The Ancient Romans First Committed the Sartorial Crime of Wearing Socks with Sandals, Archaeological Evidence Suggests

Image via Wiki­me­dia Com­mons

Of all sar­to­r­i­al crimes, none require quite so much brazen­ness — or sim­ple obliv­i­ous­ness — as the wear­ing of socks with san­dals. But unlike most wide­ly dis­dained fash­ions, which usu­al­ly tend to have enjoyed their hey­day two or three decades ago, the socks-and-san­dals com­bi­na­tion has deep his­tor­i­cal roots. And those roots, so 21st-cen­tu­ry researchers have found out, go much deep­er than most of us may have expect­ed. “Evi­dence from an archae­o­log­i­cal dig has found,” wrote Tele­graph sci­ence cor­re­spon­dent Richard Alleyne in 2012, “that legion­naires wore socks with san­dals” — ancient Roman legion­naires, that is. “Rust on a nail from a Roman san­dal found in new­ly dis­cov­ered ruins in North York­shire appears to con­tain fibres which could sug­gest that a sock-type gar­ment was being worn.”

“You don’t imag­ine Romans in socks,” Alleyne quot­ed the archae­ol­o­gist head­ing the cul­tur­al her­itage team on site as say­ing,” but I am sure they would have been pret­ty keen to get hold of some as soon as autumn came along.”

As with any new dis­cov­ery about life in the past, this changes the way enthu­si­asts of the peri­od have gone about re-cre­at­ing their favorite ele­ments of it: take, for instance, her­itage edu­ca­tor and crafter Sal­ly Point­er. “Point­er has been enam­ored with the ancient world since she was a kid,” writes Atlas Obscu­ra’s Jes­si­ca Leigh Hes­ter, “when she cooked up plans for potions, devices, and craft projects — all with the goal of under­stand­ing how things came to be.”

Image by David Jack­son via Wiki­me­dia Com­mons

Look­ing to socks worn in ancient Egypt (see above), Point­er makes her own ver­sions of these “cheer­ful­ly striped” socks using a tech­nique called naal­bind­ing, “which is some­times con­sid­ered a pre­cur­sor to two-nee­dle knit­ting and involves loop­ing yarn on a sin­gle nee­dle,” and in this case mak­ing each sock­’s two toes sep­a­rate­ly and then join­ing them togeth­er. Should more evi­dence emerge about the tech­niques and styles of the socks Romans seem to have worn under their san­dals, Point­er and mak­ers like her will no doubt be the first to make use of them. But for now, we need only make one impor­tant revi­sion to the his­tor­i­cal record: “Britons may be famous for their lack of fash­ion sense and Ital­ians for their style,” as the sub-head­line of Alleyne’s piece puts it, “but it appears we may have inher­it­ed one of our biggest sar­to­r­i­al crimes from the Romans.”

via Tele­graph/Atlas Obscu­ra

Relat­ed Con­tent:

Styl­ish 2,000-Year-Old Roman Shoe Found in a Well

Rome Reborn: Take a Vir­tu­al Tour of Ancient Rome, Cir­ca 320 C.E.

Ani­ma­tion Gives You a Glimpse of What Life Was Like for Teenagers in Ancient Rome

The Ancient Egyp­tians Wore Fash­ion­able Striped Socks, New Pio­neer­ing Imag­ing Tech­nol­o­gy Imag­ing Reveals

How Women Got Dressed in the 14th & 18th Cen­turies: Watch the Very Painstak­ing Process Get Cin­e­mat­i­cal­ly Recre­at­ed

Get­ting Dressed Dur­ing World War I: A Fas­ci­nat­ing Look at How Sol­diers, Nurs­ers & Oth­ers Dressed Dur­ing the Great War

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

The “David Bowie Is” Exhibition Is Now Available as an Augmented Reality Mobile App That’s Narrated by Gary Oldman: For David Bowie’s Birthday Today

Maybe it’s too soon to divide pop music his­to­ry into “Before David Bowie” and “After David Bowie,” but two years after Bowie’s death, it’s impos­si­ble to imag­ine pop music his­to­ry with­out him. Yet, if there ever did come a time when future gen­er­a­tions did not know who David Bowie is, they could do far worse than hear Gary Old­man tell the sto­ry. Luck­i­ly for them, and us, Old­man nar­rates the new David Bowie aug­ment­ed real­i­ty app, which launch­es today on what would have been the legend’s 72nd birth­day.

