Albert Einstein’s Grades: A Fascinating Look at His Report Cards

Albert Ein­stein was a pre­co­cious child.

At the age of twelve, he fol­lowed his own line of rea­son­ing to find a proof of the Pythagore­an The­o­rem. At thir­teen he read Kant, just for the fun of it. And before he was fif­teen he had taught him­self dif­fer­en­tial and inte­gral cal­cu­lus.

But while the young Ein­stein was engrossed in intel­lec­tu­al pur­suits, he did­n’t much care for school. He hat­ed rote learn­ing and despised author­i­tar­i­an school­mas­ters. His sense of intel­lec­tu­al supe­ri­or­i­ty was resent­ed by his teach­ers.

In Sub­tle is the Lord: The Sci­ence and Life of Albert Ein­stein, author Abra­ham Pais tells a fun­ny sto­ry from Ein­stein’s days at the Luit­pold Gym­na­si­um, a sec­ondary school in Munich now called the Albert-Ein­stein-Gym­na­si­um:

At the Gym­na­si­um a teacher once said to him that he, the teacher, would be much hap­pi­er if the boy were not in his class. Ein­stein replied that he had done noth­ing wrong. The teacher answered, “Yes, that is true. But you sit there in the back row and smile, and that vio­lates the feel­ing of respect that a teacher needs from his class.”

The same teacher famous­ly said that Ein­stein “would nev­er get any­where in life.”

What both­ered Ein­stein most about the Luit­pold was its oppres­sive atmos­phere. His sis­ter Maja would lat­er write:

“The mil­i­tary tone of the school, the sys­tem­at­ic train­ing in the wor­ship of author­i­ty that was sup­posed to accus­tom pupils at an ear­ly age to mil­i­tary dis­ci­pline, was also par­tic­u­lar­ly unpleas­ant for the boy. He con­tem­plat­ed with dread that not-too-dis­tant moment when he will have to don a sol­dier’s uni­form in order to ful­fill his mil­i­tary oblig­a­tions.”

When he was six­teen, Ein­stein’s par­ents moved to Italy to pur­sue a busi­ness ven­ture. They told him to stay behind and fin­ish school. But Ein­stein was des­per­ate to join them in Italy before his sev­en­teenth birth­day. “Accord­ing to the Ger­man cit­i­zen­ship laws,” Maja explained, “a male cit­i­zen must not emi­grate after his com­plet­ed six­teenth year; oth­er­wise, if he fails to report for mil­i­tary ser­vice, he is declared a desert­er.”

So Ein­stein found a way to get a doc­tor’s per­mis­sion to with­draw from the school on the pre­text of “men­tal exhaus­tion,” and fled to Italy with­out a diplo­ma. Years lat­er, in 1944, dur­ing the final days of World War II, the Luit­pold Gym­na­si­um was oblit­er­at­ed by Allied bomb­ing. So we don’t have a record of Ein­stein’s grades there. But there is record of a prin­ci­pal at the school look­ing up Ein­stein’s grades in 1929 to fact check a press report that Ein­stein had been a very bad stu­dent. Wal­ter Sul­li­van writes about it in a 1984 piece in The New York Times:

With 1 as the high­est grade and 6 the low­est, the prin­ci­pal report­ed, Ein­stein’s marks in Greek, Latin and math­e­mat­ics oscil­lat­ed between 1 and 2 until, toward the end, he invari­ably scored 1 in math.

After he dropped out, Ein­stein’s fam­i­ly enlist­ed a well-con­nect­ed friend to per­suade the Swiss Fed­er­al Insti­tute of Tech­nol­o­gy, or ETH, to let him take the entrance exam, even though he was only six­teen years old and had not grad­u­at­ed from high school. He scored bril­liant­ly in physics and math, but poor­ly in oth­er areas. The direc­tor of the ETH sug­gest­ed he fin­ish prepara­to­ry school in the town of Aarau, in the Swiss can­ton of Aar­gau. A diplo­ma from the can­ton­al school would guar­an­tee Ein­stein admis­sion to the ETH.

