Sex and Alcohol in Medieval Times: A Look into the Pleasures of the Middle Ages

Play­ing video games, road-trip­ping across Amer­i­ca, binge-lis­ten­ing to pod­casts, chat­ting with arti­fi­cial intel­li­gence: these are a few of our mod­ern plea­sures not just unknown to, but unimag­in­able by, human­i­ty in the Mid­dle Ages. Yet medieval peo­ple were, after all, peo­ple, and as Ter­ence put it more than a mil­len­ni­um before their time, humani nil a me alienum puto. For us mod­erns, it’s a com­mon blun­der to regard dis­tant eras through the lens of our own stan­dards and expec­ta­tions, which pre­vents us from tru­ly under­stand­ing how our lis­ten­ers lived and thought. But per­haps we can begin from a con­sid­er­able patch of com­mon ground: medievals, too, liked their sex and booze.

Such are the points empha­sized by medieval his­to­ri­an Eleanor Jane­ga in these episodes of His­to­ry Hit, which exam­ine the more-than-age-old enjoy­ments in which peo­ple indulged between antiq­ui­ty and moder­ni­ty. Our received image of Europe in the Mid­dle Ages may be one of Church-dom­i­nat­ed, dankly plea­sure-free soci­eties, but Jane­ga and his­to­ri­an of sex­u­al­i­ty Kate Lis­ter point out that, strict though the reli­gious dic­tates may have been about sex­u­al activ­i­ty and oth­er mat­ters besides, many sim­ply ignored them. (And though they may have lacked access to dai­ly hot show­ers, we can rest assured that they were much more con­cerned with how they smelled than we might imag­ine.) In any case, repro­duc­tion was one thing, and court­ly love — or indeed com­mer­cial love — quite anoth­er.

As Bil­ly Crys­tal famous­ly joked, “Women need a rea­son to have sex. Men just need a place.” In the Mid­dle Ages, the place was often a prob­lem for women as well as men, but also for nobles as well as com­mon­ers (though some roy­al­ty did enjoy the ben­e­fit of a cur­tain around their four-poster bed, which afford­ed at least the illu­sion of pri­va­cy). It seems to have been much eas­i­er to find some­where to drink, accord­ing to Jane­ga’s episode about alco­hol. In it, she vis­its a fine exam­ple of “the hum­ble pub,” where even medieval Brits would go to drink their ale, beer not yet hav­ing been invent­ed — and to tell their sto­ries, a prac­tice that would become so deeply ingrained in the cul­ture as to pro­vide a for­mal foun­da­tion for the Can­ter­bury Tales. Even if Chaucer, as a pub-own­er inter­vie­wee reminds us, invent­ed Eng­lish lit­er­a­ture as we know it, we should bear in mind that sex hard­ly began with Wife of Bath.

Relat­ed con­tent:

How to Make Medieval Mead: A 13th Cen­tu­ry Recipe

An Ani­mat­ed Intro­duc­tion to Medieval Tav­erns: Learn the His­to­ry of These Rough-and-Tum­ble Ances­tors of the Mod­ern Pub

Peo­ple in the Mid­dle Ages Slept Not Once But Twice Each Night: How This Lost Prac­tice Was Redis­cov­ered

What Sex Was Like in Medieval Times?: His­to­ri­ans Look at How Peo­ple Got It On in the Dark Ages

How Toi­lets Worked in Ancient Rome and Medieval Eng­land

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Meet Madame Inès Decourcelle, One of the Very First Female Taxi Drivers in Paris (Circa 1908)

If you can read this, you almost cer­tain­ly know the French word for a pro­fes­sion­al auto­mo­bile dri­ver. That’s because we use the same word in Eng­lish: chauf­feur. French nouns, unlike Eng­lish ones, come in mas­cu­line and fem­i­nine vari­eties, and that -eur end­ing unmis­tak­ably indi­cates one of the for­mer. What, then, to call a woman who works behind the wheel? Chauf­feuse would be the nat­ur­al option, if it did­n’t already refer to a kind of fire­side lounge chair. One could also fem­i­nize cocher, anoth­er word for dri­ver, but cochère, too, is already tak­en by an arched entry­way (which archi­tec­tur­al detail, notably, meets the vehic­u­lar realm in the form of the porte-cochère).

