How Tibetan Monks Use Meditation to Raise Their Peripheral Body Temperature 16–17 Degrees

Tibetan monks in remote regions of the Himalayas have long claimed near mirac­u­lous pow­ers through yog­ic prac­tices that resem­ble noth­ing you’ll find offered at your local gym, though they may derive from some sim­i­lar Indi­an sources. One such med­i­ta­tive prac­tice, a breath­ing exer­cise known as tum­mo, tum-mo, or g‑tummo, sup­pos­ed­ly gen­er­ates body heat and can raise one’s periph­er­al body tem­per­a­ture 16–17 degrees—a dis­tinct­ly advan­ta­geous abil­i­ty when sit­ting out­side in the snow-capped moun­tains.

Per­haps a cer­tain amount of skep­ti­cism is war­rant­ed, but in 1981, Har­vard car­di­ol­o­gist Her­bert Ben­son was deter­mined to take these ancient prac­tices seri­ous­ly, even though his first encoun­ters with west­ern prac­ti­tion­ers of tum­mo pro­duced results he deemed “fraud­u­lent.” Not ready to toss cen­turies of wis­dom, Ben­son decid­ed instead to trav­el to the source after meet­ing the Dalai Lama and receiv­ing per­mis­sion to study tum­mo prac­ti­tion­ers in North­ern India.

Benson’s research became a 20-year project of study­ing tum­mo and oth­er advanced tech­niques while he also taught at the Har­vard Med­ical School and served as pres­i­dent of the Mind/Body Med­ical Insti­tute in Boston, where he believes the study of med­i­ta­tion can “uncov­er capac­i­ties that will help us to bet­ter treat stress-relat­ed ill­ness­es.” The claims of monks who prac­tice tum­mo have been sub­stan­ti­at­ed in Benson’s work, show­ing, he says, “what advanced forms of med­i­ta­tion can do to help the mind con­trol phys­i­cal process­es once thought to be uncon­trol­lable.”

In his own exper­i­men­tal set­tings, “Ben­son found that [Tibetan] monks pos­sessed remark­able capac­i­ties for con­trol­ling their oxy­gen intake, body tem­per­a­tures and even brain­waves,” notes Aeon. Anoth­er study under­tak­en in 2013 by Maria Kozhevnikov, cog­ni­tive neu­ro­sci­en­tist at the Nation­al Uni­ver­si­ty of Sin­ga­pore, “cor­rob­o­rat­ed much of what Ben­son had observed, includ­ing prac­ti­tion­ers’ abil­i­ty to raise their body tem­per­a­tures to fever­ish lev­els by com­bin­ing visu­al­iza­tion and spe­cial­ized breath­ing.”

In the short doc­u­men­tary film above—actually a 7‑minute trail­er for Russ Pariseau’s fea­ture-length film Advanced Tibetan Med­i­ta­tion: The Inves­ti­ga­tions of Her­bert Ben­son MD—we get a brief intro­duc­tion to tum­mo, a word that trans­lates to “inner fire” and relates to the feroc­i­ty of a female deity. Ben­son explains the ideas behind the prac­tice in con­cise terms that sum up a cen­tral premise of Tibetan Bud­dhism in gen­er­al:

Bud­dhists feel the real­i­ty we live in is not the ulti­mate one. There’s anoth­er real­i­ty we can tap into that’s unaf­fect­ed by our emo­tions, by our every­day world. Bud­dhists believe this state of mind can be achieved by doing good for oth­ers and by med­i­ta­tion. The heat they gen­er­ate dur­ing the process is just a by-prod­uct of g Tum-mo med­i­ta­tion