At Aarau, Ein­stein was pleas­ant­ly sur­prised to find a lib­er­al atmos­phere in which inde­pen­dent thought was encour­aged.  “When com­pared to six years’ school­ing at a Ger­man author­i­tar­i­an gym­na­si­um,” he lat­er said, “it made me clear­ly real­ize how much supe­ri­or an edu­ca­tion based on free action and per­son­al respon­si­bil­i­ty is to one rely­ing on out­ward author­i­ty.”

In Ein­stein’s first semes­ter at Aarau, the school still used the old method of scor­ing from 1 to 6, with 1 as the high­est grade. In the sec­ond semes­ter the sys­tem was reversed, with 6 becom­ing the high­est grade. Bar­ry R. Park­er talks about Ein­stein’s first-semes­ter grades in his book, Ein­stein: The Pas­sions of a Sci­en­tist:

His grades over the first few months were: Ger­man, 2–3; French, 3–4; his­to­ry, 1–2; math­e­mat­ics, 1; physics, 1–2; nat­ur­al his­to­ry, 2–3; chem­istry, 2–3; draw­ing, 2–3; and vio­lin, 1. (The range is 1 to 6, with 1 being the high­est.) Although none of the grades, with the excep­tion of French, were con­sid­ered poor, some of them were only aver­age.

The school head­mas­ter, Jost Win­tel­er, who had wel­comed Ein­stein into his home as a board­er and had become some­thing of a sur­ro­gate father to him dur­ing his time at Aarau, was con­cerned that a young man as obvi­ous­ly bril­liant as Albert was receiv­ing aver­age grades in so many cours­es. At Christ­mas in 1895, he mailed a report card to Ein­stein’s par­ents. Her­mann Ein­stein replied with warm thanks, but said he was not too wor­ried. As Park­er writes, Ein­stein’s father said he was used to see­ing a few “not-so-good grades along with very good ones.”

In the next semes­ter Ein­stein’s grades improved, but were still mixed. As Toby Hendy of the Youtube chan­nel Tibees shows in the video above, Ein­stein’s final grades were excel­lent in math and physics, but clos­er to aver­age in oth­er areas.

Ein­stein’s uneven aca­d­e­m­ic per­for­mance con­tin­ued at the ETH, as Hendy shows. By the third year his rela­tion­ship with the head of the physics depart­ment, Hein­rich Weber, began to dete­ri­o­rate. Weber was offend­ed by the young man’s arro­gance. “You’re a clever boy, Ein­stein,” said Weber. “An extreme­ly clever boy. But you have one great fault. You’ll nev­er allow your­self to be told any­thing.” Ein­stein was par­tic­u­lar­ly frus­trat­ed that Weber refused to teach the ground­break­ing elec­tro­mag­net­ic the­o­ry of James Clerk Maxwell. He began spend­ing less time in the class­room and more time read­ing up on cur­rent physics at home and in the cafes of Zurich.

Ein­stein increas­ing­ly focused his atten­tion on physics, and neglect­ed math­e­mat­ics. He came to regret this. “It was not clear to me as a stu­dent,” he lat­er said, “that a more pro­found knowl­edge of the basic prin­ci­ples of physics was tied up with the most intri­cate math­e­mat­i­cal meth­ods.”

Ein­stein’s class­mate Mar­cel Gross­mann helped him by shar­ing his notes from the math lec­tures Ein­stein had skipped. When Ein­stein grad­u­at­ed, his con­flict with Weber cost him the teach­ing job he had expect­ed to receive. Gross­mann even­tu­al­ly came to Ein­stein’s res­cue again, urg­ing his father to help him secure a well-paid job as a clerk in the Swiss patent office. Many years lat­er, when Gross­mann died, Ein­stein wrote a let­ter to his wid­ow that con­veyed not only his sad­ness at an old friend’s death, but also his bit­ter­sweet mem­o­ries of life as a col­lege stu­dent:

“Our days togeth­er come back to me. He a mod­el stu­dent; I untidy and a day­dream­er. He on excel­lent terms with the teach­ers and grasp­ing every­thing eas­i­ly; I aloof and dis­con­tent­ed, not very pop­u­lar. But we were good friends and our con­ver­sa­tions over iced cof­fee at the Metropol every few weeks belong among my nicest mem­o­ries.”

