Carl Sagan Presents a Mini-Course on Earth, Mars & What’s Beyond Our Solar System: For Kids and Adults (1977)

Despite the inten­sive focus on STEM (as opposed to STEAM—a debate for anoth­er day), Amer­i­cans still find them­selves falling far behind in sci­ence edu­ca­tion. Accord­ing to the Nation­al Math and Sci­ence Ini­tia­tive, U.S. stu­dents placed 20th in sci­ence in a recent rank­ing of 34 coun­tries. “The way the U.S. teach­es sci­ence,” argues Pop­u­lar Sci­ence, “sim­ply doesn’t work…. Since sci­en­tists don’t just stand around mem­o­riz­ing stuff, stu­dents shouldn’t either.” The approach isn’t only counter to the sci­en­tif­ic method; it’s tedious and doesn’t engage that most impor­tant of intel­lec­tu­al fac­ul­ties: curios­i­ty.

The prob­lems are beyond ped­a­gogy, as we know from polls that show upwards of 42% of Amer­i­cans sub­scrib­ing to lit­er­al­ist inter­pre­ta­tions of their reli­gious texts, and active­ly reject­ing sci­en­tif­ic think­ing. These cul­tur­al road­blocks were very famil­iar to Carl Sagan, who spent a good part of his career attempt­ing to coax the pub­lic out of its belief in a “demon-haunt­ed world.” As a sci­ence edu­ca­tor, Sagan not only knew how to draw out the child­like awe in grown-ups, but also how to engage the nat­ur­al curios­i­ty of chil­dren, who—as every par­ent knows—long to know the why of every­thing.

“As a child,” Sagan said of his for­ma­tive years, “it was my immense good for­tune to have par­ents and a few good teach­ers who encour­aged my curios­i­ty.” Now, whether or not kids have such par­ents or teach­ers, thanks to the inter­net, they have Carl Sagan, and specif­i­cal­ly, they have Sagan’s Roy­al Insti­tu­tion Christ­mas Lec­tures, six talks he deliv­ered in 1977 to eager, curi­ous kids. Sagan taught on his usu­al top­ic: Plan­ets, begin­ning with “The Earth as a Plan­et,” at the top of the post. As he men­tions in his intro­duc­tion, his lec­ture almost falls on the 150th anniver­sary of the first Christ­mas Lec­ture, a dis­tin­guished sci­en­tif­ic tra­di­tion begun in 1825 by Michael Fara­day at Britain’s Roy­al Insti­tu­tion.

Sagan’s first talk “explores the diver­si­ty of life on our own plan­et,” writes the Roy­al Insti­tu­tion, “and the build­ing blocks behind it.” Then, he moves on to â€śques­tion­ing whether the same organ­ic chem­istry is occur­ring on plan­ets in the out­er solar sys­tem” in his sec­ond lec­ture, above. In the fol­low­ing three talks, below, Sagan takes us to Mars, a plan­et he helped explore with­out ever leav­ing the ground with his the­o­ries in the late 60s about the nature of the planet’s surface—theories lat­er con­firmed sev­er­al years lat­er by the Viking Project. Sagan’s talks below—“The His­to­ry of Mars,” “Mars Before Viking,” and “Mars After Viking”—share the lat­est research with his young audi­ence. With mod­els of the plan­et and the Viking space­craft, Sagan demon­strates in detail how NASA obtained its data.

The His­to­ry of Mars

Mars Before Viking


Mars After Viking”>Mars After Viking

In his final Roy­al Insti­tu­tion Christ­mas Lec­ture, below, “Plan­e­tary Sys­tems Beyond the Sun,” Sagan ven­tures far beyond the reach of NASA’s instru­ments (at the time) to spec­u­late on what might lie beyond the Solar Sys­tem. But first, he ori­ents us—again using mod­els and space photography—by explain­ing what a solar sys­tem is, and why oth­er sys­tems like­ly resem­ble ours. In his own sci­en­tif­ic career, Sagan was instru­men­tal in pro­mot­ing the SETI Institute—which now has a cen­ter named after him. He believed unflag­ging­ly in the pos­si­bil­i­ty of extrater­res­tri­al life, which he hypoth­e­sized based on many of the obser­va­tions he shares below.

