What Entered the Public Domain in 2013? Zip, Nada, Zilch!

2013whatcouldhavebeencollage2Last year, key works by James Joyce and Vir­ginia Woolf final­ly entered the pub­lic domain, at least in Europe. (Find them in our col­lec­tions of Free eBooks and Free Audio Books.) This year, we got pret­ty much bup­kis, espe­cial­ly if we’re talk­ing about the Unit­ed States. Over at the web­site run by The Cen­ter for the Study of the Pub­lic Domain at Duke Uni­ver­si­ty, they write:

What is enter­ing the pub­lic domain in the Unit­ed States? Noth­ing. Once again, we will have noth­ing to cel­e­brate this Jan­u­ary 1st. Not a sin­gle pub­lished work is enter­ing the pub­lic domain this year. Or next year. In fact, in the Unit­ed States, no pub­li­ca­tion will enter the pub­lic domain until 2019. Even more shock­ing­ly, the Supreme Court ruled in 2012 that Con­gress can take back works from the pub­lic domain. Could Shake­speare, Pla­to, or Mozart be pulled back into copy­right? The Supreme Court gave no rea­son to think that they could not be.

The Cen­ter then goes on to enu­mer­ate the works that would have entered the com­mons had we lived under the copy­right laws that pre­vailed until 1978. Under those laws, “thou­sands of works from 1956 would be enter­ing the pub­lic domain. They range from the films The Best Things in Life Are FreeAround the World in 80 DaysFor­bid­den Plan­et, and The Man Who Knew Too Much, to the Phillip K. Dick’s The Minor­i­ty Report and Eugene O’Neill’s Long Day’s Jour­ney into Night, to sem­i­nal arti­cles on arti­fi­cial intel­li­gence.” Have a look at some of the oth­ers, sev­er­al of which appear in the mosa­ic above.

Relat­ed Con­tent:

Lawrence Lessig’s Last Speech on Free Cul­ture. Watch it Online.

Lawrence Lessig Speaks Once Again About Copy­right and Cre­ativ­i­ty

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PBS Short Video “Bad Behavior Online” Takes on the Phenomenon of Cyberbullying

Inter­net trolls are very touchy peo­ple. Some­times their rage is tar­get­ed at pub­lic fig­ures, insti­tu­tions, or groups who do and say hor­ri­ble things (the West­boro Bap­tist Church comes to mind). More often, the phe­nom­e­non of “trolling” is a free-for-all of absur­dist online pranks or ver­bal abuse direct­ed at any­one and every­one. And far too often, online abuse is specif­i­cal­ly direct­ed at vul­ner­a­ble peo­ple or vic­tims of tragedy. But, as you’ll see from the com­ments on the above video from PBS’s Off­book series (if you care to peruse them) almost noth­ing makes the inter­net angri­er than dis­cus­sions of trolling itself, since so many peo­ple see these con­ver­sa­tions as pre­ludes to cen­sor­ship or nan­ny­ish and uncon­sti­tu­tion­al reg­u­la­tion.

The researchers in the above video don’t, how­ev­er, make any rec­om­men­da­tions for curb­ing speech. Whit­ney Phillips, a lec­tur­er at New York Uni­ver­si­ty, allows for the poten­tial of trolling to open up dia­logues that would oth­er­wise be smoth­ered by taboos. Har­vard University’s Andy Sel­l­ars makes an impor­tant dis­tinc­tion between pub­lic speech reg­u­lat­ed by the gov­ern­ment and that restrict­ed by pri­vate enti­ties, like online ser­vice providers—an impor­tant legal dis­tinc­tion in first amend­ment cas­es (he cites the recent fra­cas over the inflam­ma­to­ry “Inno­cence of Mus­lims” video). Sel­l­ars points out that, at the moment, the author­i­ty for reg­u­lat­ing online speech rests with cor­po­ra­tions (who, unfor­tu­nate­ly, do bow to gov­ern­ment pres­sure, espe­cial­ly abroad). Attempts to reg­u­late the inter­net by the gov­ern­ment have been ham-hand­ed, unpop­u­lar, and most­ly dri­ven by the prof­it-motives of the record­ing and film indus­tries, and Sel­l­ars does­n’t address them.