Relat­ed Con­tent:

Hear Albert Ein­stein Read  ‘The Com­mon Lan­guage of Sci­ence’ (1941)

Dig­i­tal Ein­stein: Prince­ton Web Site Puts Thou­sands of Ein­stein’s Papers Online

Albert Ein­stein on Indi­vid­ual Lib­er­ty, With­out Which There Would Be ‘No Shake­speare, No Goethe, No New­ton’

Netflix Makes Documentaries Free to Stream: Design, Politics, Sports, Sir David Attenborough & More

Many of us kept indoors by the COVID-19 pan­dem­ic for days — or rather weeks, or per­haps months — have been imbued with a new sense of won­der about our world. Specif­i­cal­ly, we’re won­der­ing what’s going on in it. At the same time as the glob­al sci­en­tif­ic com­mu­ni­ty strug­gles to deter­mine the nature of the new and still poor­ly under­stood virus tak­ing lives and immo­bi­liz­ing economies, we hear dig­i­tal word of con­se­quent phe­nom­e­na also pre­vi­ous­ly unknown in our life­times: wild ani­mals, for instance, mak­ing their way into the streets of major cities. We live, it turns out, in a stranger, more mys­te­ri­ous real­i­ty than we’d imag­ined. For­tu­nate­ly, the inter­net makes it pos­si­ble for us to start get­ting a grip on that real­i­ty here in our homes, not least through free stream­ing Net­flix doc­u­men­taries.

“In the Before Times, Net­flix let teach­ers stream their pro­gram­ming in the class­room,” writes Jason Kot­tke. With schools out of ses­sion, “Net­flix has decid­ed to put some of their edu­ca­tion­al pro­gram­ming on YouTube for free (full playlist here). For instance, they’ve put all 8 episodes of David Attenborough’s nature series Our Plan­et online in their entire­ty.”

Released just last year, that Net­flix debut of the high­ly respect­ed nat­ur­al his­to­ri­an and broad­cast­er cov­ers in great visu­al detail — and, need­less to say, with high­ly evoca­tive nar­ra­tion — every­where from forests and deserts to jun­gles and high seas. If as a start­ing point that all seems a bit epic, as they say, Net­flix has also made free sin­gle-serv­ing doc­u­men­tary shorts on sub­jects like the stock mar­ket, the excla­ma­tion point, and crick­et (the British Empire sport, not the insect).

Those come from the series Explained, a col­lab­o­ra­tion between Net­flix and Vox, a site known for its brief “explain­er” videos on cul­ture, sci­ence, and cur­rent events — one of which, on the coro­n­avirus itself, we fea­tured last month here on Open Cul­ture. Net­flix has also made free to stream on Youtube oth­er series like Abstract, which looks at the art of design (and whose debut we fea­tured here a few years ago), and Babies, a five-part jour­ney into the life of the human infant. If you pre­fer a fea­ture-length doc­u­men­tary expe­ri­ence to a dai­ly view or a binge-watch, you’ll also find on the playlist Ava DuVer­nay’s 13th, Rachel Lears’ Knock Down the House, and Jeff Orlowski’s Chas­ing Coral. When the orders of “stay home” and “social-dis­tance” come to an end, many of us will feel a stronger desire to explore and learn about the world than ever before — in part because of how much of the time indoors we’ve spent stok­ing our curios­i­ty with doc­u­men­taries like these. Access the playlist of doc­u­men­taries here.

via Kot­tke

Relat­ed Con­tent:

265 Free Doc­u­men­taries Online

200 Free Doc­u­men­taries: A Super Rich List of Fine­ly-Craft­ed Doc­u­men­taries on the Web

Cours­era Makes Cours­es & Cer­tifi­cates Free Dur­ing Coro­n­avirus Quar­an­tine: Take Cours­es in Psy­chol­o­gy, Music, Well­ness, Pro­fes­sion­al Devel­op­ment & More Online

Björk and Sir David Atten­bor­ough Team Up in a New Doc­u­men­tary About Music and Tech­nol­o­gy

David Atten­bor­ough Reads “What a Won­der­ful World” in a Mov­ing Video

Use Your Time in Iso­la­tion to Learn Every­thing You’ve Always Want­ed To: Free Online Cours­es, Audio Books, eBooks, Movies, Col­or­ing Books & More

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall, on Face­book, or on Insta­gram.

