Your Burning Questions About Coffee Answered by James Hoffmann

If you have a ques­tion about cof­fee, James Hoff­mann prob­a­bly has an answer. The author of The World Atlas of Cof­fee, Hoff­mann has devel­oped a robust YouTube chan­nel where he explores the ins-and-outs of mak­ing coffee–from how to buy great cof­fee, to mak­ing excel­lent cof­fee with The Chemex and the Bialet­ti Moka pot, to grind­ing cof­fee with the right gear. And don’t for­get the mag­ic of adding salt to cof­fee.

Above, in a new video cre­at­ed by Wired, Hoff­mann con­tin­ues his edu­ca­tion­al mis­sion, “answer[ing] the inter­net’s burn­ing ques­tions about cof­fee. What’s the dif­fer­ence between drip and pour over cof­fee? What’s the dif­fer­ence between iced cof­fee and cold brew? Does dark­er roast cof­fee have more caf­feine?” Tak­en togeth­er, he cov­ers a lot of ground in 22 min­utes.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent 

Every­thing You Ever Want­ed to Know about the Bialet­ti Moka Express: A Deep Dive Into Italy’s Most Pop­u­lar Cof­fee Mak­er

The Bialet­ti Moka Express: The His­to­ry of Italy’s Icon­ic Cof­fee Mak­er, and How to Use It the Right Way

Life and Death of an Espres­so Shot in Super Slow Motion

Jim Henson’s Commercials for Wilkins Coffee: 15 Twisted Minutes of Muppet Coffee Ads (1957–1961)

Drink our cof­fee. Or else. That’s the mes­sage of these curi­ous­ly sadis­tic TV com­mer­cials pro­duced by Jim Hen­son between 1957 and 1961.

Hen­son made 179 ten-sec­ond spots for Wilkins Cof­fee, a region­al com­pa­ny with dis­tri­b­u­tion in the Bal­ti­more-Wash­ing­ton D.C. mar­ket, accord­ing to the Mup­pets Wiki: “The local sta­tions only had ten sec­onds for sta­tion iden­ti­fi­ca­tion, so the Mup­pet com­mer­cials had to be lightning-fast–essentially, eight sec­onds for the com­mer­cial pitch and a two-sec­ond shot of the prod­uct.”

With­in those eight sec­onds, a cof­fee enthu­si­ast named Wilkins (who bears a resem­blance to Ker­mit the frog) man­ages to shoot, stab, blud­geon or oth­er­wise do grave bod­i­ly harm to a cof­fee hold­out named Won­tkins. Hen­son pro­vid­ed the voic­es of both char­ac­ters.

Up until that time, TV adver­tis­ers typ­i­cal­ly made a direct sales pitch. “We took a dif­fer­ent approach,” said Hen­son in Christo­pher Finch’s Of Mup­pets and Men: The Mak­ing of the Mup­pet Show. “We tried to sell things by mak­ing peo­ple laugh.”

The cam­paign for Wilkins Cof­fee was a hit. “In terms of pop­u­lar­i­ty of com­mer­cials in the Wash­ing­ton area,” said Hen­son in a 1982 inter­view with Judy Har­ris, “we were the num­ber one, the most pop­u­lar com­mer­cial.” Hen­son’s ad agency began mar­ket­ing the idea to oth­er region­al cof­fee com­pa­nies around the coun­try. Hen­son re-shot the same spots with dif­fer­ent brand names. “I bought my con­tract from that agency,” said Hen­son, “and then I was pro­duc­ing them–the same things around the coun­try. And so we had up to about a dozen or so clients going at the same time. At the point, I was mak­ing a lot of mon­ey.”

If you’re a glut­ton for pun­ish­ment, you can watch many of the Wilkins Cof­fee com­mer­cials above. And a word of advice: If some­one ever asks you if you drink Wilkins Cof­fee, just say yes.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Jim Hen­son Teach­es You How to Make Pup­pets in Vin­tage Primer From 1969

Jim Hen­son Cre­ates an Exper­i­men­tal Ani­ma­tion Explain­ing How We Get Ideas (1966)

Jim Henson’s Orig­i­nal, Spunky Pitch for The Mup­pet Show

Jim Henson’s Zany 1963 Robot Film Uncov­ered by AT&T: Watch Online

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10,000 Vintage Recipe Books Are Now Digitized in The Internet Archive’s Cookbook & Home Economics Collection

“Ear­ly cook­books were fit for kings,” writes Hen­ry Notak­er at The Atlantic. “The old­est pub­lished recipe col­lec­tions” in the 15th and 16th cen­turies in West­ern Europe “emanat­ed from the palaces of mon­archs, princes, and grand señores.” Cook­books were more than recipe collections—they were guides to court eti­quette and sump­tu­ous records of lux­u­ri­ous liv­ing. In ancient Rome, cook­books func­tioned sim­i­lar­ly, as the extrav­a­gant fourth cen­tu­ry Cook­ing and Din­ing in Impe­r­i­al Rome demon­strates.