Some attempts at leg­is­la­tion have specif­i­cal­ly tar­get­ed the cher­ished cul­ture of online anonymi­ty in order to deal with the ugly phe­nom­e­non of cyber­bul­ly­ing. Sel­l­ars defends the impor­tance of anonymi­ty, say­ing it pro­tects vic­tims of real world abuse and oppres­sion from being iden­ti­fied and tar­get­ed if they speak out on safe spaces on the inter­net. Unfor­tu­nate­ly, anonymi­ty can also enable what Fordham’s Alice Mar­wick calls the “online dis­in­hi­bi­tion effect,” a psy­cho­log­i­cal term for the free­dom trolls feel to say abu­sive things online that they would nev­er say in per­son.

Mar­wick dis­cuss­es this effect in the con­text of what she calls “aggres­sive speech acts” but allows that the preva­lence of bul­ly­ing on Face­book, which ties online iden­ti­ties to real names and faces, acts as a counter-exam­ple to the the­o­ry that anonymi­ty is sole­ly respon­si­ble for online abuse. She frames her research as tak­ing a look at our cul­tur­al val­ues and “see­ing how those play out in tech­ni­cal spaces” and points out that an exclu­sive focus on cyber­bul­ly­ing ignores the range of oth­er, offline behav­iors gen­er­al­ly present in—most dis­turbing­ly—cas­es of sui­cide fol­low­ing online bul­ly­ing. While the advo­ca­cy group Cyber­bul­ly­ing Research Cen­ter has adopt­ed the term “cyber­bul­li­cide,” defined as “sui­cide indi­rect­ly or direct­ly influ­enced by expe­ri­ences with online aggres­sion,” and offers pol­i­cy sug­ges­tions to deal with the prob­lem, Mar­wick is more cir­cum­spect. She calls these cas­es “com­pli­cat­ed” and says that they don’t war­rant restrict­ing con­tent but instead improv­ing respons­es to kids who need help.

Com­pli­cat­ed is pre­cise­ly the word for the tan­gle of issues relat­ing to inter­net speech. After watch­ing the bal­anced, if cur­so­ry, dis­cus­sion above, how­ev­er, I found the respons­es of the trolls baf­fling and lack­ing all pro­por­tion, since no one in the video calls for leg­is­la­tion to lim­it online speech. But that’s instruc­tive. Trolling is a per­va­sive hum sur­round­ing almost all pop­u­lar online con­tent. Some­times it’s polit­i­cal­ly point­ed, some­times it’s clever or sur­re­al­ly fun­ny, some­times it’s just low-lev­el noise, and some­times it’s a kind of rage-filled ado­les­cent vicious­ness that is gen­uine­ly unset­tling and hard to under­stand.

Josh Jones is a doc­tor­al can­di­date in Eng­lish at Ford­ham Uni­ver­si­ty and a co-founder and for­mer man­ag­ing edi­tor of Guer­ni­ca / A Mag­a­zine of Arts and Pol­i­tics.

Samuel L. Jackson Stars in “Wake the F**ck Up for Obama,” a NSFW Political Children’s Tale

Last sum­mer, Samuel L. Jack­son delight­ed lis­ten­ers when he nar­rat­ed the audio ver­sion of Adam Mans­bach’s twist­ed lit­tle chil­dren’s bed­time sto­ry, Go the F**k to Sleep. Now, Jack­son returns with Wake the F**ck Up for Oba­maAccord­ing to the New York Post (if they say it, it must be true!), Mans­bach wrote the Dr. Seuss­ian script for the polit­i­cal ad. And it was appar­ent­ly fund­ed by the Jew­ish Coun­cil for Research and Edu­ca­tion, a lib­er­al super PAC fund­ed by George Soros’ 25-year-old son. Until today, I thought that Cit­i­zens Unit­ed, the SCOTUS deci­sion that unleashed a tor­rent of Super PAC ads on our air­waves, did more to under­mine Amer­i­can democ­ra­cy than any for­eign threat. But when the video hit the 2:44 mark, you start to have your doubts.

