“TruÂman Capote didÂn’t study to become expert in capÂiÂtal crime and its punÂishÂment,” says William F. BuckÂley on the FirÂing Line broadÂcast of SepÂtemÂber 3, 1968, “but his five and one half year engageÂment of the slaughÂter of the ClutÂter famÂiÂly, which went into the writÂing of In Cold Blood, left him with highÂly setÂtled impresÂsions in the matÂter.” You can hear BuckÂley elicÂit and Capote conÂciseÂly lay out the posiÂtion to which these impresÂsions brought him in the clip above. Though rememÂbered for his own conÂserÂvÂaÂtive views, BuckÂley seemed ever eager to invite onto his show, freÂquentÂly and withÂout hesÂiÂtaÂtion, pubÂlic figÂures who strongÂly disÂagreed with him. This sense of conÂtroÂverÂsy genÂerÂatÂed a stream of clasÂsiÂcalÂly comÂpelling teleÂviÂsuÂal moments over FirÂing Line’s 33-year run, but for my monÂey, all the direct conÂflicts have less to offer than the times a guest — or even the host — broke from stanÂdard ideÂoÂlogÂiÂcal posiÂtions, as Capote does here.
BuckÂley opens by askÂing whether “sysÂtemÂatÂic exeÂcuÂtion of killers over the preÂcedÂing genÂerÂaÂtion might have stayed the hand of the murÂderÂers of the CutÂter famÂiÂly.” Capote replies that “capÂiÂtal punÂishÂment — which I’m opposed to, but for quite difÂferÂent reaÂsons than are usuÂalÂly advanced — would in itself be a sinÂguÂlarÂly effecÂtive deterÂrent, if it were, in fact, sysÂtemÂatÂiÂcalÂly applied. But because pubÂlic senÂtiÂment is very much opposed to it and the courts have allowed this endÂless polÂiÂcy of appeal — to such a degree that a perÂson can be eleven, twelve, thirÂteen, fourÂteen years under a senÂtence of capÂiÂtal punÂishÂment — it becomes, in effect, an extreme, unusuÂal, and cruÂel punÂishÂment. If peoÂple realÂly were senÂtenced to be exeÂcutÂed and were withÂin a reaÂsonÂable periÂod of time, the proÂfesÂsionÂal murÂderÂer knew the absolute, posÂiÂtive end of their actions would be their own death, I think it would cerÂtainÂly give them secÂond thoughts.” This perÂhaps lends itself poorÂly to a sound bite, but FirÂing Line at its best nevÂer dealt in those.
While an underÂgradÂuÂate at VanÂderÂbilt UniÂverÂsiÂty in TenÂnessee, writer Robert Penn WarÂren began writÂing about the south and its turÂbuÂlent racial hisÂtoÂry. He travÂeled throughÂout the UnitÂed States and interÂviewed men and women involved with the CivÂil Rights MoveÂment, recordÂing each conÂverÂsaÂtion on a reel-to-reel tape recorder—a project that resultÂed in the 1965 book Who Speaks for the Negro? This month, VanÂderÂbilt University’s Robert Penn WarÂren CenÂter for the HumanÂiÂties makes a full digÂiÂtal record availÂable of Warren’s research for the book—an impresÂsive and well-conÂstructÂed colÂlecÂtion of interÂviews with hisÂtorÂiÂcal figÂures includÂing Ralph ElliÂson, James BaldÂwin and MalÂcolm X. The richÂness of the site is its conÂnecÂtive design. Each interÂview is tagged by topÂic, includÂing a subject’s link to broadÂer issues or to othÂer interÂvieÂwees, makÂing eviÂdent through user expeÂriÂence the comÂplex nature of the CivÂil Rights MoveÂment. A search for the NAACP, for examÂple, yields mulÂtiÂple interÂviews feaÂturÂing difÂferÂent points of view on the organization’s forÂmaÂtion along with PDFs of origÂiÂnal letÂters and the searchÂable text of newsÂpaÂper artiÂcles about earÂly NAACP demonÂstraÂtions. But the site’s audio offerÂings are its most powÂerÂful assets.