The “Feynman Technique” for Studying Effectively: An Animated Primer

After win­ning the Nobel Prize, physi­cist Max Planck “went around Ger­many giv­ing the same stan­dard lec­ture on the new quan­tum mechan­ics. Over time, his chauf­feur mem­o­rized the lec­ture and said, ‘Would you mind, Pro­fes­sor Planck, because it’s so bor­ing to stay in our rou­tine, if I gave the lec­ture in Munich and you just sat in front wear­ing my chauffeur’s hat?’ Planck said, ‘Why not?’ And the chauf­feur got up and gave this long lec­ture on quan­tum mechan­ics. After which a physics pro­fes­sor stood up and asked a per­fect­ly ghast­ly ques­tion. The speak­er said, ‘Well, I’m sur­prised that in an advanced city like Munich I get such an ele­men­tary ques­tion. I’m going to ask my chauf­feur to reply.’ ”

That this intel­lec­tu­al switcheroo nev­er actu­al­ly hap­pened did­n’t stop Char­lie Munger from using it as an open­er for a com­mence­ment speech to USC’s Law School. But when a suc­cess­ful bil­lion­aire investor finds val­ue even in an admit­ted­ly “apoc­ryphal sto­ry,” most of us will find val­ue in it as well. It illus­trates, accord­ing to the Free­dom in Thought video above, the dif­fer­ence between “two kinds of knowl­edge: the deep knowl­edge that Max had, and the shal­low knowl­edge that the chauf­feur had.” Both forms of knowl­edge have their advan­tages, espe­cial­ly since none of us have life­time enough to under­stand every­thing deeply. But we get in trou­ble when we can’t tell them apart: “We risk fool­ing our­selves into think­ing we actu­al­ly under­stand or know some­thing when we don’t. Even worse, we risk tak­ing action on mis­in­for­ma­tion or mis­un­der­stand­ing.”

Even if you put lit­tle stock into a made-up anec­dote about one Nobel-win­ning physi­cist, sure­ly you’ll believe the doc­u­ment­ed words of anoth­er. Richard Feyn­man once artic­u­lat­ed a first prin­ci­ple of know­ing as fol­lows: “You must not fool your­self, and you are the eas­i­est per­son to fool.” This prin­ci­ple under­lies a prac­ti­cal process of learn­ing that con­sists of four steps. First, “explain the top­ic out loud to a peer who is unfa­mil­iar with the top­ic. Meet them at their lev­el of under­stand­ing and use the sim­plest lan­guage you can.” Sec­ond, “iden­ti­fy any gaps in your own under­stand­ing, or points where you feel that you can’t explain an idea sim­ply.” Third, “go back to the source mate­r­i­al and study up on your weak points until you can use sim­ple lan­guage to explain it.” Final­ly, “repeat the three steps above until you’ve mas­tered the top­ic.”

We’ve fea­tured the so-called “Feyn­man tech­nique” once or twice before here on Open Cul­ture, but its empha­sis on sim­plic­i­ty and con­ci­sion always bears repeat­ing — in, of course, as sim­ple and con­cise a man­ner as pos­si­ble each time. Its ori­gins lie in not just Feny­man’s first prin­ci­ple of knowl­edge but his intel­lec­tu­al habits. This video’s nar­ra­tor cites James Gle­ick­’s biog­ra­phy Genius, which tells of how “Richard would cre­ate a jour­nal for the things he did not know. His dis­ci­pline in chal­leng­ing his own under­stand­ing made him a genius and a bril­liant sci­en­tist.” Like all of us, Feyn­man was igno­rant all his life of vast­ly more sub­jects than he had mas­tered. But unlike many of us, his desire to know burned so furi­ous­ly that it pro­pelled him into per­pet­u­al con­fronta­tion with his own igno­rance. We can’t learn what we want to know, after all, unless we acknowl­edge how much we don’t know.