When Sagan deliv­ered these lec­tures, the Roy­al Insti­tu­tion points out, “NASA had only just begun its Voy­ager pro­gram to the fur­thest plan­ets in our solar sys­tem and no extra-solar plan­ets were known to exist. Now, over three decades lat­er, astronomers are look­ing at plan­ets that lie beyond our solar sys­tem to ask the very same ques­tion we pon­dered over Mars: is there life out there?” As you may have heard, NASA’s Kepler mis­sion has dis­cov­ered a “hab­it­able zone” of plan­ets in anoth­er solar sys­tem with two suns—a find sure to pique the curios­i­ty of kids of all ages, and one that would have excit­ed Sagan to no end.

See Sagan’s Christ­mas lec­tures with bet­ter video and audio qual­i­ty at the Roy­al Institution’s web­site, and please—whether you’re a par­ent, teacher, old­er sib­ling, etc.—share these with the kids in your life.

These lec­tures will be added to our col­lec­tion, 1,700 Free Online Cours­es from Top Uni­ver­si­ties.

Relat­ed Con­tent:

Carl Sagan Presents His “Baloney Detec­tion Kit”: 8 Tools for Skep­ti­cal Think­ing

Carl Sagan Explains Evo­lu­tion in an Eight-Minute Ani­ma­tion

Carl Sagan Issues a Chill­ing Warn­ing to Amer­i­ca in His Final Inter­view (1996)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Explore Harvard’s Iconic Spaces with 360° Interactive Videos

For me, noth­ing cap­tures those occa­sion­al feel­ings of post-grad­u­ate yearn­ing like “I Wish I Could Go Back to Col­lege,” a N‑quite-SFW track from the Broad­way musi­cal, Avenue Q.

With all due respect, it feels like the five mem­bers of Har­vard Uni­ver­si­ty’s just-grad­u­at­ed Class of 2016 shar­ing their rec­ol­lec­tions in the inter­ac­tive 360° video project, Har­vard Stu­dents Say Farewell, left a few cru­cial details out. (Note: Youtube 360 videos only work in Chrome, Fire­fox, Inter­net Explor­er, or Opera browsers.)

It’s com­plete­ly safe for prospec­tive par­ents, not a keg or con­dom wrap­per in sight. (The project is host­ed on Harvard’s offi­cial Youtube chan­nel.)

Unsur­pris­ing­ly, Har­vard appears to have been the par­tic­i­pants’ uni­ver­sal first choice of col­lege. Hasty Pud­ding per­former, Joshuah Camp­bell, above, a self-described “Black kid from the coun­try,” con­fides that it was the only place he applied to.

He may have arrived won­der­ing how he would fit in, but four years lat­er, his grub­by dorm room is one of the “icon­ic” Har­vard loca­tions view­ers can explore dig­i­tal­ly as he briefly reflects upon his expe­ri­ence.

That’s about as down and dirty as this series gets. The human sub­jects seem to have been select­ed with an eye toward diver­si­ty and humil­i­ty, rather than the clenched Boston Brah­min jaw that once defined the insti­tu­tion.

Mean­while, the libraries, quads, and the­aters through which this new breed of Har­vard men and women wan­der attest to the place’s ongo­ing exclu­siv­i­ty.

Sree­ja Kala­pu­rakkel, above, a mem­ber of the Har­vard South Asian Dance Com­pa­ny, knew what she was get­ting into, as a stu­dent at a respect­ed Boston sec­ondary school. Short­ly after grad­u­a­tion, she sung Har­vard’s prais­es some­what more frankly on her Face­book page:

Each day of my time at Har­vard was filled with every­thing that makes life beau­ti­ful: dark­ness, strug­gle, despair, lone­li­ness, friend­ship, hope, per­se­ver­ance, light. Every expe­ri­ence, every les­son, every friend trans­formed me into some­one more human and gave me some­thing new to fight for.

Har­vard, like every oth­er col­lege in the land, has relaxed its pol­i­cy on end­ing a sen­tence in a prepo­si­tion.

Ana-Maria Con­stan­tin arrived sight unseen from her native Roma­nia to pull us out onto the deck of the Smith­son­ian Astro­phys­i­cal Obser­va­to­ry.