The mateÂrÂiÂal offers a potent porÂtrait of a hisÂtorÂiÂcal moment and is rich with refÂerÂences to polÂiÂtics, art and speÂcifÂic conÂflicts over inteÂgraÂtion. The group interÂviews with uniÂverÂsiÂty stuÂdents and proÂtestÂers are worth a lisÂten, both for the conÂtent and for the earÂly 1960s group dynamÂics. When WarÂren interÂviews men and women togethÂer, men tend to speak first and at most length. But the views expressed are fasÂciÂnatÂing, as in one case when a female sit-in parÂticÂiÂpant gives her opinÂion about assimÂiÂlaÂtion.
“My first reacÂtion of course would be, thinkÂing of Socrates: Know thyÂself. We do face the probÂlem of amalÂgaÂmaÂtion into the whole of AmerÂiÂcan life, being AmerÂiÂcans first, say, or being what I would like to term Negro AmerÂiÂcans or Black AmerÂiÂcans. I think that we as black men have an obligÂaÂtion to know ourÂselves as black men and be proud of what we are, and conÂtribute to AmerÂiÂca what we could actuÂalÂly offer to this culÂture.”
Kate Rix is an OakÂland based writer. See more of her work at .
How to comÂbat interÂnet piraÂcy, the daiÂly theft of copyÂrightÂed music, films and othÂer digÂiÂtal goods? Our conÂgresÂsionÂal leadÂers think they’ve figÂured it out, and their soluÂtion is called the ProÂtect IP Act. The only probÂlem is that the pendÂing legÂisÂlaÂtion creÂates more probÂlems than it solves. KirÂby FerÂguÂson, creÂator of the EveryÂthing is a Remix video series, explains. And The New York Times offers its own objecÂtions.…
AnyÂone know what law these dancers were vioÂlatÂing, since the arrestÂing offiÂcer apparÂentÂly doesÂn’t know (or won’t say)?
Update: This article/post gives you the backÂstoÂry. It explains that the dancers were “there protestÂing a … court deciÂsion [handÂed down] earÂliÂer this month that upheld a ban on dancÂing withÂin the memoÂrÂiÂal.” The memÂbers of the “civÂil danceobeÂdiÂence” were charged with demonÂstratÂing withÂout a perÂmit, and then released a short time after. That’s the answer to the quesÂtion, in short…
To comÂmemÂoÂrate the 219th birthÂday of the Bill of Rights, the NationÂal ConÂstiÂtuÂtion CenÂter will host today (WednesÂday) a free webÂcast explorÂing the hisÂtoÂry of the U.S. Constitution’s first ten amendÂments. It will start with James Madison’s iniÂtial work on this list of essenÂtial freeÂdoms, then covÂer the years when these proÂviÂsions were selÂdom applied, and finalÂly explore their rebirth in the 20th cenÂtuÂry and some conÂtemÂpoÂrary debates. The 20 minute proÂgram will be viewed by six milÂlion stuÂdents across the UnitÂed States, and you can tune in as well for free. To take part, simÂply visÂit this site between 7:00 a.m. and 6:00 p.m. EST. And please note that the webÂcast will be supÂpleÂmentÂed with a live blog hostÂed by conÂstiÂtuÂtionÂal experts. (PhoÂto by G. WidÂman for GPTMC)
Simon Singh is a man who refusÂes to be silenced. In 2008, the British sciÂence writer pubÂlished an artiÂcle in The Guardian callÂing attenÂtion to some of the wilder claims of the chiÂroÂpracÂtic indusÂtry. A short time latÂer he found himÂself siftÂing through 35 pages of legal docÂuÂments from a libel suit brought by the British ChiÂroÂpracÂtic AssoÂciÂaÂtion. The lawÂsuit specifÂiÂcalÂly named Singh, and not the newsÂpaÂper. As he told The Times of LonÂdonrecentÂly, the expeÂriÂence was “scary.”
The chain of events began April 19, 2008, on the “ComÂment and Debate” page of The Guardian: “This is ChiÂroÂpracÂtic AwareÂness Week,” wrote Singh. “So let’s be aware. How about some awareÂness that may preÂvent harm and help you make truÂly informed choicÂes?” From there Singh went on to report that the founder of chiÂroÂpracÂtic therÂaÂpy, Daniel David Palmer, had claimed that “99% of all disÂeases are caused by disÂplaced verÂteÂbrae.” Even now, Singh wrote, modÂern chiÂroÂpracÂtors still hold some “quite wacky ideas.” The lawÂsuit revolves around a parÂticÂuÂlar pasÂsage, quotÂed last week in a court docÂuÂment:
“The British ChiÂroÂpracÂtic AssoÂciÂaÂtion claims that their memÂbers can help treat chilÂdren with colÂic, sleepÂing and feedÂing probÂlems, freÂquent ear infecÂtions, asthÂma and proÂlonged cryÂing, even though there is not a jot of eviÂdence. This orgaÂniÂzaÂtion is the respectable face of the chiÂroÂpracÂtic proÂfesÂsion and yet it hapÂpiÂly proÂmotes bogus treatÂments.”