via Gal­ley Cat

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Truman Capote (In Cold Blood) Talks Death Penalty with William F. Buckley (1968)


Tru­man Capote did­n’t study to become expert in cap­i­tal crime and its pun­ish­ment,” says William F. Buck­ley on the Fir­ing Line broad­cast of Sep­tem­ber 3, 1968, “but his five and one half year engage­ment of the slaugh­ter of the Clut­ter fam­i­ly, which went into the writ­ing of In Cold Blood, left him with high­ly set­tled impres­sions in the mat­ter.” You can hear Buck­ley elic­it and Capote con­cise­ly lay out the posi­tion to which these impres­sions brought him in the clip above. Though remem­bered for his own con­ser­v­a­tive views, Buck­ley seemed ever eager to invite onto his show, fre­quent­ly and with­out hes­i­ta­tion, pub­lic fig­ures who strong­ly dis­agreed with him. This sense of con­tro­ver­sy gen­er­at­ed a stream of clas­si­cal­ly com­pelling tele­vi­su­al moments over Fir­ing Line’s 33-year run, but for my mon­ey, all the direct con­flicts have less to offer than the times a guest — or even the host — broke from stan­dard ide­o­log­i­cal posi­tions, as Capote does here.

Buck­ley opens by ask­ing whether “sys­tem­at­ic exe­cu­tion of killers over the pre­ced­ing gen­er­a­tion might have stayed the hand of the mur­der­ers of the Cut­ter fam­i­ly.” Capote replies that “cap­i­tal pun­ish­ment — which I’m opposed to, but for quite dif­fer­ent rea­sons than are usu­al­ly advanced — would in itself be a sin­gu­lar­ly effec­tive deter­rent, if it were, in fact, sys­tem­at­i­cal­ly applied. But because pub­lic sen­ti­ment is very much opposed to it and the courts have allowed this end­less pol­i­cy of appeal — to such a degree that a per­son can be eleven, twelve, thir­teen, four­teen years under a sen­tence of cap­i­tal pun­ish­ment — it becomes, in effect, an extreme, unusu­al, and cru­el pun­ish­ment. If peo­ple real­ly were sen­tenced to be exe­cut­ed and were with­in a rea­son­able peri­od of time, the pro­fes­sion­al mur­der­er knew the absolute, pos­i­tive end of their actions would be their own death, I think it would cer­tain­ly give them sec­ond thoughts.” This per­haps lends itself poor­ly to a sound bite, but Fir­ing Line at its best nev­er dealt in those.

Relat­ed con­tent:

William F. Buck­ley Meets (Pos­si­bly Drunk) Jack Ker­ouac, Tries to Make Sense of Hip­pies, 1968

James Bald­win Bests William F. Buck­ley in 1965 Debate at Cam­bridge Uni­ver­si­ty

Allen Gins­berg Reads a Poem He Wrote on LSD to William F. Buck­ley

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture. Fol­low him on Twit­ter at @colinmarshall.

Robert Penn Warren Archive Brings Early Civil Rights to Life

While an under­grad­u­ate at Van­der­bilt Uni­ver­si­ty in Ten­nessee, writer Robert Penn War­ren began writ­ing about the south and its tur­bu­lent racial his­to­ry. He trav­eled through­out the Unit­ed States and inter­viewed men and women involved with the Civ­il Rights Move­ment, record­ing each con­ver­sa­tion on a reel-to-reel tape recorder—a project that result­ed in the 1965 book Who Speaks for the Negro? This month, Van­der­bilt University’s Robert Penn War­ren Cen­ter for the Human­i­ties makes a full dig­i­tal record avail­able of Warren’s research for the book—an impres­sive and well-con­struct­ed col­lec­tion of inter­views with his­tor­i­cal fig­ures includ­ing Ralph Elli­son, James Bald­win and Mal­colm X. The rich­ness of the site is its con­nec­tive design. Each inter­view is tagged by top­ic, includ­ing a subject’s link to broad­er issues or to oth­er inter­vie­wees, mak­ing evi­dent through user expe­ri­ence the com­plex nature of the Civ­il Rights Move­ment. A search for the NAACP, for exam­ple, yields mul­ti­ple inter­views fea­tur­ing dif­fer­ent points of view on the organization’s for­ma­tion along with PDFs of orig­i­nal let­ters and the search­able text of news­pa­per arti­cles about ear­ly NAACP demon­stra­tions. But the site’s audio offer­ings are its most pow­er­ful assets.