On to the lock­er room! Hock­ey cap­tain Kyle Criscuo­lo joins the Detroit Red Wings, reflect­ing that Har­vard stu­dent ath­letes enjoy no spe­cial treat­ment. In future, the uni­ver­si­ty may want to require them to lis­ten to Will Stephen’s lec­ture, “How to Sound Smart in a TED Talk.” Criscuo­lo sounds sin­cere, but also stiff, as if read­ing from a sheet of paper, or the dig­i­tal equiv­a­lent there­of.

(There­of is an adverb, by the way. Not a prepo­si­tion. I checked.)

Har­vard Art Muse­ums Stu­dent Board mem­ber Rachel Thomp­son paints her­self so meek­ly, I’m tempt­ed to check with her fresh­man year room­mate. Was she real­ly so filled with self doubt? I’ve always assumed Har­vard accep­tance let­ters would puff the recip­i­ent up. Good lord, imag­ine the effect the rejec­tion let­ters must have!

Use a mouse to explore the immer­sive envi­ron­ment on your com­put­er, or the YouTube app to nav­i­gate on a mobile device. Use a vir­tu­al real­i­ty head­set and the Har­vard Crim­son staff’s vocab­u­lary list to enhance the expe­ri­ence even more.

The com­plete playlist is here.

Relat­ed Con­tent:

Har­vard Presents Free Cours­es with the Open Learn­ing Ini­tia­tive

NPR Launch­es Data­base of Best Com­mence­ment Speech­es Ever

The Har­vard Clas­sics: Down­load All 51 Vol­umes as Free eBooks

Ayun Hal­l­i­day is an author, illus­tra­tor, Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine, and a North­west­ern Uni­ver­si­ty grad. Fol­low her @AyunHalliday

The Atlantic Slave Trade Visualized in Two Minutes: 10 Million Lives, 20,000 Voyages, Over 315 Years

Not since the six­ties and sev­en­ties, with the black pow­er move­ment, flow­er­ing of Afro­cen­tric schol­ar­ship, and debut of Alex Haley’s Roots, nov­el and mini-series, has there been so much pop­u­lar inter­est in the his­to­ry of slav­ery. We have seen Roots remade; award-win­ning books like Edward Baptist’s The Half Has Nev­er Been Told climb best­seller lists; and The Freedman’s Bureau Project’s dig­i­ti­za­tion of 1.5 mil­lion slav­ery-era doc­u­ments gives cit­i­zen-schol­ars the tools to research the his­to­ry on their own.

In addi­tion to these devel­op­ments, Slate mag­a­zine has designed a mul­ti­part, mul­ti­me­dia course, “The His­to­ry of Amer­i­can Slav­ery,” as part of its online edu­ca­tion­al ini­tia­tive, “Slate Acad­e­my.” Host­ed by Slate’s Jamelle Bouie and Rebec­ca Onion and fea­tur­ing guest his­to­ri­ans like Bap­tist, Hen­ry Louis Gates, Jr., Annette Gor­don-Reed, Eric Fon­er and more, this thor­ough sur­vey con­sists of a nine-part pod­cast, with copi­ous sup­ple­men­tary essays, book excerpts, and oth­er resources draw­ing on pri­ma­ry doc­u­ments and arti­facts. One sup­ple­ment, the ani­ma­tion above, shows us the “The Atlantic Slave Trade in Two Min­utes.”

Visu­al­iz­ing 315 years—“from the trade’s begin­ning in the 16th cen­tu­ry to its con­clu­sion in the 19th”—the ani­ma­tion dis­plays slave ships as increas­ing num­bers of black dots zip­ping across the Atlantic to the Amer­i­c­as from the African coasts. The dots “also cor­re­spond to the size of each voy­age. The larg­er the dot, the more enslaved peo­ple on board.” The Youtube video above pro­vides only a par­tial rep­re­sen­ta­tion of this impres­sive graph­ic. The full ani­ma­tion at Slate allows users to pause, click on indi­vid­ual dots, and get detailed infor­ma­tion, when avail­able, about the name of the ship, num­ber of enslaved peo­ple trans­port­ed, and points of ori­gin and entry in the New World.