Per­haps cen­turies-old non-Euro­pean prac­tices do not par­tic­u­lar­ly need to be debunked, demys­ti­fied, or val­i­dat­ed by mod­ern sci­en­tif­ic med­i­cine to keep work­ing for their prac­ti­tion­ers; but doc­tors have sig­nif­i­cant­ly ben­e­fit­ed those in their care through an accep­tance of the heal­ing prop­er­ties of, say, psilo­cy­bin or mind­ful­ness, now seri­ous sub­jects of study and clin­i­cal treat­ment in top Euro-Amer­i­can insti­tu­tions. Just as this research is being pop­u­lar­ized among both the med­ical estab­lish­ment and gen­er­al pub­lic, we may some­day see a surge of inter­est in advanced tantric prac­tices like tum­mo.

via Aeon

Relat­ed Con­tent:

How Bud­dhism & Neu­ro­science Can Help You Change How Your Mind Works: A New Course by Best­selling Author Robert Wright

How Med­i­ta­tion Can Change Your Brain: The Neu­ro­science of Bud­dhist Prac­tice

How Yoga Changes the Brain and May Guard Against Alzheimer’s and Demen­tia

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

How Do Vaccines (Including the COVID-19 Vaccines) Work?: Watch Animated Introductions

The oth­er day, I found myself read­ing about what life is like in coun­tries that have suc­cess­ful­ly min­i­mized the pan­dem­ic: wor­ry free hol­i­days, meet­ing friends and fam­i­ly with­out the dan­ger of infec­tion, a gen­er­al air of nor­mal­cy thanks to a com­bi­na­tion of rig­or­ous pub­lic health efforts and pub­lic coop­er­a­tion. I live in the U.S., where the polit­i­cal par­ty cur­rent­ly in pow­er (and des­per­ate to keep it) con­vinced mil­lions of my fel­low cit­i­zens that the virus was a hoax, a scam, a polit­i­cal ploy. The real­i­ty of a virus-free exis­tence seems like a fairy tale.

But per­haps, after a year of death, suf­fer­ing, and luna­cy, we will begin to see the tide turn once enough peo­ple get vac­ci­nat­ed…  if we can over­come the mas­sive wave of anti-sci­ence bias and dis­in­for­ma­tion about vac­cines…. “The anti-vac­ci­na­tion move­ment is going to make Covid-19 more dif­fi­cult to get under con­trol,” says Scott Ratzan, dis­tin­guished lec­tur­er at the CUNY Grad­u­ate School of Pub­lic Health and Health Pol­i­cy.

Long before the vac­cine arrived, Kather­ine O’Brien, a direc­tor at WHO, not­ed there was already a promi­nent “anti-vac­ci­na­tion voice” on social media. “We have to take this seri­ous­ly,” she told The BMJ. “Vac­ci­na­tion isn’t just an indi­vid­ual choice; it pro­tects those who can’t be vac­ci­nat­ed.” We’ve seen the term “herd immu­ni­ty”  mis­used a lot late­ly. What it essen­tial­ly means is that a small num­ber of peo­ple can be shield­ed from the virus if the vast major­i­ty get vac­ci­nat­ed. Or as WHO puts it, “herd immu­ni­ty is achieved by pro­tect­ing peo­ple from a virus, not by expos­ing them to it.”

All of this means there will like­ly nev­er be a more crit­i­cal moment to edu­cate our­selves and oth­ers on the sci­ence of vac­cines. We may not sway those faith­ful to a cer­tain nar­ra­tive, but it can help shift the con­ver­sa­tion from fears of the unknown to the long his­to­ry of the known when it comes to erad­i­cat­ing high­ly infec­tious, dead­ly dis­eases. A great way to start is with the basics, which you’ll find in the videos above from TED-Ed, Mech­a­nisms of Med­i­cine, and PBS. Watch them your­self, share them on social media, and keep the con­ver­sa­tion about vac­cines’ effi­ca­cy going.

In the TED-Ed les­son just above, we learn some more spe­cif­ic infor­ma­tion about the key phas­es of devel­op­ing a new vac­cine: explorato­ry research, clin­i­cal test­ing, and man­u­fac­tur­ing. You’ll find much more detailed infor­ma­tion on the his­to­ry of vac­cines, spu­ri­ous anti-vac­ci­na­tion claims, and the coro­n­avirus vac­cines now on the mar­ket and cur­rent­ly ship­ping around the world, at the award-win­ning site, The His­to­ry of Vac­cines, from the Col­lege of Physi­cians of Philadel­phia.

