Cooking with Wool: Watch Mouthwatering Tiny Woolen Food Animations

Our fas­ci­na­tion with tiny food can be traced to the mouth­wa­ter­ing illus­tra­tions in Beat­rix Potter’s The Tale of Two Bad Mice.

Just like the doll­house-sized comestibles that so con­found­ed the tit­u­lar rodents, Tom Thumb and Hun­ca­munca, ani­ma­tor Andrea Love’s minia­ture pas­ta with red sauce is as ined­i­ble as it is appe­tiz­ing.

The self-taught stop motion specialist’s medi­um of choice is wool.

In an inter­view with Drag­on Frame stop motion software’s com­pa­ny blog, when they fea­tured Cook­ing with Wool: Break­fast, above, Love explained:

I like to make short per­son­al projects exper­i­ment­ing with the dif­fer­ent ways to ani­mate wool. The tech­nique is called nee­dle felt­ing and it involves shap­ing wool with a barbed nee­dle. I love the fuzzy aes­thet­ic, and feel like the pos­si­bil­i­ties are end­less. Every­thing in this video is made out of wool or felt, and is built over rigid insu­la­tion foam. This was a weekend/evening project, done over the course of three days… It is very chal­leng­ing work­ing with tiny bits of wool, but also amaz­ing how much detail can be achieved on a small scale when you con­sid­er that it is just tiny clumps of fur.

For­get the showstoppers—the melt­ing but­ter, the fried eggs flip­ping in the pan, the steam ris­ing from cup and ket­tle…

Let’s take a moment to admire the atten­tion to detail that went into the back­ground aspects—the rub­ber spat­u­la, the bananas, the cheery flecked wall­pa­per…

The only thing miss­ing is a pothold­er to han­dle that pip­ing hot cast iron skil­let.

Per­haps she ran out of wool?

The Port Townsend, Wash­ing­ton res­i­dent, who grad­u­at­ed from Hamp­shire Col­lege with a con­cen­tra­tion in film stud­ies and sus­tain­able agri­cul­ture, whips up her tee­ny wee­ny wooly meals in the same base­ment stu­dio where she crafts pro­mo­tion­al videos for local busi­ness­es, includ­ing the yarn shop where she sources her wool rov­ings.

View more of Andrea Love’s fiber-art stop motion ani­ma­tions, includ­ing a “dig­i­tal” banana paint­ing cre­at­ed with a woolen tablet and sty­lus, on her web­site and Insta­gram page.

Relat­ed Con­tent:

The Online Knit­ting Ref­er­ence Library: Down­load 300 Knit­ting Books Pub­lished From 1849 to 2012

Behold an Anatom­i­cal­ly Cor­rect Repli­ca of the Human Brain, Knit­ted by a Psy­chi­a­trist

20+ Knit­ters and Cro­chet Artists Stitch an Aston­ish­ing 3‑D Recre­ation of Picasso’s Guer­ni­ca

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Join her in NYC on Mon­day, Feb­ru­ary 3 for New York: The Nation’s Metrop­o­lis the 21st install­ment of her book-based vari­ety show, Necro­mancers of the Pub­lic Domain. Fol­low her @AyunHalliday.

A Brief Animated History of Alcohol

Almost any­thing can be pre­served in alco­hol, except health, hap­pi­ness and mon­ey…

Rod­er­ick Phillips’ Ted-Ed les­son, a Brief His­to­ry of Alco­hol, above, opens with a bon mot from ear­ly 20th-cen­tu­ry quote maven Mary Wil­son Lit­tle, after which, an unwit­ting chim­panzee quick­ly dis­cov­ers the intox­i­cat­ing effects of over­ripe plums.

His eyes pin­wheel, he falls off a branch, and grins, drunk as a monkey’s uncle.

And though the sub­ject is alco­hol, this pri­mate is the only char­ac­ter in Anton Bogaty’s 5‑minute ani­ma­tion who could be hauled in on a drunk and dis­or­der­ly charge.

