Free Courses on the Coronavirus: What You Need to Know About the Emerging Pandemic

The coro­n­avirus has spread out of Chi­na, into South Korea, Japan and now Italy. We’re set­tling into the real­i­ty that we’re like­ly fac­ing a pan­dem­ic. It’s time to edu­cate ourselves–to take some free cours­es on COVID-19.

In response to the out­break, Impe­r­i­al Col­lege Lon­don has put togeth­er a free course (offered through Cours­era) called “Sci­ence Mat­ters: Let’s Talk About COVID-19.” The course will teach you the “sci­ence under­pin­ning the nov­el Coro­n­avirus out­break,” so that you can under­stand “how the spread of the epi­dem­ic is mod­eled, how trans­mis­si­bil­i­ty of infec­tions is esti­mat­ed, what the chal­lenges are in esti­mat­ing the case fatal­i­ty ratio, and also … the impor­tance of com­mu­ni­ty involve­ment in respond­ing to the epi­dem­ic.” You can get start­ed with this course right now.

Alter­na­tive­ly you can sign up for COVID-19: Tack­ling the Nov­el Coro­n­avirus. Cre­at­ed by Future­Learn and The Lon­don School of Hygiene and Trop­i­cal Med­i­cine, this course looks at “how COVID-19 emerged, was iden­ti­fied and spreads, the pub­lic health mea­sures for the virus world­wide, and what is need­ed to address COVID-19 and pre­vent it [from] spread­ing.” Although the course is now open for enroll­ment, it won’t offi­cial­ly start until March 22.

Both cours­es will be added to our col­lec­tion, 1,700 Free Online Cours­es from Top Uni­ver­si­ties.

Note: The Uni­ver­si­ty of Hong Kong also offer a course on Epi­demics.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Inter­ac­tive Web Site Tracks the Glob­al Spread of the Coro­n­avirus: Cre­at­ed and Sup­port­ed by Johns Hop­kins

 

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Interactive Web Site Tracks the Global Spread of the Coronavirus: Created and Supported by Johns Hopkins

Johns Hop­kins has cre­at­ed an inter­ac­tive web­site that tracks the spread of the coro­n­avirus around the globe. The site is updat­ed dai­ly, if not sev­er­al times per day. And it shows the num­ber of con­firmed coro­n­avirus cas­es around the globe (along with the pre­cise loca­tion on a map), the num­ber of peo­ple who have recov­ered from the virus, and the total num­ber who have per­ished. With the report today that Italy has seen coro­n­avirus spike from 3 cas­es, to 132 230, in a mat­ter of days, it does look like coro­n­avirus is tak­ing on a more glob­al dimen­sion. That’s all reflect­ed on the Johns Hop­kins site, whose data is drawn from the WHOCDCECDCNHC and DXY. You can read more about the inter­ac­tive web­site at The Lancet.

Find infor­ma­tion about the Coro­n­avirus at this ded­i­cat­ed CDC web­site.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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Electronic Musician Shows How He Uses His Prosthetic Arm to Control a Music Synthesizer with His Thoughts

The tech­no-futur­ist prophets of the late 20th cen­tu­ry, from J.G. Bal­lard to William Gib­son to Don­na Har­away, were right, it turns out, about the inti­mate phys­i­cal unions we would form with our machines. Har­away, pro­fes­sor emer­i­tus of the His­to­ry of Con­scious­ness and Fem­i­nist Stud­ies at the Uni­ver­si­ty of Cal­i­for­nia, San­ta Cruz, pro­claimed her­self a cyborg back in 1985. Whether read­ers took her ideas as metaphor or pro­lep­tic social and sci­en­tif­ic fact hard­ly mat­ters in hind­sight. Her voice was pre­dic­tive of the every­day bio­met­rics and mechan­ics that lay just around the bend.

It can seem we are a long way, cul­tur­al­ly, from the decade when Haraway’s work became required read­ing in “under­grad­u­ate cur­ricu­lum at count­less uni­ver­si­ties.” But as Hari Kun­zru wrote in 1997, “in terms of the gen­er­al shift from think­ing of indi­vid­u­als as iso­lat­ed from the ‘world’ to think­ing of them as nodes on net­works, the 1990s may well be remem­bered as the begin­ning of the cyborg era.” Three decades lat­er, net­worked implants that auto­mate med­ical data track­ing and analy­sis and reg­u­late dosages have become big busi­ness, and mil­lions feed their vitals dai­ly into fit­ness track­ers and mobile devices and upload them to servers world­wide.