Bowie and Old­man were both born and raised in South Lon­don. They became friends in the 80s, starred togeth­er in Julian Schnabel’s 1996 film Basquiat, and col­lab­o­rat­ed on the 2013 video for “The Next Day,” in which Old­man plays a sleazy, duck­tailed priest. As much the con­sum­mate changeling in his medi­um as Bowie, Old­man brings a fel­low craftsman’s appre­ci­a­tion to his role as docent, with­out any sense of star-struck­ness. “I see him less as ‘David Bowie,’” he once remarked, “and more as Dave from Brix­ton and I’m Gary from New Cross.”

The app is based on the sen­sa­tion­al 2013 Vic­to­ria & Albert muse­um exhi­bi­tion David Bowie Is, which trav­eled the world for five years before end­ing at the Brook­lyn Muse­um this past sum­mer. Focused on “the colour­ful, the­atri­cal side of Bowie,” Tim Jonze writes at The Guardian, the show drew “a stag­ger­ing 2m vis­i­tors” with its stun­ning breadth of cos­tumes, props, sketch­es, lyrics sheets, film, and pho­tog­ra­phy. The dig­i­tal ver­sion intends, how­ev­er, not only to “recre­ate the expe­ri­ence of going to the exhi­bi­tion,” but “to bet­ter it.”

Learn how “Dave from Brix­ton” (or Davy Jones, before a Mon­kee of the same name came along) made “sketch­es propos­ing out­fits for his teenage band the Delta Lemons (brown waist­coats with jeans).” See how that young aspir­ing croon­er learned to love “hikinuki—the Japan­ese method of quick cos­tume change that he exper­i­ment­ed with dur­ing his Aladdin Sane shows at Radio City Music Hall.” The exhi­bi­tion bril­liant­ly ful­filled his own wish­es for his lega­cy. “As Bowie him­self puts it,” Jonze writes, “he didn’t want to be a radio, but a colour tele­vi­sion.”

Bowie prob­a­bly would have been pleased to have his friend Gary host­ing his vari­ety show. But does the AR app match, or bet­ter, the real thing? It’s “no match for see­ing the cos­tumes in real life,” or see­ing Bowie him­self in the flesh. But for the mil­lions of peo­ple who nev­er got the chance—a cat­e­go­ry that will soon include everyone—it may cur­rent­ly be the best way to expe­ri­ence the musician/actor/writer/one-man-zeitgeist’s career in three dimen­sions. See a pre­view of the app from Rolling Stone, above, and down­load the AR David Bowie Is for iPhone and Android via these links. The cost is $7.99.

Relat­ed Con­tent:

Stream David Bowie’s Com­plete Discog­ra­phy in a 19-Hour Playlist: From His Very First Record­ings to His Last

The Thin White Duke: A Close Study of David Bowie’s Dark­est Char­ac­ter

David Bowie Memo­ri­al­ized in Tra­di­tion­al Japan­ese Wood­block Prints

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Getting Dressed During World War I: A Fascinating Look at How Soldiers, Nursers & Others Dressed During the Great War

Not to dimin­ish the night­mare of mor­tars and shrap­nel, but as evi­denced by Crow’s Eye Pro­duc­tions’ peri­od accu­rate dress­ing video above, one of the great­est hor­rors of WWI was wet wool.

Decades before the inven­tion of Gore-Tex, Polar Fleece and oth­er high per­for­mance, all weath­er gear, British sol­diers relied on their woolies from head to toe.

An army of female knit­ters sent gloves, scarves, bal­a­clavas and oth­er such “com­forts” to the front, in addi­tion to seam­less socks designed to last their boys three whole march­ing days inside their ankle high leather boots.

Alas, no amount of wax­ing and oil­ing could keep the trench­es’ freez­ing cold pud­dles from seep­ing through those boots.

Nothing’s worse than the scent of three lay­ers of wet wool when you’re catch­ing your death in sod­den put­tees.

The reg­i­ments whose uni­form bot­toms con­sist­ed of kilts had it par­tic­u­lar­ly rough, as the wet mate­r­i­al would freeze, cut­ting across the wear­ers’ legs like knives.