In all, we see ani­mat­ed “more than 20,000 voy­ages cat­a­logued in the Trans-Atlantic Slave Trade Data­base.” And though we typ­i­cal­ly, with typ­i­cal U.S. solip­sism, think of Amer­i­can slav­ery as a most­ly North Amer­i­can phe­nom­e­non, the truth is quite the con­trary:

Of the more than 10 mil­lion enslaved Africans to even­tu­al­ly reach the West­ern Hemi­sphere, just 388,747—less than 4 per­cent of the total—came to North Amer­i­ca. This was dwarfed by the 1.3 mil­lion brought to Span­ish Cen­tral Amer­i­ca, the 4 mil­lion brought to British, French, Dutch, and Dan­ish hold­ings in the Caribbean, and the 4.8 mil­lion brought to Brazil.

Ear­ly slave expe­di­tions were con­duct­ed by the Span­ish and Por­tuguese. “In the 1700s,” writes Bouie, “Span­ish trans­port dimin­ish­es and is replaced (and exceed­ed) by British, French, Dutch, and—by the end of the century—American activ­i­ty. This hun­dred years—from approx­i­mate­ly 1725 to 1825—is also the high-water mark of the slave trade, as Euro­peans send more than 7.2 mil­lion peo­ple to forced labor, dis­ease and death in the New World.” Sur­pris­ing­ly, Por­tu­gal remained one of the lead­ing nations among enslavers for most of the slave-trade’s his­to­ry.

The ani­ma­tion and short explana­to­ry essay by Bouie show us the stag­ger­ing his­tor­i­cal scope of the immense­ly prof­itable and pro­found­ly inhu­mane enter­prise that shaped not only the Unit­ed States, but also—in many ways more so—Central and South Amer­i­ca and the Caribbean. There is no his­to­ry of the Amer­i­c­as, and no growth of many of the colonies into wealthy, world-his­tor­i­cal nations, with­out slav­ery, nor can the wealth of Europe be in any way divorced from the prof­its of the slave trade and slave indus­try. Bouie and Onion explain in the short video above why they decid­ed to pro­duce the course.

For a sense of how his­to­ri­ans’ and the public’s under­stand­ing of slav­ery have changed over many decades—for all kinds of ide­o­log­i­cal reasons—read this excerpt from Baptist’s ground­break­ing book. As he says in an inter­view with Salon, most his­to­ries and recre­ations of the peri­od of enslave­ment attempt to hide the facts: “The resis­tance to reck­on­ing with the role of slav­ery in the tra­jec­to­ry that makes the U.S. the most pow­er­ful nation on earth, that’s real; that’s very, very deep…. What­ev­er we say about the role of the U.S. in glob­al his­to­ry, it’s absolute­ly clear to me that slav­ery is essen­tial to the rise of U.S. pow­er.” Slate’s series goes a long way toward telling us the true his­to­ry of slav­ery, from the mouths of writ­ers and schol­ars who engage with it dai­ly.

Relat­ed Con­tent:

1.5 Mil­lion Slav­ery Era Doc­u­ments Will Be Dig­i­tized, Help­ing African Amer­i­cans to Learn About Their Lost Ances­tors

The “Slave Bible” Removed Key Bib­li­cal Pas­sages In Order to Legit­imize Slav­ery & Dis­cour­age a Slave Rebel­lion (1807)

Mas­sive New Data­base Will Final­ly Allow Us to Iden­ti­fy Enslaved Peo­ples and Their Descen­dants in the Amer­i­c­as

Crowd­sourced Data­base Will Locate the Bur­ial Sites of For­got­ten US Slaves

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

The Battle to Finish a PhD: World War I Soldier Completes His Dissertation in the Trenches (1916)

phd in trenches

Con­nie Ruzich, a WWI poet­ry blog­ger, recent­ly high­light­ed on Twit­ter a his­toric news­pa­per clip­ping that will put the tra­vails of acad­eme into per­spec­tive. Get­ting a Ph.D. is always hard. But hard is rel­a­tive.