The COVID-19 vac­cine is a spe­cial kind of vac­cine (mRNA) that works dif­fer­ent­ly from most, and you can learn about how it works here. A quick primer on herd immu­ni­ty appears at the bot­tom.

Relat­ed Con­tent: 

What Does the Unit­ed States’ Coro­n­avirus Response Look Like Abroad?: Watch the Rest of the World Stare Aghast at Our Han­dling of COVID-19

Inter­ac­tive Web Site Tracks the Glob­al Spread of the Coro­n­avirus: Cre­at­ed and Sup­port­ed by Johns Hop­kins

19th Cen­tu­ry Maps Visu­al­ize Measles in Amer­i­ca Before the Mir­a­cle of Vac­cines

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness.

Don’t Think Twice: A Poignant Film Documents How Bob Dylan & The Beatles Bring Joy to a Dementia Patient

It’s often said the sense of smell is most close­ly con­nect­ed to long-term mem­o­ry. The news offers lit­tle com­fort to us for­get­ful peo­ple with a dimin­ished sense of smell. But increas­ing­ly, neu­ro­sci­en­tists are dis­cov­er­ing how sound can also tap direct­ly into our deep­est mem­o­ries. Patients with Alzheimer’s and demen­tia seem to come alive, becom­ing their old selves when they hear music they rec­og­nize, espe­cial­ly if they were musi­cians or dancers in a for­mer life.

“Sound is evo­lu­tion­ar­i­ly ancient,” Nina Kraus, a neu­ro­sci­en­tist at North­west­ern Uni­ver­si­ty, tells NPR. “It is deeply, deeply root­ed in our ner­vous sys­tem. So the mem­o­ries that we make, the sound-to-mean­ing con­nec­tions that we have and that we’ve made through­out our lives are always there. And it’s a mat­ter of being able to access them.” The ear­worms we find our­selves hum­ming all day; the songs we nev­er for­get how to sing… these are keys to a store­house of mem­o­ry.

Sto­ries doc­u­ment­ing demen­tia patients in the pres­ence of music usu­al­ly focus, under­stand­ably, on those who have lost brain func­tion due to old age. In “Don’t Think Twice,” the short doc­u­men­tary above, we meet John Fudge, who sus­tained a trau­mat­ic brain injury when he fell from the white cliffs of Dover and split his head open at 24 years old. “The extent of his injuries weren’t revealed,” writes Aeon, “until decades lat­er, when doc­tors decid­ed to per­form a brain scan after John slipped into a deep depres­sion.”

He was found to have exten­sive brain dam­age, “includ­ing a pro­gres­sive form of demen­tia” called Seman­tic Demen­tia that leaves suf­fer­ers aware of their dete­ri­o­ra­tion while being unable to express them­selves. John’s wife Geral­dine “com­pares his brain to an oak tree, its limbs of knowl­edge being slow­ly trimmed away, caus­ing John great men­tal anguish.” In the short film, how­ev­er, we see how “his musi­cal abil­i­ties” are one “as-yet untrimmed branch.”

John him­self explains how he “near­ly died three times” and Geral­dine assists with her obser­va­tions of his expe­ri­ence. “It’s all there,” she says, “it’s just bits of it have sort of been blanked out…. Over the years, John’s seman­tic under­stand­ing of the world will dete­ri­o­rate.” When a young vol­un­teer named Jon from the Hack­ney Befriend­ing Ser­vice stops by, the gloom lifts as John engages his old pas­sion for play­ing songs by the Bea­t­les and Bob Dylan.

Fol­low the mov­ing sto­ry of how John and Jon became fast friends and excel­lent har­mo­niz­ers and see more inspir­ing sto­ries of how music can change Alzheimer’s and demen­tia patients’ lives for the bet­ter at the links below.

