New York Public Library Card Now Gives You Free Access to 33 NYC Museums

If you’re one of the 8.5 mil­lion peo­ple liv­ing in New York City, take note of this: When you sign up for a library card from the New York Pub­lic Library, you can get access to 30,000 free movies (includ­ing many from the Cri­te­ri­on Col­lec­tion) and also some 300,000 Free eBooks. But that’s not all. A new ini­tia­tive lets mem­bers of the New York Pub­lic Library (plus the Brook­lyn and Queens libraries) to sign up for a Cul­ture Pass and there­by gain free entrance to 33 muse­ums across NYC. The list of par­tic­i­pat­ing muse­ums includes some big ones–the Met, Mor­gan, Whit­ney, Frick and Guggen­heim. Also the MoMA, Brook­lyn Muse­um, and Brook­lyn Botan­ic Gar­den, and more. Find a com­plete list below.

The Cul­ture Pass web­site has more infor­ma­tion about this new pro­gram. The web­site is also where you will need to actu­al­ly make reser­va­tions to vis­it the muse­ums. Accord­ing to Hyper­al­ler­gic, “Each card­hold­er is eli­gi­ble for one pass per cul­tur­al insti­tu­tion annu­al­ly and allowed to reserve two impend­ing vis­its at any giv­en time.”

New York­ers, you can sign up for library cards via these links: New York Pub­lic Library, Brook­lyn Library, and Queens Library.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Par­tic­i­pat­ing Muse­ums

  • Brook­lyn Botan­ic Gar­den
  • Brook­lyn Chil­dren’s Muse­um
  • Brook­lyn His­tor­i­cal Soci­ety
  • Brook­lyn Muse­um
  • Chil­dren’s Muse­um of Man­hat­tan
  • Chil­dren’s Muse­um of the Arts
  • Coop­er Hewitt, Smith­son­ian Design Muse­um
  • The Draw­ing Cen­ter
  • The Frick Col­lec­tion
  • His­toric Rich­mond Town
  • Inter­na­tion­al Cen­ter of Pho­tog­ra­phy
  • Intre­pid Sea, Air & Space Muse­um
  • Jacques Mar­chais Muse­um of Tibetan Art
  • The Jew­ish Muse­um
  • Louis Arm­strong House
  • The Met­ro­pol­i­tan Muse­um of Art
  • The Mor­gan Library & Muse­um
  • Muse­um of Mod­ern Art, MoMA PS1
  • Muse­um of Chi­nese in Amer­i­ca
  • Muse­um of Jew­ish Her­itage — A Liv­ing Memo­r­i­al to the Holo­caust
  • Muse­um of the City of New York
  • New York Tran­sit Muse­um
  • Noguchi Muse­um
  • Queens His­tor­i­cal Soci­ety
  • Queens Muse­um
  • Rubin Muse­um of Art
  • Sculp­ture­Cen­ter
  • Smith­son­ian Nation­al Muse­um of the Amer­i­can Indi­an
  • Soci­ety of Illus­tra­tors
  • Solomon R. Guggen­heim Muse­um
  • Sug­ar Hill Chil­dren’s Muse­um
  • Wave Hill
  • Whit­ney Muse­um of Amer­i­can Art

via Hyper­al­ler­gic

Relat­ed Con­tent:

New York­ers Can Now Stream 30,000 Free Movies, Includ­ing the Entire Cri­te­ri­on Col­lec­tion, with Their Library Cards

The New York Pub­lic Library Lets Patrons Down­load 300,000 eBooks

by | Permalink | Make a Comment ( 1 ) |

Dozens of M.C. Escher Prints Now Digitized & Put Online by the Boston Public Library

In addi­tion to the icon­ic scene in Jim Henson’s Labyrinth, or appear­ances in ani­mat­ed TV shows and video games, M.C. Escher’s work has adorned the cov­ers of albums like Mott the Hoople’s 1969 debut and the spec­u­la­tive fic­tion of Ita­lo Calvi­no and Jorge Luis Borges. A big hit with hip­pies and 1960s col­lege stu­dents, writes Heavy Music Art­work, his mind-bend­ing prints became asso­ci­at­ed with “ques­tion­ing accept­ed views of nor­mal expe­ri­ence and test­ing the lim­its of per­cep­tion with hal­lu­cino­genic drugs.” While he appre­ci­at­ed his cult fol­low­ing, Esch­er “did not encour­age their mys­ti­cal inter­pre­ta­tions of his images.” Reply­ing to one enthu­si­as­tic fan of his print Rep­tiles, who claimed to see in it an image of rein­car­na­tion, Esch­er replied, “Madame, if that’s the way you see it, so be it.”