Pre­vent­ed from join­ing the com­bat on the front­lines, British women helped out where they could, achiev­ing a more com­fort­able lev­el of dress than they’d known before the war.

Tor­so-smash­ing corsets were scrapped to pre­serve steel for the war effort, though deco­rum decreed that British Red Cross Soci­ety Vol­un­tary Aid Detach­ment nurs­es, such as Down­ton Abbey’s fic­tion­al Lady Sybil Craw­ley, main­tain a tidy fig­ure with lighter, front-fas­ten­ing corsets from hips to just below the bust.

Many of the upper class women swelling the vol­un­teer nurs­ing ranks were unac­cus­tomed to dress­ing in such util­i­tar­i­an fashion—cotton dress­es, black flat rub­ber-soled shoes, aprons and sleeve pro­tec­tors.

Their fig­ures found com­par­a­tive lib­er­a­tion, while their van­i­ty found hum­bler out­lets in dust­ing pow­der and the flat­ter­ing army-style pro­fes­sion­al nurs­ing veils they pre­ferred to The Handmaid’s Tale-ish Sis­ter Dora caps.

The greater phys­i­cal free­dom of the nurs­es’ uni­forms extend­ed to ordi­nary young women as well. Their underwear—a midriff bar­ing chemise, knick­ers and petticoat—allowed for eas­i­er move­ment, as short­er skirts led to glam­orous stock­ings and—gasp!—shaved legs!

Trendy cardi­gans, jumpers and waist­coats weren’t just cute, they helped make up for the lost warmth of those oh-so-restric­tive corsets.

View more of Crow’s Eye Pro­duc­tions’ short films on the his­to­ry of dress here.

Knit­ters, you can find over 70 pat­terns for WW1 com­forts and neces­si­ties in the book Cen­te­nary Stitch­es: Telling the Sto­ry of One WW1 Fam­i­ly Through Vin­tage Knit­ting and Cro­chet.

Relat­ed Con­tent:

How Women Got Dressed in the 14th & 18th Cen­turies: Watch the Very Painstak­ing Process Get Cin­e­mat­i­cal­ly Recre­at­ed

The Dress­er: The Con­trap­tion That Makes Get­ting Dressed an Adven­ture

How to Make and Wear Medieval Armor: An In-Depth Primer

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  See her onstage in New York City this Jan­u­ary as host of  The­ater of the Apes book-based vari­ety show, Necro­mancers of the Pub­lic Domain. Fol­low her @AyunHalliday.

The Ancient Egyptians Wore Fashionable Striped Socks, New Pioneering Imaging Technology Imaging Reveals

If you grew up in cer­tain decades of the 20th cen­tu­ry, you almost cer­tain­ly spent your child­hood wear­ing striped socks, and you may even have returned to the prac­tice in recent years as they’ve regained their sar­to­r­i­al respectabil­i­ty. But new research has revealed that this sort of mul­ti­col­ored hosiery has a more dis­tant his­tor­i­cal prece­dent than we may imag­ine, one going all the way back to ancient Egypt. The sub­ject of that research, the small sock pic­tured above, evi­dences the fash­ion­abil­i­ty of striped socks among the Egypt­ian youth of more than 1700 years ago, though its own stripes have only recent­ly been revealed by the most mod­ern imag­ing tech­nol­o­gy.

“Sci­en­tists at the British Muse­um have devel­oped pio­neer­ing imag­ing to dis­cov­er how enter­pris­ing Egyp­tians used dyes on a child’s sock, recov­ered from a rub­bish dump in ancient Anti­noupo­lis in Roman Egypt, and dat­ing from 300AD,” writes The Guardian’s Car­o­line Davies. “New mul­ti­spec­tral imag­ing can estab­lish which dyes were used – mad­der (red), woad (blue) and weld (yel­low) – but also how peo­ple of the late antiq­ui­ty peri­od used dou­ble and sequen­tial dying and weav­ing, and twist­ing fibers to cre­ate myr­i­ad col­ors from their scarce resources.”

This and oth­er sim­i­lar­ly advanced research, such as the use of ultra­vi­o­let light and infrared and x‑ray spec­troscopy that found the bright col­ors of ancient Greek sculp­ture, no doubt has us all rethink­ing the broad­ly mono­chro­mat­ic fash­ion in which we’ve long envi­sioned the ancient world.