Case in point…

100 years ago, Pierre Mau­rice Mas­son, a young schol­ar, found him­self fight­ing in north-east­ern France. Draft­ed in 1914, Mas­son rose through the mil­i­tary ranks, mov­ing from sergeant, to sub-lieu­tenant, to lieu­tenant. Mean­while, in the dis­com­fort of the trench­es, he con­tin­ued work­ing on his doc­tor­al thesis–a long dis­ser­ta­tion on the reli­gious train­ing of Jean-Jacques Rousseau. By the spring of 1916, he had com­plet­ed the text, cor­rect­ed the proofs, and draft­ed an intro­duc­tion (of course, that comes last). Final­ly, he announced to friends, “The mon­ster is ready!” And he sought a leave of absence to return to the Sor­bonne to receive his doc­tor­ate.

Alas, that did­n’t hap­pen. The news­pa­per clip above tells the rest of the poignant sto­ry.

You can read Mas­son’s posthu­mous­ly pub­lished the­sis, La for­ma­tion religieuse de Rousseaufree online.

via Ted Gioia/Con­nie Ruzich

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

The Illus­trat­ed Guide to a Ph.D.

Read John Nash’s Super Short PhD The­sis with 26 Pages & 2 Cita­tions: The Beau­ty of Invent­ing a Field

Ser­i­al Entre­pre­neur Damon Horowitz Says “Quit Your Tech Job and Get a Ph.D. in the Human­i­ties”

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Mad Magazine’s Al Jaffee & Other Cartoonists Create Animations to End Distracted Driving


Mod­el Ts were the aver­age American’s car of choice in 1921, when car­toon­ist Al Jaf­fee was born.

The father of MAD Mag­a­zine’s fold-ins was but sev­en when the T’s suc­ces­sor, the Mod­el A, was intro­duced.

It would be a long time before such inno­va­tions as seat belts, baby seats, and airbags were intro­duced. These safe­ty mea­sures do a fine job of min­i­miz­ing human dam­age in motor vehi­cle acci­dents, but they can’t pre­vent the col­li­sions them­selves.

To rem­e­dy this, Ford, the com­pa­ny respon­si­ble for the Mod­el T and hun­dreds of motor vehi­cles since, recent­ly enlist­ed Jaf­fee and his fel­low car­toon­ists, MK Brown and Bill Plymp­ton, to edu­cate the pub­lic on the dan­gers of dis­tract­ed dri­ving. Turns out this pre­ventable scourge rivals intox­i­ca­tion and haz­ardous road con­di­tions as a lead­ing cause of acci­dents.

Jaffee’s take, ani­mat­ed by J.J. Sedel­maier, above, will nev­er be mis­tak­en for film­mak­er Wern­er Her­zog’s har­row­ing anti-tex­ting doc­u­men­tary PSA, From One Sec­ond to the Next, or even Jaffee’s own anti-drunk dri­ving fold-in from MAD’s March 1975 issue.

Instead, he offers a gen­tle, child-friend­ly metaphor in which an uncaged bird becomes a hav­oc-wreak­ing dis­trac­tion. (For­tu­nate­ly, everyone’s wear­ing his seat­belt, and the lit­tle boy is rid­ing in back, in com­pli­ance with CDC rec­om­men­da­tions.)


Nation­al Lam­poon alum, Brown, tip­toes clos­er to the true caus­es of dis­trac­tion, with the alien-themed seg­ment, above, also ani­mat­ed by Sedel­maier. If it seems like­li­er that the alien’s earth­ling wife might do her hen­peck­ing via text rather than actu­al call these days—well, some­times dra­mat­ic lib­er­ties are war­rant­ed to get the mes­sage across.


Unsur­pris­ing­ly, Plympton’s self-ani­mat­ed con­tri­bu­tion is the most graph­ic, a direct descen­dent of his fab­u­lous­ly grotesque car­toon primers 25 Ways To Quit Smok­ing and How To Kiss. Moral? Assum­ing you want to keep your teeth in your head, the veg­etable mat­ter wedged in between can wait ’til you reach your des­ti­na­tion.

Relat­ed Con­tent:

Wern­er Herzog’s Eye-Open­ing New Film Reveals the Dan­gers of Tex­ting While Dri­ving

Al Jaf­fee, the Longest Work­ing Car­toon­ist in His­to­ry, Shows How He Invent­ed the Icon­ic “Folds-Ins” for Mad Mag­a­zine

Read­ing While Dri­ving, Seri­ous­ly?