Relat­ed Con­tent:

Richard Feynman’s “Note­book Tech­nique” Will Help You Learn Any Subject–at School, at Work, or in Life

Richard Feynman’s Tech­nique for Learn­ing Some­thing New: An Ani­mat­ed Intro­duc­tion

The Feyn­man Lec­tures on Physics, The Most Pop­u­lar Physics Book Ever Writ­ten, Is Now Com­plete­ly Online

The Cor­nell Note-Tak­ing Sys­tem: Learn the Method Stu­dents Have Used to Enhance Their Learn­ing Since the 1940s

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

“I Will Survive,” the Coronavirus Version for Teachers Going Online

If you’re an aca­d­e­m­ic sprint­ing to put your course online, this video will make you feel bet­ter for a sol­id two min­utes and 44 sec­onds.

Above we present, “I Will Sur­vive,” the Coro­n­avirus ver­sion for teach­ers going online, with lyrics adapt­ed by Michael Bru­en­ing, his­to­ri­an at Mis­souri State.

At first I was afraid, I was pet­ri­fied

Kept think­ing I could nev­er teach through Can­vas all the time

But then I spent so many nights read­ing the help docs for so long

And I grew strong

And I learned how to get along

And so I’m back

Stu­dents are gone

As all my col­leagues try to fig­ure out how they’re gonna get along

I should have kept up with the tech, not skipped that class on course design

If I’d known for just one sec­ond I’d be teach­ing all-online

Go on now, go, leave me alone

I’ve got to fig­ure out

Just how to lec­ture using Panop­to

You gave me two days to adjust, to move every­thing online

Did you think I’d crum­ble

Did you think I’d lay down and die?

Oh no, not I, I will sur­vive

Oh, as long as I know how to Zoom, I know I’ll be alive

Oh, my stu­dents still will learn

And my pay­checks I will earn, and I’ll sur­vive

I will sur­vive, hey, hey

It took all the strength I had not to lay down and die

Kept try­ing hard to mend the pieces of my syl­labi

And I spent oh so many nights just feel­ing sor­ry for myself

I used to cry

But now I hold my head up high and you’ll see me

Teach­ing on zoom

But just don’t cough into the mic or every eye will be on you

I can’t hear you, you’re on mute, your camera’s black, are you still there?

We’ve got some glitch­es to work out, but I know my grad­ing scheme is fair

Oh now, go, walk out the door

Try­ing to get this lec­ture done

And I’m already on take four

Now the net­work has gone down, and I’m all out of wine

Do you think I’ll crum­ble

Do you think I’ll lay down and die?

Oh no, not I, I will sur­vive

Oh, as long as I know how to zoom, I know I’ll be alive

My stu­dents still will learn

And my pay­checks I will earn and I’ll sur­vive

I will sur­vive

Hey hey

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Use Your Time in Isolation to Learn Everything You’ve Always Wanted To: Free Online Courses, Audio Books, eBooks, Movies, Coloring Books & More

“I have nev­er let my school­ing inter­fere with my edu­ca­tion.” Mark Twain may or may not have actu­al­ly said that, but either way the sen­ti­ment res­onates — and with a new strength now, since schools have closed all over the world in an attempt to halt the spread of the pan­dem­ic coro­n­avirus. For many, this peri­od of iso­la­tion (self-imposed or oth­er­wise) rep­re­sents an oppor­tu­ni­ty to redis­cov­er the val­ue of edu­ca­tion: not the kind direct­ed by an insti­tu­tion, but the much more valu­able kind that runs on one’s own steam. If you count among that select group of self-edu­ca­tors (or edu­ca­tors of chil­dren whom you can no longer send to school), we here at Open Cul­ture have spent near­ly the past decade and a half amass­ing just the resources you need.

At our selec­tion of more than 1,500 free online cours­es, you can take deep dives into sub­jects from archae­ol­o­gy and archi­tec­ture to law and lit­er­a­ture to physics and psy­chol­o­gy. (We’ve even got cours­es specif­i­cal­ly designed to help you under­stand the coro­n­avirus itself.) If you’ve been mean­ing to catch up on the work of the afore­men­tioned Twain — or that of Dos­to­evsky, Wittgen­stein, Kaf­ka, and Proust, among oth­ers — he appears in our roundup of more than 800 free eBooks.

