can have their book dig­i­tized for online view­ing at The Sketch­book Project.

sketchbook3

Artist: Tim Oliveira

In their vir­gin state, the sketch­books are uni­form. From there, any­thing goes, pro­vid­ed they retain their orig­i­nal height and width, and swell to no more than an inch thick. (Messy, gooey books might face rejec­tion, in part because they threat­en to con­t­a­m­i­nate the herd.)

Dip in at ran­dom and you will find an aston­ish­ing array of fin­ished work: messy, metic­u­lous, inti­mate, inscrutable, self-mock­ing, sin­cere, abstract, nar­ra­tive, care­ful­ly plot­ted, utter­ly impro­vi­sa­tion­al, accom­plished, ama­teur — ren­dered in a wide vari­ety of media, includ­ing ball point pen and col­lage.

sketchbook4

Artist: Estel­la Yu

My favorite way to browse the col­lec­tion, whether in per­son or online, is by select­ing a theme, just as the artists do when sign­ing up for the annu­al project. 2016’s themes include  “sand­wich,” “great hopes and mas­sive fail­ures,” and “Ahhh! Mon­ster!”

(“I’ll choose my own theme” is a peren­ni­al menu offer­ing.)

The theme that guid­ed the artists whose work is pub­lished here­in is “Things Found on Restau­rant Nap­kins.” Would you have guessed?

sketcbhook5

Artist: Christo­pher Mof­fitt

You can also search on spe­cif­ic words or medi­ums, artists’ names, and geo­graph­ic loca­tions. To date, The Sketch­book Project has received sketch­books by cre­ative peo­ple from 135+ coun­tries.

Those ready to take the Brook­lyn Art Library’s Sketch­book Project plunge can enlist here. Don’t fret about your qualifications—co-founders Steven Peter­man and Shane Zuck­er have made things demo­c­ra­t­ic, which is to say uncu­rat­ed, by design.

sketchbook6

Artist: Bet­ty Esper­an­za

via The New York­er

Relat­ed Con­tent:

New York Pub­lic Library Puts 20,000 Hi-Res Maps Online & Makes Them Free to Down­load and Use

Down­load 422 Free Art Books from The Met­ro­pol­i­tan Muse­um of Art

LA Coun­ty Muse­um Makes 20,000 Artis­tic Images Avail­able for Free Down­load

Ayun Hal­l­i­day is an author, illus­tra­tor, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Her 2011 sketch­book, “I’m a Scav­enger” is housed in the Brook­lyn Art Library. Fol­low her @AyunHalliday

Robert De Niro Tells Graduating NYU Arts Grads, “You Made It… And You’re F*cked”

I’ve attend­ed my share of grad­u­a­tions and hence my share of grad­u­a­tion speeches—from politi­cians more inter­est­ed in stump­ing than inspir­ing their audi­ence; to local TV per­son­al­i­ties assur­ing grad­u­ates they too could become local TV per­son­al­i­ties; to the real Patch Adams, who wasn’t near­ly as fun­ny as Robin Williams in his less-than-fun­ny turn as Patch Adams. My expe­ri­ence has taught me that grad­u­a­tion speech­es gen­er­al­ly suck.

But not for the most recent batch of grad­u­ates of NYU’s Tisch School of the Arts, who got both brac­ing hon­esty and career val­i­da­tion from a speak­er most like­ly to give it to you straight. With his trade­mark foul-mouth gruff­ness, De Niro told the grad­u­at­ing class what every aspir­ing artist needs to know: “You made it,” he said, “and you’re f*cked.” The world, De Niro told his audi­ence, is not open­ing its arms to embrace art school grads. For all our pop cul­tur­al cel­e­bra­tion of cre­ativ­i­ty, the so-called “cre­ative class”—as we’re told again and again—is most­ly in decline.

Of course it’s nev­er been an easy road for artists. De Niro knows this full well not only through his own ear­ly expe­ri­ences before super­star­dom but from his upbring­ing: both his moth­er and father were bohemi­an painters with tur­bu­lent, fas­ci­nat­ing lives. And so he also knows of what he speaks when he tells the NYU grads that they “didn’t have a choice.” Where prag­mat­ic account­ing grads may be “pas­sion­ate about account­ing,” De Niro says, “it’s more like­ly that they used rea­son and log­ic and com­mon sense to reach for a career that could give them the expec­ta­tion of suc­cess and sta­bil­i­ty.”

Not the arts grads, the famous actor says: “You dis­cov­ered a tal­ent, devel­oped an ambi­tion and rec­og­nized your pas­sion.” Their path, he sug­gests, is one of self-actu­al­iza­tion:

When it comes to the arts, pas­sion should always trump com­mon sense. You aren’t just fol­low­ing dreams, you’re reach­ing for your des­tiny. You’re a dancer, a singer, a chore­o­g­ra­ph­er, a musi­cian, a film­mak­er, a writer, a pho­tog­ra­ph­er, a direc­tor, a pro­duc­er, an actor, an artist. Yeah, you’re f***ed. The good news is that that’s not a bad place to start.

Maybe not. And maybe, for those dri­ven to sing, dance, paint, write, etc., it’s the only place to start. Grant­ed, NYU stu­dents are already a pret­ty select and priv­i­leged bunch, who cer­tain­ly have a leg up com­pared to a great many oth­er strug­gling artists. Nev­er­the­less, giv­en cur­rent eco­nom­ic real­i­ties and the U.S.’s depress­ing aver­sion to arts edu­ca­tion and fund­ing, these grads have a par­tic­u­lar­ly dif­fi­cult road ahead, De Niro says. And who bet­ter to deliv­er that hard truth with such con­vic­tion and good humor?

h/t @sheerly

Relat­ed Con­tent:

David Byrne’s Grad­u­a­tion Speech Offers Trou­bling and Encour­ag­ing Advice for Stu­dents in the Arts

Jim Car­rey Com­mence­ment Speech: It’s Bet­ter to Fail at What You Love Than Fail at What You Don’t

‘This Is Water’: Com­plete Audio of David Fos­ter Wallace’s Keny­on Grad­u­a­tion Speech (2005)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

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