The mate­r­i­al offers a potent por­trait of a his­tor­i­cal moment and is rich with ref­er­ences to pol­i­tics, art and spe­cif­ic con­flicts over inte­gra­tion. The group inter­views with uni­ver­si­ty stu­dents and pro­test­ers are worth a lis­ten, both for the con­tent and for the ear­ly 1960s group dynam­ics. When War­ren inter­views men and women togeth­er, men tend to speak first and at most length. But the views expressed are fas­ci­nat­ing, as in one case when a female sit-in par­tic­i­pant gives her opin­ion about assim­i­la­tion.

“My first reac­tion of course would be, think­ing of Socrates: Know thy­self. We do face the prob­lem of amal­ga­ma­tion into the whole of Amer­i­can life, being Amer­i­cans first, say, or being what I would like to term Negro Amer­i­cans or Black Amer­i­cans. I think that we as black men have an oblig­a­tion to know our­selves as black men and be proud of what we are, and con­tribute to Amer­i­ca what we could actu­al­ly offer to this cul­ture.”

Kate Rix is an Oak­land based writer. See more of her work at .

Relat­ed Con­tent: 

Mal­colm X at Oxford, 1964

Great Cul­tur­al Icons Talk Civ­il Rights (1963)

MLK’s Omi­nous Final Speech

Demystifying the Protect IP Act

How to com­bat inter­net pira­cy, the dai­ly theft of copy­right­ed music, films and oth­er dig­i­tal goods? Our con­gres­sion­al lead­ers think they’ve fig­ured it out, and their solu­tion is called the Pro­tect IP Act. The only prob­lem is that the pend­ing leg­is­la­tion cre­ates more prob­lems than it solves. Kir­by Fer­gu­son, cre­ator of the Every­thing is a Remix video series, explains. And The New York Times offers its own objec­tions.…

Don’t Dance at the Jefferson Memorial: A Quick PSA

Any­one know what law these dancers were vio­lat­ing, since the arrest­ing offi­cer appar­ent­ly does­n’t know (or won’t say)?

Update: This article/post gives you the back­sto­ry. It explains that the dancers were “there protest­ing a … court deci­sion [hand­ed down] ear­li­er this month that upheld a ban on danc­ing with­in the memo­r­i­al.” The mem­bers of the “civ­il danceobe­di­ence” were charged with demon­strat­ing with­out a per­mit, and then released a short time after. That’s the answer to the ques­tion, in short…

via Boing­Bo­ing

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The Bill of Rights: Birthday Webcast Today

To com­mem­o­rate the 219th birth­day of the Bill of Rights, the Nation­al Con­sti­tu­tion Cen­ter will host today (Wednes­day) a free web­cast explor­ing the his­to­ry of the U.S. Constitution’s first ten amend­ments. It will start with James Madison’s ini­tial work on this list of essen­tial free­doms, then cov­er the years when these pro­vi­sions were sel­dom applied, and final­ly explore their rebirth in the 20th cen­tu­ry and some con­tem­po­rary debates. The 20 minute pro­gram will be viewed by six mil­lion stu­dents across the Unit­ed States, and you can tune in as well for free. To take part, sim­ply vis­it this site between 7:00 a.m. and 6:00 p.m. EST. And please note that the web­cast will be sup­ple­ment­ed with a live blog host­ed by con­sti­tu­tion­al experts. (Pho­to by G. Wid­man for GPTMC)

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