Writ­ten by Api­cius, “Europe’s old­est [cook­book] and Rome’s only one in exis­tence today”—as its first Eng­lish trans­la­tor described it—offers “a bet­ter way of know­ing old Rome and antique pri­vate life.” It also offers keen insight into the devel­op­ment of heav­i­ly fla­vored dish­es before the age of refrig­er­a­tion. Api­cus rec­om­mends that “cooks who need­ed to pre­pare birds with a ‘goat­ish smell’ should bathe them in a mix­ture of pep­per, lovage, thyme, dry mint, sage, dates, hon­ey, vine­gar, broth, oil and mus­tard,” Melanie Radz­ic­ki McManus notes at How Stuff Works.

Ear­ly cook­books com­mu­ni­cat­ed in “a folksy, impre­cise man­ner until the Indus­tri­al Rev­o­lu­tion of the 1800s,” when stan­dard (or met­ric) mea­sure­ment became de rigueur. The first cook­book by an Amer­i­can, Amelia Sim­mons’ 1796 Amer­i­can Cook­ery, placed British fine din­ing and lav­ish “Queen’s Cake” next to “john­ny cake, fed­er­al pan cake, buck­wheat cake, and Indi­an slap­jack,” Kei­th Stave­ly and Kath­leen Fitzger­ald write at Smith­son­ian, all recipes sym­bol­iz­ing “the plain, but well-run and boun­ti­ful Amer­i­can home.” With this book, “a dia­logue on how to bal­ance the sump­tu­ous with the sim­ple in Amer­i­can life had begun.”

Cook­books are win­dows into history—markers of class and caste, doc­u­ments of dai­ly life, and snap­shots of region­al and cul­tur­al iden­ti­ty at par­tic­u­lar moments in time. In 1950, the first cook­book writ­ten by a fic­tion­al lifestyle celebri­ty, Bet­ty Crock­er, debuted. It became “a nation­al best-sell­er,” McManus writes. “It even sold more copies that year than the Bible.” The image of the per­fect Step­ford house­wife may have been big­ger than Jesus in the 50s, but Crock­er’s career was decades in the mak­ing. She debuted in 1921, the year of pub­li­ca­tion for anoth­er, more hum­ble recipe book: the Pil­grim Evan­gel­i­cal Luther­an Church Ladies’ Aid Soci­ety of Chicago’s Pil­grim Cook Book.

As Ayun Hal­l­i­day not­ed in an ear­li­er post, this charm­ing col­lec­tion fea­tures recipes for “Blitz Torte, Cough Syrup, and Sauer­kraut Can­dy,” and it’s only one of thou­sands of such exam­ples at the Inter­net Archive’s Cook­book and Home Eco­nom­ics Col­lec­tion, drawn from dig­i­tized spe­cial col­lec­tions at UCLA, Berke­ley, and the Prelinger Library. When we last checked in, the col­lec­tion fea­tured 3,000 cook­books. It has grown since 2016 to a library of 10,600 vin­tage exam­ples of home­spun Amer­i­cana, fine din­ing, and mass mar­ket­ing.

Laugh at gag-induc­ing recipes of old; cringe at the pious advice giv­en to women osten­si­bly anx­ious to please their hus­bands; and mar­vel at how var­i­ous inter­na­tion­al and region­al cuisines have been rep­re­sent­ed to unsus­pect­ing Amer­i­can home cooks. (It’s hard to say whether the cov­er or the con­tents of a Chi­nese Cook Book in Plain Eng­lish from 1917 seem more offen­sive.) Cook­books of recipes from the Amer­i­can South are pop­u­lar, as are cov­ers fea­tur­ing stereo­typ­i­cal “mam­my” char­ac­ters. A more respect­ful inter­na­tion­al exam­ple, 1952’s Luchow’s Ger­man Cook­book gives us “the sto­ry and the favorite dish­es of Amer­i­ca’s most famous Ger­man restau­rant.”

