Music for a String Quartet Made from Global Warming Data: Hear “Planetary Bands, Warming World”

In 2013, we fea­tured Daniel Craw­ford, an under­grad at the Uni­ver­si­ty of Min­neso­ta, play­ing “A Song of Our Warm­ing Plan­et” on his cel­lo. The song, pro­duced in col­lab­o­ra­tion with geog­ra­phy pro­fes­sor Scott St. George, was cre­at­ed using a method called “data soni­fi­ca­tion,” which con­verts glob­al tem­per­a­ture records into a series of musi­cal notes. (More on that here.)

Now, two years lat­er, we have a brand new video by Craw­ford and St. George. This one is a com­po­si­tion for a string quar­tet called “Plan­e­tary Bands, Warm­ing World,” and it’s based on tem­per­a­ture data gath­ered over time by NASA’s God­dard Insti­tute for Space Stud­ies. As Craw­ford explains in the video, “Each instru­ment rep­re­sents a spe­cif­ic part of the North­ern Hemi­sphere. The cel­lo match­es the tem­per­a­ture of the equa­to­r­i­al zone. The vio­la tracks the mid lat­i­tudes. The two vio­lins sep­a­rate­ly fol­low tem­per­a­tures in the high lat­i­tudes and in the arc­tic.” Each note’s pitch “is tuned to the aver­age annu­al tem­per­a­ture in each region, so low notes rep­re­sent cold years and high notes rep­re­sent warm years.” As you lis­ten, keep in mind one obser­va­tion made by Prof. St. George says. “Lis­ten­ing to the vio­lin climb almost the entire range of the instru­ment is incred­i­bly effec­tive at illus­trat­ing the mag­ni­tude of change — par­tic­u­lar­ly in the Arc­tic which has warmed more than any oth­er part of the plan­et.” The time peri­od cov­ered here moves from 1880 to present.

Relat­ed Con­tent:

A Song of Our Warm­ing Plan­et: Cel­list Turns 130 Years of Cli­mate Change Data into Music

Glob­al Warm­ing: A Free Course from UChica­go Explains Cli­mate Change

132 Years of Glob­al Warm­ing Visu­al­ized in 26 Dra­mat­i­cal­ly Ani­mat­ed Sec­onds

How Cli­mate Change Is Threat­en­ing Your Dai­ly Cup of Cof­fee

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John Waters Narrates Offbeat Documentary on an Environmental Catastrophe, the Salton Sea

In 2004, John Waters nar­rat­ed Plagues & Plea­sures on the Salton Sea, a humor­ous doc­u­men­tary on the acci­den­tal lake cre­at­ed in the desert of South­ern Cal­i­for­nia. You can now find the film host­ed on the YouTube chan­nel of KQED, the pub­lic tele­vi­sion out­fit in San Fran­cis­co (where we’re get­ting heavy, heavy rains today). They lay the foun­da­tion for watch­ing the film as fol­lows:

Once known as the “Cal­i­for­nia Riv­iera,” the Salton Sea is now con­sid­ered one of Amer­i­ca’s worst eco­log­i­cal dis­as­ters: a fetid, stag­nant, salty lake, cough­ing up dead fish and birds by the thou­sands. Nar­rat­ed by cult-movie leg­end John Waters, Plagues & Plea­sures is an epic west­ern tale of real estate ven­tures and failed boom­towns.

Find Plagues & Plea­sures on the Salton Sea list­ed in our col­lec­tion, 285 Free Doc­u­men­taries Online.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

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via @Wfmu

Relat­ed Con­tent:

John Waters Makes Hand­made Christ­mas Cards, Says the “Whole Pur­pose of Life is Christ­mas”

An Anti, Anti-Smok­ing Announce­ment from John Waters

John Waters: The Point of Con­tem­po­rary Art

Glob­al Warm­ing: A Free Course from UChica­go Explains Cli­mate Change

A Year in the Life of Earth’s CO2: A Striking Visualization

Dur­ing the same week when House Repub­li­cans passed a bill for­bid­ding sci­en­tists from advis­ing the EPA on its own research, NASA cli­mate sci­en­tists (coin­ci­den­tal­ly but maybe incon­ve­nient­ly) released a video doc­u­ment­ing A Year in the Life of Earth­’s CO2. Accord­ing to NASA, “The visu­al­iza­tion is a prod­uct of a sim­u­la­tion called ‘Nature Run,’ ” which “ingests real data on atmos­pher­ic con­di­tions and the emis­sion of green­house gas­es and both nat­ur­al and man-made par­tic­u­lates. The mod­el is then left to run on its own and sim­u­late the nat­ur­al behav­ior of the Earth’s atmos­phere.”  The video above visu­al­izes how car­bon diox­ide in the atmos­phere trav­eled around the globe from Jan­u­ary 2006 through Decem­ber 2006. Hope­ful­ly the take-away isn’t look at all the pret­ty col­ors. The video is in the pub­lic domain and can be down­loaded here.

