An 8‑Hour Marathon Reading of 500 Emily Dickinson Poems

It’s unlike­ly that reclu­sive poet Emi­ly Dick­in­son would have want­ed much fuss made over her birth­day while still alive to cel­e­brate it.

But with the lady safe­ly ensconced in Amherst’s West Cemetery’s plot 53 for more than a cen­tu­ry, fans can observe the day in the man­ner they see fit.

The Library of Con­gress’ Poet­ry and Lit­er­a­ture Cen­ter threw in with the Fol­ger Library in cel­e­bra­tion of her 184th, invit­ing poet­ry lovers to the free marathon read­ing of her work, above (and below).

Poet Eleanor Hegin­both­am cit­ed Dickinson’s let­ter to her edi­tor, abo­li­tion­ist Thomas Went­worth Hig­gin­son–“Are you too deeply occu­pied to say if my verse is alive?”–before prim­ing the break­fast crowd on what they should expect from the 8 hour marathon:

We’re just going to have a day with no dis­cus­sion beyond… And it will be frus­trat­ing that we can’t ask ques­tions, we can’t stop and say, “Oh, my good­ness.  Let’s do that one over again.”  We’re just going to read and read and read.  And from this moment on, the voice of Emi­ly Dick­in­son, through those of you in this room, that’s the only voice we’re going to hear, and won’t that be fun?

Yes, though you may want to pack a nutri­tious snack to keep your ener­gy up. The read­ing slots were secured by means of an online sign up sheet, and while such egal­i­tar­i­an­ism is laud­able, it does not nec­es­sar­i­ly con­fer per­for­mance chops on the inex­pe­ri­enced.

Nat­u­ral­ly, there are stand outs.

Mar­i­anne Noble, Asso­ciate Pro­fes­sor of Lit­er­a­ture at Amer­i­can Uni­ver­si­ty, is a high­light with Poem 75, (2:36:40, above). Her Emi­ly Rocks t‑shirt is pret­ty rad too.

Pro­fes­sor Hegin­both­am is anoth­er sort of treat with Poem 416, 30 min­utes and 40 sec­onds into the sec­ond video, below.

All told, the vol­un­teer read­ers held the podi­um for 8 hours, mak­ing it through 500 poems, slight­ly less than a third of the poet’s out­put.

A tran­script of the event, with the read­ers’ names record­ed before their cho­sen vers­es can be found here.

Sin­gle tick­ets for the Fol­ger’s 2017 Emi­ly Dick­in­son Birth­day Trib­ute, co-host­ed by poet and  fem­i­nist lit­er­ary crit­ic, San­dra M. Gilbert, go on sale August 1.

This marathon read­ing of Dick­in­son’s poems will be added to our col­lec­tion, 1,000 Free Audio Books: Down­load Great Books for Free.

Relat­ed Con­tent:

The Online Emi­ly Dick­in­son Archive Makes Thou­sands of the Poet’s Man­u­scripts Freely Avail­able

The Sec­ond Known Pho­to of Emi­ly Dick­in­son Emerges

Bill Mur­ray Reads Poet­ry at a Con­struc­tion Site: Emi­ly Dick­in­son, Bil­ly Collins & More

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Dis­cuss Emi­ly Dick­in­son with her infor­mal­ly at Pete’s Mini Zine­fest in Brook­lyn this Sat­ur­day. Fol­low her @AyunHalliday.

Browse a Collection of Over 83,500 Vintage Sewing Patterns

My cos­tume design pro­fes­sor at North­west­ern Uni­ver­si­ty, Vir­gil John­son, delight­ed stu­dents with his for­mu­la for peri­od cloth­ing. I have for­got­ten some of the math­e­mat­ic and seman­tic particulars—does dress­ing some­one five years behind the times a “frumpy” char­ac­ter make? Or is it mere­ly one?