There are guides to mush­rooms and “com­mon­er fun­gi, with spe­cial empha­sis on the edi­ble vari­eties”; col­lec­tions of “things moth­er used to make” and, most prac­ti­cal­ly, a cook­book for left­overs. And there is every oth­er sort of cook­book and home ec. man­u­al you could imag­ine. The archive is stuffed with help­ful hints, rare ingre­di­ents, unex­pect­ed region­al cook­eries, and mil­lions of minute details about the habits of these books’ first hun­gry read­ers.

Note: An ear­li­er ver­sion of this post appeared on our site in 2020.

Relat­ed Con­tent:

The New York Times Makes 17,000 Tasty Recipes Avail­able Online: Japan­ese, Ital­ian, Thai & Much More

Archive of Hand­writ­ten Recipes (1600 – 1960) Will Teach You How to Stew a Calf’s Head and More

A Data­base of 5,000 His­tor­i­cal Cookbooks–Covering 1,000 Years of Food History–Is Now Online

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

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What Happens When Mortals Try to Drink Winston Churchill’s Daily Intake of Alcohol

I have tak­en more out of alco­hol than alco­hol has tak­en out of me. — Win­ston Churchill

Win­ston Churchill had a rep­u­ta­tion as a bril­liant states­man and a prodi­gious drinker.

The for­mer prime min­is­ter imbibed through­out the day, every day.  He also burned through 10 dai­ly cig­ars, and lived to the ripe old age of 90.

His come­back to Field Mar­shal Bernard Mont­gomery’s boast that he nei­ther smoked nor drank, and was 100 per­cent fit was “I drink and smoke, and I am 200 per­cent fit.”

First Lady Eleanor Roo­sevelt mar­veled “that any­one could smoke so much and drink so much and keep per­fect­ly well.”

In No More Cham­pagne: Churchill and His Mon­ey, author David Lough doc­u­ments Churchill’s dis­as­trous alco­hol expens­es, as well as the bot­tle count at Chartwell, his Ken­tish res­i­dence. Here’s the tal­ly for March 24,1937:

180 bot­tles and 30 half bot­tles of Pol Roger cham­pagne

20 bot­tles and 9 half bot­tles of oth­er cham­pagne

100+ bot­tles of claret

117 bot­tles and 389 half bot­tles of Barsac

13 bot­tles of brandy

5 bot­tles of cham­pagne brandy

7 bot­tles of liqueur whisky


All that liquor was not going to drink itself.

Did Churchill have a hol­low leg?  An extra­or­di­nar­i­ly high tol­er­ance? An uncan­ny abil­i­ty to mask his intox­i­ca­tion?

Whiskey som­me­li­er Rex Williams, a founder of the Whiskey Tribe YouTube chan­nel, and pod­cast host Andrew Heaton endeav­or to find out, above, by ded­i­cat­ing a day to the British Bulldog’s drink­ing reg­i­men.

They’re not the first to under­take such a fol­ly.

The Dai­ly Telegraph’s Har­ry Wal­lop doc­u­ment­ed a sim­i­lar adven­ture in 2015, wind­ing up queasy, and to judge by his 200 spelling mis­takes, cog­ni­tive­ly impaired.

Williams and Heaton’s on-cam­era exper­i­ment achieves a Drunk His­to­ry vibe and tell­tale flushed cheeks.

Here’s the drill, not that we advise try­ing it at home:

BREAKFAST

An eye open­er of John­nie Walk­er Red — just a splash — mixed with soda water to the rim.

Fol­low with more of the same through­out the morn­ing.

This is how Churchill, who often con­duct­ed his morn­ing busi­ness abed in a dress­ing gown, man­aged to aver­age between 1 — 3 ounces of alco­hol before lunch.

Appar­ent­ly he devel­oped a taste for it as a young sol­dier post­ed in what is now Pak­istan, when Scotch not only improved the fla­vor of plain water, ‘once one got the knack of it, the very repul­sion from the fla­vor devel­oped an attrac­tion of its own.”

After a morn­ing spent sip­ping the stuff, Heaton reports feel­ing “play­ful and jokey, but not yet vio­lent.”

LUNCH

Time for “an ambi­tious quo­ta of cham­pagne!”

Churchill’s pre­ferred brand was Pol Roger, though he wasn’t averse to Giesler, Moet et Chan­don, or Pom­mery,  pur­chased from the upscale wine and spir­its mer­chant Ran­dolph Payne & Sons,  whose let­ter­head iden­ti­fied them as sup­pli­ers to “Her Majesty The Late Queen Vic­to­ria and to The Late King William The Fourth.”