So, fine, we are all cyborgs now, but the usu­al use of that word tends to put us in mind of a more dra­mat­ic meld­ing of human and machine. Here too, we find the cyborg has arrived, in the form of pros­thet­ic limbs that can be con­trolled by the brain. Psy­chol­o­gist, DJ, and elec­tron­ic musi­cian Bertolt Mey­er has such a pros­the­sis, as he demon­strates in the video above. Born with­out a low­er left arm, he received a robot­ic replace­ment that he can move by send­ing sig­nals to the mus­cles that would con­trol a nat­ur­al limb. He can rotate his hand 360 degrees and use it for all sorts of tasks.

Prob­lem is, the tech­nol­o­gy has not quite caught up with Meyer’s need for speed and pre­ci­sion in manip­u­lat­ing the tiny con­trols of his mod­u­lar syn­the­siz­ers. So Mey­er, his artist hus­band Daniel, and synth builder Chrisi of KOMA Elek­tron­ik set to work on bypass­ing man­u­al con­trol alto­geth­er, with a pros­thet­ic device that attach­es to Meyer’s arm where the hand would be, and works as a con­troller for his syn­the­siz­er. He can change para­me­ters using “the sig­nals from my body that nor­mal­ly con­trol the hand,” he writes on his YouTube page. “For me, this feels like con­trol­ling the synth with my thoughts.”

Mey­er walks us through the process of build­ing his first pro­to­types in an Inspec­tor Gad­get-meets-Kraftwerk dis­play of ana­logue inge­nu­ity. We might find our­selves won­der­ing: if a hand­ful of musi­cians, artists, and audio engi­neers can turn a pros­thet­ic robot­ic arm into a mod­u­lar synth con­troller that trans­mits brain­waves, what kind of cyber­net­ic enhancements—musical and otherwise—might be com­ing soon from major research lab­o­ra­to­ries?

What­ev­er the state of cyborg tech­nol­o­gy out­side Meyer’s garage, his bril­liant inven­tion shows us one thing: the human organ­ism can adapt to being plugged into the unlike­li­est of machines. Show­ing us how he uses the Syn­Limb to con­trol a fil­ter in one of his syn­the­siz­er banks, Mey­er says, “I don’t even have to think about it. I just do it. It’s zero effort because I’m so used to pro­duc­ing this mus­cle sig­nal.”

Advance­ments in bio­me­chan­i­cal tech­nol­o­gy have giv­en dis­abled indi­vid­u­als a sig­nif­i­cant amount of restored func­tion. And as gen­er­al­ly hap­pens with major upgrades to acces­si­bil­i­ty devices, they also show us how we might all become even more close­ly inte­grat­ed with machines in the near future.

via Boing Boing

Relat­ed Con­tent:

How Inge­nious Sign Lan­guage Inter­preters Are Bring­ing Music to Life for the Deaf: Visu­al­iz­ing the Sound of Rhythm, Har­mo­ny & Melody

Eve­lyn Glen­nie (a Musi­cian Who Hap­pens to Be Deaf) Shows How We Can Lis­ten to Music with Our Entire Bod­ies

Neu­rosym­pho­ny: A High-Res­o­lu­tion Look into the Brain, Set to the Music of Brain Waves

Twerk­ing, Moon­walk­ing AI Robots–They’re Now Here

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

42 Hours of Ambient Sounds from Blade Runner, Alien, Star Trek and Doctor Who Will Help You Relax & Sleep

Back in 2009, the musi­cian who goes by the name “Cheesy Nir­vosa” began exper­i­ment­ing with ambi­ent music, before even­tu­al­ly launch­ing a YouTube chan­nel where he “com­pos­es long­form space and sci­fi ambi­ence.” Or what he oth­er­wise calls “ambi­ent geek sleep aids.” Click on the video above, and you can get lulled to sleep lis­ten­ing to the ambi­ent dron­ing sound–get ready Blade Run­ner fans!– heard in Rich Deckard’s apart­ment. It runs a good con­tin­u­ous 12 hours.