Relat­ed Con­tent:

How Music Can Awak­en Patients with Alzheimer’s and Demen­tia

Demen­tia Patients Find Some Eter­nal Youth in the Sounds of AC/DC

For­mer Bal­le­ri­na with Demen­tia Grace­ful­ly Comes Alive to Tchaikovsky’s Swan Lake

Josh Jones is a writer and musi­cian based in Wash­ing­ton, DC. Fol­low him @jdmagness

A Biostatistician Uses Crochet to Visualize the Frightening Infection Rates of the Coronavirus

Chances are you’ve looked at more graphs this past year than you did over the pre­vi­ous decade — not just while work­ing at home, but while scrolling through cas­cades of often-trou­bling quan­ti­ta­tive infor­ma­tion dur­ing your “off” hours as well. This phe­nom­e­non has hard­ly been lim­it­ed to the Amer­i­cans who obsessed over the pre­dic­tions of and returns from their pres­i­den­tial elec­tion last month, an event turned prac­ti­cal­ly into a sideshow by the ongo­ing pan­dem­ic. Around the world, we’ve all want­ed to know: Where did the coro­n­avirus come from? What is it? Where is it going?

Apolo­gies to Paul Gau­guin, who did­n’t even live to see the Span­ish flu of 1918, a time when nobody could have imag­ined instan­ta­neous­ly and wide­ly shar­ing visu­al ren­der­ings of data about that dis­ease. The world of a cen­tu­ry ago may not have had dynam­ic ani­mat­ed maps and charts, updat­ed in real time, but it did have cro­chet. Whether or not it had then occurred to any­one as a viable medi­um for visu­al­iz­ing the spread of dis­ease, it can be con­vinc­ing today. This is demon­strat­ed by Nor­we­gian bio­sta­tis­ti­cian Kathrine Frey Frøs­lie, who in the video above shows us her cro­cheted rep­re­sen­ta­tions of var­i­ous “R num­bers.”

This now much-heard term, Frøs­lie’s explains, “denotes repro­duc­tion. If the R num­ber is one, this means that each infect­ed per­son will on aver­age infect one new per­son dur­ing the course of the dis­ease. If R equals two, each infect­ed per­son will infect two per­sons,” and so on. Her cro­cheted ver­sion of R=1, with a pop­u­la­tion of ten, is small and nar­row — it looks, in oth­er words, entire­ly man­age­able. Such a dis­ease “will always be always present, but the num­ber of infect­ed per­sons will be con­stant.” Her R=0.9, which steadi­ly nar­rows in a way that resem­bles an unfin­ished Christ­mas stock­ing, looks even less threat­en­ing.

Alas, “for the coro­n­avirus, the R is most­ly larg­er than one.” In cro­cheted form, even R=1.1 is pret­ty for­mi­da­ble; when she brings out her R=1.5, “it is evi­dent that we have a prob­lem. Even the cro­chet patch kind of crum­bles.” Then out comes R=2, which must have been quite a project: its ten orig­i­nal infec­tions bloom into 2,560 new cas­es, all rep­re­sent­ed in almost organ­i­cal­ly dense folds of yarn. As for R=2.5, when Frøs­lie even­tu­al­ly gets it hoist­ed onto her lap, you’ll have to see it to believe it. Through­out 2020, of course, many of our at-home hob­bies have grown to mon­strous pro­por­tions — even those tak­en up by med­ical sci­en­tists.

via Metafil­ter

Relat­ed Con­tent:

Inter­ac­tive Web Site Tracks the Glob­al Spread of the Coro­n­avirus: Cre­at­ed and Sup­port­ed by Johns Hop­kins

Sim­u­lat­ing an Epi­dem­ic: Using Data to Show How Dis­eases Like COVID-19 Spread

Every­thing You Need To Know About Virus­es: A Quick Visu­al Expla­na­tion of Virus­es in 9 Images

The His­to­ry of the Plague: Every Major Epi­dem­ic in an Ani­mat­ed Map

An Artist Cro­chets a Life-Size, Anatom­i­cal­ly-Cor­rect Skele­ton, Com­plete with Organs

The Beau­ti­ful Math of Coral & Cro­chet

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities, the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall, on Face­book, or on Insta­gram.