Churchill enjoyed his impe­r­i­al pint of cham­pagne from a sil­ver tankard, like a “prop­er Edwar­dian gent” accord­ing to his life­long friend, Odette Pol-Roger.

Williams and Heaton take theirs in flutes accom­pa­nied by fish sticks from the freez­er case. This is the point beyond which a hang­over is all but assured.

Lunch con­cludes with a post-pran­di­al cognac, to set­tle the stom­ach and begin the diges­tion process.

Churchill, who declared him­self a man of sim­ple tastes — I am eas­i­ly sat­is­fied with the best — would have insist­ed on some­thing from the house of Hine.

RESTORATIVE  AFTERNOON NAP

This seems to be a crit­i­cal ele­ment of Churchill’s alco­hol man­age­ment suc­cess. He fre­quent­ly allowed him­self as much as 90 min­utes to clear the cob­webs.

A nap def­i­nite­ly pulls our re-enac­tors out of their tail spins. Heaton emerges ready to “bluff (his) way through a meet­ing.”

TEATIME

I guess we can call it that, giv­en the tim­ing.

No tea though.

Just a steady stream of extreme­ly weak scotch and sodas to take the edge off of admin­is­tra­tive tasks.

DINNER

More cham­pagne!!! More cognac!!!

“This should be the apex of our wit,” a bleary Heaton tells his belch­ing com­pan­ion, who fess­es up to vom­it­ing upon wak­ing the next day.

Their con­clu­sion? Churchill’s reg­i­men is unmanageable…at least for them.

And pos­si­bly also for Churchill.

As fel­low Scotch enthu­si­ast Christo­pher Hitchens revealed in a 2002 arti­cle in The Atlantic, some of Churchill’s most famous radio broad­casts, includ­ing his famous pledge to “fight on the beach­es” after the Mir­a­cle of Dunkirk, were voiced by a pinch hit­ter:

Nor­man Shel­ley, who played Win­nie-the-Pooh for the BBC’s Children’s Hour, ven­tril­o­quized Churchill for his­to­ry and fooled mil­lions of lis­ten­ers. Per­haps Churchill was too much inca­pac­i­tat­ed by drink to deliv­er the speech­es him­self.

Or per­haps the great man mere­ly felt he’d earned the right to unwind with a class of Graham’s Vin­tage Char­ac­ter Port, a Fine Old Amon­til­la­do Sher­ry or a Fine Old Liquor brandy, as was his wont.

Relat­ed Con­tent 

Win­ston Churchill’s Paint­ings: Great States­man, Sur­pris­ing­ly Good Artist

Win­ston Churchill Gets a Doctor’s Note to Drink “Unlim­it­ed” Alco­hol in Pro­hi­bi­tion Amer­i­ca (1932)

Win­ston Churchill Goes Back­ward Down a Water Slide & Los­es His Trunks (1934)

- Ayun Hal­l­i­day is the Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine and author, most recent­ly, of Cre­ative, Not Famous: The Small Pota­to Man­i­festo.  Fol­low her @AyunHalliday.

A Tour of All the Pizza Styles You Can Eat in the United States (and the History Behind Your Favorite Slices)

When it comes to chili, Texas, Kansas City and Cincin­nati, will cede no quar­ter, each con­vinced that their par­tic­u­lar region­al approach is the only sane option.

Hot dogs? Put New York City and Chica­go in a pit and watch them tear each oth­er to rib­bons.

But piz­za?

There are so many geo­graph­ic vari­a­tions, even an impar­tial judge can’t see their way through to a clear vic­tor.

The play­ing field­’s thick as stuffed piz­za, a polar­iz­ing Chica­go local spe­cial­ty that’s deep­er than the deep­est dish.

Weird His­to­ry Food’s whirl­wind video tour of Every Piz­za Style We Could Find In the Unit­ed States, above, savors the ways in which var­i­ous piz­za styles evolved from the Neapoli­tan pie that Ital­ian immi­grant Gen­naro Lom­bar­di intro­duced to New York City in 1905.

Wait, though. We all have an acquain­tance who takes per­verse plea­sure in off­beat top­ping choic­es — look­ing at you, Cal­i­for­nia — but oth­er than that, isn’t piz­za just sauce, dough, and cheese?

How much room does that leave for vari­a­tion?

Plen­ty as it turns out.

Crusts, thick or thin, fluc­tu­ate wild­ly accord­ing to the type of flour used, how long the dough is proofed, the type of oven in which they’re baked, and phi­los­o­phy of sauce place­ment.

