In 1969, Sesame Street debuted and introÂduced America’s children—growing up in the midst of intense disÂputes over integration—to its urban senÂsiÂbilÂiÂties and mulÂtiÂculÂturÂal cast, all driÂven by the latÂest in childÂhood develÂopÂment research and Jim HenÂson wizÂardry. Despite the racialÂly fracÂtious times of its oriÂgin, the show was a sucÂcess (although the state of MisÂsisÂsipÂpi briefly banned it in 1970), and its list of celebriÂty guests from every conÂceivÂable domain reflectÂed the diverÂsiÂty of its cast and hipÂness of its tone. With cerÂtain excepÂtions (parÂticÂuÂlarÂly in latÂer perÂmuÂtaÂtions), it’s always been a show that knew how to gauge the tenor of the times and appeal broadÂly to both chilÂdren and their weary, capÂtive guardians.
Being one of those weary capÂtives, I can’t say enough how grateÂful I’ve been when a recÂogÂnizÂable face interÂrupts Elmo’s babÂbling to sing a song or do a litÂtle comÂeÂdy bit, winkÂing at the parÂents all the while. These moments are fewÂer and farÂther between in the latÂer ages of the show, but in the sevÂenÂties, Sesame Street had musiÂcal rouÂtines worÂthy of SatÂurÂday Night Live. Take, for examÂple, the 1973 appearÂance of SteÂvie WonÂder on the show. While I was born too late to catch this when it aired, there’s no doubt that the child me would find WonÂder and his band as funky as the grown-up parÂent does. Check them out above doing “SuperÂstiÂtion.”
Like most musiÂcal artists who visÂit the show, SteÂvie also cooked someÂthing espeÂcialÂly for the kids. In the clip above, watch him do a litÂtle numÂber called “123 Sesame Street.” WonÂder breaks out the talk box, a favorite gadÂget of his (he turned FrampÂton on to it). The band gets so into it, you’d think this was a cut off their latÂest album, and the kids (the show nevÂer used child actors) rock out like only sevÂenÂties kids can. The show’s origÂiÂnal theme song had its charm, but why the proÂducÂers didn’t immeÂdiÂateÂly change it to this is beyond me. I’d pay vinÂtage vinyl prices to get it on record.
FinalÂly, in our last clip from Stevie’s wonÂderÂful guest spot, he takes a break from full-on funk and roll to give Grover a litÂtle scat lesÂson and show off his pipes. The great Frank Oz as the voice of Grover is, as always, a perÂfect comÂic foil.
RelatÂed ConÂtent:
Philip Glass ComÂposÂes for Sesame Street (1979)
MonÂsterÂpiece TheÂater Presents WaitÂing for Elmo, Calls BS on Samuel BeckÂett
Jim HenÂson Pilots The MupÂpet Show with Adult Episode, “Sex and VioÂlence” (1975)
Josh Jones is a writer and musiÂcian based in WashÂingÂton, DC. FolÂlow him at @jdmagness