The Marvelous Health Benefits of Chocolate: A Curious Medical Essay from 1631

chocolate histoy

When cof­fee first came to the west­ern world dur­ing the 17th cen­tu­ry, it did­n’t taste par­tic­u­lar­ly good. So the peo­ple import­ing and ped­dling the new com­mod­i­ty talked up the health ben­e­fits of the new drink. The first known Eng­lish adver­tise­ment for cof­fee, dat­ing back to 1652, made these claims: Cof­fee is “very good to help diges­tion.” It also “quick­ens the Spir­its, and makes the Heart Light­some.” And it â€śis good against sore Eys, and the bet­ter if you hold your Head o’er it, and take in the Steem that way.”

It turns out that choco­late had a sim­i­lar intro­duc­tion to the West. Writ­ing at the always inter­est­ing Pub­lic Domain Review, Chris­tine A. Jones recounts how when choco­late “first arrived from the Amer­i­c­as into Europe in the 17th cen­tu­ry it was a rare and mys­te­ri­ous sub­stance, thought more of as a drug than as a food.” The Span­ish, who con­quered the Aztecs in 1521, first doc­u­ment­ed the choco­late they encoun­tered there in 1552. And then, in 1631, they placed choco­late in the annals of med­ical his­to­ry when Anto­nio Colmen­ero de Ledes­ma, a Span­ish physi­cian and sur­geon, wrote a med­ical essay called Curioso Trata­do de la nat­u­raleza y cal­i­dad del choco­late. The essay made the case that choco­late, if tak­en cor­rect­ly, could help bal­ance the body’s humors (Blood, Yel­low Bile, Black Bile & Phlegm) and ward off dis­ease. (You can bone up on the ancient sci­ence of Humorism here.) When trans­lat­ed into Eng­lish in 1651, the trea­tise now called Choco­late; or, an Indi­an Drinke came pref­aced by an intro­duc­tion that tout­ed choco­late’s health ben­e­fits:

It is an excel­lent help to Diges­tion, it cures Con­sump­tions, and the Cough of the Lungs, the New Dis­ease, or Plague of the Guts, and oth­er Flux­es, the Green Sick­nesse, Jaun­dise, and all man­ner of Infla­ma­tions, Opi­la­tions, and Obstruc­tions. It quite takes away the Mor­phew, Cleanseth the Teeth, and sweet­neth the Breath, Pro­vokes Urine, Cures the Stone, and stran­gury, Expells Poi­son, and pre­serves from all infec­tious Dis­eases.

And it fea­tured one of the first recipes for hot choco­late:

To every 100. Cacaos, you must put two cods of the*Chiles long red Pep­per, of which I have spo­ken before, and are called in the Indi­an Tongue, Chilpar­lagua; and in stead of those of the Indies, you may take those of Spaine which are broad­est, & least hot. One hand­full of Annis-seed Ore­jue­las, which are oth­er­wise called Pinacaxli­dos: and two of the flow­ers, called Mecha­suchil, if the Bel­ly be bound. But in stead of this, in Spaine, we put in six Ros­es of Alexan­dria beat to Pow­der: One Cod of Campeche, or Log­wood: Two Drams of Cina­mon; Almons, and Hasle-Nuts, of each one Dozen: Of white Sug­ar, halfe a pound: of Achio­tee­nough to give it the colour.

You can read more about the curi­ous med­ical his­to­ry of choco­late at The Pub­lic Domain Review. And while you’re there, you should check out their new book of essays, which we fea­tured on Open Cul­ture in Decem­ber.