Behold the Steampunk Home Exercise Machines from the Victorian Age

The pan­dem­ic has result­ed in a lot of peo­ple rein­vent­ing their fit­ness reg­i­mens, invest­ing in pricey items like Mir­ror and Pelo­ton bikes to turn homes into home gyms.

Per­son­al­ly, we’re sav­ing our pen­nies until some Etsy sell­er repli­cates the mechan­i­cal ther­a­py sys­tems of Dr. Gus­tav Zan­der (1835–1920).

From the mid-19th cen­tu­ry through WWI, these machines were at the fore­front of gym cul­ture. Their func­tion is extreme­ly sim­i­lar to mod­ern strength train­ing equip­ment, but their design exudes a dash­ing steam­punk flair.

If the thing that’s going to help us work off all this sour­dough weight is going to wind up col­o­niz­ing half our apart­ment, we want some­thing that will go with our max­i­mal­ist thrift store aes­thet­ic.

We might even start work­ing out in floor length skirts and three piece suits in homage to Zander’s orig­i­nal devo­tees.

His 27 machines addressed abs, arms, adductors—all the great­est hits—using weights and levers to strength­en mus­cles through pro­gres­sive exer­tion and resis­tance. Spe­cial­ly trained assis­tants were on hand to adjust the weights, a lux­u­ry that our mod­ern world has seen fit to phase out.

Just as 21st-cen­tu­ry fit­ness cen­ters posi­tion them­selves as life­savers of those who spend the bulk of the day hunched in front of a com­put­er, Zander’s inven­tions tar­get­ed seden­tary office work­ers.

The indus­tri­al soci­ety that cre­at­ed this new breed of labor­er also ensured that the Swedish doc­tor’s con­trap­tions would gar­ner acco­lades and atten­tion. They were already a hit in their land of ori­gin when they took a gold medal at Philadelphia’s 1876 Cen­ten­ni­al Exhi­bi­tion.

The flag­ship Ther­a­peu­tic Zan­der Insti­tute in Stock­holm expand­ed, with branch­es in Lon­don and New York City.

The New York Times described the lat­ter as giv­ing the “unini­ti­at­ed observ­er an impres­sion of a care­ful­ly devised tor­ture cham­ber more than of a doc­tor’s office or a gym­na­si­um, both of which func­tions the insti­tute, to a cer­tain degree, fills.”

Sure­ly no more tor­tu­ous than the blood let­tingblis­ter­ing, and purg­ing that were also thought health­ful at the time…

See more of Dr. Gus­tav Zander’s exer­cise machines here.

Relat­ed Con­tent:

The Amaz­ing Franz Kaf­ka Work­out!: Dis­cov­er the 15-Minute Exer­cise Rou­tine That Swept the World in 1904

Walt Whitman’s Unearthed Health Man­u­al, “Man­ly Health & Train­ing,” Urges Read­ers to Stand (Don’t Sit!) and Eat Plen­ty of Meat (1858)

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. This month, she appearsas a French Cana­di­an bear who trav­els to New York City in search of food and mean­ing in Greg Kotis’ short film, L’Ourse.  Fol­low her @AyunHalliday.

How to De-Stress with Niksen, the Dutch Art of Doing Nothing

Stressed out? Over­whelmed? If you said no, I’d wor­ry whether you have a func­tion­ing ner­vous sys­tem. For those of us who don’t get out much now because of the pan­dem­ic, even stay­ing home has become a source of stress. We’re iso­lat­ed or being dri­ven up the wall by beloved fam­i­ly mem­bers. We’re grasp­ing at every stress-relief tool we can find. For those who have to leave for work, espe­cial­ly in med­i­cine, read­ing the head­lines before mask­ing up for a shift must make for high­er than aver­age blood pres­sure, at least. Every major health agency has issued men­tal health guide­lines for cop­ing dur­ing the coro­n­avirus. Not many gov­ern­ments, how­ev­er, are forth­com­ing with fund­ing for men­tal health sup­port. That’s not even to men­tion, well…. name your super-col­lid­ing glob­al crises….