I do recall some anx­ious hours, prepar­ing for the school’s main stage pro­duc­tion of the inces­tu­ous Jacobean revenge tragedy, ’Tis Pity She’s a Whore. The soci­etal cor­rup­tion of the play was under­scored by hav­ing the sup­port­ing char­ac­ters slouch around, snort­ing mimed cocaine in cut­ting edge, mid-80s Vogue Pat­terns … those big unstruc­tured jack­ets were very a la mode, but they gob­bled up a lot of high-bud­get fab­ric, and I didn’t want to be the one to make a cost­ly sewing mis­take.

What sticks in my mind most clear­ly is that 20 years was the sweet spot, the appro­pri­ate amount of elapsed time to ensure that one would not appear dumpy, dowdy, or obliv­i­ous, but rather pru­dent and dis­cern­ing. Don­ning a gar­ment that was 15 years out of fash­ion might be dar­ing­ly “retro,” but anoth­er five and that same gar­ment could be her­ald­ed as “vin­tage.”

The col­lab­o­ra­tive Vin­tage Pat­tern Wiki puts the mag­ic num­ber at 25, request­ing that con­trib­u­tors make sure the pat­terns they post are from 1992 or ear­li­er, and also out-of-print.

The brows­able col­lec­tion of over 83,500 pat­terns runs the gamut from Dynasty-inspired pussy bow pow­er suits to Bet­ty Drap­er-esque frocks fea­tur­ing mod­els in white gloves to an 1895 boys’ Reefer Suit with fly-free short trousers.

Vis­i­tors can nar­row their search to focus on a par­tic­u­lar gar­ment, design­er or decade. If you click these links, you can see pat­terns from the fol­low­ing decades: 1920s, 1930s, 1940s, 1950s, 1960s1970s, and 1980s.

The movie star col­lec­tion is par­tic­u­lar­ly fun. (Flat­ter­ing or no, I’ve always want­ed a pair of Katharine Hep­burn pants…)

And it goes with­out say­ing that the dog days of sum­mer are the per­fect time to get a jump on your Hal­loween cos­tume.

Those who are itch­ing to get sewing should check the links below each pat­tern enve­lope cov­er for ven­dors who have the pat­tern in stock and pho­tos and posts by com­mu­ni­ty mem­bers who have made that same gar­ment.

The prices and hand­writ­ten jot­tings of the orig­i­nal own­ers will also put you in a vin­tage mood.

The hunt starts here.

via Metafil­ter

Relat­ed Con­tent:

The Online Knit­ting Ref­er­ence Library: Down­load 300 Knit­ting Books Pub­lished From 1849 to 2012

Fri­da Kahlo’s Col­or­ful Clothes Revealed for the First Time & Pho­tographed by Ishi­uchi Miyako

Google Cre­ates a Dig­i­tal Archive of World Fash­ion: Fea­tures 30,000 Images, Cov­er­ing 3,000 Years of Fash­ion His­to­ry

The BBC Cre­ates Step-by-Step Instruc­tions for Knit­ting the Icon­ic Dr. Who Scarf: A Doc­u­ment from the Ear­ly 1980s

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Fol­low her @AyunHalliday.

Charles Darwin & Charles Dickens’ Four-Hour Work Day: The Case for Why Less Work Can Mean More Productivity

We all oper­ate at dif­fer­ent lev­els of ambi­tion: some just want to get by and enjoy them­selves, while oth­ers strive to make achieve­ments with as long-last­ing an impact on human­i­ty as pos­si­ble. If we think of can­di­dates for the lat­ter cat­e­go­ry, Charles Dar­win may well come to mind, at least in the sense that the work he did as a nat­u­ral­ist, and more so the the­o­ry of evo­lu­tion that came out of it, has ensured that we remem­ber his name well over a cen­tu­ry after his death and will sure­ly con­tin­ue to do so cen­turies hence. But research into Dar­win’s work­ing life sug­gests some­thing less than worka­holism — and indeed, that he put in a frac­tion of the num­ber of hours we asso­ciate with seri­ous ambi­tion.