Should you pre­fer read­ing through ear­phones while exer­cis­ing or clean­ing — espe­cial­ly impor­tant activ­i­ties these days — we can also offer you more than a thou­sand free audio­books, whether you pre­fer Isaac Asi­mov or Jane Austen, Adri­enne Rich or Charles Bukows­ki. (You can also get audio­books from Audi­ble if you sign up for a free 30-day tri­al there.)

While quar­an­tine puts a tem­po­rary stop to many of our usu­al activ­i­ties, it should­n’t get in the way of movie night. Our col­lec­tion of 1,1500 free movies will cov­er all your movie nights through the time of the coro­n­avirus and then some, includ­ing as it does clas­sic films noirs, thriller and hor­ror pic­tures (includ­ing some by no less a sus­pense mas­ter than Alfred Hitch­cock), doc­u­men­taries, and even the fruits of the film indus­tries of coun­tries like Rus­sia and South Korea. And though we can’t get enough cin­e­ma here at Open Cul­ture, it’s hard­ly the only visu­al art form we fea­ture: you might spend some time, for instance, with this col­lec­tion of two mil­lion images from 30 world-class muse­ums. This range of art also appears in free muse­um-pro­duced col­or­ing books geared to all ages.

If you’d like to use your time of “social dis­tance” to devel­op skills oth­er than col­or­ing, we can point you toward resources for learn­ing to cook, to draw (like an archi­tect, like a Japan­ese man­ga­ka, like Lyn­da Bar­ry), to play the gui­tar, and to prac­tice yoga. Bear in mind also the online-edu­ca­tion offer­ings from Mas­ter­class we’ve fea­tured here on Open Cul­ture, from “Mar­garet Atwood Teach­es Cre­ative Writ­ing” to “David Sedaris Teach­es Sto­ry­telling and Humor” to “Wern­er Her­zog Teach­es Film­mak­ing.” (The edu­ca­tion­al offer­ings pro­vid­ed by The Great Cours­es also pro­vide anoth­er good option.) Those aren’t free, but every­thing else in this post is, includ­ing our col­lec­tion of online lan­guage-learn­ing resources. Hav­ing spread through world trav­el, the coro­n­avirus will keep many wary of going abroad in the fore­see­able future. But when the pan­dem­ic ends, you’ll want to be pre­pared to enjoy for­eign lands again. Italy, a coun­try espe­cial­ly hard-hit by the virus, will sure­ly wel­come all the vis­i­tors it can get. Until then, why not get a grasp on its lan­guage — and its cui­sine — with a course like MIT’s “Learn Ital­ian with Your Mouth Full”?

Relat­ed Con­tent:

Free Cours­es on the Coro­n­avirus: What You Need to Know About the Emerg­ing Pan­dem­ic

Cours­era Pro­vid­ing Free Access to Its Course Cat­a­log to Uni­ver­si­ties Impact­ed by COVID-19

Why You Should Read The Plague, the Albert Camus Nov­el the Coro­n­avirus Has Made a Best­seller Again

Quar­an­tined Ital­ians Send a Mes­sage to Them­selves 10 Days Ago: What They Wish They Knew Then

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Zoom Providing K‑12 Schools Free Access to Videoconferencing Tools During COVID-19 Crisis: They’ll Power Your Online Courses

FYI: Zoom pro­vides a turnkey video con­fer­enc­ing solu­tion that’s high qual­i­ty and easy to use. And now uni­ver­si­ties across the coun­try use Zoom to pow­er their online cours­es. Today, Zoom announced that K‑12 schools can gain free access to Zoom dur­ing the COVID-19 cri­sis. Stu­dents or teach­ers can sign up here.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

via Forbes.

