I have come to the perÂsonÂal conÂcluÂsion that while all artists are not chess playÂers, all chess playÂers are artists.
–MarÂcel Duchamp
“Over the roughÂly one and half milÂlenÂnia of its exisÂtence, chess has been known as a tool of milÂiÂtary stratÂeÂgy, a metaphor for human affairs, and a benchÂmark of genius,” points out the TED-Ed aniÂmatÂed hisÂtoÂry of the game by Alex Gendler, above. The first records of chess date to the 7th cenÂtuÂry, but it may have origÂiÂnatÂed even a cenÂtuÂry earÂliÂer, in India, where we find menÂtion of the first game to have difÂferÂent moves for difÂferÂent pieces, and “a sinÂgle king piece, whose fate deterÂmined the outÂcome.”
It was origÂiÂnalÂly called “chatÂuÂranÂga,” a word that Yoga pracÂtiÂtionÂers will recÂogÂnize as the “four-limbed staff pose,” but which simÂply meant “four diviÂsions” in this conÂtext. Once it spread to PerÂsia, it became “chess,” meanÂing “Shah,” or king. It took root in the Arab world, and travÂeled the Silk Road to East and SouthÂeast Asia, where it acquired difÂferÂent charÂacÂterÂisÂtics but used simÂiÂlar rules and strateÂgies. The EuroÂpean form we play today became the stanÂdard, but it might have been a very difÂferÂent game had the JapanÂese version—which allowed playÂers to put capÂtured pieces into play—dominated.
Chess found ready accepÂtance everyÂwhere it went because its underÂlyÂing prinÂciÂples seemed to tap into comÂmon modÂels of conÂtest and conÂquest among politÂiÂcal and milÂiÂtary elites. Though writÂten over a thouÂsand years before “chatÂuÂranÂga” arrived in China—where the game was called xiangqi, or “eleÂphant game”—Sun Tzu’s Art of War may as well have been disÂcussing the critÂiÂcal imporÂtance of pawns in declarÂing, “When the offiÂcers are valiant and the troops inefÂfecÂtive the army is in disÂtress.”
Chess also speaks to the hierÂarÂchies ancient civÂiÂlizaÂtions sought to natÂuÂralÂize, and by 1000 AD, it had become a tool for teachÂing EuroÂpean nobleÂmen the necesÂsiÂty of social classÂes perÂformÂing their propÂer roles. This alleÂgorÂiÂcal funcÂtion gave to the pieces the roles we know today, with the piece called “the adviÂsor” being replaced by the queen in the 15th cenÂtuÂry, “perÂhaps inspired by the recent surge of strong female leadÂers.”
EarÂly ModÂern chess, freed from the conÂfines of the court and played in cofÂfeeÂhousÂes, also became a favorite pasÂtime for philosoÂphers, writÂers, and artists. TreaÂtisÂes were writÂten by the hunÂdreds. Chess became a tool for sumÂmonÂing inspiÂraÂtion, and perÂformÂing theÂatriÂcal, often Punic games for audiences—a trend that ebbed durÂing the Cold War, when chessÂboards became proxy batÂtleÂgrounds between world superÂpowÂers, and intense calÂcuÂlaÂtion ruled the day.
The arrival of IBM’s Deep Blue comÂputÂer, which defeatÂed reignÂing chamÂpiÂon GarÂry KasÂparov in 1996, sigÂnaled a new evoÂluÂtion for the game, a chess sinÂguÂlarÂiÂty, as it were, after which comÂputÂers rouÂtineÂly defeatÂed the best playÂers. Does this mean, accordÂing to MarÂcel Duchamp’s obserÂvaÂtion, that chess-playÂing comÂputÂers should be conÂsidÂered artists? Chess’s earÂliÂest adopters could nevÂer have conÂceived of such a quesÂtion. But the game they passed down through the cenÂturies may have anticÂiÂpatÂed all of the posÂsiÂble outÂcomes of human verÂsus machine.
RelatÂed ConÂtent:
GarÂry KasÂparov Now TeachÂing an Online Course on Chess
A Free 700-Page Chess ManÂuÂal Explains 1,000 Chess TacÂtics in Plain EngÂlish
Vladimir Nabokov’s Hand-Drawn SketchÂes of Mind-BendÂing Chess ProbÂlems
Chess GrandÂmasÂter GarÂry KasÂparov Relives His Four Most MemÂoÂrable Games
When John Cage & MarÂcel Duchamp Played Chess on a ChessÂboard That Turned Chess Moves Into ElecÂtronÂic Music (1968)
MarÂcel Duchamp, Chess EnthuÂsiÂast, CreÂatÂed an Art Deco Chess Set That’s Now AvailÂable via 3D PrintÂer
Josh Jones is a writer and musiÂcian based in Durham, NC. FolÂlow him at @jdmagness