The oth­ers take a more sober, indus­tri­ous approach, illus­trat­ing alcohol’s promi­nent role in ear­ly med­i­cine, reli­gious rit­u­als, and glob­al trad­ing.

Ancient Egyp­tians har­vest the cere­al grains that will pro­duce beer, includ­ed as part of work­ers’ rations and avail­able to all class­es.

A native of South Amer­i­ca stirs a ket­tle of chicha, a fist­ful of hal­lu­cino­genic herbs held at the ready.

A Greek physi­cian tends to a patient with a gob­let of wine, as a near­by poet pre­pares to deliv­er an ode on its cre­ative prop­er­ties.

Stu­dents with an inter­est in the sci­ence of alco­hol can learn a bit about the fer­men­ta­tion process and how the inven­tion of dis­til­la­tion allowed for much stronger spir­its.

Alco­hol was a wel­come pres­ence aboard sea­far­ing ves­sels. Not only did this valu­able trad­ing com­mod­i­ty spark live­ly par­ties on deck, it san­i­tized the sailors’ drink­ing water, mak­ing longer voy­ages pos­si­ble.

Cheers to that.

Edu­ca­tors can cus­tomize the les­son here.

Relat­ed Con­tent:

Beer Archae­ol­o­gy: Yes, It’s a Thing

5,000-Year-Old Chi­nese Beer Recipe Gets Recre­at­ed by Stan­ford Stu­dents

How Carl Jung Inspired the Cre­ation of Alco­holics Anony­mous

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Join her in NYC tongight, Mon­day, Jan­u­ary 6 when her month­ly book-based vari­ety show, Necro­mancers of the Pub­lic Domain cel­e­brates Cape-Cod­di­ties (1920) by Roger Liv­ingston Scaife. Fol­low her @AyunHalliday.

82 Vintage Cookbooks, Free to Download, Offer a Fascinating Illustrated Look at Culinary and Cultural History

With the hol­i­days fast approach­ing, two interns at the Sal­lie Bing­ham Cen­ter for Wom­en’s His­to­ry and Cul­ture at Duke Uni­ver­si­ty’s Ruben­stein Library turned to the center’s col­lec­tion of vin­tage adver­tis­ing cook­books for inspi­ra­tion.

Their labors, and the fruits thereof—a queasy-look­ing Crown Jew­el Dessert and a savory fish-shaped “sal­ad” as per the Joys of Jell‑O Gelatin Dessert cookbook—are show­cased above.

While the library has yet to dig­i­tize that par­tic­u­lar early-60’s gem, there are plen­ty of oth­er options from the Nicole Di Bona Peter­son Adver­tis­ing Cook­book Col­lec­tion avail­able for free down­load, includ­ing sev­er­al that are gelatin based.

The authors of the pre-Women’s‑Suffrage Jell‑O: Amer­i­ca’s Most Famous Dessert, would have bog­gled at our 21st-cen­tu­ry abun­dance of fla­vors (and our god­like tele­phones), just as our eyes widen at their lush full-col­or illus­tra­tions and hun­dred-year-old social norms.

As one might expect, giv­en the Sal­lie Bing­ham Center’s mis­sion of pre­serv­ing print­ed mate­ri­als that reflect the pub­lic and pri­vate lives of women, past and present, these vin­tage cook­books speak to far more than just culi­nary trends.

Roy­al Bak­ing Powder’s 55 Ways to Save Eggs puts a pos­i­tive spin on wartime economies by fram­ing cheap ingre­di­ent sub­sti­tu­tions as some­thing clever and mod­ern, attrib­ut­es the young house­wife depict­ed on the cov­er would sure­ly wish to embody.