“After his morn­ing walk and break­fast, Dar­win was in his study by 8 and worked a steady hour and a half,” writes Nau­tilus’ Alex Soo­jung-kim Pang. “At 9:30 he would read the morn­ing mail and write let­ters. At 10:30, Dar­win returned to more seri­ous work, some­times mov­ing to his aviary, green­house, or one of sev­er­al oth­er build­ings where he con­duct­ed his exper­i­ments. By noon, he would declare, ‘I’ve done a good day’s work,’ and set out on a long walk.” After this walk he would answer let­ters, take a nap, take anoth­er walk, go back to his study, and then have din­ner with the fam­i­ly. Dar­win typ­i­cal­ly got to bed, accord­ing to a dai­ly sched­ule drawn from his son Fran­cis’ rem­i­nis­cences of his father, by 10:30.

“On this sched­ule he wrote 19 books, includ­ing tech­ni­cal vol­umes on climb­ing plants, bar­na­cles, and oth­er sub­jects,” writes Pang, and of course not fail­ing to men­tion “The Ori­gin of Species, prob­a­bly the sin­gle most famous book in the his­to­ry of sci­ence, and a book that still affects the way we think about nature and our­selves.” Anoth­er tex­tu­al­ly pro­lif­ic Vic­to­ri­an Eng­lish­man named Charles, adher­ing to a sim­i­lar­ly non-life-con­sum­ing work rou­tine, man­aged to pro­duce — in addi­tion to tire­less let­ter-writ­ing and cam­paign­ing for social reform — hun­dreds of short sto­ries and arti­cles, five novel­las, and fif­teen nov­els includ­ing Oliv­er Twist, A Tale of Two Cities, and Great Expec­ta­tions

“After an ear­ly life burn­ing the mid­night oil,” writes Pang, Charles Dick­ens “set­tled into a sched­ule as ‘method­i­cal or order­ly’ as a ‘city clerk,’ his son Charley said. Dick­ens shut him­self in his study from 9 until 2, with a break for lunch. Most of his nov­els were seri­al­ized in mag­a­zines, and Dick­ens was rarely more than a chap­ter or two ahead of the illus­tra­tors and print­er. Nonethe­less, after five hours, Dick­ens was done for the day.” Pang finds that may oth­er suc­cess­ful writ­ers have kept sim­i­lar­ly restrained work sched­ules, from Antho­ny Trol­lope to Alice Munro, Som­er­set Maugh­am to Gabriel Gar­cía Márquez, Saul Bel­low to Stephen King. He notes sim­i­lar habits in sci­ence and math­e­mat­ics as well, includ­ing Hen­ri Poin­caré and G.H. Hardy.

Research by Pang and oth­ers into work habits and pro­duc­tiv­i­ty have recent­ly drawn a great deal of atten­tion, point­ing as it does to the ques­tion of whether we might all con­sid­er work­ing less in order to work bet­ter. “Even if you enjoy your job and work long hours vol­un­tar­i­ly, you’re sim­ply more like­ly to make mis­takes when you’re tired,” writes the Har­vard Busi­ness Review’s Sarah Green Carmichael. What’s more, “work too hard and you also lose sight of the big­ger pic­ture. Research has sug­gest­ed that as we burn out, we have a greater ten­den­cy to get lost in the weeds.” This dis­cov­ery actu­al­ly dates back to Dar­win and Dick­ens’ 19th cen­tu­ry: “When orga­nized labor first com­pelled fac­to­ry own­ers to lim­it work­days to 10 (and then eight) hours, man­age­ment was sur­prised to dis­cov­er that out­put actu­al­ly increased – and that expen­sive mis­takes and acci­dents decreased.”

This goes just as much for aca­d­e­mics, whose work­weeks, “as long as they are, are not near­ly as lengthy as those on Wall Street (yet),” writes Times High­er Edu­ca­tion’s David Matthews in a piece on the research of Uni­ver­si­ty of Penn­syl­va­nia pro­fes­sor (and ex-Gold­man Sachs banker) Alexan­dra Michel. “Four hours a day is prob­a­bly the lim­it for those look­ing to do gen­uine­ly orig­i­nal research, she says. In her expe­ri­ence, the only peo­ple who have avoid­ed burnout and achieved some sort of bal­ance in their lives are those stick­ing to this kind of sched­ule.” Michel finds that “because aca­d­e­mics do not have their hours strict­ly defined and reg­u­lat­ed (as man­u­al work­ers do), ‘oth­er con­trols take over. These con­trols are peer pres­sure.’ ” So at least we know the first step on the jour­ney toward viable work habits: regard­ing the likes of Dar­win and Dick­ens as your peers.