To learn more about cli­mate change, see the Uni­ver­si­ty of Chicago’s course, Glob­al Warm­ing. It’s a free 23-lec­ture course pre­sent­ed by David Archer, a pro­fes­sor in the Depart­ment of The Geo­phys­i­cal Sci­ences.

Kevin Spacey Is the Rainforest, Julia Roberts is Mother Nature: Actors Play Nature in Environmental Shorts

When Hol­ly­wood’s for­mi­da­ble pro­mo­tion­al wing dis­cov­ered it could announce a movie by not just telling you a big star is in it, but that a big star is it, they had a decades-long field day with the idea that con­tin­ues, tire­some­ly, to the present moment. Right now, many of the bill­boards up around Los Ange­les insist upon telling me that “Keanu Reaves is John Wick,” but give it a few weeks and they’ll tell us some­one else we know is some­one else we don’t (unless, of course, we buy a tick­et). Con­ser­va­tion Inter­na­tion­al has tak­en this mar­ket­ing trope and spun it into a series of shorts fea­tur­ing “A‑list” actors, the most famous of the famous, play­ing the earth­ly enti­ties with which we should, per­haps, have more famil­iar­i­ty than we do. At the top of the post, Kevin Spacey is the rain­for­est. Just below, Julia Roberts is Moth­er Nature. At the bot­tom, Har­ri­son Ford is the ocean.

“I’m most of this plan­et,” Ford-as-ocean intones with his sig­na­ture (and increas­ing­ly gruff) gruff­ness. “I shaped it. Every stream, every cloud, and every rain­drop — it all comes back to me.” But as Moth­er Nature, Roberts makes impres­sive claims of her own: “I’ve been here for over four and a half bil­lion years — 22,500 times longer than you. I don’t real­ly need peo­ple, but peo­ple need me.” Not to be out­done, Kevin Spacey’s ever-giv­ing rain­for­est issues a chal­lenge to us all: “Humans, they’re so smart. So smart. Such big brains and oppos­able thumbs. They know how to make things — amaz­ing things. Now why would they need an old for­est like me any­more? Well, they do breathe air, and I make air. Have they thought about that?”

You can watch the entire series of films, enti­tled “Nature is Speak­ing,” on a sin­gle Youtube playlist. The rest of the line­up includes Edward Nor­ton as the soil, Pene­lope Cruz as water (o, hablan­do en español, como Agua), and Robert Red­ford as, suit­ably, the red­wood. (You can also see clips from behind the scenes fea­tur­ing Nor­ton and Ford assum­ing their ele­men­tal roles in the record­ing stu­dio.) They all com­bine this con­sid­er­able amount of vocal star pow­er with equal­ly strik­ing footage of the part of the envi­ron­ment from whom we hear, and some­times of its destruc­tion. They car­ry one over­all mes­sage, which Con­ver­sa­tion Inter­na­tion­al has unshy­ly spelled out: “Nature doesn’t need peo­ple. Peo­ple need nature.” Still, it comes off less heavy-hand­ed than most of the envi­ron­men­tal mes­sages I remem­ber from the films of my 1990s youth. If, for the next series, they get Reeves on board (speak­ing of pieces of my 90s youth), can they find a suit­ably laid-back ele­ment to pair him with? For more infor­ma­tion on the cam­paign, please vis­it the Nature is Speak­ing site.

Relat­ed Con­tent:

Envi­ron­ment & Nat­ur­al Resources: Free Online Cours­es

E.O. Wilson’s Life on Earth Released as a Free eBook and Free Course on iTunes

Har­vard Thinks Green: Big Ideas from 6 All-Star Envi­ron­ment Profs

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

How Wolves Change Rivers

In nature, every­thing is con­nect­ed — con­nect­ed in ways you might not expect. The short video above is nar­rat­ed by George Mon­biot, an Eng­lish writer and envi­ron­men­tal­ist, who now con­sid­ers him­self a “rewil­d­ing cam­paign­er.” The con­cept of rewil­d­ing and how it can save ecosys­tems in gen­er­al, and how wolves changed Yel­low­stone Nation­al Park in par­tic­u­lar, is some­thing Mon­biot explains in greater detail in his 2013 TED Talk below, and in his new book — Fer­al: Search­ing for Enchant­ment on the Fron­tiers of Rewil­d­ing.