As often, the dif­fi­cul­ty of pin­ning down the right term here reflects the scarci­ty of the under­ly­ing con­cept. In much of the world today, dri­ving isn’t con­sid­ered the most fem­i­nine of occu­pa­tions. That was even truer in the Paris of the ear­ly twen­ti­eth cen­tu­ry, when the first woman to get her taxi license made his­to­ry — or rather, when the first women to get their taxi licens­es made his­to­ry. A 1908 dis­patch from the Motor-Car Jour­nal’s Paris cor­re­spon­dent describes a cer­tain Made­moi­selle Gaby Pohlen as hav­ing “obtained her dri­ver’s license to dri­ve a motor taxi­cab from the Pre­fec­ture of Police.” Even at the time of writ­ing, “her exam­ple has already been fol­lowed by Madame Decour­celle.”

Accord­ing to Jeroen Booij at PreWarCar.com, how­ev­er, “three ladies sup­pos­ed­ly began an appren­tice­ship in 1906 to dri­ve a motor­ized car­riage in the City of Light. A lady named Madame Dufaut-Charnier sup­pos­ed­ly got her degree as ear­ly as Feb­ru­ary 1907.” But Madame Inès Decour­celle “is believed to be the first to receive her full taxi licence in April 1908, mak­ing her the first woman in his­to­ry to dri­ve a taxi in the streets of Paris. The fact is that she became the sub­ject of a num­ber of dai­ly news­pa­per arti­cles claim­ing this, as she was seen on so many post­cards from Paris nam­ing her the first ‘femme chauf­feur.’ ” After see­ing one such sto­ry in Le Jour­nal, anoth­er woman “wrote to the paper in a par­tic­u­lar­ly irri­tat­ed way, claim­ing that not Madame Decour­celle but she, Made­moi­selle Gaby Pohlen, earned the title,” hav­ing start­ed dri­ving back in 1906.

The com­menters at PreWarCar.com have put some thought toward clar­i­fy­ing the mat­ter. Giv­en the era, when the auto­mo­bile itself was still a nov­el­ty, one of them sus­pects con­fu­sion about “whether all those named were licensed horse-drawn or motor cab dri­vers,” explain­ing that Pohlen and Decour­celles “both report­ed­ly obtained licens­es to dri­ve motor taxi-cabs in spring 1908.” While the pho­to­genic and some­what eccen­tric Pohlen may have start­ed out first, “Mme. Decour­celles’ claim to fame was that she was the first to get “diplo­mas” as both a horse ‘cochère’ and a motor ‘chauf­feuse.’ ” This, anoth­er com­menter adds, was “an incred­i­ble achieve­ment at the time,” no mat­ter which word — or words — the Académie Française approves to describe it.

via Messy­Nessy

Relat­ed con­tent:

Beau­ti­ful, Col­or Pho­tographs of Paris Tak­en 100 Years Ago—at the Begin­ning of World War I & the End of La Belle Époque

Paris Had a Mov­ing Side­walk in 1900, and a Thomas Edi­son Film Cap­tured It in Action

The Time­less Beau­ty of the Cit­roën DS, the Car Mythol­o­gized by Roland Barthes (1957)

Take a Vir­tu­al Dri­ve through Lon­don, Tokyo, Los Ange­les & 45 Oth­er World Cities

Robert De Niro’s Taxi Cab License Used to Pre­pare for Taxi Dri­ver (1976)

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

When the Grateful Dead Played at the Egyptian Pyramids, in the Shadow of the Sphinx (1978)

In Sep­tem­ber of 1978, the Grate­ful Dead trav­eled to Egypt and played three shows at the Great Pyra­mid of Giza, with the Great Sphinx look­ing over their shoul­ders. It was­n’t the first time a rock band played in an ancient set­ting. Pink Floyd per­formed songs in the mid­dle of the Amphithe­atre of Pom­peii in Octo­ber 1971. But Floyd per­formed to an “emp­ty” house, play­ing to no live fans, only ghosts. (Watch footage here.) The Dead­’s shows, on the oth­er hand, were real gigs, attend­ed by Dead­heads who made the jour­ney over, and they could thank Phil Lesh for putting it all in motion. Lesh lat­er said, “it sort of became my project because I was one of the first peo­ple in the band who was on the trip of play­ing at places of pow­er. You know, pow­er that’s been pre­served from the ancient world. The pyra­mids are like the obvi­ous num­ber one choice because no mat­ter what any­one thinks they might be, there is def­i­nite­ly some kind of mojo about the pyra­mids.”