via Nau­tilus

Relat­ed Con­tent:

The Dai­ly Habits of High­ly Pro­duc­tive Philoso­phers: Niet­zsche, Marx & Immanuel Kant

The Dai­ly Habits of Famous Writ­ers: Franz Kaf­ka, Haru­ki Muraka­mi, Stephen King & More

John Updike’s Advice to Young Writ­ers: ‘Reserve an Hour a Day’

Thomas Edison’s Huge­ly Ambi­tious “To-Do” List from 1888

Leonar­do Da Vinci’s To Do List (Cir­ca 1490) Is Much Cool­er Than Yours

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. He’s at work on the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les, the video series The City in Cin­e­ma, the crowd­fund­ed jour­nal­ism project Where Is the City of the Future?, and the Los Ange­les Review of Books’ Korea Blog. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

7‑Foot Tall Clown with a Golden Voice Sings Chris Cornell’s “When I’m Down:” A Tribute Filled with Raw Emotion

Back in April, Ayun Hal­l­i­day gave you a glimpse into the world of “Pud­dles Pity Par­ty,” the 6’8” ‘Sad Clown with the Gold­en Voice,’ who makes his home in Atlanta, Geor­gia. And does all kinds of won­der­ful things–like sing “Pin­ball Wiz­ard” in the style of John­ny Cash. Don’t miss that one. It’s pret­ty spec­tac­u­lar.

In his lat­est video, Pud­dles joins up with Matthew Kamin­s­ki, organ­ist for the Atlanta Braves, and deliv­ers a trib­ute to Soundgar­den’s Chris Cor­nell, cov­er­ing his 1999 song “When I’m Down,” with a lit­tle bit of “What’ll I Do” by Irv­ing Berlin mixed in. You won’t find anoth­er trib­ute like it. That we can assure you.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Sad 7‑Foot Tall Clown Sings “Pin­ball Wiz­ard” in the Style of John­ny Cash, and Oth­er Hits by Roy Orbi­son, Cheap Trick & More

Large Choir Sings “Black Hole Sun”: A Mov­ing Trib­ute to Chris Cor­nell

Soundgarden’s Chris Cor­nell Sings Haunt­ing Acoustic Cov­ers of Prince’s “Noth­ing Com­pares 2 U,” Michael Jackson’s “Bil­lie Jean” & Bob Marley’s “Redemp­tion Song”

by | Permalink | Make a Comment ( 1 ) |

Experts Predict When Artificial Intelligence Will Take Our Jobs: From Writing Essays, Books & Songs, to Performing Surgery and Driving Trucks

Image via Flickr Com­mons

We know they’re com­ing. The robots. To take our jobs. While humans turn on each oth­er, find scape­goats, try to bring back the past, and ignore the future, machine intel­li­gences replace us as quick­ly as their design­ers get them out of beta test­ing. We can’t exact­ly blame the robots. They don’t have any say in the mat­ter. Not yet, any­way. But it’s a fait accom­pli say the experts. “The promise,” writes MIT Tech­nol­o­gy Review, “is that intel­li­gent machines will be able to do every task bet­ter and more cheap­ly than humans. Right­ly or wrong­ly, one indus­try after anoth­er is falling under its spell, even though few have ben­e­fit­ed sig­nif­i­cant­ly so far.”

The ques­tion, then, is not if, but “when will arti­fi­cial intel­li­gence exceed human per­for­mance?” And some answers come from a paper called, appro­pri­ate­ly, “When Will AI Exceed Human Per­for­mance? Evi­dence from AI Experts.” In this study, Kat­ja Grace of the Future of Human­i­ty Insti­tute at the Uni­ver­si­ty of Oxford and sev­er­al of her col­leagues “sur­veyed the world’s lead­ing researchers in arti­fi­cial intel­li­gence by ask­ing them when they think intel­li­gent machines will bet­ter humans in a wide range of tasks.”