(Shout out to any home bak­ers who were aware that cream of tar­tar is derived from grapes…)

Dain­ty Dish­es for All the Year Round (1900) finds its pub­lish­er, North Broth­ers Man­u­fac­tur­ing Co., sit­ting pret­ty, unable to imag­ine a future some twen­ty years hence, in which tech­no­log­i­cal advances would result in the com­mer­cial mass pro­duc­tion of ice cream, thus damn­ing their star item, Shephard’s “Light­ning” Ice Cream Freez­er, to the cat­e­go­ry of inessen­tial coun­ter­top clut­ter.

Sad­ly, not all of the deli­cious-sound­ing ice cream recipes by Mrs. S. T. Ror­er, a lead­ing culi­nary author and edu­ca­tor and America’s first dieti­cian, are includ­ed, but you can browse many illus­trat­ed ads for North Broth­ers’ built-to-last goods, includ­ing a meat cut­ter, a num­ber of screw­drivers, and a mag­nif­i­cent­ly steam­punk Christ­mas tree stand.

Would it sur­prise you to learn that our cur­rent pre­oc­cu­pa­tion with ancient grains is far from a new thing?

1929’s Mod­ern Ways with an Ancient Food was aimed square­ly at moth­ers anx­ious, then as now, that their chil­dren were prop­er­ly nour­ished.

The grain in ques­tion was not quinoa or freekeh, but rather fari­na, referred to by most Amer­i­cans by its most pop­u­lar brand name Cream of Wheat, a fact  not lost on this vol­ume’s pub­lish­er, Cream of Wheat com­peti­tor Heck­er H‑O Com­pa­ny.

His­to­ry shows that Cream of Wheat trounced Hecker’s Cream-Fari­na.

Giv­en the bland­ness of the grain in ques­tion, chalk it up to Cream of Wheat’s mus­cu­lar adver­tis­ing approach, and robust licens­ing of prod­ucts fea­tur­ing the icon­ic image of Ras­tus, a smil­ing black spokeschef whose pal­pa­bly offen­sive, dialect-heavy endorse­ments are one pit­fall Heck­er seems to have skirt­ed.

Begin your explo­rations of the Sal­lie Bing­ham Center’s Nicole Di Bona Peter­son Adver­tis­ing Cook­book Col­lec­tion here, and let us know in the com­ments if there’s a recipe you’re intend­ing to try.

Relat­ed Con­tent:

An Archive of 3,000 Vin­tage Cook­books Lets You Trav­el Back Through Culi­nary Time

400 Ways to Make a Sand­wich: A 1909 Cook­book Full of Cre­ative Recipes

The Futur­ist Cook­book (1930) Tried to Turn Ital­ian Cui­sine into Mod­ern Art

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Join her in NYC tonight, Mon­day, Decem­ber 9, as her month­ly book-based vari­ety show, Necro­mancers of the Pub­lic Domain cel­e­brates anoth­er vin­tage adver­tis­ing pam­phlet, Dennison’s Christ­mas Book (1921). Fol­low her @AyunHalliday

A New Digitized Menu Collection Lets You Revisit the Cuisine from the “Golden Age of Railroad Dining”

The com­ing of the rail­road in the U.S. of the 19th cen­tu­ry meant unprece­dent­ed oppor­tu­ni­ty for millions—a tri­umph of trans­porta­tion and com­merce that changed the coun­try for­ev­er. For many more—including mil­lions of Amer­i­can bison—it meant cat­a­stro­phe and near extinc­tion. This com­pli­cat­ed his­to­ry has pro­vid­ed a rich field of study for schol­ars of the period—who can tie the rail­road to near­ly every major his­tor­i­cal devel­op­ment, from the Civ­il War to pres­i­den­tial cam­paigns to the spread of the Sears mer­chan­dis­ing empire from coast to coast.

But as time wore on, pas­sen­ger trains became both more com­mon­place and more lux­u­ri­ous, as they com­pet­ed with air and auto trav­el in the ear­ly 20th cen­tu­ry. It is this peri­od of rail­road his­to­ry that most attract­ed Ira Sil­ver­man as a grad­u­ate stu­dent at North­west­ern Uni­ver­si­ty in the 1960s. While enrolled at Northwestern’s Trans­porta­tion Cen­ter in Evanston, Illi­nois, Sil­ver­man and his class­mates found end­less “oppor­tu­ni­ties for research, adven­ture, and unpar­al­leled feast­ing,” writes Claire Voon at Atlas Obscu­ra.