Logis­ti­cal­ly speak­ing, the con­certs weren’t the eas­i­est to stage. Rolling Stone report­ed that an “equip­ment truck got stuck in sand and had to be towed by camels.” Because the elec­tric­i­ty in Egypt was an “a winkin’, blinkin’ affair,” Bob Weir lat­er recalled, the jet­lagged band had dif­fi­cul­ties record­ing the first of the three shows. But, as with most adven­tures, the incon­ve­niences were off­set by the won­drous nature of the expe­ri­ence.

Weir cap­tured it well when he said: “I got to a point where the head of the Sphinx was lined up with the top of the Great Pyra­mid, all lit up. All of a sud­den, I went to this time­less place. The sounds from the stage — they could have been from any time. It was as if I went into eter­ni­ty.” The Sphinx and Great Pyra­mid date back to rough­ly 2560 BC.

The Dead were joined on this trip by the coun­ter­cul­ture author Ken Kesey (not to men­tion Bill Gra­ham and Bill Wal­ton) who appar­ent­ly cap­tured footage on Super‑8 reels. (Watch it above.) Kesey him­self lat­er tried to explain the sym­bol­ism of the vis­it, say­ing: “The peo­ple who were there rec­og­nized this as a respect­ful and holy event that went back to some­thing we can all just bare­ly glimpse, them and us both. Our rela­tion­ship to ancient humans. To this place on the plan­et. To the plan­et’s place in the uni­verse. All that cos­mic stuff is what the Dead are based on. The Egyp­tians could under­stand that.”

At the very top of the post, you can see the Dead per­form­ing “Ollin Arageed,” with Egypt­ian oud­ist Hamza el-Din and oth­er local musi­cians, before segu­ing into “Fire on the Moun­tain.” The clip gives you a good feel for the awe-inspir­ing scene. Just above, we have a longer playlist of per­for­mances that took place on Sep­tem­ber 16, 1978 — the same night there was a lunar eclipse. The com­plete 9/16/78 show can be streamed on Archive.org, as can the shows from 9/14 and 9/15. A 2CD/1 DVD pack­age (Rock­ing the Cra­dle: Egypt 1978) cap­tures the Dead­’s vis­it and can be pur­chased online.

To get more on the Pyra­mid con­certs, read Chap­ter 43 of Den­nis McNal­ly’s book, A Long Strange Trip: The Inside His­to­ry of the Grate­ful Dead. And here you can see Dead & Co’s homage to the Egypt adven­ture at the Sphere in Vegas. Enjoy.

Relat­ed Con­tent:

Watch Pink Floyd Play Live Amidst the Ruins of Pom­peii in 1971 … and David Gilmour Does It Again in 2016

A Walk­ing Tour Around the Pyra­mids of Giza: 2 Hours in Hi Def

Louis Arm­strong Plays Trum­pet at the Egypt­ian Pyra­mids; Dizzy Gille­spie Charms a Snake in Pak­istan

Pink Floyd Plays in Venice on a Mas­sive Float­ing Stage in 1989; Forces the May­or & City Coun­cil to Resign

Who Built the Egypt­ian Pyra­mids & How Did They Do It?: New Arche­o­log­i­cal Evi­dence Busts Ancient Myths

Isaac New­ton The­o­rized That the Egypt­ian Pyra­mids Revealed the Tim­ing of the Apoc­a­lypse: See His Burnt Man­u­script from the 1680s

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Simone de Beauvoir Explains “Why I’m a Feminist” in a Rare TV Interview (1975)

In Simone de Beau­voir’s 1945 nov­el The Blood of Oth­ers, the nar­ra­tor, Jean Blo­mart, reports on his child­hood friend Marcel’s reac­tion to the word “rev­o­lu­tion”:

It was sense­less to try to change any­thing in the world or in life; things were bad enough even if one did not med­dle with them. Every­thing that her heart and her mind con­demned she rabid­ly defended—my father, mar­riage, cap­i­tal­ism. Because the wrong lay not in the insti­tu­tions, but in the depths of our being. We must hud­dle in a cor­ner and make our­selves as small as pos­si­ble. Bet­ter to accept every­thing than to make an abortive effort, doomed in advance to fail­ure.