You can see many of the answers plot­ted on the chart above. Grace and her co-authors asked 1,634 experts, and found that they “believe there is a 50% chance of AI out­per­form­ing humans in all tasks in 45 years and of automat­ing all human jobs in 120 years.” That means all jobs: not only dri­ving trucks, deliv­er­ing by drone, run­ning cash reg­is­ters, gas sta­tions, phone sup­port, weath­er fore­casts, invest­ment bank­ing, etc, but also per­form­ing surgery, which may hap­pen in less than 40 years, and writ­ing New York Times best­sellers, which may hap­pen by 2049.

That’s right, AI may per­form our cul­tur­al and intel­lec­tu­al labor, mak­ing art and films, writ­ing books and essays, and cre­at­ing music. Or so the experts say. Already a Japan­ese AI pro­gram has writ­ten a short nov­el, and almost won a lit­er­ary prize for it. And the first mile­stone on the chart has already been reached; last year, Google’s AI Alpha­Go beat Lee Sedol, the South Kore­an grand­mas­ter of Go, the ancient Chi­nese game “that’s expo­nen­tial­ly more com­plex than chess,” as Cade Metz writes at Wired. (Humane video game design, on the oth­er hand, may have a ways to go yet.)

Per­haps these feats part­ly explain why, as Grace and the oth­er researchers found, Asian respon­dents expect­ed the rise of the machines “much soon­er than North Amer­i­ca.” Oth­er cul­tur­al rea­sons sure­ly abound—likely those same quirks that make Amer­i­cans embrace cre­ation­ism, cli­mate-denial, and fear­ful con­spir­a­cy the­o­ries and nos­tal­gia by the tens of mil­lions. The future may be fright­en­ing, but we should have seen this com­ing. Sci-fi vision­ar­ies have warned us for decades to pre­pare for our tech­nol­o­gy to over­take us.

In the 1960s Alan Watts fore­saw the future of automa­tion and the almost patho­log­i­cal fix­a­tion we would devel­op for “job cre­ation” as more and more nec­es­sary tasks fell to the robots and human labor became increas­ing­ly super­flu­ous. (Hear him make his pre­dic­tion above.) Like many a tech­nol­o­gist and futur­ist today, Watts advo­cat­ed for Uni­ver­sal Basic Income, a way of ensur­ing that all of us have the means to sur­vive while we use our new­ly acquired free time to con­scious­ly shape the world the machines have learned to main­tain for us.

What may have seemed like a Utopi­an idea then (though it almost became pol­i­cy under Nixon), may become a neces­si­ty as AI changes the world, writes MIT, “at break­neck speed.”

via Big Think/MIT Tech­nol­o­gy Review

Relat­ed Con­tent:

Hear Alan Watts’s 1960s Pre­dic­tion That Automa­tion Will Neces­si­tate a Uni­ver­sal Basic Income

Bertrand Rus­sell & Buck­min­ster Fuller on Why We Should Work Less, and Live & Learn More

Arti­fi­cial Intel­li­gence Pro­gram Tries to Write a Bea­t­les Song: Lis­ten to “Daddy’s Car”

Hayao Miyaza­ki Tells Video Game Mak­ers What He Thinks of Their Char­ac­ters Made with Arti­fi­cial Intel­li­gence: “I’m Utter­ly Dis­gust­ed. This Is an Insult to Life Itself”

Arti­fi­cial Intel­li­gence: A Free Online Course from MIT

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Hayao Miyazaki Picks His 50 Favorite Children’s Books

Once upon a time, books served as the de fac­to refuge of the “phys­i­cal­ly weak” child. For ani­ma­tion leg­end, Hayao Miyaza­ki, above, they offered an escape from the grim­mer real­i­ties of post-World War II Japan.

Many of the 50 favorites he select­ed for a 2010 exhi­bi­tion hon­or­ing pub­lish­er Iwana­mi Shoten’s “Boy’s Books” series are time-test­ed West­ern clas­sics.

Lon­ers and orphans–The Lit­tle Prince, The Secret Gar­denfig­ure promi­nent­ly, as do talk­ing ani­mals (The Wind in the Wil­lows, Win­nie-the-Pooh, The Voy­ages of Doc­tor Dolit­tle).