Relat­ed Con­tent:

Sci­ence & Cook­ing: Harvard’s Free Course on Mak­ing Cakes, Pael­la & Oth­er Deli­cious Food

MIT Teach­es You How to Speak Ital­ian & Cook Ital­ian Cui­sine All at Once (Free Online Course)

A Cab­i­net of Curiosi­ties: Dis­cov­er The Pub­lic Domain Review’s New Book of Essays

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The Origins of Pleasure: Paul Bloom Explains Why We Like Expensive Wines & Original Paintings

Let’s say you spend a con­sid­er­able amount of mon­ey for a paint­ing by a not­ed artist. Or maybe you get it for a steal. Either way, the paint­ing hangs promi­nent­ly in your home, where it is admired by guests and brings you plea­sure every time you look at it, which is often. Years lat­er, you acci­den­tal­ly dis­cov­er that your paint­ing is not the work of the artist whose sig­na­ture graces the low­er right hand cor­ner of the can­vas, but rather a hereto­fore anony­mous forg­er.  How do you react?

Do you laugh and say, “When I think of all the hap­pi­ness that liv­ing with this beau­ti­ful image has brought me over the years, I feel I have got­ten my money’s worth many times over. I don’t care who paint­ed it!”

Or do you look as though you’ve just real­ized that evil exists in the world, which is how Hitler’s right hand man, Her­mann Göring, reput­ed­ly looked when, as a pris­on­er at Nurem­berg, he was informed that his beloved Ver­meer, ”Christ with the Woman Tak­en in Adul­tery” (below), was actu­al­ly the work of the Dutch deal­er who had sold it to him.

vermeer

Göring’s reac­tion may have been the most human thing about him. Accord­ing to Yale psy­chol­o­gist Paul Bloom, the plea­sure we take in the things we love is deeply informed by their per­ceived ori­gins. For­get mon­e­tary val­ue. For­get brag­ging rights. We need to believe that our paint­ing was not just paint­ed by Ver­meer, but han­dled by him, breathed upon him. If only that Ver­meer of mine could talk…I bet it could set­tle once and for all the exact nature of his rela­tion­ship with that lit­tle serv­ing girl. Remem­ber? The one with the pearl ear­ring?

Oh, wait. She was fic­tion­al. I for­got.

But that’s the sort of prove­nance we crave. The kind that comes with a sto­ry we can sink our teeth into.

The sto­ry must also fit the cir­cum­stances, as Bloom makes plain in his won­der­ful­ly enter­tain­ing TED talk on the Ori­gins of Plea­sure.

Unknow­ing­ly hop­ping in the sack with a blood rel­a­tive or eat­ing rat meat are intrigu­ing nar­ra­tives, pro­vid­ed they hap­pen to some­one else. Knowl­edge of such sto­ries could deep­en your con­nec­tion to a par­tic­u­lar piece of art.

(Can’t you feel the sex­u­al anguish ooz­ing out of my Ver­meer? Did you know he had to choose between buy­ing brush­es and buy­ing food?)

Not the sort of ori­gin sto­ry you’d want to find at the bot­tom of your own per­son­al soup bowl, how­ev­er.

Ergo, let us say that when it comes to plea­sure ema­nat­ing from food, we savor tastes we per­ceive as com­ing from whole­some organ­ic farms, arti­sanal oper­a­tions, restau­rants that are known to have passed the Board of Health’s san­i­tary inspec­tion with fly­ing col­ors. 

And when it comes to drink, we will will­ing­ly believe in the supe­ri­or fla­vor of any­thing poured under the aus­pices of an acclaimed label. Sci­en­tif­ic evi­dence con­firms this.

(On a relat­ed note, I once hung on to a bot­tle after drink­ing the lux­u­ry vod­ka it once con­tained, think­ing I’d refill it with a cheap liquor hack I had read about. The exper­i­ment end­ed when my hus­band com­plained that the water in our Bri­ta pitch­er tast­ed fun­ny.)

Speak­ing of roman­tic part­ners, it turns out that beau­ty tru­ly is not so much in the eye, but the brain of the behold­er. And it’s prob­a­bly not a bad idea to make sure you’ve got the facts regard­ing a poten­tial lover’s age, gen­der, and blood­lines. Caveat emp­tor, as any­one who’s ever seen the Cry­ing Game  will attest.