Relat­ed Con­tent:

Envi­ron­ment & Nat­ur­al Resources: Free Online Cours­es

E.O. Wilson’s Life on Earth Released as a Free eBook and Free Course on iTunes

How Cli­mate Change Is Threat­en­ing Your Dai­ly Cup of Cof­fee

New Google-Pow­ered Site Tracks Glob­al Defor­esta­tion in ‘Near-Real-Time’

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Watch Episode 1 of Years of Living Dangerously, The New Showtime Series on Climate Change

Ever since Al Gore’s An Incon­ve­nient Truth came out to crit­i­cal acco­lades, Con­ser­v­a­tive scorn and a hand­ful of Oscars, there has been no short­age of well mean­ing doc­u­men­taries about the per­ils of cli­mate change. Most fea­ture a Hol­ly­wood celebri­ty or two, a lib­er­al amount of lib­er­al guilt, and a dis­tinct sense of preach­ing to the con­vert­ed.

The new Show­time series Years of Liv­ing Dan­ger­ous­ly might have plen­ty of those first two ele­ments but none of the third. In the first episode of the series –which has been released for free on YouTube (above) – Don Chea­dle asks, “Is there a way to dis­cuss cli­mate change with­out pol­i­tics or reli­gion get­ting in the way?” Pro­duc­ers James Cameron, Arnold Schwarzeneg­ger and Jer­ry Wein­traub try valiant­ly to answer that ques­tion in the affir­ma­tive.

The series fea­tures a vari­ety of celebri­ties — Schwarzeneg­ger, Matt Damon, Jes­si­ca Alba – and celebri­ty reporters – Les­ley Stahl, Chris Hayes, Mark Bittman – who inves­ti­gate dif­fer­ent facets of the top­ic.

In Cheadle’s seg­ment, he tracks down an unusu­al fig­ure in the heat­ed, tire­some cli­mate change debate – an Evan­gel­i­cal cli­mate sci­en­tist. In a fas­ci­nat­ing scene, she talks to the devout denizens of Plain­view TX, try­ing to con­vince them that the drought that caused the clos­ing of the local meat­pack­ing plant – the town’s biggest employ­er – was the result of some­thing oth­er than divine will.

Mean­while, New York Times colum­nist Thomas Fried­man traces the ori­gins of the Syr­i­an civ­il war to – you guessed it – cli­mate change. He cross­es into that war torn coun­try (briefly) to dis­cov­er that the seeds of the con­flict were sown by the government’s indif­fer­ent response to a long-run­ning drought.

But the most enter­tain­ing seg­ment is Har­ri­son Ford explor­ing the caus­es of Indonesia’s rapid defor­esta­tion. Appar­ent­ly, palm oil – that anony­mous ingre­di­ent in every­thing from cook­ies to choco­late bars – is such big busi­ness that it’s turn­ing Bor­neo into a burn-scared moon­scape. Who knew?

Ford’s charis­ma and grav­el­ly bari­tone can turn the most inane line — “That’s a lot of cars” – into some­thing with almost Tal­mu­dic pro­fun­di­ty. It makes for some riv­et­ing view­ing. The show ends with Ford chomp­ing at the bit to inter­view Indonesia’s utter­ly cor­rupt Forestry Min­is­ter. That meet­ing, which occurs in a lat­er episode, promis­es to be a 60 Min­utes-style smack­down. You think Mike Wal­lace was daunt­ing? Try Indi­ana Jones.

Years of Liv­ing Dan­ger­ous­ly pre­mieres on Show­time on April 13.

For a more aca­d­e­m­ic intro­duc­tion to this sub­ject, see Glob­al Warm­ing: A Free Course from UChica­go.

via Kot­tke

Relat­ed Con­tent:

Free: Watch the First Episode of Sil­i­con Val­ley, Mike Judge’s New HBO Series

How Cli­mate Change Is Threat­en­ing Your Dai­ly Cup of Cof­fee

A Song of Our Warm­ing Plan­et: Cel­list Turns 130 Years of Cli­mate Change Data into Music

Jonathan Crow is a Los Ange­les-based writer and film­mak­er whose work has appeared in Yahoo!, The Hol­ly­wood Reporter, and oth­er pub­li­ca­tions. You can fol­low him at @jonccrow.

Animated Video Features Werner Herzog Discussing His Childhood Adventures & 20th-Century Rage

I’m not sur­prised that film­mak­er Wern­er Her­zog hates the com­mod­i­fi­ca­tion of the word “adven­ture,” when he’s spent over four decades court­ing it in the most clas­sic sense. In the New York Pub­lic Library Con­ver­sa­tion Por­trait above (one of a series that includes the John Waters pro­file we brought you ear­li­er this week), the ven­er­a­ble direc­tor describes the sort of child­hood that could cause one to take a dim view of pack­aged tours mas­querad­ing as adven­ture.

After the infant Her­zog sur­vived a bomb­ing that cov­ered him in rub­ble, his moth­er, under­stand­ably fear­ing for her chil­dren’s safe­ty, fled to the moun­tains. The remote­ness of his upbring­ing shel­tered him in some ways (“I did not even know that cin­e­ma exist­ed until I was 11”) and not, in oth­ers. (“At age four, I was in pos­ses­sion of a func­tion­ing sub­ma­chine gun and my broth­er had a hand grenade.”)