Sil­ver­man espe­cial­ly took to the din­ing cars—and more to the point, to the menus, which he col­lect­ed by the dozens, “even­tu­al­ly amass­ing an archive of 238 menus and relat­ed pam­phlets. After a long career in tran­sit, he donat­ed the col­lec­tion to his alma mater’s Trans­porta­tion Library, which recent­ly dig­i­tized it in its entire­ty.” Silverman’s col­lec­tion rep­re­sents “35 Unit­ed States and Cana­di­an rail­roads,” points out North­west­ern, and its con­tents most­ly date from the ear­ly 60s to the 1980s—from his most active years rid­ing the rails in style, that is.

But Sil­ver­man was also able to acquire ear­li­er exam­ples, such as a 1939 menu “once perused by pas­sen­gers aboard the famed 20th Cen­tu­ry Lim­it­ed train,” Voon writes, “which trav­eled between New York City and Chica­go.” Twen­ty years after this menu’s appear­ance, Cary Grant, “play­ing an adman in Alfred Hitchcock’s North by North­west, orders a brook trout with his Gib­son” while rid­ing the same line. The Art Deco menu for the “new stream­lined” line fea­tures such del­i­ca­cies as “gen­uine Russ­ian caviar on toast and grilled French sar­dines.”

Even kids’ menus—now reli­ably dom­i­nat­ed by chick­en fin­gers, piz­za, PB&Js, and mac & cheese—offered far more sophis­ti­cat­ed din­ing than we might expect to find, with “items such as grilled lamb chops, roast beef, and sea­son­al fish” on the North Coast Lim­it­ed menu below. “The mid-20th cen­tu­ry seems to have been a gold­en age of rail­road din­ing,” remarks North­west­ern Trans­porta­tion Librar­i­an Rachel Cole. “It was nev­er some­thing that rail­roads prof­it­ed on, but they used it to com­pete against each oth­er and attract pas­sen­gers,” tak­ing pride in “selec­tions that would be rivaled in restau­rants.”

The fine din­ing-car expe­ri­ence might also include nov­el­ty items pas­sen­gers would be unlike­ly to find any­where else, such as North­west­ern Pacific’s Great Baked Pota­to, “a mon­strous spud,” Voon explains, “that could weigh any­where between two to five pounds” and came served with “an appro­pri­ate­ly sized but­ter pat.” One can see the appeal for a food and trav­el enthu­si­ast like Sil­ver­man, who had the priv­i­lege of try­ing dish­es on most of these menus for him­self.

The rest of us will have to rely on our gus­ta­to­ry imag­i­na­tions to con­jure what it might have been like to eat prime rib on the West­ern Star in the Pacif­ic North­west in the ear­ly 60s, or braised smoked pork loin on an Amtrak train in 1972. If your mem­o­ries of din­ing on a train most­ly con­sist of pulling sog­gy, microwaved “food” from steam­ing hot plas­tic bags, or munch­ing on pack­aged, processed salty snacks, expand your sense of what rail­road din­ing could be at the Ira Sil­ver­man Rail­road Menu Col­lec­tion here.

via Atlas Obscu­ra

Relat­ed Con­tent:

Food­ie Alert: New York Pub­lic Library Presents an Archive of 17,000 Restau­rant Menus (1851–2008)

Mark Twain Makes a List of 60 Amer­i­can Com­fort Foods He Missed While Trav­el­ing Abroad (1880)

What Pris­on­ers Ate at Alca­traz in 1946: A Vin­tage Prison Menu

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

The First High-Resolution Map of America’s Food Supply Chain: How It All Really Gets from Farm to Table