Note: Paul Bloom has taught a free course through Yale called “Intro­duc­tion to Psy­chol­o­gy,”. It’s avail­able in our col­lec­tion of Free Online Psy­chol­o­gy Cours­es, part of our larg­er col­lec­tion, 1,700 Free Online Cours­es from Top Uni­ver­si­ties.

Relat­ed Con­tent:

Why We Love Rep­e­ti­tion in Music: Explained in a New TED-Ed Ani­ma­tion

A Dar­win­ian The­o­ry of Beau­ty, or TED Does Its Best RSA

1756 TED Talks List­ed in a Neat Spread­sheet

Ayun Hal­l­i­day is an author, home­school­er, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Fol­low her @AyunHalliday

Visit “Mariobatalivoice,” the Cooking Blog by Steve Albini, Musician & Record Producer

640px-Albini_atp

Image by Wiki­me­dia Com­mons by Freeko­rps

You know Steve Albi­ni as the pio­neer­ing founder and front­man of such dis­turb­ing post-hard­core punk bands as Big Black, Rape­man, and Shel­lac. You also know him as the in-demand pro­duc­er of albums by such excel­lent artists as the Pix­ies, Nir­vana, Cheap Trick, Mog­wai, The Dirty Three, The Breed­ers, P.J. Har­vey… the list goes ever on… Albini’s role as a producer—of bands both high pro­file and total­ly obscure—is leg­endary in rock cir­cles, as is his cur­mud­geon­li­ness, exact­ing per­son­al stan­dards, high­ly opin­ion­at­ed com­men­tary, and excep­tion­al musi­cal taste.

You may not know, how­ev­er, about Albini’s excep­tion­al culi­nary tastes, as doc­u­ment­ed on his food blog, “Mar­i­o­batal­ivoice: What I made Heather for din­ner.” Main­tained between 2011 and 2013, the run­ning com­men­tary chron­i­cles Albini’s attempts at dish­es such as “Li-hing-rubbed tor­pe­do with weird huau­zon­tle and diced pep­pers” and “aged short ribs with fen­nel on saf­fron pota­to puree.” From the looks of things, Albi­ni is a fine cook, as well as decent food photographer—if those are his pho­tos. His blog descrip­tion sug­gests they may be the work of Heather (that is, his wife, Heather Whin­na).

potato cashew pancakes

A pho­to of Saf­fron Pota­to Cashew Pan­cakes from mar­i­o­batal­ivoice.

Albini’s also a very enter­tain­ing writer. No sur­prise there, “as any­one who’s seen his back-in-the-day fanzine rants can attest,” wrote Tom Brei­han at Pitch­fork in 2011. Typ­i­cal­ly under­stat­ed and idio­syn­crat­ic, Albi­ni writes, “I don’t give quan­ti­ties or exact recipes because I eye­ball and taste every­thing like any­body who cooks a lot…. We’re not nin­jas. Also, some of this food may not turn out that great, so repli­cat­ing it would be point­less. I have also suc­cess­ful­ly cooked for our cats.” Nonethe­less, even with­out pro­por­tions and exact steps spelled out, “if you cook, you should be able to fig­ure out how to make any of these meals.”

The name, he tells us, “comes from the way I bring [Heather] food in bed and present it to her using an imi­ta­tion of Mario Batali’s voice from TV.” You’ll prob­a­bly find your own brand of pre­sen­ta­tion, but all of the dish­es look both chal­leng­ing and total­ly worth the effort. To read about Albini’s adven­tures in the culi­nary exot­ic, check out the archives of his now-dor­mant food blog here.

via Metafil­ter

Relat­ed Con­tent:

Read Steve Albini’s Uncom­pro­mis­ing Pro­pos­al to Pro­duce Nirvana’s In Utero (1993)

