Image via PomÂpeii ArchaeÂoÂlogÂiÂcal Park
ImagÂine visÂitÂing the home of a promiÂnent, wealthy figÂure, and at the evening’s end findÂing yourÂself in a room dedÂiÂcatÂed to late-night enterÂtainÂing, paintÂed entireÂly black except for a few scenes from antiqÂuiÂty. PerÂhaps this wouldÂn’t sound entireÂly implauÂsiÂble in, say, twenÂty-first cenÂtuÂry SilÂiÂcon ValÂley. But such places also existÂed in antiqÂuiÂty itself: or at least one of them did, as recentÂly disÂcovÂered in PomÂpeii. PreÂserved for nearÂly two milÂlenÂnia now by the ash of Mount VesuÂvius, the ruins of that city give us the clearÂest and most detailed archaeÂoÂlogÂiÂcal insights we have into life at the height of the Roman Empire — but even today, a third of the site has yet to be excaÂvatÂed.
That archaeÂoÂlogÂiÂcal dig conÂtinÂues apace, and its latÂest disÂcovÂery — more recent than the PomÂpeiÂian “snack bar” and “pizÂza” preÂviÂousÂly feaÂtured here on Open CulÂture — is “a specÂtacÂuÂlar banÂquetÂing room with eleÂgant black walls, decÂoÂratÂed with mythoÂlogÂiÂcal charÂacÂters and subÂjects inspired by the TroÂjan War,” includÂing such mythoÂlogÂiÂcal charÂacÂters as Helen, Paris, CasÂsanÂdra, and ApolÂlo.
“It proÂvidÂed a refined setÂting for enterÂtainÂment durÂing conÂvivial moments, whether banÂquets or conÂverÂsaÂtions, with the clear aim of purÂsuÂing an eleÂgant lifestyle, reflectÂed by the size of the space, the presÂence of fresÂcoes and mosaics datÂing to the Third Style.”
FresÂcoes in that Roman Third Style, explains HyperÂalÂlerÂgic’s Rhea NayÂyar, feaÂture “small, fineÂly paintÂed figÂures and subÂjects that seem to float withÂin monoÂchroÂmatÂic fields,” designed “to mimÂic framed works of art or altars through illuÂsions resemÂbling carved beams, shadÂed pilÂlars, and shinÂing canÂdeÂlabras — all of which were paintÂed on flat walls.”
The colÂor of those walls, in this case, seems to have been choÂsen to hide the carÂbon deposits left by oil lamps burnÂing all night long. As reportÂed by BBC SciÂence News, the comÂmisÂsionÂer of this room, and indeed of the lavÂish house in which it’s locatÂed, may have been Aulus Rustius Verus, a “super-rich” local politiÂcian who — assumÂing deciÂsive archaeÂoÂlogÂiÂcal eviÂdence emerges in his favor — also knew how to parÂty.
RelatÂed conÂtent:
A NewÂly-DisÂcovÂered FresÂco in PomÂpeii Reveals a PreÂcurÂsor to PizÂza
Take a High Def, GuidÂed Tour of PomÂpeii
ArchaeÂolÂoÂgists DisÂcovÂer an Ancient Roman Snack Bar in the Ruins of PomÂpeii
PomÂpeii Rebuilt: A Tour of the Ancient City Before It Was Entombed by Mount VesuÂvius
Based in Seoul, ColÂin Marshall writes and broadÂcasts on cities, lanÂguage, and culÂture. His projects include the SubÂstack newsletÂter Books on Cities, the book The StateÂless City: a Walk through 21st-CenÂtuÂry Los AngeÂles and the video series The City in CinÂeÂma. FolÂlow him on TwitÂter at @colinmarshall or on FaceÂbook.