We may also have to start imag­in­ing it a lit­tle less ele­gant­ly than we have been. “The ancient Egyp­tians employed a sin­gle-nee­dle loop­ing tech­nique, often referred to as nål­bind­ning, to cre­ate their socks,” writes Smith­son­ian’s Kather­ine J. Wu. “Notably, the approach could be used to sep­a­rate the big toe and four oth­er toes in the sock — which just may have giv­en life to the ever-con­tro­ver­sial socks-and-san­dals trend.” It brings to mind the archae­o­log­i­cal research that came out a few years ago sug­gest­ing that the Romans in Britain two mil­len­nia ago may have worn socks with their san­dals as well. That infor­ma­tion has made it to the Wikipedia page specif­i­cal­ly ded­i­cat­ed to socks and san­dals; an enter­pris­ing read­er might have a look at the British Muse­um sci­en­tists’ paper, “A mul­ti­spec­tral imag­ing approach inte­grat­ed into the study of Late Antique tex­tiles from Egypt,” and add in a bit about the ancient wear­ing of striped socks with san­dals as well.

via Smith­son­ian

Relat­ed Con­tent:

How Did the Egyp­tians Make Mum­mies? An Ani­mat­ed Intro­duc­tion to the Ancient Art of Mum­mi­fi­ca­tion

How the Egypt­ian Pyra­mids Were Built: A New The­o­ry in 3D Ani­ma­tion

Try the Old­est Known Recipe For Tooth­paste: From Ancient Egypt, Cir­ca the 4th Cen­tu­ry BC

The Turin Erot­ic Papyrus: The Old­est Known Depic­tion of Human Sex­u­al­i­ty (Cir­ca 1150 B.C.E.)

The Met Dig­i­tal­ly Restores the Col­ors of an Ancient Egypt­ian Tem­ple, Using Pro­jec­tion Map­ping Tech­nol­o­gy

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Stylish 2,000-Year-Old Roman Shoe Found in a Well

When the Romans pushed their way north into the Ger­man provinces, they built (cir­ca 90 AD) The Saal­burg, a fort that pro­tect­ed the bound­ary between the Roman Empire and the Ger­man­ic trib­al ter­ri­to­ries. At its peak, 2,000 peo­ple lived in the fort and the attached vil­lage. It remained active until around 260 AD.

Some­where dur­ing the 19th cen­tu­ry, The Saal­burg was redis­cov­ered and exca­vat­ed, then lat­er ful­ly recon­struct­ed. It’s now a UNESCO World Her­itage site and hous­es the Saal­burg Muse­um, which con­tains many Roman relics, includ­ing a 2,000 year old shoe, appar­ent­ly found in a local well.

If you think the Ital­ians have mas­tered the craft of mak­ing shoes, well, they don’t have much on their ances­tors. Accord­ing to the site Romans Across Europe, the Romans  “were the orig­i­na­tors of the entire-foot-encas­ing shoe.” The site con­tin­ues:

There was a wide vari­ety of shoes and san­dals for men and women. Most were con­struct­ed like mil­i­tary cali­gae, with a one-piece upper nailed between lay­ers of the sole. Many had large open-work areas made by cut­ting or punch­ing cir­cles, tri­an­gles, squares, ovals, etc. in rows or grid-like pat­terns. Oth­ers were more enclosed, hav­ing only holes for the laces. Some very dain­ty women’s and children’s shoes still had thick nailed soles.

The image above, which puts all of the Roman’s shoe-mak­ing skill on dis­play, comes to us via Red­dit and imgur.

Note: An ear­li­er ver­sion of this post appeared on our site in July 2016.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

A Huge Scale Mod­el Show­ing Ancient Rome at Its Archi­tec­tur­al Peak (Built Between 1933 and 1937)

A Map Show­ing How the Ancient Romans Envi­sioned the World in 40 AD

Rome Reborn: Take a Vir­tu­al Tour of Ancient Rome, Cir­ca 320 C.E.