Ayun Hal­l­i­day is an author, illus­tra­tor, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky. Her plan for avoid­ing acci­dents is to refrain from dri­ving when­ev­er pos­si­ble. Fol­low her @AyunHalliday

Learning How to Learn: The Most Popular MOOC of All Time

When MOOCs (Mas­sive Open Online Cours­es) first start­ed mak­ing head­lines in 2012, we read sto­ries about thou­sands of peo­ple enrolling in cours­es on Arti­fi­cial Intel­li­gence and Com­put­er Sci­ence. Since then, the MOOC providers have dou­bled down on pro­mot­ing tech­ni­cal and util­i­tar­i­an courses–courses that will get stu­dents jobs, and even­tu­al­ly make the MOOC providers mon­ey. Peruse this list of the 50 most pop­u­lar MOOCs of all time, and you’ll seen plen­ty of mar­ket-ori­ent­ed cours­es top­ping the list–e.g., #4) Intro­duc­tion to Finance #3) R Pro­gram­ming, and #2) Machine Learn­ing. But what’s the most pop­u­lar course? Some­thing not entire­ly career-focused. Some­thing not imme­di­ate­ly mon­e­ti­z­able. Some­thing that can ben­e­fit us all. Ladies and gen­tle­men, the #1 course, Learn­ing How to Learn: Pow­er­ful men­tal tools to help you mas­ter tough sub­jects.

Cre­at­ed by Bar­bara Oak­ley (Uni­ver­si­ty of Oak­land) and Ter­ry Sejnows­ki (the Salk Insti­tute), Learn­ing How to Learn uses neu­ro­science to fine-tune our abil­i­ty to learn. And the course is being offered again, start­ing today, through Cours­era. You can enroll here (the course is free) and read what ground the course will cov­er below.

This course gives you easy access to the invalu­able learn­ing tech­niques used by experts in art, music, lit­er­a­ture, math, sci­ence, sports, and many oth­er dis­ci­plines. We’ll learn about the how the brain uses two very dif­fer­ent learn­ing modes and how it encap­su­lates (“chunks”) infor­ma­tion. We’ll also cov­er illu­sions of learn­ing, mem­o­ry tech­niques, deal­ing with pro­cras­ti­na­tion, and best prac­tices shown by research to be most effec­tive in help­ing you mas­ter tough sub­jects. Using these approach­es, no mat­ter what your skill lev­els in top­ics you would like to mas­ter, you can change your think­ing and change your life. If you’re already an expert, this peep under the men­tal hood will give you ideas for: tur­bocharg­ing suc­cess­ful learn­ing, includ­ing counter-intu­itive test-tak­ing tips and insights that will help you make the best use of your time on home­work and prob­lem sets. If you’re strug­gling, you’ll see a struc­tured trea­sure trove of prac­ti­cal tech­niques that walk you through what you need to do to get on track. If you’ve ever want­ed to become bet­ter at any­thing, this course will help serve as your guide.

This course gives you easy access to the invalu­able learn­ing tech­niques used by experts in art, music, lit­er­a­ture, math, sci­ence, sports, and many oth­er dis­ci­plines. We’ll learn about the how the brain uses two very dif­fer­ent learn­ing modes and how it encap­su­lates (“chunks”) infor­ma­tion. We’ll also cov­er illu­sions of learn­ing, mem­o­ry tech­niques, deal­ing with pro­cras­ti­na­tion, and best prac­tices shown by research to be most effec­tive in help­ing you mas­ter tough sub­jects. Using these approach­es, no mat­ter what your skill lev­els in top­ics you would like to mas­ter, you can change your think­ing and change your life. If you’re already an expert, this peep under the men­tal hood will give you ideas for: tur­bocharg­ing suc­cess­ful learn­ing, includ­ing counter-intu­itive test-tak­ing tips and insights that will help you make the best use of your time on home­work and prob­lem sets. If you’re strug­gling, you’ll see a struc­tured trea­sure trove of prac­ti­cal tech­niques that walk you through what you need to do to get on track. If you’ve ever want­ed to become bet­ter at any­thing, this course will help serve as your guide.

To find reviews of Learn­ing How to Learn, vis­it Class Cen­tral. To keep tabs on new MOOCs, see our list of MOOCs from Great Uni­ver­si­ties.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Can You Pass This Test Originally Given to 8th Graders Living in Kentucky in 1912?

bcschoolexam1912sm--1-

Can you spell “con­ceive”?