When the BCA objectÂed, The Guardian offered to make space availÂable for a rebutÂtal — if there was “a jot of eviÂdence,” the BCA could present it. Instead, the orgaÂniÂzaÂtion declined the offer and sued the writer.
At the time, Singh was proÂmotÂing his new book, Trick or TreatÂment: AlterÂnaÂtive MedÂiÂcine on TriÂal, which he co-wrote with Edzard Ernst. SevÂerÂal of his earÂliÂer books were interÂnaÂtionÂal bestÂsellers, includÂing Big Bang: The OriÂgin of the UniÂverse, and Fermat’s Last TheÂoÂrem, which was pubÂlished in AmerÂiÂca as Fermat’s EnigÂma: The Epic Quest to Solve the World’s GreatÂest MathÂeÂmatÂiÂcal ProbÂlem. The comÂmerÂcial sucÂcess of Singh’s books enabled him to absorb the enorÂmous expense of fightÂing a case in the British libel courts.
Singh was dealt a seriÂous setÂback in a preÂlimÂiÂnary hearÂing last May, when a judge ruled that the writer’s phrase “hapÂpiÂly proÂmotes bogus treatÂments” amountÂed to a facÂtuÂal claim that the BCA was intenÂtionÂalÂly disÂhonÂest – an interÂpreÂtaÂtion of meanÂing which Singh flatÂly denied. Singh appealed the deciÂsion, and last ThursÂday, in a rulÂing that may prove to be a waterÂshed, not only in Singh’s case but in the largÂer strugÂgle for libel reform, the EngÂland and Wales Court of Appeal reversed the lowÂer court judge’s deciÂsion and cleared the way for Singh to use a “fair comÂment” clause in his defense.
In the writÂten deciÂsion, Lord Chief JusÂtice Igor Judge comÂmentÂed on the sociÂetal impact of the BCA’s action. “It is now nearÂly two years since the pubÂliÂcaÂtion of the offendÂing artiÂcle,” Lord Judge wrote. “It seems unlikeÂly that anyÂone would dare repeat the opinÂions expressed by Dr. Singh for fear of a writ. AccordÂingÂly this litÂiÂgaÂtion has almost cerÂtainÂly had a chillÂing effect on pubÂlic debate which might othÂerÂwise have assistÂed potenÂtial patients to make informed choicÂes about the posÂsiÂble use of chiÂroÂpracÂtic.”
In the days folÂlowÂing last week’s landÂmark deciÂsion, we talked with Singh by email.
OPEN CULTURE: ConÂgratÂuÂlaÂtions on your vicÂtoÂry in the Court of Appeal. How do you feel?
SIMON SINGH: I am delightÂed that the Court of Appeal has backed my interÂpreÂtaÂtion of my own artiÂcle, nameÂly that the British ChiÂroÂpracÂtic AssoÂciÂaÂtion is reckÂless, but not disÂhonÂest. I will still have to defend my artiÂcle at triÂal, but I will be defendÂing someÂthing I meant to write, as opposed to an extreme accuÂsaÂtion that nevÂer existÂed in the first place. Although this is a big step forÂward for me, there is still a long way to go on libel reform in the UK. EngÂlish libel laws are the worst in the free world, and they need radÂiÂcal reform so that othÂer sciÂenÂtists and jourÂnalÂists do not find themÂselves in my posiÂtion next year.
OPEN CULTURE: What hapÂpens next?
SIMON SINGH: I think the British ChiÂroÂpracÂtic AssoÂciÂaÂtion is in a difÂfiÂcult posiÂtion, but it has three choicÂes. First, it could take the case to triÂal, which is fine by me because I would relÂish the opporÂtuÂniÂty to disÂcuss my artiÂcle in a courtÂroom. SecÂond, it could appeal last week’s deciÂsion and go to the Supreme Court, but again this is fine by me because I would relÂish the opporÂtuÂniÂty to disÂcuss my artiÂcle in such an eleÂvatÂed forum. Third, it could abanÂdon the case, but the BCA would have to pay my costs before being allowed to walk away.