You’re more a Star Trek fan? Ok, try nod­ding off to the idling engine noise of a ship fea­tured in Star Trek: The Next Gen­er­a­tion. Mr. Nir­vosa cleaned up a sam­ple from the show and then looped it for 24 hours. That makes for one long sleep.

Or how about 12 hours of ambi­ent engine noise gen­er­at­ed by the USCSS Nos­tro­mo in Alien?

Final­ly, and per­haps my favorite, Cheesy cre­at­ed a 12 hour clip of the ambi­ent sounds made by the Tardis, the time machine made famous by the British sci-fi TV show, Doc­tor Who. But watch out. You might wake up liv­ing in a dif­fer­ent time and place.

For lots more ambi­ent sci-fi sounds (Star Wars, The Matrix, Bat­tlestar Galac­ti­ca, etc. ) check out this super long playlist here.

Note: An ear­li­er ver­sion of this post appeared on our site in March 2017.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

The Ency­clo­pe­dia of Sci­ence Fic­tion: 17,500 Entries on All Things Sci-Fi Are Now Free Online

10 Hours of Ambi­ent Arc­tic Sounds Will Help You Relax, Med­i­tate, Study & Sleep

Moby Lets You Down­load 4 Hours of Ambi­ent Music to Help You Sleep, Med­i­tate, Do Yoga & Not Pan­ic

Music That Helps You Sleep: Min­i­mal­ist Com­pos­er Max Richter, Pop Phe­nom Ed Sheer­an & Your Favorites

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What Is the Coronavirus?: Answers to Common Questions About the Mysterious New Virus Spreading Across China

Above, The Guardian’s health edi­tor, Sarah Bose­ley, answers basic ques­tions you might have about the coro­n­avirus out­break in Wuhan, Chi­na.

What are the symp­toms? Where have cas­es been con­firmed so far? How is the virus trans­mit­ted? What are the avail­able treat­ments? Should I be pan­ick­ing? and more…

For more infor­ma­tion, vis­it the CDC web­site.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Itzhak Perlman Appears on Sesame Street and Poignantly Shows Kids How to Play the Violin and Push Through Life’s Limits (1981)

I always cham­pi­on any­thing that will improve the lives of peo­ple with dis­abil­i­ties and put it on the front burn­er. — Itzhak Perl­man

At its best, the Inter­net expands our hori­zons, intro­duc­ing us to new inter­ests and per­spec­tives, forg­ing con­nec­tions and cre­at­ing empa­thy.

The edu­ca­tion­al chil­dren’s series Sesame Street was doing all that decades ear­li­er.

Wit­ness this brief clip from 1981, star­ring vio­lin vir­tu­oso Itzhak Perl­man and a six-year-old stu­dent from the Man­hat­tan School of Music.

For many child—and per­haps adult—viewers, this excerpt pre­sent­ed their first sig­nif­i­cant encounter with clas­si­cal musi­cal and/or dis­abil­i­ty.

The lit­tle girl scam­pers up the steps to the stage as Perl­man, who relies on crutch­es and a motor­ized scoot­er to get around, fol­lows behind, heav­ing a sigh of relief as he low­ers him­self into his seat.

Already the point has been made that what is easy to the point of uncon­scious­ness for some presents a chal­lenge for oth­ers.

Then each takes a turn on their vio­lin.

Perlman’s skills are, of course, unpar­al­leled, and the young girl’s seem pret­ty excep­tion­al, too, par­tic­u­lar­ly to those of us who nev­er man­aged to get the hang of an instru­ment. (She began lessons at 3, and told the Suzu­ki Asso­ci­a­tion of the Amer­i­c­as that her Sesame Street appear­ance with Perl­man was the “high­light of [her] pro­fes­sion­al career.”)

In the near­ly 40 years since this episode first aired, pub­lic aware­ness of dis­abil­i­ty and acces­si­bil­i­ty has become more nuanced, a devel­op­ment Perl­man dis­cussed in a 2014 inter­view with the Wall Street Jour­nal, below.

Hav­ing resent­ed the way ear­ly fea­tures about him invari­ably show­cased his dis­abil­i­ty, he found that he missed the oppor­tu­ni­ty to advo­cate for oth­ers when men­tions dropped off.