Rather than illus­trate high­er states of con­scious­ness or meta­phys­i­cal enti­ties, Bruno Ernst writes in The Mag­ic Mir­ror of M.C. Esch­er, the artist intend­ed to cre­ate prac­ti­cal, “pic­to­r­i­al rep­re­sen­ta­tion of intel­lec­tu­al under­stand­ing.” Illus­tra­tions, that is, of philo­soph­i­cal and sci­en­tif­ic thought exper­i­ments. The son of a civ­il engi­neer, Esch­er began his stud­ies in archi­tec­ture before mov­ing to draw­ing and print­mak­ing.

The chal­lenge of cre­at­ing built environments—even seem­ing­ly impos­si­ble ones—always seemed to occu­py his mind. Along with themes from the nat­ur­al world, a high per­cent­age of his works cen­ter on buildings—inspired by for­ma­tive ear­ly years in Rome and his admi­ra­tion for Islam­ic art and Span­ish archi­tec­ture.

In the 50s and 60s Escher’s art piqued the inter­est of aca­d­e­mics and math­e­mati­cians, an audi­ence he found more con­ge­nial to his vision. He cor­re­spond­ed with sci­en­tists and incor­po­rat­ed their ideas into his work, mean­while claim­ing to be “absolute­ly inno­cent of train­ing or knowl­edge in the exact sci­ences.” In the 50s, Esch­er “daz­zled” the likes of math­e­mati­cians like Roger Pen­rose and HSM Cox­eter. In turn, notes Maev Kennedy, he “was inspired by Penroses’s per­spec­ti­val tri­an­gle and Coxeter’s work on crys­tal sym­me­try.”

For all the excite­ment he cre­at­ed among math­e­mati­cians, it took a bit longer for Esch­er to get noticed in the art world. When Penrose’s uncle showed Escher’s ver­sion of the per­spec­ti­val tri­an­gle to Picas­so, “Picas­so had heard of the British math­e­mati­cian but not of the Dutch artist.” Escher’s fame spread out­side of the sci­ences in part through the inter­ests of the coun­ter­cul­ture. He may have shrugged off mys­ti­cal and psy­che­del­ic read­ings of his prints, but he had an innate pen­chant for the mar­velous­ly weird (see his copy of a scene, for exam­ple, from Hierony­mus Bosch, above, or his sur­re­al print Grav­i­ty, below).

See the prints pic­tured here and a few dozen more dig­i­tized in high res­o­lu­tion at Dig­i­tal Com­mon­wealth, cour­tesy of Boston Pub­lic Library, who scanned their Esch­er col­lec­tion and made it avail­able to the pub­lic. Zoom into the fine details of prints like Inside Saint Peter’s, fur­ther up—a fine­ly ren­dered but oth­er­wise not-espe­cial­ly-Esch­er-like work—and the labyrinthine Ascend­ing and Descend­ing at the top. Whether—as Har­vard Library cura­tor John Over­holt con­fess­es—you’re a “nerd who loves M.C. Esch­er” for his math­e­mat­i­cal mind, an artist with a mys­ti­cal bent who loves him for his hal­lu­ci­na­to­ry qual­i­ties, or some mea­sure of both, you’ll find exact­ly the Esch­er you’re look­ing for in this dig­i­tal gallery.

via Kot­tke/John Over­holt

Relat­ed Con­tent:

Enter an Online Inter­ac­tive Doc­u­men­tary on M.C. Escher’s Art & Life, Nar­rat­ed By Peter Green­away

M.C. Esch­er Cov­er Art for Great Books by Ita­lo Calvi­no, George Orwell & Jorge Luis Borges

Watch M.C. Esch­er Make His Final Artis­tic Cre­ation in the 1971 Doc­u­men­tary Adven­tures in Per­cep­tion

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

1,600 Occult Books Now Digitized & Put Online, Thanks to the Ritman Library and Da Vinci Code Author Dan Brown

