Crisis & Dislocation: A Universal Story

Buenos Aires has endured a lot – finan­cial crises, social protests, dic­ta­tor­ship and beyond. The award-win­ning doc­u­men­tary: ¿Sería Buenos Aires? (Maybe Buenos Aires?) takes a hard look at how the Argen­tines respond­ed to dis­lo­ca­tions cre­at­ed by forces beyond their con­trol. It’s a uni­ver­sal sto­ry that touch­es on prob­lems we all face today. Greece is just the lat­est unfor­tu­nate reminder of this. You can find this film, and 125 oth­er high qual­i­ty movies, in our col­lec­tion of Free Movies Online.

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Dennis Hopper’s Easy Rider: A Look Back

The actor Den­nis Hop­per died this morn­ing. You know him from Apoc­a­lypse Now and Blue Vel­vet. But, more than any oth­er film, his lega­cy is tied to Easy Rid­er. Hop­per direct­ed, co-wrote, and co-starred in the coun­ter­cul­ture clas­sic, which won the top prize at the 1969 Cannes Film Fes­ti­val. Drugs, motor­cy­cles, hip­pies, com­mu­nal liv­ing – Easy Rid­er cap­tured the spir­it of the coun­ter­cul­ture move­ment, and now, 40 years lat­er, it serves as some­thing of a memo­r­i­al to the Wood­stock gen­er­a­tion. Above, we fea­ture the 1999 doc­u­men­tary Easy Rid­er: Shak­ing the Cage, which looks back at the mak­ing of the cult film. It includes inter­views with Den­nis Hop­per and his co-star Peter Fon­da. Part 1 appears above. You can access the remain­ing parts here: Part 2, Part 3, Part 4, Part 5, Part 6, and Part 7

Spring: A Short Film Based on Hemingway’s Memoir

British film­mak­er Temu­jin Doran may be bet­ter known for his strong, high­ly opin­ion­at­ed views on democ­ra­cy and pol­i­tics, but his adap­ta­tion of Ernest Hem­ing­way’s mem­oir, A Move­able Feast, is some­thing else entire­ly.

Though still nar­rat­ed in Doran’s char­ac­ter­is­ti­cal­ly urgent, rest­less tone, Spring offers a qui­et trib­ute to Parisian urban­i­ty and the rich­ness of sea­son­al­i­ty, cap­tured with cin­e­mat­ic min­i­mal­ism and eeri­ly indul­gent aes­thet­ic aus­ter­i­ty.

Maria Popo­va is the founder and edi­tor in chief of Brain Pick­ings, a curat­ed inven­to­ry of eclec­tic inter­est­ing­ness and indis­crim­i­nate curios­i­ty. She writes for Wired UK, GOOD Mag­a­zine, Big­Think and Huff­in­g­ton Post, and spends a dis­turb­ing amount of time curat­ing inter­est­ing­ness on Twit­ter.

Iron Man: The Science in Science Fiction

As Robert Bly not­ed in his book, The Sci­ence in Sci­ence Fic­tion, some of the most intrigu­ing sci­en­tif­ic ideas have orig­i­nat­ed not in labs, but in sci-fi books and movies. With Iron Man 2 hit­ting the screens, Sid­ney Perkowitz, a physi­cist at Emory Uni­ver­si­ty, talks about whether the sci­ence in the new pop movie has any roots in sci­en­tif­ic real­i­ty – or, for that mat­ter, whether it might inspire any new sci­en­tif­ic think­ing down the road. He offers his thoughts above. In addi­tion to writ­ing Hol­ly­wood Sci­ence: Movies, Sci­ence and the End of the World, Perkowitz sits on the advi­so­ry board of the Sci­ence and Enter­tain­ment Exchange, a Nation­al Acad­e­my of Sci­ences pro­gram that tries to bring more sci­en­tif­ic accu­ra­cy to mass mar­ket enter­tain­ment.

Thanks Nicole for the tip on this one.

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David Lynch Debuts Lady Blue Shanghai

David Lynch is no stranger to com­mer­cials. In the past, he lent his film­mak­ing tal­ents to Calvin Klein, Gior­gio Armani and oth­ers (watch the ads here). And now it’s Dior. Shot in Shang­hai, Lynch’s inter­net movie, Lady Blue Shang­hai, runs 16 min­utes and stars the Oscar-win­ning French actress Mar­i­on Cotil­lard. Although large­ly giv­en free reign here, Lynch had to include a few basic ele­ments: images of a Dior bag, Old Shang­hai, and the Pearl Tow­er.  The short movie is the third in a series of mini-fea­tures launched on christiandior.com. You can watch the first part above, the sec­ond part here.