So, we med­i­tate, or squirm in our seats and hate every sec­ond of try­ing to med­i­tate. Maybe it’s not for every­one. Even as a long­time med­i­ta­tor, I wouldn’t go around pro­claim­ing the prac­tice a cure-all. There are hun­dreds of tra­di­tions around the world that can bring peo­ple into a state of calm relax­ation and push wor­ries into the back­ground. For rea­sons of cold, and maybe gen­er­ous parental leave, cer­tain North­ern Euro­pean coun­tries have turned stay­ing home into a for­mal tra­di­tion. There’s IKEA, of course (not the assem­bly part, but the shop­ping and sit­ting in a new­ly assem­bled IKEA chair with sat­is­fac­tion part). Then there’s lagom, the Swedish prac­tice of “approach­ing life with an ‘every­thing in mod­er­a­tion,’ mind­set” as Sophia Got­tfried writes at TIME.

Hygge, “the Dan­ish con­cept that made stay­ing in and get­ting cozy cool” may not be a path to greater aware­ness, but it can make shel­ter­ing in place much less upset­ting. A few years back, it was “Move Over, Marie Kon­do: Make Room for the Hygge Hordes,” in The New York Times’ win­ter fash­ion sec­tion. As win­ter approach­es once more (and I hate to tell you, but it’s prob­a­bly gonna be a stress­ful one), Hygge is mak­ing way in stress relief cir­cles for niksen, a Dutch word that “lit­er­al­ly means to do noth­ing, to be idle or doing some­thing with­out any use,” says Car­olien Ham­ming, man­ag­ing direc­tor of a Dutch destress­ing cen­ter, CSR Cen­trum.

Niksen is not doom­scrolling through social media or stream­ing whole sea­sons of shows. Niksen is inten­tion­al pur­pose­less­ness, the oppo­site of dis­trac­tion, like med­i­ta­tion but with­out the pos­tures and instruc­tions and class­es and retreats and so forth. Any­one can do it, though it might be hard­er than it looks. Got­tfried quotes Ruut Veen­hoven, soci­ol­o­gist and pro­fes­sor at Eras­mus Uni­ver­si­ty Rot­ter­dam, who says niksen can be as sim­ple as “sit­ting in a chair or look­ing out the win­dow,” just let­ting your mind wan­der. If your mind wan­ders to unset­tling places, you can try an absorb­ing, repet­i­tive task to keep it busy. “We should have moments of relax­ation, and relax­ation can be com­bined with easy, semi-auto­mat­ic activ­i­ty, such as knit­ting.”

“One aspect of the ‘art of liv­ing,’” says Veen­hoven, “is to find out what ways of relax­ing fit you best.” If you’re think­ing you might have found yours in niksen, you can get start­ed right away, even if you aren’t at home. “You can niks in a café, too,” says Olga Meck­ing—author of Niksen: Embrac­ing the Dutch Art of Doing Noth­ing—when cafes are safe to niks in. (You can also use “niks” as a verb.) It may not strict­ly be a mind­ful­ness prac­tice like the many descend­ed from Bud­dhism, but it is mind­ful­ness adja­cent, Nicole Spec­tor points out at NBC News. Niks-ing (?) can soothe burnout by giv­ing our brain time to process the mas­sive amounts of infor­ma­tion we take in every day, “which in turn can boost one’s cre­ativ­i­ty,” Got­tfried writes, by mak­ing space for new ideas. Or as Brut Amer­i­ca, pro­duc­er of the short niksen explain­er above, writes, “doing noth­ing isn’t lazy—it’s an art.”