OPEN CULTURE: Those costs have been conÂsidÂerÂable, haven’t they?
SIMON SINGH: I estiÂmate that in my case both parÂties have run up bills of over ÂŁ300,000, of which ÂŁ200,000 has been spent estabÂlishÂing the meanÂing.
OPEN CULTURE: The Appeal Court rulÂing quotes MilÂton on the imprisÂonÂment of Galileo, and warns that under curÂrent law the court is invitÂed to become “an Orwellian minÂistry of truth.” Do you think the tide is turnÂing in favor of libel reform?
SIMON SINGH: I think the Appeal Court judges were sendÂing a clear mesÂsage that they are unhapÂpy with libel law, which should encourÂage politiÂcians to act radÂiÂcalÂly on libel reform. All the main parÂties seem keen to reform our libel laws, but this is not yet in the manÂiÂfestos of the two main parÂties. I think the presÂsure from camÂpaignÂers, the pubÂlic and the legal proÂfesÂsion will ultiÂmateÂly encourÂage the next govÂernÂment to reform libel, but we have to mainÂtain the presÂsure.
OPEN CULTURE: What makes EngÂlish libel law so onerÂous?
SIMON SINGH: There is so much wrong with EngÂlish libel law that it is hard to know where to start. It is horÂrenÂdousÂly expenÂsive, which forces writÂers to back down even if they are right, because they canÂnot afford to defend their writÂing. It has been estiÂmatÂed that an EngÂlish libel triÂal can easÂiÂly cost over ÂŁ1 milÂlion, and this is over 100 times more than the cost of an averÂage libel case in mainÂland Europe. SecÂond, there is the probÂlem that large corÂpoÂraÂtions can sue lone sciÂenÂtists, jourÂnalÂists and blogÂgers, which again forces them to back down because they are up against such powÂerÂful and rich orgaÂniÂzaÂtions. Third, the burÂden of proof is uneven, because writÂers are assumed to be guilty until proven innoÂcent. Fourth, there is no so-called robust pubÂlic interÂest defense, nameÂly someÂthing that would proÂtect writÂers comÂmentÂing on imporÂtant issues. The law should encourÂage such debate, not silence it. FinalÂly, there is a probÂlem of libel tourism, whereÂby overÂseas comÂpaÂnies sue overÂseas writÂers in LonÂdon because they know that EngÂlish libel law is hosÂtile to jourÂnalÂists.
OPEN CULTURE: Why should this conÂcern someÂone livÂing away from the British Isles?
SIMON SINGH: The issue of libel tourism means that everyÂone in the world should be scared of the EngÂlish libel law. If you write anyÂwhere in the world about a bilÂlionÂaire, then the LonÂdon court can probÂaÂbly claim jurisÂdicÂtion because the mateÂrÂiÂal can probÂaÂbly be read in EngÂland over the interÂnet and bilÂlionÂaires typÂiÂcalÂly have busiÂness interÂests in EngÂland so they can claim to have a repÂuÂtaÂtion in EngÂland. There are many casÂes of libel tourism, such as SauÂdi bilÂlionÂaires suing an AmerÂiÂcan jourÂnalÂist, a U.S. comÂpaÂny suing a DanÂish researcher, an Israeli techÂnolÂoÂgy comÂpaÂny threatÂenÂing to sue a paper writÂten by a Swedish proÂfesÂsor, a Tunisian man suing a GerÂman newsÂpaÂper, an IceÂlandic bank suing a DanÂish newsÂpaÂper, and so on – all these casÂes endÂed up in LonÂdon, the libel capÂiÂtal of the world.
OPEN CULTURE: Libel law affects all forms of jourÂnalÂism and free expresÂsion, but the British sciÂenÂtifÂic comÂmuÂniÂty has been espeÂcialÂly outÂspoÂken on this issue. Richard Dawkins for examÂple gave a high-proÂfile speech on the probÂlem. Why are sciÂenÂtists, in parÂticÂuÂlar, so up in arms?