An Awkward/NSFW Inter­view with Nir­vana Pro­duc­er Steve Albi­ni (Plus B‑52 Front­man Fred Schnei­der)

1967 Cook­book Fea­tures Recipes by the Rolling Stones, Simon & Gar­funkel, Bar­bra Streisand & More

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

How Bourbon is Made: The ABC’s in 9 Minutes

Head over to Prince­ton Uni­ver­si­ty’s web entry on Bour­bon, and you will learn that, back in 1964, the U.S. Con­gress rec­og­nized Bour­bon Whiskey as a “dis­tinc­tive prod­uct of the Unit­ed States,” and the Fed­er­al Stan­dards of Iden­ti­ty for Dis­tilled Spir­its (27 C.F.R. 5.22) estab­lished a bunch of laws defin­ing what Bour­bon is, and isn’t. The Stan­dards read as fol­lows:

  • Only whiskey pro­duced in the Unit­ed States can be called bour­bon.
  • Bour­bon must be made of a grain mix­ture that is at least 51% corn (maize).
  • Bour­bon must be dis­tilled to no more than 160 (U.S.) proof (80% alco­hol by vol­ume).
  • Nei­ther col­or­ing nor fla­vor­ing may be added.
  • Bour­bon must be aged in new, charred oak bar­rels.
  • Bour­bon must be entered into the bar­rel at no more than 125 proof (62.5% alco­hol by vol­ume).
  • Bour­bon, like oth­er whiskeys, must be bot­tled at not less than 80 proof (40% alco­hol by vol­ume.)
  • Bour­bon that meets the above require­ments and has been aged for a min­i­mum of two years may (but is not required to) be called Straight Bour­bon.
  • Straight Bour­bon aged for a peri­od less than four years must be labeled with the dura­tion of its aging.
  • If an age is stat­ed on the label, it must be the age of the youngest whiskey in the bot­tle.

If a spir­it does­n’t com­ply with these rules, it ain’t Bour­bon.

In the video above, Gear Patrol takes a clos­er look at how Bour­bon is made. The pro­duc­ers toured 12 dis­til­leries in five days, and asked each to explain the Bour­bon-mak­ing process. Along the way, you will fig­ure out why so much Bour­bon comes from Ken­tucky. It comes down to geol­o­gy, not chance.

via Devour

Relat­ed Con­tent:

The Physics of Guin­ness Beer Demys­ti­fied

How to Open a Wine Bot­tle with Your Shoe for the DIY Con­nois­seur

Sci­ence & Cook­ing: Harvard’s Free Course on Mak­ing Cakes, Pael­la & Oth­er Deli­cious Food

MIT Teach­es You How to Speak Ital­ian & Cook Ital­ian Cui­sine All at Once (Free Online Course)

Michael Pollan Explains How Cooking Can Change Your Life; Recommends Cooking Books, Videos & Recipes

Last year, we fea­tured “How Cook­ing Can Change Your Life,” an ani­mat­ed short based on the work of In Defense of FoodThe Omni­vore’s Dilem­ma, and Food Rules author Michael Pol­lan. If you want more — and the culi­nar­i­ly inclined fans of Pol­lan, a self-described “lib­er­al food­ie intel­lec­tu­al,” often can’t get enough — have a look at his extend­ed pre­sen­ta­tion on the same sub­ject above. (If you pre­fer an audio pod­cast, you can get an MP3 with audi­ence Q&A and all here.) The talk came as part of an event held at the Roy­al Soci­ety for the Encour­age­ment of Arts, Man­u­fac­tures and Com­merce (RSA), which con­fronts the daunt­ing ques­tion of how peo­ple can “improve their family’s health and well-being, build com­mu­ni­ties, help fix our bro­ken food sys­tem, and break our grow­ing depen­dence on cor­po­ra­tions.” Pol­lan’s rec­om­men­da­tion, it may or may not sur­prise you to hear, comes down to one sim­ple act: cook­ing.