Of course you can! All it takes is a device with a built-in spelling app, an inno­va­tion of which no eighth grad­er in the far west­ern reach­es of blue­grass area Ken­tucky could have con­ceived back in 1912.

They were, how­ev­er, expect­ed to be able to name the waters though which an Eng­lish ves­sel would pass en route to Mani­la via the Suez Canal.

Can you?

While we’re at it, how much do you real­ly know about the human liv­er? Enough to locate it, iden­ti­fy its secre­tions, and dis­course on its size rel­a­tive to oth­er bod­i­ly glands?

If you answered yes, con­grat­u­la­tions. There’s a good chance you’d be pro­mot­ed to high school back in 1912. Not bad for a kid attend­ing a one-room school in rur­al Bul­lit Coun­ty.

And now for some extra cred­it, name the last bat­tles of the Civ­il War, the War of 1812, and the French and Indi­an War. Com­mand­ing offi­cers, too…

That’s the sort of mul­ti­part ques­tion that await­ed the eighth graders con­verg­ing on the Bul­lit Coun­ty cour­t­house for 1912’s com­mon exam, above. The very same cour­t­house in which the mod­ern day Bul­litt Coun­ty His­to­ry Muse­um is locat­ed. A civic-mind­ed indi­vid­ual donat­ed a copy of the test to this insti­tu­tion, and the staff put it online, think­ing it might be fun for lat­ter-day spec­i­mens like you and me to see how we mea­sure up.

So—just for fun—try typ­ing the phrase “com­mand­ing offi­cer last bat­tle french & indi­an war” into your search engine of choice. For­get instant grat­i­fi­ca­tion. Embrace the anx­i­ety!

Com­mon wis­dom holds that stan­dard­ized tests are a lot hard­er than they used to be. But look­ing at the sort of stuff your aver­age eighth grad­er had to regur­gi­tate two years pri­or to the start of WW1, I’m not so sure…

Thank god the Inter­net was there to define “kalso­min­ing” for me. Even with the aid of a cal­cu­la­tor, math is not my strong suit. That said, I’m usu­al­ly good enough with words to get the nar­ra­tive gist of any sto­ry prob­lem.

Usu­al­ly.

I con­fess, I was so demor­al­ized by my igno­rance, I couldn’t have dreamed of attempt­ing to fig­ure out how much it would cost to “kalsomine” a 20 x 16 x 9 foot room, espe­cial­ly with a door and win­dow involved.

For­tu­nate­ly, the Bul­lit Coun­ty Genealog­i­cal Soci­ety has seen fit to pro­vide an online answer sheet, a dig­i­tal lux­u­ry that would have gob­s­macked their fore­bears.

SPOILER: $8.01. That’s the amount it would’ve cost to kalsomine your room at 1912 prices. (A steal, con­sid­er­ing that a quart of White Wash Pick­ling Water Based Stain will run you $12.37 a quart at a nation­al­ly known hard­ware super­store today.)

Go ahead, take that test.

If you quail at the prospect of far­ing poor­ly against a rur­al 1912 eighth grad­er, just imag­ine how well he or she would do, tele­port­ed to 2016, and forced to con­tend with such mys­ter­ies as cyber bul­ly­ing, gen­der pol­i­tics, and offen­sive egg­plant emo­jis…

via The Paris Review.

Relat­ed Con­tent:

The Open Syl­labus Project Gath­ers 1,000,000 Syl­labi from Uni­ver­si­ties & Reveals the 100 Most Fre­quent­ly-Taught Books

Take the 146-Ques­tion Knowl­edge Test Thomas Edi­son Gave to Prospec­tive Employ­ees (1921)

Take The Near Impos­si­ble Lit­er­a­cy Test Louisiana Used to Sup­press the Black Vote (1964)

Ayun Hal­l­i­day is an author, illus­tra­tor, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. She lives in fear that her youngest child will pen a mem­oir titled I Was a Home­schooled 8th Grad­er and Oth­er Chillling True Life Tales. Fol­low her @AyunHalliday

Werner Herzog Teaches His First Online Course on Filmmaking

FYI: If you sign up for a Mas­ter­Class course by click­ing on the affil­i­ate links in this post, Open Cul­ture will receive a small fee that helps sup­port our oper­a­tion.