Free Cours­es in Ancient His­to­ry, Lit­er­a­ture & Phi­los­o­phy

Watch the Destruc­tion of Pom­peii by Mount Vesu­vius, Re-Cre­at­ed with Com­put­er Ani­ma­tion (79 AD)

Ani­ma­tion Gives You a Glimpse of What Life Was Like for Teenagers in Ancient Rome

The His­to­ry of Rome in 179 Pod­casts

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Van Gogh’s Art Now Adorns Vans Shoes

While muse­ums remain free for the most part in Europe and still so pop­u­lar that they are loved bet­ter than lux­u­ry brands (accord­ing to this one arti­cle), fund­ing is not what it used to be. As you might have seen with our posts on Hierony­mus Bosch on (Dr. Marten’s) Boots, wear­able clas­sic art is kind of a thing now.

The Van Gogh Muse­um in Ams­ter­dam announced a series of lim­it­ed-edi­tion Vans (Van Gogh, Vans shoes, get it?!) fea­tur­ing pat­terns based on his paint­ings: “Skull” (1887), “Almond Blos­som” (1890), “Sun­flow­ers” (1889) and van Gogh’s “Self-Por­trait as a Painter” (1887–1888). There’s even a shoe that uses writ­ing from one of his let­ters, includ­ing stamp and address, as a pat­tern.

Would ol’ Vin­cent been hap­py with this, see­ing the pub­lic want to wear his work? He was cer­tain­ly hap­py in that Doc­tor Who episode where he trav­eled for­ward in time to know he hadn’t suf­fered in vain. But would he have liked to see his art wrapped around fans’ bod­ies?

Because the Vans line doesn’t stop at shoes, it fea­tures base­ball hats, t‑shirts, hood­ies, and back­packs. There is undoubt­ed­ly a lot of detail put into them. These aren’t quick knock offs made for a tourist stall. The shoe inte­ri­ors con­tain addi­tion designs, and each prod­uct comes with infor­ma­tion about the work.

And it’s all for a good cause: a por­tion of each sale goes back to the Van Gogh Muse­um to help with fund­ing and preser­va­tion.

That’s a sight bet­ter than 2017’s Van Gogh bags designed by artist/cultural appro­pri­a­tor Jeff Koons for Louis Vuit­ton, for which he slapped some mas­ter­pieces on a $5,000 hand­bag and hung “VAN GOGH” in blocky fake-gold let­ters on the front. (If it makes you feel bet­ter, Louis Vuit­ton burns all its left­over prod­uct lest it fall into the hands of the poors.)

The Vans Van Gogh col­lec­tion store opens August 3, so we can’t even tell you how much these shoes might be. But if the Doc Marten’s are any­thing to go by, they will sell out quick.

Cool way to help fund a muse­um, or just pure com­mod­i­fi­ca­tion? Let us know below.

via This is Colos­sal

Relat­ed con­tent:

Watch the Trail­er for a “Ful­ly Paint­ed” Van Gogh Film: Fea­tures 12 Oil Paint­ings Per Sec­ond by 100+ Painters

Mar­tin Scors­ese Plays Vin­cent Van Gogh in a Short, Sur­re­al Film by Aki­ra Kuro­sawa

Down­load Hun­dreds of Van Gogh Paint­ings, Sketch­es & Let­ters in High Res­o­lu­tion

Ted Mills is a free­lance writer on the arts who cur­rent­ly hosts the artist inter­view-based FunkZone Pod­cast and is the pro­duc­er of KCR­W’s Curi­ous Coast. You can also fol­low him on Twit­ter at @tedmills, read his oth­er arts writ­ing at tedmills.com and/or watch his films here.

Hear David Lynch Read from His New Memoir Room to Dream, and Browse His New Online T‑Shirt Store

We think of David Lynch as a film­mak­er, and right­ly so, but the direc­tor of Eraser­headBlue Vel­vet, and Mul­hol­land Dri­ve has long kept a more diverse cre­ative port­fo­lio. He began as a painter, study­ing at the Penn­syl­va­nia Acad­e­my of the Fine Arts, and has also tried his hand at pho­tog­ra­phymusic, and com­ic strips. More recent­ly, writes the AV Club’s Ran­dall Col­burn, “Lynch has also released his own line of cof­fee, col­lab­o­rat­ed on Twin Peaks-themed beer and skate­boards, and cre­at­ed his own fes­ti­val. His lat­est endeav­or? T‑shirts, which is wild because it’s hard to imag­ine the ever-dap­per film­mak­er ever wear­ing one.”