Back in Decem­ber we brought you some excit­ing news. Thanks to a gen­er­ous dona­tion from Da Vin­ci Code author Dan Brown, Amsterdam’s Rit­man Library—a siz­able col­lec­tion of pre-1900 books on alche­my, astrol­o­gy, mag­ic, and oth­er occult subjects—has been dig­i­tiz­ing thou­sands of its rare texts under a dig­i­tal edu­ca­tion project cheek­i­ly called “Her­met­i­cal­ly Open.” We are now pleased to report, less than two months lat­er, that the first 1,617 books from the Rit­man project have come avail­able in their online read­ing room. The site is still in beta, so to speak; in their Face­book announce­ment, the Rit­man admits they are “still improv­ing the whole pre­sen­ta­tion,” which is a bit clunky at the moment. But for fans and stu­dents of this lit­er­a­ture, a lit­tle incon­ve­nience is a small price to pay for full access to hun­dreds of rare occult texts.

Vis­i­tors should be aware that these books are writ­ten in sev­er­al dif­fer­ent Euro­pean lan­guages. Latin, the schol­ar­ly lan­guage of Europe through­out the Medieval and Ear­ly Mod­ern peri­ods, pre­dom­i­nates, and it’s a pecu­liar Latin at that, laden with jar­gon and alchem­i­cal ter­mi­nol­o­gy. Oth­er books appear in Ger­man, Dutch, and French. Read­ers of some or all of these lan­guages will of course have an eas­i­er time than mono­lin­gual Eng­lish speak­ers, but there is still much to offer those vis­i­tors as well.

In addi­tion to the plea­sure of pag­ing through an old rare book, even vir­tu­al­ly, Eng­lish speak­ers can quick­ly find a col­lec­tion of read­able books by click­ing on the “Place of Pub­li­ca­tion” search fil­ter and select­ing Cam­bridge or Lon­don, from which come such notable works as The Man-Mouse Takin in a Trap, and tortur’d to death for gnaw­ing the Mar­gins of Euge­nius Phi­lalethes, by Thomas Vaughn, pub­lished in 1650.

The lan­guage is archaic—full of quirky spellings and uses of the “long s”—and the con­tent is bizarre. Those famil­iar with this type of writ­ing, whether through his­tor­i­cal study or the work of more recent inter­preters like Aleis­ter Crow­ley or Madame Blavatsky, will rec­og­nize the many for­mu­las: The trac­ing of mag­i­cal cor­re­spon­dences between flo­ra, fau­na, and astro­nom­i­cal phe­nom­e­na; the care­ful pars­ing of names; astrol­o­gy and lengthy lin­guis­tic ety­molo­gies; numero­log­i­cal dis­cours­es and philo­soph­i­cal poet­ry; ear­ly psy­chol­o­gy and per­son­al­i­ty typ­ing; cryp­tic, cod­ed mythol­o­gy and med­ical pro­ce­dures. Although we’ve grown accus­tomed through pop­u­lar media to think­ing of mag­i­cal books as cook­books, full of recipes and incan­ta­tions, the real­i­ty is far dif­fer­ent.

Encoun­ter­ing the vast and strange trea­sures in the online library, one thinks of the type of the magi­cian rep­re­sent­ed in Goethe’s Faust, holed up in his study,

Where even the wel­come day­light strains
But duski­ly through the paint­ed panes.
Hemmed in by many a top­pling heap
Of books worm-eat­en, gray with dust,
Which to the vault­ed ceil­ing creep

The library doesn’t only con­tain occult books. Like the weary schol­ar Faust, alchemists of old “stud­ied now Phi­los­o­phy / And Jurispru­dence, Med­i­cine,— / And even, alas! The­ol­o­gy.” Click on Cam­bridge as the place of pub­li­ca­tion and you’ll find the work above by Hen­ry More, “one of the cel­e­brat­ed ‘Cam­bridge Pla­ton­ists,’” the Lin­da Hall Library notes, “who flour­ished in mid-17th-cen­tu­ry and did their best to rec­on­cile Pla­to with Chris­tian­i­ty and the mechan­i­cal phi­los­o­phy that was begin­ning to make inroads into British nat­ur­al phi­los­o­phy.” Those who study Euro­pean intel­lec­tu­al his­to­ry know well that More’s pres­ence in this col­lec­tion is no anom­aly. For a few hun­dred years, it was dif­fi­cult, if not impos­si­ble, to sep­a­rate the pur­suits of the­ol­o­gy, phi­los­o­phy, med­i­cine, and sci­ence (or “nat­ur­al phi­los­o­phy”) from those of alche­my and astrol­o­gy. (Isaac New­ton is a famous exam­ple of a mathematician/scientist/alchemist/believer in strange apoc­a­lyp­tic pre­dic­tions.)