One hears much, these days, about the mis­sions of new tech com­pa­nies to “dis­rupt” exist­ing indus­tries, from retail to pub­lish­ing to taxi cabs to edu­ca­tion. We’ve regard­ed that as pri­mar­i­ly the domain of Sil­i­con Val­ley twen­tysome­things, but why can’t a Ger­man film­mak­er with a near­ly 55-year career under his belt get in on the action? Wern­er Her­zog, hav­ing already done much to dis­rupt film as we know it, has in recent years turned his atten­tion toward dis­rupt­ing film schools, which com­pose an indus­try not espe­cial­ly com­pat­i­ble with his own vision of the hon­est and rig­or­ous craft of cin­e­ma.

We’ve fea­tured Her­zog’s in-per­son Rogue Film School work­shops before, but now, accord­ing to Enter­tain­ment Week­ly’s Derek Lawrence, “online edu­ca­tion plat­form Mas­ter­Class announced that Her­zog is teach­ing an online class on fea­ture and doc­u­men­tary film­mak­ing, where the var­i­ous lessons will include sto­ry­telling, cin­e­matog­ra­phy, inter­view tech­niques, and how to work with actors.” The arti­cle quotes the mak­er of fea­tures like Fitz­car­ral­do and Aguirre, the Wrath of God and doc­u­men­taries like Lit­tle Dieter Needs to Fly and Griz­zly Man offer­ing some­thing like a mis­sion state­ment: “Ulti­mate­ly, my own goal is to be a good sol­dier of cin­e­ma and if I can inspire one or two of you out there, to become a good sol­dier, then I have done every­thing I should do here.”

You can learn more about Mas­ter­class from the New York Times’ Lau­ra M. Hol­son, who describes the enter­prise, the brain­child of Los Ange­les-raised Sil­i­con Val­ley entre­pre­neur David Rogi­er, as â€śa series of online cours­es taught by peo­ple who are the best in the world at what they do,” includ­ing Annie Lei­bovitz on Pho­tog­ra­phy, Her­bie Han­cock on Jazz, Jane Goodall on Con­serv­ing the Envi­ron­ment and Wern­er Her­zog on film­mak­ing. Her­zog’s course can be tak­en by sign­ing up for an All Access Pass, which gives you access to every course in the Mas­ter­class course cat­a­logue, includ­ing cours­es from many oth­er film­mak­ers.

“You spend way too much time in the film school, it costs way too much mon­ey,” says the self-taught film­mak­er in the course’s trail­er above. “You can learn the essen­tials of film­mak­ing on your own with­in two weeks.” Or, in the for­mat that Mas­ter­Class has devel­oped as they go along just like Her­zog did when he first began mak­ing movies (and, giv­en his endur­ing inven­tive­ness, con­tin­ues to do today), you can osten­si­bly learn it in five hours of online video. You may not cap­ture any of Her­zog’s beloved “ecsta­t­ic truth” imme­di­ate­ly after­ward, but you’ll sure­ly get your fee’s worth of thrilling sto­ries of the film­mak­ing life along the way. Sign up for Her­zog’s class here.

You can take this class by sign­ing up for a Mas­ter­Class’ All Access Pass. The All Access Pass will give you instant access to this course and 85 oth­ers for a 12-month peri­od.

Relat­ed Con­tent:

Wern­er Her­zog Cre­ates Required Read­ing & Movie View­ing Lists for Enrolling in His Film School

Wern­er Herzog’s Rogue Film School: Apply & Learn the Art of Gueril­la Film­mak­ing & Lock-Pick­ing

Wern­er Her­zog Picks His 5 Favorite Films

Por­trait Wern­er Her­zog: The Director’s Auto­bi­o­graph­i­cal Short Film from 1986

Wern­er Her­zog Gets Shot Dur­ing Inter­view, Doesn’t Miss a Beat

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities, lan­guage, and style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer, the video series The City in Cin­e­ma, the crowd­fund­ed jour­nal­ism project Where Is the City of the Future?, and the Los Ange­les Review of Books’ Korea Blog. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

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