Relat­ed Con­tent:

How Mind­ful­ness Makes Us Hap­pi­er & Bet­ter Able to Meet Life’s Chal­lenges: Two Ani­mat­ed Primers Explain

Why You Do Your Best Think­ing In The Show­er: Cre­ativ­i­ty & the “Incu­ba­tion Peri­od”

How Infor­ma­tion Over­load Robs Us of Our Cre­ativ­i­ty: What the Sci­en­tif­ic Research Shows

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Leonardo da Vinci’s Elegant Studies of the Human Heart Were 500 Years Ahead of Their Time

Leonar­do da Vin­ci didn’t real­ly have hob­bies; he had pas­sion­ate, unpaid obses­sions that filled whole note­books with puz­zles sci­en­tists are still try­ing to solve. Many of the prob­lems to which he applied him­self were those none of his con­tem­po­raries under­stood, because he was the only per­son to have noticed them at all. The ama­teur anatomist was the first, for exam­ple, “to sketch tra­bec­u­lae,” notes Medievalists.net, “and their snowflake-like frac­tal pat­terns in the 16th cen­tu­ry.”

These geo­met­ric pat­terns of mus­cle fibers on the inner sur­face of the heart have remained a mys­tery for over 500 years since Leonardo’s anatom­i­cal inves­ti­ga­tions, car­ried out first on pig and oxen hearts, then lat­er, in hasty dis­sec­tions in the win­ter cold, on human spec­i­mens. He spec­u­lat­ed they might have warmed the blood, but sci­en­tists have recent­ly found they enhance blood flow “just like the dim­ples on a golf ball reduce air resis­tance.”

Leonar­do may have been wide of the mark in his tra­bec­u­lae the­o­ry, not hav­ing access to genet­ic test­ing, AI, or MRI. But he was the first to describe coro­nary artery dis­ease, which would become one of the lead­ing caus­es of death 500 years lat­er. Many of his med­ical con­clu­sions have turned out to be start­ing­ly cor­rect, in fact. He detailed and ele­gant­ly sketched the heart’s anato­my from 1507 until his death in 1519, work­ing out the flow of the blood through the body.

As the Medlife Cri­sis video above explains, Leonardo’s stud­ies on the heart ele­gant­ly brought togeth­er his inter­ests in art, anato­my, and engi­neer­ing. Because of this mul­ti-dimen­sion­al approach, he was able to explain a fact about the heart’s oper­a­tion that even many car­di­ol­o­gists today get wrong, the move­ment of the aor­tic valve. In order to visu­al­ize the “flow dynam­ics” of the heart’s machin­ery, with­out imag­ing machin­ery of his own, he built a glass mod­el, and drew sev­er­al sketch­es of what he saw. “Incred­i­bly, it took 450 years to prove him right.”

The mind of this extra­or­di­nary fig­ure con­tin­ues to divulge its secrets, and schol­ars and doc­tors across mul­ti­ple fields con­tin­ue to engage with his work, in the pages, for exam­ple, of the Nether­lands Heart Jour­nal. His stud­ies on the heart par­tic­u­lar­ly show how his aston­ish­ing breadth of knowl­edge and skill para­dox­i­cal­ly made him such a focused, deter­mined, and cre­ative thinker.

via Medievalists.net

Relat­ed Con­tent:

A Com­plete Dig­i­ti­za­tion of Leonar­do Da Vinci’s Codex Atlanti­cus, the Largest Exist­ing Col­lec­tion of His Draw­ings & Writ­ings

Leonar­do da Vinci’s Ear­li­est Note­books Now Dig­i­tized and Made Free Online: Explore His Inge­nious Draw­ings, Dia­grams, Mir­ror Writ­ing & More

Leonar­do da Vinci’s Inven­tions Come to Life as Muse­um-Qual­i­ty, Work­able Mod­els: A Swing Bridge, Scythed Char­i­ot, Per­pet­u­al Motion Machine & More