Of course, any­one who decides to jump into cook­ing in the 21st cen­tu­ry real­izes how sim­ple it isn’t, or at least how com­pli­cat­ed we’ve made it. Pol­lan, as luck would have it, real­izes this, so today we’ve round­ed up some of his resources that can help you learn to cook bet­ter, or indeed cook at all. Sur­pris­ing­ly, the man him­self has nev­er writ­ten a cook­book. “While I enjoy cook­ing, I’ll leave the art of per­fect­ing and dis­sem­i­nat­ing recipes to the pros,” he writes. “That said, I believe that if you can read, you can cook, and I have a few cook­books that I use reg­u­lar­ly and rec­om­mend to those of you want­i­ng good, healthy and basic recipes” — from Mark Bittman’s How to Cook Every­thing and How to Cook Every­thing Veg­e­tar­i­an to Chez Panisse chef Alice Waters’ The Art of Sim­ple Food, and even (“when I have an ingre­di­ent I want to use but don’t know what to do with it”) epicurious.com.

You can find more Pol­lan-endorsed food read­ing, includ­ing San­dor Katz’s The Art of Fer­men­ta­tion and Michael Moss’ Salt Sug­ar Fat, on his lists at Omnivo­ra­cious and Barnes and Noble. He also offers a roundup of online cook­ing resources:

Pol­lan’s sec­tion on cook­ing class­es and oth­er ways to learn to cook, aside from a vari­ety of sug­ges­tions of region­al insti­tu­tions, includes these use­ful options:

  • A “free, beau­ti­ful book full of recipes that fit a food stamp bud­get” called Good and Cheap.
  • Skill­Share, whose “inno­v­a­tive plat­form allows almost any­one, any­where to teach a project-based class either online to a glob­al com­mu­ni­ty or offline in their local com­mu­ni­ty. You can search for cook­ing, brew­ing or bread bak­ing class­es in your region.”
  • Life­Hack­er and its “cook­ing advice, recipes and how to’s.”

And if you missed it, don’t for­get to take Pol­lan’s own course “Edi­ble Edu­ca­tion,” free from UC Berke­ley. I like to think he’d sec­ond my own advice on the mat­ter: just cook some­thing that sounds good, any­thing that sounds good, right now. Not that I dare inflict the result on friends and fam­i­ly until I’ve learned a lit­tle more — which is when all those links above come in handy.

Relat­ed Con­tent:

How Cook­ing Can Change Your Life: A Short Ani­mat­ed Film Fea­tur­ing the Wis­dom of Michael Pol­lan

Michael Pollan’s Book, Food Rules, Brought to Life with Ani­ma­tion

Michael Pol­lan on Sus­tain­able Food

MIT Teach­es You How to Speak Ital­ian & Cook Ital­ian Cui­sine All at Once (Free Online Course)

Sci­ence & Cook­ing: Har­vard Profs Meet World-Class Chefs in Unique Online Course

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

53 New York Times Videos Teach Essential Cooking Techniques: From Poaching Eggs to Shucking Oysters

I was blessed to grow up around a grand­moth­er who cooked every meal like she was feed­ing a dozen fam­ished farmhands. She nev­er spelled out all her var­i­ous tricks and short cuts … let’s not call them hacks. She just did what she did, and I picked it up by osmo­sis, using a juice glass for a bis­cuit cut­ter and watch­ing for pock­marks in the pan­cake bat­ter. End­less hours in her kitchen made me a con­fi­dent chef long before I was in a posi­tion to buy my own gro­ceries.

Not every­one is so for­tu­nate, I know.