Marcel’s fear­ful fatal­ism rep­re­sents every­thing De Beau­voir con­demned in her writ­ing, most notably her ground­break­ing 1949 study, The Sec­ond Sex, often cred­it­ed as the foun­da­tion­al text of sec­ond-wave fem­i­nism. De Beau­voir reject­ed the idea that women’s his­tor­i­cal sub­jec­tion was in any way natural—“in the depths of our being.” Instead, her analy­sis fault­ed the very insti­tu­tions Mar­cel defends: patri­archy, mar­riage, cap­i­tal­ist exploita­tion.

In the 1975 inter­view above with French jour­nal­ist Jean-Louis Ser­van-Schreiber—“Why I’m a Feminist”—De Beau­voir picks up the ideas of The Sec­ond Sex, which Ser­van-Schreiber calls as impor­tant an “ide­o­log­i­cal ref­er­ence” for fem­i­nists as Marx’s Cap­i­tal is for com­mu­nists. He asks De Beau­voir about one of her most quot­ed lines: “One is not born a woman, one becomes one.” Her reply shows how far in advance she was of post-mod­ern anti-essen­tial­ism, and how much of a debt lat­er fem­i­nist thinkers owe to her ideas:

Yes, that for­mu­la is the basis of all my the­o­ries…. Its mean­ing is very sim­ple, that being a woman is not a nat­ur­al fact. It’s the result of a cer­tain his­to­ry. There is no bio­log­i­cal or psy­cho­log­i­cal des­tiny that defines a woman as such…. Baby girls are man­u­fac­tured to become women.”

With­out deny­ing the fact of bio­log­i­cal dif­fer­ence, De Beau­voir debunks the notion that sex dif­fer­ences are suf­fi­cient to jus­ti­fy gen­der-based hier­ar­chies of sta­tus and social pow­er. Wom­en’s sec­ond-class sta­tus, she argues, results from a long his­tor­i­cal process; even if insti­tu­tions no longer inten­tion­al­ly deprive women of pow­er, they still intend to hold on to the pow­er men have his­tor­i­cal­ly accrued.

Almost 50 years after this interview—and 75 years since The Sec­ond Sex—the debates De Beau­voir helped ini­ti­ate rage on, with no sign of abat­ing any­time soon. Although Ser­van-Schreiber calls fem­i­nism a “ris­ing force” that promis­es “pro­found changes,” one won­ders whether De Beau­voir, who died in 1986, would be dis­mayed by the plight of women in much of the world today. But then again, unlike her char­ac­ter Mar­cel, De Beau­voir was a fight­er, not like­ly to “hud­dle in a cor­ner” and give in. Ser­van-Schreiber states above that De Beau­voir “has always refused, until this year, to appear on TV,” but he is mis­tak­en. In 1967, she appeared with her part­ner Jean-Paul Sartre on a French-Cana­di­an pro­gram called Dossiers.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

An Ani­mat­ed Intro­duc­tion to the Fem­i­nist Phi­los­o­phy of Simone de Beau­voir

Simone de Beau­voir Speaks on Amer­i­can TV (in Eng­lish) About Fem­i­nism, Abor­tion & More (1976)

Simone de Beau­voir Tells Studs Terkel How She Became an Intel­lec­tu­al and Fem­i­nist (1960)

Simone de Beauvoir’s Phi­los­o­phy on Find­ing Mean­ing in Old Age

Josh Jones is a writer and musi­cian based in Wash­ing­ton, DC. Fol­low him at @jdmagness

How Rome Began: The History As Told by Ancient Historians

Much atten­tion has been paid to the fall of the Roman Empire, by every­one from august his­to­ri­ans like Edward Gib­bon to mod­ern-day observers wring­ing their hands over the fate of the Unit­ed States of Amer­i­ca. But as every Rome enthu­si­ast knows, that long col­lapse con­sti­tutes just one chap­ter — or rather, a series of chap­ters at the very least — of a sto­ry with much more to it. And as with any sto­ry, nobody can hope to under­stand how it ends unless they under­stand how it begins: hence the new Voic­es of the Past video above, “How Did Rome Begin?”

If you’re at all famil­iar with Roman mythol­o­gy (or if you, like me, played Cen­tu­ri­on: Defend­er of Rome grow­ing up), you’ll have seen the image of the twins broth­ers Romu­lus and Remus being nursed by a giant she-wolf, la Lupa Capi­toli­na, on the banks of the Tiber riv­er. Accord­ing to one ver­sion of events, Rome was found­ed by Romu­lus on April 21st in 753 BCE, after he killed Remus and named the Eter­nal City-to-be after him­self.