Giv­en the Ritman’s alacrity and eager­ness to pub­lish this first batch of texts, even as it works to smooth out its inter­face, we’ll like­ly see many hun­dreds more books become avail­able in the next month or so. For updates, fol­low the Rit­man Library and The Embassy of the Free Mind—Dan Brown’s own Dutch library of rare occult books—on Face­book.

Enter the Rit­man’s new dig­i­tal col­lec­tion of occult texts here.

Relat­ed Con­tent:

3,500 Occult Man­u­scripts Will Be Dig­i­tized & Made Freely Avail­able Online, Thanks to Da Vin­ci Code Author Dan Brown

Isaac Newton’s Recipe for the Myth­i­cal ‘Philosopher’s Stone’ Is Being Dig­i­tized & Put Online (Along with His Oth­er Alche­my Man­u­scripts)

Aleis­ter Crow­ley Reads Occult Poet­ry in the Only Known Record­ings of His Voice (1920)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Download 150 Free Coloring Books from Great Libraries, Museums & Cultural Institutions: The British Library, Smithsonian, Carnegie Hall & More

coloring book 1

A news alert for fans of col­or­ing books.

You can now take part in the 2018 edi­tion of #Col­or­Our­Col­lec­tions–a cam­paign where muse­ums, libraries and oth­er cul­tur­al insti­tu­tions make avail­able free col­or­ing books, let­ting you col­or art­work from their col­lec­tions and then share it on Twit­ter and oth­er social media plat­forms. When shar­ing, use the hash­tag #Col­or­Our­Col­lec­tions.

Below you can find a col­lec­tion of 20 free col­or­ing books, which you can down­load, print, and col­or until you can col­or no more. Also find a com­plete list of 150 col­or­ing books over at this site main­tained by The New York Acad­e­my of Med­i­cine Library.

To see the free col­or­ing books offered up in 2016, click here. And 2017, here.

The image up top comes from The British Library.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

The First Adult Col­or­ing Book: See the Sub­ver­sive Exec­u­tive Col­or­ing Book From 1961

Down­load 15,000+ Free Gold­en Age Comics from the Dig­i­tal Com­ic Muse­um

Read Mar­tin Luther King and The Mont­gomery Sto­ry: The Influ­en­tial 1957 Civ­il Rights Com­ic Book

Dr. Seuss Draws Anti-Japan­ese Car­toons Dur­ing WWII, Then Atones with Hor­ton Hears a Who!

by | Permalink | Make a Comment ( 3 ) |

Boston Public Library Launches a Crowdsourced Project to Transcribe 40,000 Documents from Its Anti-Slavery Collection: You Can Now Help

We can hard­ly under­stand Amer­i­ca with­out under­stand­ing Amer­i­can his­to­ry. Can we under­stand Amer­i­can his­to­ry with­out under­stand­ing slav­ery? Many a his­to­ri­an would answer with an unqual­i­fied no, and not sim­ply because they want to see Amer­i­cans med­i­tate on the sins of their ances­tors: plung­ing into the con­tro­ver­sies around slav­ery, see­ing how Amer­i­cans made argu­ments for and against it at the time, can help us approach and inter­pret the oth­er large-scale legal and moral bat­tles that have since raged in the coun­try, and con­tin­ue to rage in it today.

The Boston Pub­lic Library’s Anti-Slav­ery Col­lec­tion, one par­tic­u­lar­ly impor­tant resource in that intel­lec­tu­al effort, could use our help in mak­ing its con­sid­er­able resources more read­i­ly avail­able. “For the past sev­er­al years, we have been dili­gent­ly cat­a­loging and dig­i­tiz­ing man­u­script cor­re­spon­dences from our Anti-Slav­ery col­lec­tion,” writes the BPL’s Tom Blake, all of which “doc­u­ment the thoughts, trans­ac­tions, and activ­i­ties of the abo­li­tion­ist move­ment in Boston, Mass­a­chu­setts, and through­out New Eng­land.”

Now, “in order to make this col­lec­tion more valu­able to researchers, schol­ars, and his­to­ri­ans we are pleased to announce the launch of a new web­site which will make these hand­writ­ten items avail­able for you to tran­scribe into machine read­able text.”