They get their infor­ma­tion from Julia Child, Martha Stew­art, some pseu­do­ny­mous food blog­ger or pos­si­bly my friend, Jesse, whose exper­tise as a builder extends to things culi­nary. He once insist­ed on show­ing me a more effi­cient way to cut up man­go. My grandmother’s trop­i­cal fruit expe­ri­ence maxed out at oranges, so I was on my own in the sep­a­rat­ing man­go flesh from man­go bone depart­ment. I tried it his way a cou­ple of times, before revert­ing to my non-way.

There’s unde­ni­able com­pet­i­tive­ness amongst those of us who pride our­selves on our cook­ing abil­i­ties. Our skills are our hon­or. So help me if I went on Top Chef, and some guest judge decreed I was doing some­thing wrong!

For the record, The New York Times endors­es Jesse’s man­go tech­nique above, in their short instruc­tion­al video series, Cook­ing Tech­niques. There are 53 videos in total.

I can see how such a col­lec­tion would come in handy for those who didn’t grow up around my grand­moth­er, Jesse, or me.

And speak­ing of handy, all fledg­ling chefs are advised to get a firm han­dle on knife tech­niques before pick­ing up a noto­ri­ous­ly slip­pery-fleshed fruit and cut­ting toward their own fin­gers! Such reck­less­ness would nev­er have passed muster with the edi­tors of the Bet­ty Crock­er New Boys and Girls Cook­book. The Times is liv­ing on the edge!

Some of the con­tent has a dopey wash-rinse-repeat vibe, abet­ted by an odd­ly fla­vor­less nar­ra­tive voice. (Not every­one has Thug Kitchen’s nar­ra­tive sparkle. I should be grate­ful for the per­son­al­i­ty shin­ing through oth­er Times videos, notably Bill Cunningham’s “On The Street.”)

I’ll eat those words should I ever need to shuck an oys­ter, anoth­er one of those culi­nary duties that had no place on my Mid­west­ern grandmother’s agen­da. Not to say that my kitchen abil­i­ties are limned by the culi­nary stan­dards of 1970s Indi­ana. I fling around fish sauce and coconuts with Siamese aban­don, but oys­ters always seem so damn daunt­ing. Could owe to ear­ly read­ings of Lewis Car­roll.

I don’t know what I was so afraid of. Appar­ent­ly all it takes is 30 sec­onds and a dish­tow­el. (And an oys­ter knife, but we’ve got draw­er­fuls of those, the trick­le down effect of my husband’s Cape Cod boy­hood.)

Ulti­mate­ly, it’s sol­id stuff, but though with apolo­gies to our veg­e­tar­i­an read­ers, there’s more than one way to skin a cat. You can poach eggs a la the Times, or do it my way by adding a table­spoon of vine­gar to the poach­ing water. No fussy pre-poach. Boom! Done!

Sim­i­lar­ly stem­ming greens. My way, gleaned, not from my gran, but a hand­writ­ten, illus­trat­ed zine ear­li­er this mil­len­ni­um, doesn’t even require a knife! Hold that kale stem side up, using your oth­er hand as an ersatz prong, tear­ing the leaf from stem to stern.

Good heav­ens. Is that where that expres­sion came from? Per­haps some­one at the Times would know…. See all 53 of their cook­ing tech­nique videos here.

Relat­ed Con­tent:

How Cook­ing Can Change Your Life: A Short Ani­mat­ed Film Fea­tur­ing the Wis­dom of Michael Pol­lan

Sci­ence & Cook­ing: Harvard’s Free Course on Mak­ing Cakes, Pael­la & Oth­er Deli­cious Food

MIT Teach­es You How to Speak Ital­ian & Cook Ital­ian Food All at Once (Free Online Course)

Ayun Hal­l­i­day is an author, home­school­er, for­mer food blog­ger and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Fol­low her @AyunHalliday

Pablo Picasso’s Two Favorite Recipes: Eel Stew & Omelette Tortilla Niçoise

picasso stew

Back in 1964, Pablo Picas­so shared with Vogue’s food colum­nist Ninette Lyon two of his favorite recipes — one for Eel Stew, the oth­er for Omelette Tor­tilla Niçoise. If you live in the South of France, as Picas­so did, the recipes prob­a­bly won’t be entire­ly for­eign to you. But if you aren’t so lucky, you might want to add these recipes, now reprint­ed by Vogue, to your culi­nary buck­et list.