Relat­ed Con­tent:

How Schools Can Start Teach­ing Online in a Short Peri­od of Time: Free Tuto­ri­als from the Stan­ford Online High School

Cours­era Pro­vid­ing Free Access to Its Course Cat­a­log to Uni­ver­si­ties Impact­ed by COVID-19

Free Cours­es on the Coro­n­avirus: What You Need to Know About the Emerg­ing Pan­dem­ic

Bill Gates Describes His Biggest Fear: “I Rate the Chance of a Wide­spread Epi­dem­ic Far Worse Than Ebo­la at Well Over 50 Per­cent” (2015)

 

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Coursera Providing Free Access to Its Course Catalog to Universities Impacted by COVID-19

FYI: If you work in a uni­ver­si­ty impact­ed by COVID-19, Cours­era invites you to lever­age their course cat­a­logue. The com­pa­ny’s CEO writes:

The spread of the coro­n­avirus (COVID-19) is the most seri­ous glob­al health secu­ri­ty threat in decades. In many coun­tries, restric­tions imposed by gov­ern­ment agen­cies have dis­rupt­ed dai­ly rou­tines for mil­lions, includ­ing stu­dents. Many uni­ver­si­ties in the impact­ed regions have sus­pend­ed face-to-face sem­i­nars, closed cam­pus­es, and are scram­bling to find a solu­tion to min­i­mize dis­rup­tion for their stu­dents.

We are for­tu­nate to have uni­ver­si­ty and indus­try part­ners, who have been at the fore­front of respond­ing to the chal­lenges human­i­ty has faced from time to time. Inspired by their sup­port and con­sis­tent with our mis­sion of serv­ing learn­ers every­where, we are launch­ing a glob­al effort to assist uni­ver­si­ties and col­leges seek­ing to offer online course­ware in response to the coro­n­avirus.

Start­ing today, we’ll pro­vide every impact­ed uni­ver­si­ty in the world with free access to our course cat­a­logue through Cours­era for Cam­pus. Uni­ver­si­ties can sign up to pro­vide their enrolled stu­dents with access to more than 3,800 cours­es and 400 Spe­cial­iza­tions from Coursera’s top uni­ver­si­ty and indus­try part­ners. These insti­tu­tions will have access until July 31, 2020, after which we plan to pro­vide month-to-month exten­sions depend­ing on pre­vail­ing risk assess­ments. Stu­dents who enroll on or before July 31 will con­tin­ue to have access until Sept. 30, 2020.

Over the past few weeks, Duke Uni­ver­si­ty has been using Cours­era for Cam­pus to serve impact­ed stu­dents at their Duke Kun­shan cam­pus in Chi­na. This effort has been swift­ly adopt­ed by stu­dents and wide­ly rec­og­nized by the broad­er com­mu­ni­ty. We believe that Cours­era for Cam­pus can be an effec­tive resource to help all high­er edu­ca­tion insti­tu­tions respond to the impact of coro­n­avirus.

As a glob­al com­mu­ni­ty of edu­ca­tors, we are hon­ored to be serv­ing fel­low insti­tu­tions and stu­dent com­mu­ni­ties dur­ing this cri­sis. Over the next few days, we will also hold webi­na­rs and share more resources, includ­ing expe­ri­ences from our part­ner com­mu­ni­ty, to help insti­tu­tions look­ing to tran­si­tion online dur­ing this cri­sis. Stay tuned.

Sign up for Cours­er­a’s Coro­n­avirus pro­gram here.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

How Schools Can Start Teaching Online in a Short Period of Time: Free Tutorials from the Stanford Online High School

Image by King of Hearts, via Wiki­me­dia Com­mons

A quick note: The Stan­ford Online High School–an inde­pen­dent high school that oper­ates ful­ly online–has cre­at­ed video tuto­ri­als designed for schools that may need to close class­rooms and piv­ot online. “All guid­ance is plat­form-agnos­tic, focus­ing on the essen­tial steps for prepar­ing to teach online in a short peri­od of time.”

In addi­tion to this videos, the Online High School will host a free webi­nar today at 2pm Cal­i­for­nia time. You can reg­is­ter here and learn more about the tran­si­tion to online teach­ing.

Note: Zoom–which pro­vides a turnkey video con­fer­enc­ing solu­tion–has made its prod­uct free for K‑12 insti­tu­tions dur­ing the COVID-19 cri­sis. This can help schools spin up online cours­es quick­ly. More on that here.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

 

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Open Culture was founded by Dan Colman.