The phrase “farm to table” has enjoyed vogue sta­tus in Amer­i­can din­ing long enough to be fac­ing dis­place­ment by an even trendi­er suc­ces­sor, “farm to fork.” These labels reflect a new aware­ness — or an aspi­ra­tion to aware­ness — of where, exact­ly, the food Amer­i­cans eat comes from. A vast and fer­tile land, the Unit­ed States pro­duces a great deal of its own food, but giv­en the dis­tance of most of its pop­u­la­tion cen­ters from most of its agri­cul­tur­al cen­ters, it also has to move near­ly as great a deal of food over long domes­tic dis­tances. Here we have the very first high-res­o­lu­tion map of that food sup­ply chain, cre­at­ed by researchers at the Uni­ver­si­ty of Illi­nois study­ing “food flows between coun­ties in the Unit­ed States.”

“Our map is a com­pre­hen­sive snap­shot of all food flows between coun­ties in the U.S. – grains, fruits and veg­eta­bles, ani­mal feed, and processed food items,” writes Assis­tant Pro­fes­sor of Civ­il and Envi­ron­men­tal Engi­neer­ing Megan Konar in an explana­to­ry post at The Con­ver­sa­tion. (The top ver­sion shows the total tons of food moved, and the bot­tom one is bro­ken down to the coun­ty scale.)

“All Amer­i­cans, from urban to rur­al are con­nect­ed through the food sys­tem. Con­sumers all rely on dis­tant pro­duc­ers; agri­cul­tur­al pro­cess­ing plants; food stor­age like grain silos and gro­cery stores; and food trans­porta­tion sys­tems.” The map visu­al­izes such jour­neys as that of a ship­ment of corn, which “starts at a farm in Illi­nois, trav­els to a grain ele­va­tor in Iowa before head­ing to a feed­lot in Kansas, and then trav­els in ani­mal prod­ucts being sent to gro­cery stores in Chica­go.”

Konar and her col­lab­o­ra­tors’ research arrives at a few sur­pris­ing con­clu­sions, such as that Los Ange­les coun­ty is both the largest ship­per and receiv­er of food in the U.S. Not only that, but almost all of the nine coun­ties “most cen­tral to the over­all struc­ture of the food sup­ply net­work” are in Cal­i­for­nia. This may sur­prise any­one who has laid eyes on the sub­lime­ly huge agri­cul­tur­al land­scapes of the Mid­west “Corn­belt.” But as Konar notes, “Our esti­mates are for 2012, an extreme drought year in the Corn­belt. So, in anoth­er year, the net­work may look dif­fer­ent.” And of the grain pro­duced in the Mid­west, much “is trans­port­ed to the Port of New Orleans for export. This pri­mar­i­ly occurs via the water­ways of the Ohio and Mis­sis­sip­pi Rivers.”

Konar also warns of trou­bling frail­ties: “The infra­struc­ture along these waterways—such as locks 52 and 53—are crit­i­cal, but have not been over­hauled since their con­struc­tion in 1929,” and if they were to fail, “com­mod­i­ty trans­port and sup­ply chains would be com­plete­ly dis­rupt­ed.” The ana­lyt­i­cal minds at Hack­er News have been dis­cussing the impli­ca­tions of the research shown on this map, includ­ing whether the U.S. food sup­ply chain is real­ly, as one com­menter put it, “very brit­tle and con­tains many weak points.” The Amer­i­can Soci­ety of Civ­il Engi­neers, as Konar tells Food & Wine, has giv­en the coun­try’s civ­il engi­neer­ing infra­struc­ture a grade of D+, which at least implies con­sid­er­able room for improve­ment. But against what from some angles look like long odds, food keeps get­ting from Amer­i­can farms to Amer­i­can tables — and Amer­i­can forks, Amer­i­can mouths, Amer­i­can stom­achs, and so on.