Below, we’ve high­light­ed the ingre­di­ents for the recipes. But, for step-by-step direc­tions on how to pre­pare the dish­es, head over to Vogue itself.

For more recipes from cul­tur­al icons — Hem­ing­way, Tol­stoy, Alice B. Tok­las, Jane Austen, David Lynch, Miles Davis, etc. — head to the bot­tom of this page.

Eel Stew for Four Peo­ple

6 table­spoons olive oil
6 table­spoons but­ter
12 small white onions
1 tea­spoon sug­ar
2 yel­low onions, chopped
12 mush­rooms
â…“ pound salt pork, cubed
2 shal­lots, minced
2 cloves gar­lic, minced
2 eels of about 1 pound each, cut into four- to five-inch sec­tions
1 bot­tle of good red wine
1 table­spoon flour
Salt, pep­per, cayenne pep­per
Bou­quet gar­ni: thyme, bay leaf, pars­ley, fen­nel, and a small branch of cel­ery

Omelette Tor­tilla Niçoise for Four Peo­ple
6 table­spoons olive oil
1 large onion
4 pep­pers, red and green
3 toma­toes
2 table­spoons wine vine­gar
8 eggs
Salt and pep­per

Relat­ed Con­tent:

Ernest Hemingway’s Favorite Ham­burg­er Recipe

Leo Tolstoy’s Fam­i­ly Recipe for Mac­a­roni and Cheese

David Lynch Teach­es You to Cook His Quinoa Recipe in a Weird, Sur­re­al­ist Video

Thomas Jefferson’s Hand­writ­ten Vanil­la Ice Cream Recipe

Alice B. Tok­las Reads Her Famous Recipe for Hashish Fudge (1963)

Mar­i­lyn Monroe’s Hand­writ­ten Turkey-and-Stuff­ing Recipe

Read Film­mak­er Luis Buñuel’s Recipe for the Per­fect Dry Mar­ti­ni, and Then See Him Make One

Miles Davis’ “South Side Chica­go Chili Mack” Recipe Revealed

The Recipes of Icon­ic Authors: Jane Austen, Sylvia Plath, Roald Dahl, the Mar­quis de Sade & More

2nd Graders Eat at Fancy French Restaurant, Daniel; Acclaimed Director Captures Their Reactions

For its fall Food issue, The New York Times mag­a­zine took six sec­ond graders from Brook­lyn to din­ner at Daniel, the fan­cy French restau­rant locat­ed on the Upper East Side of Man­hat­tan. There, the kids each enjoyed a $220, sev­en-course tast­ing menu, which includ­ed Maine Lob­ster Sal­ad, Squash Ravi­o­li with Pork Bel­ly, Smoked Papri­ka Cured Hamachi, Crispy Japan­ese Snap­per, and Wagyu Beef Rib-Eye. Jef­frey Blitz fit­ting­ly cap­tured the kids’ reac­tions. He’s the direc­tor of the Oscar-nom­i­nat­ed doc­u­men­tary Spell­bound, which fol­lowed eight teenagers on their quest to win the 1999 Nation­al Spelling Bee. These young kids have style, and cer­tain­ly not the most finicky taste I’ve ever seen.

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Relat­ed Con­tent:

Food­ie Alert: New York Pub­lic Library Presents an Archive of 17,000 Restau­rant Menus (1851–2008)

The Right and Wrong Way to Eat Sushi: A Primer

What Pris­on­ers Ate at Alca­traz in 1946: A Vin­tage Prison Menu

Michelangelo’s Hand­writ­ten 16th-Cen­tu­ry Gro­cery List

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