Per­haps a line of Lynch-approved tra­di­tion­al white shirts, made to be but­toned all the way up even with­out a tie, remains in devel­op­ment. But for now, fans choose from the 57 T‑shirts designs now avail­able at Stu­dio: David Lynch’s Ama­zon store. All suit­able for wear­ing to your local revival house, they include “Turkey Cheese Head,” “Cow­boy,” “Small Dog,”“Small Bark­ing Dog,“and “You Got­ta Be Kid­din’ Me.” What kind of life, now solid­ly into its eighth decade, has both enabled and dri­ven Lynch to make not just so many things, but so many Lynchi­an things? Per­haps we can find a few answers with­in the near­ly 600 pages of Room to Dream, Lynch’s new mem­oir.

“Fans who share Lynch’s plea­sure in mys­tery will approach this book anx­ious­ly, hop­ing that his secrets may some­how be both revealed and sus­tained,” writes the Wash­ing­ton Post’s Charles Arrow­smith of the book, an excerpt of which you can hear read by Lynch him­self above. (He begins by say­ing “I’m going to tell you a sto­ry about my grand­par­ents” and ends with the image of his young self vom­it­ing into a hel­met he’d brought to school for show-and-tell.) And those who fear that the con­ven­tion­al­i­ty of the mem­oir form might flat­ten out Lynch’s idio­syn­crasies can rest assured that “in telling his life sto­ry, Lynch demon­strates the same dis­re­gard for causal­i­ty and tonal con­sis­ten­cy that marks his films.”

Despite includ­ing not just Lynch’s per­spec­tive but the per­spec­tives of many oth­ers (“sur­pris­ing­ly can­did ex-wives, fam­i­ly mem­bers, actors, agents, musi­cians, and col­leagues in var­i­ous fields,” pro­claims the jack­et copy), “Room to Dream pulls off a neat trick in draw­ing back a cur­tain and reveal­ing rel­a­tive­ly lit­tle. Despite the book’s heft, there’s not much to expli­cate the mys­ter­ies of Lynch’s work. But then, for him, the mystery’s the thing. To explain would be to destroy. What we get instead is insight into his cre­ative process.” As ded­i­cat­ed Lynch enthu­si­asts under­stand, the cre­ative process, which through­out his career has led him not to answers but ever more strange­ly com­pelling ques­tions, is every­thing.

Note: When Room to Dream comes out on June 19th, you can down­load the audio­book ver­sion, which Lynch helps nar­rate, for free if you sign up for Audi­ble’s free tri­al pro­gram. We have details on that pro­gram here.

Relat­ed Con­tent:

The Paint­ings of Filmmaker/Visual Artist David Lynch

David Lynch’s Pho­tographs of Old Fac­to­ries

Dis­cov­er David Lynch’s Bizarre & Min­i­mal­ist Com­ic Strip, The Angri­est Dog in the World (1983–1992)

What Makes a David Lynch Film Lynchi­an: A Video Essay

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

How Dr. Martens’ Boots Are Made

In recent months, we’ve high­light­ed how Dr. Martens, the icon­ic boot mak­er, has tried to rein­vent itself by cre­at­ing more artis­ti­cal­ly inspired boots, some actu­al­ly adorn­ing the art­work of William Blake, Hierony­mus Bosch, and tra­di­tion­al Japan­ese artists. These aren’t your grand­fa­ther’s Doc Martens, to be sure.

But how­ev­er dif­fer­ent Docs may now look on the out­side, they haven’t changed much on the inside. Just watch the video above, which takes you on a tour of “Dr. Martens’ only UK fac­to­ry on Cobbs Lane in Wol­las­ton, Northamp­ton­shire.” The fac­to­ry “employs 50 work­ers that make about 100,000 pairs of boots per year,” all in the com­pa­ny’s tried and true way.…

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Doc Martens Now Come Adorned with William Blake’s Art, Thanks to a Part­ner­ship with Tate Britain

Doc Martens Boots Adorned with Hierony­mus Bosch’s “Gar­den of Earth­ly Delights”

Doc Martens Boots Now Come Adorned with Tra­di­tion­al Japan­ese Art

 

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Open Culture was founded by Dan Colman.