Relat­ed Con­tent:

Down­load 91,000 His­toric Maps from the Mas­sive David Rum­sey Map Col­lec­tion

The His­to­ry of Car­tog­ra­phy, “the Most Ambi­tious Overview of Map Mak­ing Ever Under­tak­en,” Is Free Online

View and Down­load Near­ly 60,000 Maps from the U.S. Geo­log­i­cal Sur­vey (USGS)

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

A Map of How the Word “Tea” Spread Across the World

When I order a cup of tea in Korea, where I live, I ask for cha (차); when trav­el­ing in Japan, I ask for the hon­orif­ic-affixed ocha (お茶). In Span­ish-speak­ing places I order , which I try to pro­nounce as dis­tinct­ly as pos­si­ble from the thé I order in French-speak­ing ones. And on my trips back to Unit­ed States, where I’m from, I just ask for tea. Not that tea, despite its awe-inspir­ing ven­er­a­bil­i­ty, has ever quite matched the pop­u­lar­i­ty of cof­fee in Amer­i­ca, but you can still find it most every­where you go. And for decades now, no less an Amer­i­can cor­po­rate cof­fee jug­ger­naut than Star­bucks has labeled cer­tain of its teas chai, which has pop­u­lar­ized that alter­na­tive term but also cre­at­ed a degree of pub­lic con­fu­sion: what’s the dif­fer­ence, if any, between chai and tea?

Both words refer, ulti­mate­ly, to the same bev­er­age invent­ed in Chi­na more than three mil­len­nia ago. Tea may now be drunk all over the world, but peo­ple in dif­fer­ent places pre­fer dif­fer­ent kinds: fla­vors vary from region to region with­in Chi­na, and Chi­nese teas taste dif­fer­ent from, say, Indi­an teas. Star­bucks pre­sum­ably brands its Indi­an-style tea with the word chai because it sounds like the words used to refer to tea in India.

It also sounds like the words used to refer to tea in Far­si, Turk­ish, and even Russ­ian, all of them sim­i­lar to chay. But oth­er coun­tries’ words for tea sound dif­fer­ent: the May­lay teh, the Finnish tee, the Dutch thee. “The words that sound like ‘cha’ spread across land, along the Silk Road,” writes Quartz’s Nikhil Son­nad. “The ‘tea’-like phras­ings spread over water, by Dutch traders bring­ing the nov­el leaves back to Europe.”

“The term cha (茶) is ‘Sinitic,’ mean­ing it is com­mon to many vari­eties of Chi­nese,” writes Son­nad. “It began in Chi­na and made its way through cen­tral Asia, even­tu­al­ly becom­ing ‘chay’ (چای) in Per­sian. That is no doubt due to the trade routes of the Silk Road, along which, accord­ing to a recent dis­cov­ery, tea was trad­ed over 2,000 years ago.” The te form “used in coastal-Chi­nese lan­guages spread to Europe via the Dutch, who became the pri­ma­ry traders of tea between Europe and Asia in the 17th cen­tu­ry, as explained in the World Atlas of Lan­guage Struc­tures. The main Dutch ports in east Asia were in Fujian and Tai­wan, both places where peo­ple used the te pro­nun­ci­a­tion. The Dutch East India Company’s expan­sive tea impor­ta­tion into Europe gave us the French thé, the Ger­man Tee, and the Eng­lish tea.”

And we must­n’t leave out the Por­tuguese, who in the 1500s “trav­elled to the Far East hop­ing to gain a monop­oly on the spice trade,” as Cul­ture Trip’s Rachel Dea­son writes, but “decid­ed to focus on export­ing tea instead. The Por­tuguese called the drink cha, just like the peo­ple of south­ern Chi­na did,” and under that name shipped its leaves “down through Indone­sia, under the south­ern tip of Africa, and back up to west­ern Europe.” You can see the glob­al spread of tea, tee, thé, chai, chay, cha, or what­ev­er you call it in the map above, recent­ly tweet­ed out by East Asia his­to­ri­an Nick Kapur. (You may remem­ber the fan­tas­ti­cal Japan­ese his­to­ry of Amer­i­ca he sent into cir­cu­la­tion last year.) Study it care­ful­ly, and you’ll be able to order tea in the lands of both te and cha. But should you find your­self in Bur­ma, it won’t help you: just remem­ber that the word there is lakphak.