Trans­paren­cy cou­pled with celebri­ty pro­vides him with a mighty plat­form. Here he is speak­ing in the East Room of the White House in 2015, on the day that Pres­i­dent Oba­ma hon­ored him with the Medal of Free­dom:

And his col­lab­o­ra­tions with Sesame Street have con­tin­ued through­out the decadesinclud­ing per­for­mances of “You Can Clean Almost Any­thing” (to the tune of Bach’s Par­ti­ta for Solo Vio­lin), “Put Down the Duck­ie,” Pagli­ac­ci’s Vesti la giub­ba (back­ing up Placido Flamin­go), and Beethoven’s Min­uet in G, below.

Read more of Perlman’s thoughts on dis­abil­i­ty, and enroll in his Mas­ter Class here.

Relat­ed Con­tent:

Great Vio­lin­ists Play­ing as Kids: Itzhak Perl­man, Anne-Sophie Mut­ter, & More

Philip Glass Com­pos­es Music for a Sesame Street Ani­ma­tion (1979)

See Ste­vie Won­der Play “Super­sti­tion” and Ban­ter with Grover on Sesame Street in 1973

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Join her in NYC on Mon­day, Jan­u­ary 6 when her month­ly book-based vari­ety show, Necro­mancers of the Pub­lic Domaincel­e­brates Cape-Cod­di­ties by Roger Liv­ingston Scaife (1920). Fol­low her @AyunHalliday.

Ram Dass (RIP) Offers Wisdom on Confronting Aging and Dying

After his dis­missal from Har­vard for research­ing LSD with Tim­o­thy Leary, Richard Alpert left the U.S. for India in 1967. He devot­ed him­self to the teach­ings of Hin­du teacher Neem Karoli Baba and returned to the States a per­ma­nent­ly changed man, with a new name and a mes­sage he first spread via the col­lab­o­ra­tive­ly-edit­ed and illus­trat­ed 1971 clas­sic Be Here Now.

In the “philo­soph­i­cal­ly misty, stub­born­ly res­o­nant Bud­dhist-Hin­du-Chris­t­ian mash-up,” writes David March­ese at The New York Times, Ram Dass “extolled the now-com­mon­place, then-nov­el (to West­ern hip­pies, at least) idea that pay­ing deep atten­tion to the present moment—that is, mindfulness—is the best path to a mean­ing­ful life.” We’ve grown so used to hear­ing this by now that we’ve like­ly become a lit­tle numb to it, even if we’ve bought into the premise and the prac­tice of med­i­ta­tion.

Ram Dass dis­cov­ered that mind­ful aware­ness was not part of any self-improve­ment project but a way of being ordi­nary and aban­don­ing excess self-con­cern. “The more your aware­ness is expand­ed, the more it becomes just a nat­ur­al part of your life, like eat­ing or sleep­ing or going to the toi­let” he says in the excerpt above from a talk he gave on “Con­scious Aging” in 1992. “If you’re full of ego, if you’re full of your­self, you’re doing it out of right­eous­ness to prove you’re a good per­son.”

To real­ly open our­selves up to real­i­ty, we must be will­ing to put desire aside and become “irrel­e­vant.” That’s a tough ask in a cul­ture that val­ues few things more high­ly than fame, youth, and beau­ty and fears noth­ing more than aging, loss, and death. Our cul­ture “den­i­grates non-youth,” Ram Dass wrote in 2017, and thus stig­ma­tizes and ignores a nat­ur­al process every­one must all endure if they live long enough.

[W]hat I real­ized many years ago was I went into train­ing to be a kind of elder, or social philoso­pher, or find a role that would be com­fort­able as I became irrel­e­vant in the youth mar­ket. Now I’ve seen in inter­view­ing old peo­ple that the minute you cling to some­thing that was a moment ago, you suf­fer. You suf­fer when you have your face lift­ed to be who you wish you were then, for a lit­tle longer, because you know it’s tem­po­rary.

The minute you pit your­self against nature, the minute you pit your­self with your mind against change, you are ask­ing for suf­fer­ing.