It’s no small job: the col­lec­tion con­tains rough­ly 40,000 pieces of “cor­re­spon­dence, broad­sides, news­pa­pers, pam­phlets, books, and mem­o­ra­bil­ia from the 1830s through the 1870s,” includ­ing the work of some of the most notable Amer­i­can, British, and Irish abo­li­tion­ists of the day. But the com­bined efforts of every­one will­ing to tran­scribe a few doc­u­ments, will, in Blake’s words, “allow the text cor­pus to be more pre­cise­ly search­able and bet­ter suit­ed for nat­ur­al lan­guage pro­cess­ing appli­ca­tions – help­ing researchers bet­ter under­stand pat­terns, rela­tion­ships, and trends embed­ded in the lin­guis­tics of this par­tic­u­lar com­mu­ni­ty.” Which, ulti­mate­ly, will help us all to bet­ter under­stand Amer­i­ca. If you’d like to lend a hand, you can cre­ate an account and start tran­scrib­ing at the Anti-Slav­ery Col­lec­tion’s site today.

Relat­ed Con­tent:

Mas­sive New Data­base Will Final­ly Allow Us to Iden­ti­fy Enslaved Peo­ples and Their Descen­dants in the Amer­i­c­as

1.5 Mil­lion Slav­ery Era Doc­u­ments Will Be Dig­i­tized, Help­ing African Amer­i­cans to Learn About Their Lost Ances­tors

Freed Slave Writes Let­ter to For­mer Mas­ter: You Owe Us $11,680 for 52 Years of Unpaid Labor (1865)

Visu­al­iz­ing Slav­ery: The Map Abra­ham Lin­coln Spent Hours Study­ing Dur­ing the Civ­il War

The Anti-Slav­ery Alpha­bet: 1846 Book Teach­es Kids the ABCs of Slavery’s Evils

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Free: Download 10,000+ Master Drawings from The Morgan Library & Museum’s Online Collection

It’s hard for the casu­al brows­er to know where to begin with a col­lec­tion as vast as the mas­ter draw­ings belong­ing to the Mor­gan Library & Muse­um.

The Library’s Draw­ings Online pro­gram gives the pub­lic free access to over 10,000 down­load­able images, drawn pri­mar­i­ly from—and in—the fif­teenth through nine­teenth cen­turies. Many images are fleshed out with inscrip­tions, infor­ma­tion on prove­nance, bio­graph­i­cal sketch­es of the artist, and, in over 2000 instances, images of the ver­so, or flip side of the paper.

Researchers and sim­i­lar­ly informed seek­ers can browse by artist or school, but what if you don’t quite know what you want?

You could tour the high­lights, or bet­ter yet, bush­whack your way into the unknown by enter­ing a ran­dom word or phrase into the “search draw­ings” func­tion.

Know­ing that the inter­net is crazy for cats, I made that my first search term, but the results were skewed by an 18th-cen­tu­ry Dutch artist named Jacob Cats, whose work abounds with cows and sheep.

Car­i­ca­tur­ist Al Hirschfeld’s por­trait of Kath­leen Turn­er in the 1990 Broad­way revival of Ten­nessee Williams’ Cat on a Hot Tin Roof  is unavail­able for view­ing due to copy­right restric­tions. (It’s eas­i­ly view­able else­where…)

And the Where’s Wal­do-esque excite­ment I felt upon an anony­mous artist’s Moun­tain Land­scape with Ital­ian-Style Clois­ter faux-Bruegel dis­si­pat­ed when I real­ized this return owed more to the abbre­vi­a­tion of “cat­a­logue” than any feline lurk­ing in the pen-and-ink trees.

Next I entered the word “babies.” I’m not sure why. There cer­tain­ly were a lot of them, almost as many as I encounter on Face­book.

Return­ing to the pre-select­ed high­lights page, I resolved to let the experts pick for me. I saw a charm­ing rab­bit fam­i­ly by John James Audubon and the old favorite by William Blake, top, but what real­ly grabbed me was the first page’s final selec­tion: Hon­oré Daumier’s Two Lawyers Con­vers­ing, cir­ca 1862.

Part of the Mor­gan’s recent­ly closed Drawn to Great­ness: Mas­ter Draw­ings from the Thaw Col­lec­tion exhib­it, the sub­jects’ dress may be archa­ic, but their expres­sions are both humor­ous and ever­green. Lawyer. I had my search term.