Relat­ed Con­tent:

An Ani­mat­ed His­to­ry of Tea

1934 Map Resizes the World to Show Which Coun­try Drinks the Most Tea

10 Gold­en Rules for Mak­ing the Per­fect Cup of Tea (1941)

George Orwell’s Rules for Mak­ing the Per­fect Cup of Tea: A Short Ani­ma­tion

Epic Tea Time with Alan Rick­man

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall, on Face­book, or on Insta­gram.

An Animated Introduction to Medieval Taverns: Learn the History of These Rough-and-Tumble Ancestors of the Modern Pub

When I think of the medieval tav­ern, I see grim footage from Bergman’s The Sev­enth Seal and grimy drink­ing scenes from Game of Thrones and Lord of the Rings. While only the first of these uses an osten­si­bly his­tor­i­cal set­ting, the imagery of them all is what we think of when we think of tav­erns. Huge casks in the cor­ners, great, inde­struc­tible wood­en tables and wood­en mugs, signs with pic­tures instead of words; drunk­en singing and the occa­sion­al axe fight.

The crude­ly ani­mat­ed Sim­ple His­to­ry video above con­firms these impres­sions, describ­ing the tav­erns, inns, and ale hous­es that were ances­tors of the mod­ern pub as “places of drink­ing, gam­bling, vio­lence, and crim­i­nal activ­i­ty.” Art his­to­ry and schol­ar­ship fur­ther con­firm our impres­sion of tav­erns as rough-hewn, row­dy hous­es where brawls fre­quent­ly broke out and all sorts of shady busi­ness trans­act­ed.

Ale hous­es had an “ale stake or ale pole” that could be raised to show they had a brew ready to serve. Tav­erns had a pole with leaves, called a “bush,” for the same pur­pose. Wine might be pricey, but beer was cheap, as “tax­ing it would not have been well-received.” Bar­maids poured drinks from pitch­ers of leather into mugs of wood. Food was… well, not so good…. Maybe we can visu­al­ize tav­ern life by extrap­o­lat­ing back­wards from our local dive bars.

How­ev­er, we might find it hard to imag­ine liv­ing in a time before beer. Milan Pajic, junior research fel­low at the Uni­ver­si­ty of Cam­bridge, found that beer made a rel­a­tive­ly late entry in the his­to­ry of Eng­lish drink, arriv­ing only in the lat­ter half of the 14th cen­tu­ry when intro­duced by Dutch immi­grants and demand­ed by sol­diers return­ing from the 100 Years War.

Between around 1350 and around 1400, Pajic claims, all of the beer drunk in Eng­lish tav­erns was import­ed from the Nether­lands. “The first evi­dence of some­one brew­ing beer” in Eng­land, Pajic writes in an arti­cle pub­lished in the Jour­nal of Medieval His­to­ry, “comes from 1398–9.” The brew­er, a “Duche­man,” was “fined for buy­ing ‘wheat in the mar­ket in order to pro­duce beer, to the great dam­age of the same mar­ket.”

Such per­se­cu­tion could not last. In a hun­dred year’s time, a few hun­dred brew­ers could be found around the coun­try, most of them immi­grants from the Low Coun­tries. But in part because the Eng­lish dis­trust­ed the Dutch, “it took almost a cen­tu­ry from the moment it was intro­duced as an import­ed com­mod­i­ty and con­sumed large­ly by immi­grants before it came to be pro­duced on Eng­lish soil and accept­ed by the natives.”

Tav­ern, inn, and ale house designs would have con­formed to local join­ery trends, but the medieval Eng­lish tavern’s chief draw—cheap, fresh­ly-brewed beer, and lots of it—was a sus­pi­cious con­ti­nen­tal import before it became a nation­al trea­sure.