And while it may be a com­mon­ly-held pub­lish­ing belief that boys won’t read sto­ries about girls, the young Miyaza­ki seemed to have no such bias, rank­ing Hei­di and Lau­ra Ingalls Wilder right along­side Tom Sawyer and Trea­sure Island’s pirates.

Sev­er­al of the titles that made the cut were ones he could only have encoun­tered as a grown up, includ­ing 1967’s From the Mixed-Up Files of Mrs. Basil E. Frankweil­er and When Marnie Was There, the lat­ter even­tu­al­ly serv­ing as source mate­r­i­al for a Stu­dio Ghi­b­li movie, as did Miyazaki’s top pick, Mary Norton’s The Bor­row­ers.

We invite you to take a nos­tal­gic stroll through Miyazaki’s best-loved children’s books. Read­ers, how many have you read?

Hayao Miyazaki’s Top 50 Children’s Books

  1. The Bor­row­ers — Mary Nor­ton
  2. The Lit­tle Prince — Antoine de Saint-Exupéry
  3. Chil­dren of Noisy Vil­lage — Astrid Lind­gren
  4. When Marnie Was There — Joan G. Robin­son
  5. Swal­lows and Ama­zons — Arthur Ran­some
  6. The Fly­ing Class­room — Erich Käst­ner
  7. There Were Five of Us — Karel Poláček
  8. What the Neigh­bours Did, and Oth­er Sto­ries — Ann Philip­pa Pearce
  9. Hans Brinker, or The Sil­ver Skates — Mary Mapes Dodge
  10. The Secret Gar­den — Frances Hodg­son Bur­nett
  11. Eagle of The Ninth — Rose­mary Sut­cliff
  12. The Trea­sure of the Nibelungs — Gus­tav Schalk
  13. The Three Mus­ke­teers — Alexan­dre Dumas, père
  14. A Wiz­ard of Earth­sea — Ursu­la K. Le Guin
  15. Les Princes du Vent — Michel-Aime Bau­douy
  16. The Flam­bards Series — K. M. Pey­ton
  17. Sou­venirs ento­mologiques — Jean Hen­ri Fab­re
  18. The Long Win­ter — Lau­ra Ingalls Wilder
  19. A Nor­we­gian Farm — Marie Ham­sun
  20. Hei­di — Johan­na Spyri
  21. The Adven­tures of Tom Sawyer — Mark Twain
  22. Lit­tle Lord Fauntleroy — Frances Hodg­son Bur­nett
  23. Tis­tou of the Green Thumbs — Mau­rice Druon
  24. The Adven­tures of Sher­lock Holmes — Arthur Conan Doyle
  25. From the Mixed-Up Files of Mrs. Basil E. Frankweil­er — E. L. Konigs­burg
  26. The Otter­bury Inci­dent — Cecil Day-Lewis
  27. Alice’s Adven­tures in Won­der­land — Lewis Car­roll
  28. The Lit­tle Book­room — Eleanor Far­jeon
  29. The For­est is Alive or Twelve Months — Samuil Yakovle­vich Mar­shak
  30. The Restau­rant of Many Orders — Ken­ji Miyaza­wa
  31. Win­nie-the-Pooh — A. A. Milne
  32. Nihon Ryōi­ki – Kyokai
  33. Strange Sto­ries from a Chi­nese Stu­dio — Pu Songling
  34. Nine Fairy Tales: And One More Thrown in For Good Mea­sure — Karel Čapek
  35. The Man Who Has Plant­ed Welsh Onions — Kim So-un
  36. Robin­son Cru­soe — Daniel Defoe
  37. The Hob­bit — J. R. R. Tolkien
  38. Jour­ney to the West — Wu Cheng’en
  39. Twen­ty Thou­sand Leagues Under the Sea — Jules Verne
  40. The Adven­tures of the Lit­tle Onion — Gian­ni Rodari
  41. Trea­sure Island — Robert Louis Steven­son
  42. The Ship that Flew — Hil­da Winifred Lewis
  43. The Wind in the Wil­lows — Ken­neth Gra­hame
  44. The Lit­tle Hump­backed Horse — Pyotr Pavlovich Yer­shov (Ershoff)
  45. The Lit­tle White Horse — Eliz­a­beth Goudge
  46. The Rose and the Ring — William Make­peace Thack­er­ay
  47. The Radi­um Woman — Eleanor Door­ly
  48. City Neigh­bor, The Sto­ry of Jane Addams — Clara Ingram Jud­son
  49. Ivan the Fool — Leo Tol­stoy
  50. The Voy­ages of Doc­tor Dolit­tle — Hugh Loft­ing