When he says that hunger was a pre­vail­ing theme, I dare you to dis­agree.

I’m like­wise inclined to pay atten­tion when he asserts that the mod­ern obses­sion with tech­nol­o­gy is gob­bling resources at a dis­as­trous pace, and that thou­sands of world lan­guages will have dis­ap­peared for good by 2050.

Dire pre­dic­tions, and yet he fills me with cheer every time he opens his mouth. I swear it’s not just that mar­velous, much imi­tat­ed voice. It’s also a com­fort to know we’ve got a pro­lif­ic artist remain­ing at his out­post from a sense of duty, gloomy yet stout as a child in his belief that an ecsta­sy of truth lies with­in human grasp.

Relat­ed Con­tent:

Wern­er Herzog’s Eye-Open­ing New Film Reveals the Dan­gers of Tex­ting While Dri­ving

Por­trait Wern­er Her­zog: The Director’s Auto­bi­o­graph­i­cal Short Film from 1986

Mas­ter Cura­tor Paul Hold­en­gräber Inter­views Hitchens, Her­zog, Goure­vitch & Oth­er Lead­ing Thinkers

Ayun Hal­l­i­day looks in the eyes of the bear Fol­low her @AyunHalliday

New Google-Powered Site Tracks Global Deforestation in ‘Near-Real-Time’

In Sep­tem­ber we told you about tril­lions of satel­lite images of Earth, gen­er­at­ed by the Land­sat, that are now avail­able to the pub­lic.

Now we can share an inter­ac­tive tool that is using some of those Land­sat images to stop ille­gal defor­esta­tion.

With help from Google Earth Engine, the World Resources Insti­tute launched Glob­al For­est Watch, an online for­est mon­i­tor­ing and alert sys­tem that allows indi­vid­ual com­put­er users to watch forests around the world change in an almost real-time stream of imagery.

Whis­tle blow­ers are mak­ing pow­er­ful use of the Glob­al For­est Watch tool. Using spa­tial data streams avail­able on the site to observe for­est changes in south­east­ern Peru, a num­ber of users sub­mit­ted alerts about rapid­ly esca­lat­ing defor­esta­tion near a gold mine and riv­er val­ley. In anoth­er case, observers sub­mit­ted an alert about ille­gal log­ging in the Repub­lic of the Con­go.

Five years ago, NASA and the U.S. Geo­log­i­cal Sur­vey lift­ed pro­to­cols that kept Land­sat images pro­pri­etary. Now, agen­cies like the World Resources Institute—and even tiny cit­i­zen watch­dog groups around the world—have access to incred­i­bly rich tools and data. Some of the imagery is hard to inter­pret. Glob­al For­est Watch devel­oped a num­ber of dif­fer­ent data lay­ers for users to apply, mak­ing it pos­si­ble to mon­i­tor for­est areas for trends or ille­gal log­ging. The video at the top of this page gives a good overview of how the site works. This one gives more detail about how to use the maps on the Glob­al For­est Watch site.

Select an area of the world and then select a data set that inter­ests you. Choose to look at ter­rain, satel­lite, road, tree height, or com­pos­ite images of a par­tic­u­lar region. Data lay­ers can be lay­ered on top of one anoth­er to show trends in for­est man­age­ment. In Indone­sia, for exam­ple, you can use the FORMA alerts but­ton to see what has already been report­ed in that area of the humid trop­ics.

How can you tell if for­est change is due to ille­gal log­ging? Turn on the For­est Use fil­ters to see which areas are autho­rized for log­ging and min­ing and which are pro­tect­ed. In Indone­sia, many areas are des­ig­nat­ed for oil palm pro­duc­tion, but expan­sion of those crops are often asso­ci­at­ed with loss of nat­ur­al for­est.

Do your own sleuthing. The site is designed to har­ness data from gov­ern­ment and aca­d­e­m­ic sci­en­tists, along with obser­va­tion from indi­vid­u­als (us). There is even infor­ma­tion about com­pa­nies that are grow­ing oil palm trees, so it’s pos­si­ble that a dili­gent user could catch an over-aggres­sive grow­er step­ping over the for­est bound­ary.

Relat­ed Con­tent:

A Plan­e­tary Per­spec­tive: Tril­lions of Pic­tures of the Earth Avail­able Through Google Earth Engine

Trace Darwin’s Foot­steps with Google’s New Vir­tu­al Tour of the Gala­pa­gos Islands

Reef View: Google Gives Us Stun­ning Under­wa­ter Shots of Great Coral Reefs

Kate Rix writes about dig­i­tal media and edu­ca­tion. Fol­low her on Twit­ter.

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