(In Buf­fa­lo, New York, piz­zas are sauced right up to their cir­cum­fer­ence, leav­ing very lit­tle crusty han­dle for eat­ing on the fly, though per­haps one could fold it down the mid­dle, as we do in the city 372 miles to the south.)

Sauce can also swing pret­ty wild­ly — sweet, spicy, pre­pared in advance, or left to the last minute — but cheese is a much hot­ter top­ic.

Detroit’s piz­za is dis­tin­guished by the inclu­sion of Wis­con­sin brick cheese.

St. Louis is loy­al to Prov­el cheese, a home­grown processed mix of ched­dar, Swiss, and pro­volone and liq­uid smoke.

Mia­mi piz­zas cater to the palates of its Cuban pop­u­la­tion by mix­ing moz­zarel­la with gou­da, a cheese that was both wide­ly avail­able and pop­u­lar before 1962’s rationing sys­tem was put in place.

Rhode Island’s apt­ly named Red Strips have no cheese at all…which might be prefer­able to the Altoona, Penn­syl­va­nia favorite that arrives topped with Amer­i­can cheese slices or — the hor­ror — Velvee­ta.

(This may be where we part ways with the old saw equat­ing piz­za with sex — even when it’s bad, it’s still pret­ty good.)

Cut and size also fac­tor in to piz­za pride.

Wash­ing­ton DC’s Jum­bo slices are pret­ty much the stan­dard issue New York-style thin crust slice, writ large.

Not only does size mat­ter here, it may be the only thing that matters…to the point where a local busi­ness improve­ment dis­trict had to inter­vene on behalf of side­walk rub­bish bins hard pressed to han­dle the vol­ume of greasy super-sized slice box­es Wash­ing­to­ni­ans were toss­ing away every evening.

In the land of oppor­tu­ni­ty, where small­er towns are under­stand­ably eager to claim their piece of pie, Weird His­to­ry Food gives the nod to Old Forge, Penn­syl­va­nia, opti­misti­cal­ly dubbed “the Piz­za Cap­i­tal of the World by Uncov­er­ing PA’s Jim Cheney, and Steubenville Ohio, home of the “over­sized Lunch­ableAtlas Obscu­ra refers to as America’s most mis­un­der­stood piz­za.

For good mea­sure, watch the PBS Idea Channel’s His­to­ry of Piz­za in 8 slices, below, then rep your favorite local pizze­ria in the com­ments.

We want to try them all!

Relat­ed Con­tent 

The First Piz­za Ordered by Com­put­er, 1974

When Mikhail Gor­bachev, the Last Sovi­et Leader, Starred in a Piz­za Hut Com­mer­cial (1998)

Piz­za Box Becomes a Playable DJ Turntable Through the Mag­ic of Con­duc­tive Ink

- Ayun Hal­l­i­day is the Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine and author, most recent­ly, of Cre­ative, Not Famous: The Small Pota­to Man­i­festo. Fol­low her @AyunHalliday.

Sally Schmitt, the Creator of the French Laundry & Unsung Hero of California Cuisine, Gets Her Due in a Poignant, Short Documentary

One of the New York Times’ most com­pelling reg­u­lar fea­tures is Over­looked, which gives remark­able indi­vid­u­als whose deaths passed unre­marked by the Times obit col­umn a rous­ing, over­due send­off.

Sal­ly Schmitt — “one of the great unsung heroes of Cal­i­for­nia Cui­sine” as per Michael Bauer, the San Fran­cis­co Chron­i­cle’s fear­some for­mer food crit­ic — is not one of those.

When Schmitt died ear­li­er this spring at the age of 90, a few weeks shy of the release of her book, Six Cal­i­for­nia Kitchens: A Col­lec­tion of Recipes, Sto­ries, and Cook­ing Lessons From a Pio­neer of Cal­i­for­nia Cui­sine, the Times took note.

Schmitt received a grand obit­u­ary that delved into her per­son­al his­to­ry, phi­los­o­phy, and her con­nec­tion to Napa Valley’s The French Laun­dry, a three star Miche­lin restau­rant which Antho­ny Bour­dain hailed as the best in the world.

The French Laundry’s renown is such that one needn’t run in food­ie cir­cles to be aware of it, and its award-win­ning chef/owner, Thomas Keller.

Keller, how­ev­er, did not found the restau­rant that brought him fame.

Schmitt did, with the help of her hus­band, Don and their five chil­dren, who pitched in in both the kitchen and the front of the house.

Fam­i­ly was impor­tant to Schmitt, and hav­ing deferred her dreams for the many years it took to raise hers, she was deter­mined to main­tain bal­ance between home and work lives.