Relat­ed Con­tent:

The Essence of Hayao Miyaza­ki Films: A Short Doc­u­men­tary About the Human­i­ty at the Heart of His Ani­ma­tion

Hayao Miyaza­ki Tells Video Game Mak­ers What He Thinks of Their Char­ac­ters Made with Arti­fi­cial Intel­li­gence: “I’m Utter­ly Dis­gust­ed. This Is an Insult to Life Itself”

Build Your Own Minia­ture Sets from Hayao Miyazaki’s Beloved Films: My Neigh­bor Totoro, Kiki’s Deliv­ery Ser­vice & More

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  She’ll be appear­ing onstage in New York City this June as one of the clowns in Paul David Young’s Faust 3. Fol­low her @AyunHalliday.

Large Choir Sings “Black Hole Sun”: A Moving Tribute to Chris Cornell

They paid trib­ute to Prince last year. Now they’re doing the same for Chris Cor­nellChoir!Choir!Choir!–a group that meets week­ly and sings their hearts out in Toronto–got togeth­er and sang Soundgar­den’s 1994 hit, “Black Hole Sun.” Turn up your speak­ers, await the goose­bumps, and even­tu­al­ly wipe away a tear.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Rufus Wain­wright and 1,500 Singers Sing Leonard Cohen’s “Hal­lelu­jah”

This Is What It Sounds Like When 1999 Peo­ple Sing Prince’s “When Doves Cry”

Ice­landic Folk Singers Break Into an Impromp­tu Per­for­mance of a 13th Cen­tu­ry Hymn in a Train Sta­tion, and It’s Delight­ful

Sgt. Pepper’s Album Cover Gets Reworked to Remember Icons Lost in 2016

We’re just days away from the 50th anniver­sary of the release of The Bea­t­les’ Sgt. Pepper’s Lone­ly Hearts Club Band. And, as we men­tioned last week, the BBC has kicked off the cel­e­bra­tions with a series of videos that intro­duce you to the 60+ fig­ures who appeared in the card­board col­lage that graced the album’s icon­ic cov­er. Bob Dylan, Edgar Allan Poe, William S. Bur­roughs, Albert Ein­stein, Mar­i­lyn Mon­roe, HG Wells, Shirley Temple–they all get a video intro­duc­tion, among oth­ers.

His­toric as it is, the Pep­per cov­er recent­ly became a good vehi­cle for remem­ber­ing the bewil­der­ing num­ber of musi­cians, artists and celebri­ties who left this mor­tal coil in 2016. Above you can see an illus­tra­tion cre­at­ed by Twit­ter user @christhebarker in the wan­ing days of last year. If you look close­ly, you can see some thought went into the design. Muham­mad Ali, for exam­ple, now stands where box­er Son­ny Lis­ton did in the orig­i­nal. Find them all in a larg­er for­mat here.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

via Con­se­quence of Sound

Relat­ed Con­tent:

Meet the Icon­ic Fig­ures on the Cov­er of The Bea­t­les’ Sgt. Pepper’s Lone­ly Hearts Club Band

How The Bea­t­les’ Sgt. Pepper’s Lone­ly Hearts Club Band Changed Album Cov­er Design For­ev­er

Jimi Hen­drix Plays “Sgt. Pepper’s Lone­ly Hearts Club Band” for The Bea­t­les, Just Three Days After the Album’s Release (1967)

« Go BackMore in this category... »
Quantcast
Open Culture was founded by Dan Colman.