What rela­tion­ship this dra­mat­ic tale has to his­tor­i­cal events is a mat­ter of schol­ar­ly inter­est, but Voic­es of the Past’s inves­ti­ga­tion has a wider scope, begin­ning four and a half cen­turies ear­li­er with the fall of Troy as told by Homer, one of the many sources cit­ed along the video’s two-hour his­tor­i­cal jour­ney.

To make vivid the con­di­tions under which Rome arose, the video close­ly exam­ines the ruins of the ancient world while quot­ing the words of his­to­ri­ans who lived under the actu­al Roman Empire, like Livy and Diony­sius of Hali­car­nas­sus. While they may come with cer­tain embell­ish­ments, and even fab­ri­ca­tions, these texts togeth­er offer a coher­ent nar­ra­tive of Rome’s rise, which in this video stretch­es to eight tur­bu­lent cen­turies. Its final chap­ter opens in 387 BC, with the storm of Rome’s sack by the Gauls quick­ly gath­er­ing. For Roman cit­i­zens at the time, it would have seemed that their long-estab­lished city had met its end. Lit­tle did they know, it still had — if not an eter­ni­ty — cen­turies and cen­turies still to go.

Relat­ed con­tent:

Hear an Ancient Chi­nese His­to­ri­an Describe The Roman Empire (and Oth­er Voic­es of the Past)

What the Romans Saw When They Reached New Parts of the World: Hear First-Hand Accounts by Appi­an, Pliny, Tac­i­tus & Oth­er Ancient His­to­ri­ans

The His­to­ry of Ancient Japan: The Sto­ry of How Japan Began, Told by Those Who Wit­nessed It (297‑1274)

The His­to­ry of Ancient Rome in 20 Quick Min­utes: A Primer Nar­rat­ed by Bri­an Cox

Do You Think About Ancient Rome Every Day? Then Browse a Wealth of Videos, Maps & Pho­tos That Explore the Roman Empire

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

2000-Year-Old Bottle of White Wine Found in a Roman Burial Site

Image via Jour­nal of Archae­o­log­i­cal Sci­ence: Reports

Back in 2017, we fea­tured the old­est unopened bot­tle of wine in the world here on Open Cul­ture. Found in Spey­er, Ger­many, in 1867, it dates from 350 AD, mak­ing it a ven­er­a­ble vin­tage indeed, but one recent­ly out­done by a bot­tle first dis­cov­ered five years ago in Car­mona, near Seville, Spain. “At the bot­tom of a shaft found dur­ing con­struc­tion work,” an exca­va­tion team “uncov­ered a sealed bur­ial cham­ber from the ear­ly first cen­tu­ry C.E. — untouched for 2,000 years,” writes Sci­en­tif­ic Amer­i­can’s Lars Fis­ch­er. Inside was “a glass urn placed in a lead case was filled to the brim with a red­dish liq­uid,” only recent­ly deter­mined to be wine — and there­fore wine about three cen­turies old­er than the Spey­er bot­tle.

You can read about the rel­e­vant research in this new paper pub­lished in the Jour­nal of Archae­o­log­i­cal Sci­ence: Reports by chemist José Rafael Ruiz Arrebo­la and his team. “The wine from the Car­mona site was no longer suit­able for drink­ing, and it had nev­er been intend­ed for that pur­pose,” writes Fis­ch­er.

“The experts found bone remains and a gold ring at the bot­tom of the glass ves­sel. The bur­ial cham­ber was the final rest­ing place for the remains of the deceased, who were cre­mat­ed accord­ing to Roman cus­tom.” Only through chem­i­cal analy­sis were the researchers final­ly able to deter­mine that the liq­uid was, in fact, wine, and thus to put togeth­er evi­dence of the arrange­men­t’s being an elab­o­rate send­off for a Roman-era oenophile.