In Ben Proud­foot’s New York Times op-doc, above, Schmitt recalls grow­ing up out­side of Sacra­men­to, where her moth­er taught her how to cook using in-sea­son local pro­duce.

Mean­while, her father helped Cal­i­for­nia pro­duce make it all the way to the East Coast by sup­ply­ing ice to the South­ern Pacif­ic Rail­road, an inno­va­tion that Schmitt iden­ti­fies as “the begin­ning of the whole super­mar­ket sit­u­a­tion” and a dis­tress­ing geo­graph­ic dis­con­nect between Amer­i­cans and food.

The Schmitts launched The French Laun­dry in 1978, with a shock­ing­ly afford­able menu.

Julia Child, a fan, once “burst into the kitchen,” demand­ing, “My dear, what was in that dessert sauce?”

(Answer: sug­ar, but­ter and cream)

Six­teen years after its found­ing, The French Laun­dry was for sale.

Schmitt’s facial expres­sions are remark­ably poignant describ­ing the trans­fer of pow­er. There’s a lot at play — pride, nos­tal­gia, fond­ness for Keller, a “real­ly charm­ing young chef, who’d made a name for him­self in New York…and was down on his luck.”

Schmitt is gra­cious, but there’s no ques­tion she feels a bit of a twinge at how Keller took her dream and ran with it.

“In high school, I was always the vice president…vice pres­i­dent of every­thing,” Schmitt says, before shar­ing a telling anec­dote about her best friend beat­ing her out for the high­est aca­d­e­m­ic hon­or:

I went home and cried. Yeah, I thought that I should have it, you know. And my moth­er said, “Let her have her moment of glo­ry. Don’t wor­ry. There will be moments of glo­ry for you.”

This doc­u­men­tary is one, how­ev­er posthu­mous.

Accom­pa­ny­ing it is a brief essay in which Proud­foot con­trasts the lives of his worka­holic late father and Schmitt, with her “delight­ful­ly coy can­dor a mes­sage about the rewards of bal­ance and the trap of ambi­tion:”

I made this film for all of us who strug­gle “to stir and taste the soup” that already sits in front of us.

Anoth­er moment of glo­ry:

In Keller’s land­mark The French Laun­dry Cook­book, the final recipe is Sal­ly Schmitt’s Cran­ber­ry and Apple Kuchen (with the hot Cream Sauce that so cap­ti­vat­ed Julia Child.)

Sal­ly Schmitt’s Cran­ber­ry and Apple Kuchen with hot Cream Sauce

Serves 8

KUCHEN:

6 table­spoons (3/4 stick) unsalt­ed but­ter, room tem­per­a­ture, plus more for the pan

3/4 cup sug­ar

1 large egg

1 1/2 cups all-pur­pose flour

2 tea­spoons bak­ing pow­der

1/4 tea­spoon kosher salt

1/4 tea­spoon fresh­ly grat­ed nut­meg

1/2 cup milk or light cream

3 to 4 Graven­stein or Gold­en Deli­cious apples

1 cup cran­ber­ries or firm blue­ber­ries

Cin­na­mon sug­ar: 1 table­spoon sug­ar mixed with 1/4 tea­spoon cin­na­mon

HOT CREAM SAUCE:

2 cups heavy cream

1/2 cup sug­ar

8 table­spoons (1 stick) unsalt­ed but­ter

1. Pre­heat oven to 350 degrees. But­ter a 9‑inch round cake pan.

2. For the kuchen: Using an elec­tric mix­er, beat but­ter, sug­ar and egg togeth­er until the mix­ture is fluffy and light­ened in tex­ture.

3. Com­bine the flour, bak­ing pow­der, salt and nut­meg. Add dry ingre­di­ents and the milk alter­nate­ly to the but­ter mix­ture; mix just until com­bined.

4. Peel and core apples. Slice them into 1/4‑inch wedges

5. Spoon bat­ter into the pan. Press apple slices, about 1/4‑inch apart and core side down, into the bat­ter, work­ing in a cir­cu­lar pat­tern around the out­side edge (like the spokes of a wheel. Arrange most of the cran­ber­ries in a ring inside the apples and sprin­kle remain­der around the edges of the kuchen. Sprin­kle kuchen with the cin­na­mon sug­ar.

6. Bake for 40 to 50 min­utes, or until a cake tester insert­ed into the cen­ter of the kuchen comes out clean. Set on a rack to cool.