Relat­ed Con­tent:

Beer Archae­ol­o­gy: Yes, It’s a Thing

The First Known Pho­to­graph of Peo­ple Shar­ing a Beer (1843)

Dis­cov­er the Old­est Beer Recipe in His­to­ry From Ancient Sume­ria, 1800 B.C.

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

A Collection of Vintage Fruit Crate Labels Offers a Voluptuous Vision of the Sunshine State

Ah, Flori­da… The Sun­shine State.

Tourists began flock­ing to it in earnest once the rail­roads expand­ed in the late 19th cen­tu­ry, drawn by visions of sun­set beach­es, grace­ful palms, and plump cit­rus fruit in a warm weath­er set­ting.

The fan­ta­sy gath­ered steam in the 1920s when cit­rus grow­ers began affix­ing col­or­ful labels to the fruit crates that shipped out over those same rail­road lines, seek­ing to dis­tin­guish them­selves from the com­pe­ti­tion with mem­o­rable visu­als.

These labels offered lovers of grape­fruit and oranges who were stuck in cold­er climes tan­ta­liz­ing glimpses of a dreamy land filled with Span­ish Moss and grace­ful long-legged birds. Words like “gold­en” and “sun­shine” sealed the deal.

(The real­i­ty of cit­rus pick­ing, then and now, is one of hard labor, usu­al­ly per­formed by under­paid, unskilled migrants.)

The State Library of Florida’s Flori­da Crate Label Col­lec­tion has amassed more than 600 exam­ples from the 1920s through the 1950s, many of which have been dig­i­tized and added to a search­able data­base.

While the major­i­ty of the labels ped­dle the sun­shine state mythos, oth­ers pay homage to grow­ers’ fam­i­ly mem­bers and pets.

Oth­ers like Kil­lar­ney Luck, UmpireSherlock’s Delight, and Watson’s Dream built brand iden­ti­ty by play­ing on the grove’s name or loca­tion, though one does won­der about the mod­els for the deli­cious­ly dour Kiss-Me label. Sib­lings, per­haps? Maybe the Kissim­mee Cit­rus Grow­ers Asso­ci­a­tion dis­ap­proved of the PDA their name seems so ripe for.

Native Amer­i­cans’ promi­nent rep­re­sen­ta­tion like­ly owed as much to the public’s fas­ci­na­tion with West­erns as to the state’s trib­al her­itage, evi­dent in the names of so many loca­tions, like Umatil­la and Immokalee, where cit­rus crops took root.

Mean­while, Mam­myAun­ty, and Dix­ieland brands relied on a stereo­typ­i­cal rep­re­sen­ta­tion of African-Amer­i­cans that had a proven track record with con­sumers of pan­cakes and Cream of Wheat.

The vibrant­ly illus­trat­ed crate labels were put on hold dur­ing World War II, when the bulk of the cit­rus crop was ear­marked for the mil­i­tary.

By the mid-50s, card­board box­es on which com­pa­ny names and logos could be print­ed direct­ly had become the indus­try stan­dard, rel­e­gat­ing crate labels to antique stores, swap meets, and flea mar­kets.

Begin your explo­ration of the Flori­da Crate Label Col­lec­tion here, brows­ing by imageplacecom­pa­ny, or brand name.

Via Kot­tke

Relat­ed Con­tent:

In 1886, the US Gov­ern­ment Com­mis­sioned 7,500 Water­col­or Paint­ings of Every Known Fruit in the World: Down­load Them in High Res­o­lu­tion

An Archive of 3,000 Vin­tage Cook­books Lets You Trav­el Back Through Culi­nary Time

Browse a Col­lec­tion of Over 83,500 Vin­tage Sewing Pat­terns

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Join her in NYC on Mon­day, Novem­ber 4 when her month­ly book-based vari­ety show, Necro­mancers of the Pub­lic Domain cel­e­brates Louise Jor­dan Miln’s “Woo­ings and Wed­dings in Many Climes (1900). Fol­low her @AyunHalliday.

 

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