Though the funer­ary rit­u­al “involved two men and two women,” says CBS News, the remains in the wine came from only one of the men. This makes sense, as, “accord­ing to the study, women in ancient Rome were pro­hib­it­ed from drink­ing wine.” What a dif­fer­ence a cou­ple of mil­len­nia make: today the cul­tur­al image slants some­what female, espe­cial­ly in the case of white wine, which, despite hav­ing “acquired a red­dish hue,” the liq­uid unearthed in Car­mona was chem­i­cal­ly deter­mined to be. With the sum­mer now get­ting into full swing, this sto­ry might inspire us to beat the heat by putting a bot­tle of our favorite Chardon­nay, Ries­ling, or Pinot Gri­gio in the refrig­er­a­tor — a con­ve­nience unimag­ined by even the wealth­i­est wine-lov­ing cit­i­zens of the Roman Empire.

via Sci­en­tif­ic Amer­i­can

Relat­ed con­tent:

Bars, Beer & Wine in Ancient Rome: An Intro­duc­tion to Roman Nightlife and Spir­its

Archae­ol­o­gists Dis­cov­er a 2,000-Year-Old Roman Glass Bowl in Per­fect Con­di­tion

Archae­ol­o­gists Dis­cov­er an Ancient Roman Snack Bar in the Ruins of Pom­peii

Explore the Roman Cook­book, De Re Coquinar­ia, the Old­est Known Cook­book in Exis­tence

The Wine Win­dows of Renais­sance Flo­rence Dis­pense Wine Safe­ly Again Dur­ing COVID-19

The Old­est Unopened Bot­tle of Wine in the World (Cir­ca 350 AD)

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

 

How a Steady Supply of Coffee Helped the Union Win the U.S. Civil War

Amer­i­cans doing “e‑mail jobs” and work­ing in the “lap­top class” tend to make much of the quan­ti­ty of cof­fee they require to keep going, or even to get start­ed. In that sense alone, they have some­thing in com­mon with Civ­il War sol­diers. “Union sol­diers were giv­en 36 pounds of cof­fee a year by the gov­ern­ment, and they made their dai­ly brew every­where and with every­thing: with water from can­teens and pud­dles, brack­ish bays and Mis­sis­sip­pi mud,” write NPR’s Kitchen Sis­ters. “The Con­fed­er­a­cy, on the oth­er hand, was decid­ed­ly less caf­feinat­ed. As soon as the war began, the Union block­ad­ed South­ern ports and cut off the South’s access to cof­fee.”

Smith­son­ian Nation­al Muse­um of Amer­i­can His­to­ry cura­tor Jon Grinspan tells of how “des­per­ate Con­fed­er­ate sol­diers would invent makeshift cof­fees,” roast­ing “rye, rice, sweet pota­toes or beets until they were dark, choco­laty and caramelized. The result­ing brew con­tained no caf­feine, but at least it was some­thing warm and brown and con­sol­ing.” (See video at bot­tom of the post.) The stark caf­feina­tion dif­fer­en­tial that result­ed must count as one of many fac­tors that led to the Union’s ulti­mate vic­to­ry. Part of what kept their cof­fee sup­plies robust was imports from Liberia, the African repub­lic that had been estab­lished ear­li­er in the nine­teenth cen­tu­ry by freed Amer­i­can slaves.

“The Union’s abil­i­ty to pur­chase and dis­trib­ute cof­fee from Liberia, along­side oth­er sources, was help­ing the army’s morale,” writes Bron­wen Ever­ill at Smithsonian.com. “In Decem­ber 1862, one sol­dier wrote that ‘what keeps me alive must be the cof­fee.’ ” Mean­while, a north­ern gen­er­al famous­ly gave this advice to oth­er gen­er­als: “If your men get their cof­fee ear­ly in the morn­ing, you can hold.” Many har­row­ing bat­tles lat­er, “at the Con­fed­er­ate sur­ren­der at Appo­mat­tox in April 1865, Michi­gan sol­dier William Smith not­ed that the Con­fed­er­ate sol­diers present were lick­ing their lips hope­ful­ly, with ‘a keen rel­ish for a cup of Yan­kee cof­fee.’ ” (John­ny Reb had pre­sum­ably acquired this taste between those bat­tles, when sol­diers from both sides would meet and exchange goods.)