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

MIT Presents a Free Course on the COVID-19 Pandemic, Featuring Anthony Fauci & Other Experts

Most of us use the terms “coro­n­avirus” and “COVID-19” to refer to the pan­dem­ic that has gone around the world this year. We do know, or can fig­ure out, that the for­mer term refers to a virus and the lat­ter to the dis­ease caused by that virus. But do we know the full name “severe acute res­pi­ra­to­ry syn­drome coro­n­avirus 2,” or “SARS-CoV­‑2” for short? We will if we take the online course “COVID-19, SARS-CoV­‑2 and the Pan­dem­ic,” which MIT is mak­ing avail­able to the gen­er­al pub­lic free online. We’ll also learn what makes both the virus and the dis­ease dif­fer­ent from oth­er virus­es and dis­eases, what we can do to avoid infec­tion, and how close we are to an effec­tive treat­ment.

All this is laid out in the course’s first lec­ture by Bruce Walk­er, direc­tor of the Ragon Insti­tute of Mass­a­chu­setts Gen­er­al Hos­pi­tal, MIT and Har­vard. Walk­er intro­duces him­self by telling us how he grad­u­at­ed from med­ical school when HIV was at its height in Amer­i­ca, tim­ing that placed him well for a career focused on dead­ly viral dis­eases.

The course’s com­plete line­up of guest lec­tur­ers, all of them list­ed on its syl­labus, includes many oth­er high-pro­file fig­ures in the field of epi­demi­ol­o­gy, immunol­o­gy, vac­cine devel­op­ment, and relat­ed fields: Har­vard’s Michael Mina, Yale’s Akiko Iwasa­ki, the Broad Insti­tute’s Eric Lan­der, and — per­haps you’ve heard of him — the Nation­al Insti­tute of Aller­gy and Infec­tious Dis­eases’ Antho­ny Fau­ci (find his ses­sion below).

“COVID-19, SARS-CoV­‑2 and the Pan­dem­ic” began last Tues­day, and its lec­tures, which you’ll find uploaded to this Youtube playlist, will con­tin­ue week­ly until Decem­ber 8th. Even if you have no back­ground in med­i­cine, biol­o­gy, or sci­ence of any kind, don’t be intim­i­dat­ed: as lead­ing pro­fes­sors Richard Young and Facun­do Batista empha­size, this course is meant as an intro­duc­to­ry overview.

And as Bruce Walk­er’s first lec­ture demon­strates, it’s not just open to the gen­er­al pub­lic but geared toward the under­stand­ing and con­cerns of the gen­er­al pub­lic as well. Tak­ing it may not reas­sure you that an end to the pan­dem­ic lies just around the cor­ner, but it will give you clear­er and more coher­ent ways to think about what’s going on. The virus and dis­ease involved are still incom­plete­ly under­stood, after all — but thanks to these and oth­er researchers around the world, get­ting bet­ter under­stood every day.

“COVID-19, SARS-CoV­‑2 and the Pan­dem­ic” will be added to our list, 1,700 Free Online Cours­es from Top Uni­ver­si­ties.

via Kot­tke

Relat­ed Con­tent:

Free Cours­es on the Coro­n­avirus: What You Need to Know About the Emerg­ing Pan­dem­ic

Watch “Coro­n­avirus Out­break: What You Need to Know,” and the 24-Lec­ture Course “An Intro­duc­tion to Infec­tious Dis­eases,” Both Free from The Great Cours­es

Inter­ac­tive Web Site Tracks the Glob­al Spread of the Coro­n­avirus: Cre­at­ed and Sup­port­ed by Johns Hop­kins

Why Fight­ing the Coro­n­avirus Depends on You

Use Your Time in Iso­la­tion to Learn Every­thing You’ve Always Want­ed To: Free Online Cours­es, Audio Books, eBooks, Movies, Col­or­ing Books & More

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall, on Face­book, or on Insta­gram.

« Go BackMore in this category... »
Quantcast
Open Culture was founded by Dan Colman.