7. Com­bine the cream sauce ingre­di­ents in a medi­um saucepan. Bring to a boil, low­er heat and sim­mer for 5 to 8 min­utes, to reduce and thick­en it slight­ly.

8. Serve the cake warm or at room tem­per­a­ture, driz­zled with the hot cream sauce

Relat­ed Con­tent 

Watch Antho­ny Bourdain’s First Food-and-Trav­el Series A Cook’s Tour Free Online (2002–03)

Watch 26 Free Episodes of Jacques Pépin’s TV Show, More Fast Food My Way

Watch Wern­er Her­zog Eat His Shoe, Cooked by Chef Alice Waters (1980)

- Ayun Hal­l­i­day is the Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine and author, most recent­ly, of Cre­ative, Not Famous: The Small Pota­to Man­i­festo. Fol­low her @AyunHalliday.

When Sliced Bread Got Banned During World War II

Home baked sour­dough had its moment dur­ing the ear­ly days of the pan­dem­ic, but oth­er­wise bread has been much maligned through­out the 21st cen­tu­ry, at least in the West­ern World, where carbs are vil­i­fied by body-con­scious con­sumers.

This was hard­ly the case on Jan­u­ary 18, 1943, when Amer­i­cans woke up to the news that the War Foods Admin­is­tra­tion, head­ed by Sec­re­tary of Agri­cul­ture Claude R. Wickard, had banned the sale of sliced bread.

The rea­sons dri­ving the ban were a bit murky, though by this point, Amer­i­cans were well acquaint­ed with rationing, which had already lim­it­ed access to high-demand items as sug­ar, cof­fee, gaso­line and tires.

Though why sliced bread, of all things?

Might depriv­ing the pub­lic of their beloved pre-sliced bread help the war effort, by free­ing up some crit­i­cal resource, like steel?

Not accord­ing to The His­to­ry Guy, Lance Geiger, above.

War pro­duc­tion reg­u­la­tions pro­hib­it­ed the sale of indus­tri­al bread slic­ing equip­ment for the dura­tion, though pre­sum­ably, exist­ing com­mer­cial bak­eries wouldn’t have been in the mar­ket for more machines, just the odd repair part here and there.

Wax paper then? It kept sliced bread fresh pri­or to the inven­tion of plas­tic bags. Per­haps the Allies had need of it?

No, unlike nylon, there were no short­ages of waxed paper.

Flour had been strict­ly reg­u­lat­ed in Great Britain dur­ing the first World War, but this wasn’t a prob­lem state­side in WWII, where it remained rel­a­tive­ly cheap and easy to pro­cure, with plen­ty left­over to sup­ply over­seas troops. 1942’s wheat crop had been the sec­ond largest on record.

There were oth­er ratio­nales hav­ing to do with elim­i­nat­ing food waste and reliev­ing eco­nom­ic pres­sure for bak­ers, but none of these held up upon exam­i­na­tion. This left the War Pro­duc­tion Office, the War Price Admin­is­tra­tion, and the Office of Agri­cul­ture vying to place blame for the ban on each oth­er, and in some cas­es, the Amer­i­can bak­ing indus­try itself!

While the ill con­sid­ered ban last­ed just two months, the pub­lic uproar was con­sid­er­able.

Although pre-sliced bread hadn’t been around all that long, in the thir­teen-and-a-half years since its intro­duc­tion, con­sumers had grown quite depen­dent on its con­ve­nience, and how nice­ly those uni­form slices fit into the slots of their pop up toast­ers, anoth­er recent­ly-patent­ed inven­tion.

A great plea­sure of the His­to­ry Guy’s cov­er­age is the name check­ing of local news­pa­pers cov­er­ing the Sliced Bread Ban:

The Lodi News-Sen­tinel!

The Har­ris­burg Tele­graph! 

The Indi­anapo­lis Star! 

An absence of data did not pre­vent a reporter for the Wilm­ing­ton News Jour­nal from spec­u­lat­ing that “it is believed that the major­i­ty of Amer­i­can house­wives are not pro­fi­cient bread slicers.”

One such house­wife, hav­ing spent a hec­tic morn­ing hack­ing a loaf into toast and sand­wich­es for her hus­band and chil­dren, wrote a let­ter to the New York Times, pas­sion­ate­ly declar­ing “how impor­tant sliced bread is to the morale and sane­ness of a house­hold.”