The Civ­il War in Four Min­utes video above explains the cof­fee-drink­ing Yan­kee’s habits in more detail. “If there was an ear­ly morn­ing march, the first order of busi­ness was to boil water and make cof­fee,” says actor-his­to­ri­an Dou­glas Ull­man Jr. “If there was a halt along the march, the first order of busi­ness when the march stopped was to get that hot water going to drink more cof­fee.” Sol­diers would keep their cof­fee and mea­ger sug­ar rations in the same bag in order to ensure “the tini­est hint of sug­ar in every drop. Think about that the next time you order your caramel soy mac­chi­a­to.” But such bev­er­ages were still a long way off after the Civ­il War, which gave way to the era of what we now call the Wild West — and with it, the hey­day of cow­boy cof­fee.

via Smith­son­ian Mag­a­zine

Relat­ed con­tent:

How Human­i­ty Got Hooked on Cof­fee: An Ani­mat­ed His­to­ry

Watch an Exquis­ite 19th Cen­tu­ry Cof­fee Mak­er in Action

The His­to­ry of Cof­fee and How It Trans­formed Our World

Philoso­phers Drink­ing Cof­fee: The Exces­sive Habits of Kant, Voltaire & Kierkegaard

The His­to­ry of the U.S. Civ­il War Visu­al­ized Month by Month and State by State, in an Info­graph­ic from 1897

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

The Story of Lee Miller: From the Cover of Vogue to Hitler’s Bathtub

In late-twen­ties Man­hat­tan, a nine­teen-year-old woman named Eliz­a­beth “Lee” Miller stepped off the curb and into the path of a car. She was pulled back to safe­ty by none oth­er than the mag­nate Condé Nast, founder of the epony­mous pub­lish­ing com­pa­ny. Not long there­after, Miller, who’d been study­ing at the Art Stu­dents League of New York, appeared on the cov­er of Vogue. It’s tempt­ing to call this the first major episode of a charmed life, though that descrip­tor fits uneasi­ly with the arc of her sev­en­ty years, dur­ing the last few decades of which she could nev­er quite recov­er from hav­ing wit­nessed first-hand the lib­er­a­tion of the con­cen­tra­tion camps at Buchen­wald and Dachau — sights she shared with the Amer­i­can pub­lic as a war pho­tog­ra­ph­er.

Miller took pic­tures of not just the con­cen­tra­tion camps, but also events like the Lon­don Blitz and the lib­er­a­tion of Paris. At the end of the war, she posed for an even more famous pic­ture, bathing in Hitler’s tub on the very same day that the Führer lat­er shot him­self in his bunker.

Behind the cam­era in that instance was Life cor­re­spon­dent David E. Scher­man, one of the notable men in Miller’s life. Oth­ers includ­ed the artist-writer Roland Pen­rose, the busi­ness­man Aziz Eloui Bey, and, before all of them, the sur­re­al­ist pho­tog­ra­ph­er Man Ray, each of whom cor­re­spond­ed to a phase of the pro­fes­sion­al jour­ney that took her from fash­ion mod­el to fear­less pho­to­jour­nal­ist.

You can see and hear that jour­ney recount­ed by gal­lerist-Youtu­ber James Payne in the new Great Art Explained video at the top of the post. Just above is a British Pathé news­reel that shows Miller at home with Pen­rose in 1946, the year between the end of the war and the birth of their son Antony Pen­rose, who re-dis­cov­ered and re-pub­li­cized his moth­er’s pho­tog­ra­phy after her death in 1977. How­ev­er belat­ed her pub­lic recog­ni­tion, it’s still sur­pris­ing that a life like Miller’s, the events of which stretch even Hol­ly­wood plau­si­bil­i­ty, only became a movie last year. Lee still awaits wide release, but much has been writ­ten about the pas­sion of star Kate Winslet that got it made. She’ll undoubt­ed­ly impress as Miller — but nei­ther, rumor has it, is Sat­ur­day Night Live alum­nus Andy Sam­berg’s David E. Scher­man a per­for­mance to be missed.

Relat­ed con­tent:

The For­got­ten Women of Sur­re­al­ism: A Mag­i­cal, Short Ani­mat­ed Film

Man Ray’s Por­traits of Ernest Hem­ing­way, Ezra Pound, Mar­cel Duchamp & Many Oth­er 1920s Icons

Why the U.S. Pho­tographed Its Own World War II Con­cen­tra­tion Camps (and Com­mis­sioned Pho­tographs by Dorothea Lange)

Meet Tsuneko Sasamo­to, Japan’s First Female Pho­to­jour­nal­ist and Now, at 107, Japan’s Old­est Liv­ing Pho­to­jour­nal­ist

Great Art Explained: Watch 15 Minute Intro­duc­tions to Great Works by Warhol, Rothko, Kahlo, Picas­so & More

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

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