You can now find Lady Blue Shang­hai in our col­lec­tion of Free Movies Online, along with sev­er­al oth­er short David Lynch films.

via The Finan­cial Times

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Lawrence of Arabia Remembered with Rare Footage


Sev­en­ty-five years ago today, on the morn­ing of May 13, 1935, a 46-year-old retired British army offi­cer was rid­ing his motor­cy­cle home from the post office, when he swerved to avoid hit­ting two boys on bicy­cles. He was thrown onto the road and sus­tained head injuries, then died six days lat­er in a provin­cial hos­pi­tal. It was a mun­dane cir­cum­stance for the death of an extra­or­di­nary man.

Thomas Edward (T. E.) Lawrence was an intel­lec­tu­al and adven­tur­er who became known to the world as “Lawrence of Ara­bia.” Lawrence could read books by the age of four. He attend­ed Oxford on schol­ar­ship and spent one of his sum­mer vaca­tions hik­ing 1,100 miles through Syr­ia, Pales­tine and Turkey to sur­vey cru­sad­er cas­tles for a the­sis on mil­i­tary archi­tec­ture. He spoke Ara­bic, Turk­ish, Ger­man, French, Latin and Greek. When World War I broke out in 1914, he was recruit­ed into the British army for his exten­sive first-hand knowl­edge of the Mid­dle East. Dur­ing the course of the war, Lawrence became one of the archi­tects and lead­ers of the Arab Revolt against the Ottoman Turks – a remark­able adven­ture that was retold in David Lean’s 1962 film, Lawrence of Ara­bia, star­ring Peter O’Toole, Omar Sharif and Alec Guin­ness.

Lawrence was an intense­ly pri­vate man who, as Low­ell Thomas famous­ly put it, “had a genius for back­ing into the lime­light.” When the war was over, how­ev­er, he suc­ceed­ed in stay­ing out of the lime­light by refus­ing a knight­hood and serv­ing out his mil­i­tary career under assumed names. He trans­lat­ed Homer and wrote a mem­oir of the Arab Revolt, The Sev­en Pil­lars of Wis­dom. And he had a pen­chant for fast motor­cy­cles, includ­ing the cus­tom-made Brough Supe­ri­or SS100 which he rode into town on a mun­dane errand 75 years ago today.

Today, to mark the 75th anniver­sary of his trag­ic motor cycle acci­dent, we fea­ture some of the only known footage of T.E. Lawrence above.

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Jorge Luis Borges: The Mirror Man, A Free Documentary on the Argentine Writer

He was Argenti­na’s favorite son, one of the great South Amer­i­can writ­ers of the last cen­tu­ry (along with Gabriel Gar­cia Mar­quez, Car­los Fuentes, and Mario Var­gas Llosa), and the win­ner of 46 nation­al and inter­na­tion­al lit­er­ary prizes. We’re talk­ing about Jorge Luis Borges, the mas­ter of the post­mod­ern short sto­ry. Borges was born in 1899, and to cel­e­brate his 100th birth­day (though he died in 1986), Philippe Molins direct­ed the doc­u­men­tary, Jorge Luis Borges: The Mir­ror Man. The film’s major strength (as one review­er put it) is that it’s a “bit of every­thing – part biog­ra­phy, part lit­er­ary crit­i­cism, part hero-wor­ship, part book read­ing, and part psy­chol­o­gy.” It runs 47 min­utes and includes a fair amount of archival footage. (You can watch it in a larg­er for­mat on Vimeo here.)

A big thanks goes to Mike for send­ing The Mir­ror Man our way. If you have your own great piece of cul­tur­al media to share with us and your fel­low OC read­ers, please feel free to send it along.

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Lena Horne Sings Stormy Weather (1943)

Sad to note the pass­ing of Lena Horne, one of the first black tal­ents to break the col­or bar­ri­er in Hol­ly­wood. Here we have her singing her sig­na­ture song “Stormy Weath­er” in 1943. Thanks to @wesalwan, a reg­u­lar con­trib­u­tor, for flag­ging this vin­tage piece.

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