My favorite of the sev­en search results is illus­tra­tor Edmund J. Sul­li­van’s Soumin an’ Roumin from 1914. One of a dozen or so draw­ings Sul­li­van made for an updat­ed edi­tion of George Out­ram’s Legal and Oth­er Lyrics, it shows “an old woman in a farm­yard sur­round­ed by live­stock flee­ing three mon­strous lawyers wear­ing wigs and robes and armed with hideous talons instead of hands and feet. One … chas­es a cow with a scourge, the thongs of which end in scor­pi­ons.”

Down­load that one for all your lawyer friends or your lawyer spouse… upload it to a t‑shirt if you’re crafty.

Claud Lovat Fras­er’s set design for Per­gole­si’s short com­ic opera La Ser­va Padrona (or The Maid Turned Mis­tress) at the Lyric Ham­mer­smith doesn’t depict any lawyers, to the best of my knowl­edge, but he him­self was one—also a car­i­ca­tur­ist, lam­poon­ing the lit­er­ary and the­atri­cal lumi­nar­ies of his day, and a sol­dier whose life was cut short due to expo­sure to gas in World War I.

In addi­tion to the Morgan’s par­tic­u­lar­ly well-fleshed-out artist bio for this work, the ver­so is a treat in the form of a print­ed announce­ment for the Chelsea Arts Club Cos­tume Ball.

Browse the Mor­gan Library & Museum’s Draw­ings Online in its entire­ty here, or nar­row it down by artist, School of Art, or per­son­al whim.

Relat­ed Con­tent:

300+ Etch­ings by Rem­brandt Now Free Online, Thanks to the Mor­gan Library & Muse­um

The British Library Puts 1,000,000 Images into the Pub­lic Domain, Mak­ing Them Free to Reuse & Remix

Down­load 2,500 Beau­ti­ful Wood­block Prints and Draw­ings by Japan­ese Mas­ters (1600–1915)

1.8 Mil­lion Free Works of Art from World-Class Muse­ums: A Meta List of Great Art Avail­able Online

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Join her New York City  on Feb­ru­ary 8, when she hosts Necro­mancers of the Pub­lic Domain, a vari­ety show born of a sin­gle musty vol­ume — this month: Mas­ter­pieces in Colour, Bas­ten-Lep­age. Fol­low her @AyunHalliday.

China’s New Luminous White Library: A Striking Visual Introduction

MVRDV, a Dutch archi­tec­ture and urban design firm, teamed up with Chi­nese archi­tects to cre­ate the Tian­jin Bin­hai Library, a mas­sive cul­tur­al cen­ter fea­tur­ing “a lumi­nous spher­i­cal audi­to­ri­um around which floor-to-ceil­ing book­cas­es cas­cade.” Locat­ed not far from Bei­jing, the library was built quick­ly by any stan­dards. It took only three years to move from “the first sketch to the [grand] open­ing” on Octo­ber 1. Elab­o­rat­ing on the library, which can house 1.2 mil­lion books, MVRDV notes:

The building’s mass extrudes upwards from the site and is ‘punc­tured’ by a spher­i­cal audi­to­ri­um in the cen­tre. Book­shelves are arrayed on either side of the sphere and act as every­thing from stairs to seat­ing, even con­tin­u­ing along the ceil­ing to cre­ate an illu­mi­nat­ed topog­ra­phy. These con­tours also con­tin­ue along the two full glass facades that con­nect the library to the park out­side and the pub­lic cor­ri­dor inside, serv­ing as lou­vres to pro­tect the inte­ri­or against exces­sive sun­light whilst also cre­at­ing a bright and even­ly lit inte­ri­or.

The video above gives you a visu­al intro­duc­tion to the build­ing. And, on the MRDV web­site, you can view a gallery of pho­tos that let you see the library’s shape­ly design.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Watch 50+ Doc­u­men­taries on Famous Archi­tects & Build­ings: Bauhaus, Le Cor­busier, Hadid & Many More

A is for Archi­tec­ture: 1960 Doc­u­men­tary on Why We Build, from the Ancient Greeks to Mod­ern Times

A Vir­tu­al Tour of Japan’s Inflat­able Con­cert Hall

by | Permalink | Make a Comment ( 3 ) |

« Go Back
Quantcast
Open Culture was founded by Dan Colman.