SIMON SINGH: I think sciÂenÂtists are at the foreÂfront of the camÂpaign for libel reform because sciÂence can only progress through open disÂcusÂsion and robust debate and critÂiÂcism. I think the pubÂlic accepts that libel is imporÂtant for proÂtectÂing the repÂuÂtaÂtion of indiÂvidÂuÂals, but they now realÂize that there must be a probÂlem when libel blocks sciÂenÂtifÂic disÂcusÂsion. In addiÂtion to my case, in the last year we have seen the sciÂence jourÂnalÂist Ben Goldacre, the carÂdiÂolÂoÂgist Peter Wilmshurst, the Swedish linÂguist ProÂfesÂsor LacÂerÂda and the DanÂish medÂical researcher HenÂrik ThomÂsen all being sued for libel in LonÂdon. The libel laws block our right to disÂcuss sciÂenÂtifÂic ideas, but they also block the public’s right to hear these ideas.
OPEN CULTURE: With everyÂthing that has hapÂpened, have you been able to carÂry on with your work as a writer? Are you writÂing a new book?
SIMON SINGH: As well as the legal costs, I have also lost out because my income has been seriÂousÂly damÂaged by my inabilÂiÂty to write. I should be writÂing a new book now, but I canÂnot even subÂmit a book proÂposÂal because I don’t know if I would ever be able to delivÂer it. Right now I am spendÂing the majorÂiÂty of my time on my own legal case, and devotÂing any spare time to the camÂpaign for libel reform.
OPEN CULTURE: Are you workÂing with any orgaÂniÂzaÂtions to bring about reform?
SIMON SINGH: I am workÂing closeÂly with three charÂiÂties (Sense About SciÂence, EngÂlish PEN and Index on CenÂsorÂship), who have formed the Libel Reform CoaliÂtion. We have a petiÂtion for libel reform and we welÂcome sigÂnaÂtoÂries from around the world, because EngÂlish libel law affects writÂers all over the globe. I hope that readÂers will add their names to the petiÂtion at www.libelreform.org/sign — I have spent over a milÂlion minÂutes of my life defendÂing my artiÂcle and my right to free speech, so I hope readÂers will take one minute to show their supÂport.
This artiÂcle was conÂtributed by Mike Springer, a jourÂnalÂist in CamÂbridge, MassÂaÂchuÂsetts.
FluÂmoÂtion and the Open Video Alliance will be streamÂing a live event on ThursÂday, FebÂruÂary 25th feaÂturÂing Lawrence Lessig, the founÂdaÂtionÂal voice of the free culÂture moveÂment. The 45-minute speech will be delivÂered live from HarÂvard Law School via Flumotion’s StreamÂing PlatÂform, and will explore the relaÂtionÂship between copyÂright, fair use, polÂiÂtics and online video. The speech takes place at 6:00 PM local time (23:00 GMT) and [can be watched live here.]
PS On a relatÂed note, TEDxNYED will stream talks live on March 6th. SpeakÂers will include Lawrence Lessig, HenÂry JenkÂins, Jeff Jarvis, Michael Wesch and othÂers. Looks like a great event. Get more details here.
A quick fyi on a free eBook from the UniÂverÂsiÂty of ChicaÂgo. (It’s an offer that seems well timed, givÂen this weekÂend’s copyÂright debate on OC.) Here are the details from UC:
Offered as a free e‑book for one day only, FebÂruÂary 1: PiraÂcy: The IntelÂlecÂtuÂal PropÂerÂty Wars from GutenÂberg to Gates. “[AdriÂan Johns] traces the tenÂsions between authoÂrized and unauÂthoÂrized proÂducÂers and disÂtribÂuÂtors of books, music, and othÂer intelÂlecÂtuÂal propÂerÂty in British and AmerÂiÂcan culÂture from the 17th cenÂtuÂry to the present.… The shiftÂing theÂoÂretÂiÂcal arguÂments about copyÂright and authoÂrÂiÂal propÂerÂty are preÂsentÂed in a cogent and accesÂsiÂble manÂner. Johns’s research stands as an imporÂtant reminder that today’s intelÂlecÂtuÂal propÂerÂty crises are not unpreceÂdentÂed, and offers a surÂvey of potenÂtial approachÂes to a soluÂtion.”
We're hoping to rely on loyal readers, rather than erratic ads. Please click the Donate button and support Open Culture. You can use Paypal, Venmo, Patreon, even Crypto! We thank you!
Open Culture scours the web for the best educational media. We find the free courses and audio books you need, the language lessons & educational videos you want, and plenty of enlightenment in between.