The more stiff upper lipped patri­o­tism of Ver­mont home eco­nom­ics instruc­tor Doris H. Steele found a plat­form in the Barre Times:

In Grandmother’s day, the loaf of bread had a reg­u­lar place at the fam­i­ly table. Grand­moth­er had an attrac­tive board for the bread to stand on and a good sharp knife along­side. Grand­moth­er knew that a steady hand and a sharp knife were the secrets of slic­ing bread. She sliced as the fam­i­ly asked for bread and in this way, she didn’t waste any bread by cut­ting more than the fam­i­ly could eat. Let’s all con­tribute to the war effort by slic­ing our own bread.

Then, as now, celebri­ties felt com­pelled to weigh in.

New York City May­or Fiorel­lo LaGuardia found it ludi­crous that bak­eries should be pre­vent­ed from putting their exist­ing equip­ment to use.

And Hol­ly­wood actress Olivia de Hav­il­land approved of the ban on the grounds that pack­aged slices were too thick.

Watch more of the His­to­ry Guy’s videos here.

Relat­ed Con­tent 

How to Bake Ancient Roman Bread Dat­ing Back to 79 AD: A Video Primer

See Rid­ley Scott’s 1973 Bread Commercial—Voted England’s Favorite Adver­tise­ment of All Time

Take a Vir­tu­al Tour of the World’s Only Sour­dough Library

- Ayun Hal­l­i­day is the Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine and author, most recent­ly, of Cre­ative, Not Famous: The Small Pota­to Man­i­festo.  Fol­low her @AyunHalliday.

Every Style of Beer Explained: An Expert Breaks Down 100 Types of Beer, from Malty Lagers, to London Brown Ales, to Bock Beer

There was a time when one could hard­ly hope to enter polite soci­ety with­out know­ing one’s Caber­nets from one’s Pinots and one’s Chardon­nays from one’s Ries­lings. That time has not quite gone, exact­ly, and indeed, a greater vari­ety of plea­sures await the oenophile today than ever before. But in the twen­ty-first cen­tu­ry, and espe­cial­ly in twen­ty-first cen­tu­ry urban Amer­i­ca, one must com­mand a cer­tain knowl­edge of beer. Even those who par­take only of the occa­sion­al glass will, after a decade or two, devel­op a sense that they pre­fer a lager, say, or a stout, or the peren­ni­al­ly trendy IPA. Yet many will also be at a loss to explain what they like about their pre­ferred beer’s fla­vor, let alone its ori­gins.

Enter Mas­ter Cicerone Pat Fahey, whose title bespeaks his vast knowl­edge of beer: of its nature, of its mak­ing, of its his­to­ry. He puts his mas­tery of the sub­ject on full dis­play in the hour­long Wired video above, in which he breaks down every style of beer. Not most styles: every style, begin­ning with lagers malty and hop­py, mov­ing through an even wider vari­ety of ales, and end­ing with an extend­ed con­sid­er­a­tion of less­er-known beers and their vari­a­tions. Most all of us have sam­pled Amer­i­can lager, Eng­lish porter, and even Ger­man pil­sner. But can you remem­ber when last you threw back a Flan­ders red ale, a dop­pel­bock, or a wee heavy?

Fahey knows his beers, but he also knows how to talk about them to the gen­er­al pub­lic. His explana­to­ry tech­nique involves pro­vid­ing gen­er­ous amounts of con­text, not just about the parts of the world in which these beers orig­i­nate (a geog­ra­phy and lan­guage les­son in itself) but about the ways they’ve been con­sumed and pro­duced through­out his­to­ry. Of that last he has a fair amount to work with, since the old­est recipe for beer, pre­vi­ous­ly fea­tured here on Open Cul­ture, dates to 1800 B.C. The near­ly four mil­len­nia of beer evo­lu­tion since then have pro­duced the for­mi­da­ble tap rows with which the bars of Port­land, Austin, and San Diego con­front us today — and which, with Fahey’s guid­ance, we can more cred­i­bly nav­i­gate.

Relat­ed con­tent:

The Sci­ence of Beer: A New Free Online Course Promis­es to Enhance Your Appre­ci­a­tion of the Time­less Bev­er­age

Beer Archae­ol­o­gy: Yes, It’s a Thing

Dis­cov­er the Old­est Beer Recipe in His­to­ry From Ancient Sume­ria, 1800 B.C.

The Art and Sci­ence of Beer

Watch Beer Fer­ment in Time-Lapse Motion, and Then Learn How to Make Beer with an Ani­mat­ed Video

An Archae­ol­o­gist Cre­ates the Defin­i­tive Guide to Beer Cans

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities, the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall, on Face­book, or on Insta­gram.

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Open Culture was founded by Dan Colman.