Old­er adults are pro­ject­ed to out­num­ber chil­dren in the next decade or so, with a health­care sys­tem designed to extract max­i­mum prof­it for the min­i­mal amount of care. The denial of aging and death cre­ates “a very cru­el cul­ture,” Ram Dass writes, “and the bizarre sit­u­a­tion is that as the demo­graph­ic changes, and the baby boomers come along and get old, what you have is an aging soci­ety and a youth mythology”—a recipe for mass suf­fer­ing if there ever was one.

We can and should, Ram Dass believed, advo­cate for bet­ter social pol­i­cy. But to change our col­lec­tive approach to aging and death, we must also, indi­vid­u­al­ly, con­front our own fears of mor­tal­i­ty, no mat­ter how old we are at the moment. The spir­i­tu­al teacher and writer, who passed away yes­ter­day at age 88, con­front­ed death for decades and helped stu­dents do the same with books like 2001’s Still Here: Embrac­ing Aging, Chang­ing, and Dying and his series of talks on “Con­scious Aging,” which you can hear in full fur­ther up.

“Record­ed at the Con­scious Aging con­fer­ence spon­sored by the Omega Insti­tute in 1992,” notes the Ram Dass Love Serve Remem­ber Foun­da­tion, the con­fer­ence “was the first of its kind on aging. Ram Dass had just turned six­ty.” He begins his first talk with a joke about pur­chas­ing his first senior cit­i­zen tick­et and says he felt like a teenag­er until he hit fifty. But jok­ing aside, he learned ear­ly that real­ly liv­ing in the present means fac­ing aging and death in all its forms.

Ram Dass met aging with wis­dom, humor, and com­pas­sion, as you can see in the recent video above. As we remem­ber his life, we can also turn to decades of his teach­ing to learn how to become kinder to our­selves and oth­ers (a dis­tinc­tion with­out a real dif­fer­ence, he argued), as we all face the inevitable togeth­er.

Relat­ed Con­tent:

The Wis­dom of Ram Dass Is Now Online: Stream 150 of His Enlight­ened Spir­i­tu­al Talks as Free Pod­casts

You’re Only As Old As You Feel: Har­vard Psy­chol­o­gist Ellen Langer Shows How Men­tal Atti­tude Can Poten­tial­ly Reverse the Effects of Aging

Bertrand Russell’s Advice For How (Not) to Grow Old: “Make Your Inter­ests Grad­u­al­ly Wider and More Imper­son­al”

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

How Yoga Changes the Brain and May Guard Against Alzheimer’s and Dementia

Pho­to by Abhisek Sar­da, via Wiki­me­dia Com­mons

I tend to be some­what skep­ti­cal of sci­en­tif­ic research that focus­es sole­ly on what prac­tices like med­i­ta­tion do to the grey­ish-pink­ish-white stuff inside our skulls. Humans are too com­plex to be treat­ed like brains in vats. Holis­tic dis­ci­plines like med­i­ta­tion and yoga empha­size the union of mind and body, and neu­ro­sci­en­tists have shown how men­tal and emo­tion­al health is as tied to the func­tion­ing of our cir­cu­la­to­ry sys­tems and micro­bio­mes as it is to prop­er brain func­tion.

On the oth­er hand, there’s no deny­ing the impor­tance of brain health, giv­en that it’s the one organ we may nev­er be able to replace. While we may have grown accus­tomed to, and maybe even weary of, see­ing mind­ful­ness under the scan­ner, the neu­ro­science of yoga hasn’t received near­ly as much press. This is chang­ing for sev­er­al rea­sons. Most promi­nent­ly, “yoga has par­tic­u­lar­ly gained trac­tion as a research area of inter­est in its promis­ing poten­tial of ther­a­py to com­bat the alarm­ing increase in age-relat­ed neu­ro­gen­er­a­tive dis­eases.”

So notes a sys­temic review of the cur­rent lit­er­a­ture on yoga and brain health pub­lished in the jour­nal Brain Plas­tic­i­ty this past Novem­ber. The authors sur­veyed 11 dif­fer­ent stud­ies, all of which pre­served the typ­i­cal Hatha yoga mix of pos­tures, med­i­ta­tion, and breath­ing exer­cis­es in their method­ol­o­gy. Each study also “used brain-imag­ing tech­niques such as MRI, func­tion­al MRI or sin­gle-pho­ton emis­sion com­put­er­ized tomog­ra­phy” to assess phys­i­cal brain changes, reports Sci­ence Dai­ly.

The sur­vey authors define yoga as “the most pop­u­lar form of com­ple­men­tary ther­a­py prac­ticed by more than 13 mil­lion adults,” as well as an ancient prac­tice that “dates back over 2000 years to ancient India.” Whether one does yoga in more spir­i­tu­al or more sec­u­lar con­texts, its “acute and inter­ven­tion effects on cog­ni­tion are evi­dent” across the entire range of stud­ies. The research con­firms much of what we might expect—yoga has a pos­i­tive effect on mood, demon­strat­ing “the poten­tial to improve anx­i­ety, depres­sion, stress and over­all men­tal health.”

The sur­vey also showed con­sis­tent find­ings we might not have expect­ed. Despite the typ­i­cal­ly slow pace of a Hatha yoga rou­tine, all the stud­ies found evi­dence that “yoga enhances many of the same brain struc­tures and func­tions that ben­e­fit from aer­o­bic exer­cise,” as Sci­ence Dai­ly points out. “From these 11 stud­ies, we iden­ti­fied some brain regions that con­sis­tent­ly come up, and they are sur­pris­ing­ly not very dif­fer­ent from what we see with exer­cise research,” says lead author Neha Gotha, kine­si­ol­o­gy and com­mu­ni­ty health pro­fes­sor at the Uni­ver­si­ty of Illi­nois.

Gotha iden­ti­fies one of those ben­e­fits as an increase in the size of the hip­pocam­pus, the region of the brain that tends to shrink with age and “the struc­ture that is first affect­ed in demen­tia and Alzheimer’s dis­ease.” Oth­er regions affect­ed include the amyg­dala, which con­tributes to emo­tion­al reg­u­la­tion, and the pre­frontal cor­tex, which is “essen­tial to plan­ning, deci­sion-mak­ing, mul­ti­task­ing, think­ing about your options and pick­ing the right option,” says study co-author Jes­si­ca Damoi­seaux, psy­chol­o­gy pro­fes­sor at Wayne State Uni­ver­si­ty.

“Yoga is not aer­o­bic in nature,” says Gotha, “so there must be oth­er mech­a­nisms lead­ing to these brain changes. So far we don’t have the evi­dence to iden­ti­fy what those mech­a­nisms are.”  The effects, how­ev­er, aren’t only sim­i­lar to those of more vig­or­ous exer­cise; in some cas­es, yoga seemed even more effec­tive. Nicole McDer­mott at Greatist explains that in one study Gotha con­duct­ed with 30 female col­leagues, “reac­tion times were short­er and accu­ra­cy was greater after the yoga ses­sion com­pared to 20 min­utes of a tread­mill.” Even more sur­pris­ing­ly, “jog­ging result­ed in near­ly the same cog­ni­tive per­for­mance as the base­line test­ing when the women didn’t exer­cise at all.”

These results should be seen as pro­vi­sion­al and pre­lim­i­nary. “We need more rig­or­ous and well-con­trolled inter­ven­tion stud­ies to con­firm these ini­tial find­ings,” Damoi­seaux cau­tions. But they may con­tribute to grow­ing evi­dence of the “mind-body con­nec­tion” yoga helps fos­ter. Bet­ter mood and low­ered stress tend to improve brain health over­all. Oth­er stud­ies sup­port these con­clu­sions, such as research show­ing how yoga prac­tice over time enlarges the somatosen­so­ry cor­tex, which con­tains a “men­tal map” of the body and pro­motes greater self-aware­ness.

No doubt we’ll see many more stud­ies on yoga and brain func­tion in the com­ing years. For the time being, the sci­ence strong­ly sug­gests that when we hit the yoga mat to lim­ber up and de-stress, we’re also help­ing to proof our brains against debil­i­tat­ing effects of aging like mem­o­ry loss and cog­ni­tive decline. Read Gotha and Damoi­seaux’s full sur­vey of the neu­ro­science of yoga here.

via Sci­ence Dai­ly

Relat­ed Con­tent:

How to Get Start­ed with Yoga: Free Yoga Lessons on YouTube

Son­ny Rollins Describes How 50 Years of Prac­tic­ing Yoga Made Him a Bet­ter Musi­cian

Yoga in an X‑Ray Machine

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

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