Free NASA eBook Theorizes How We Will Communicate with Aliens

Douglas A. Vakoch

Dur­ing the past few years, NASA has released a series of free ebooks, includ­ing NASA Earth As Art and var­i­ous inter­ac­tive texts focus­ing on the Webb and Hub­ble space tele­scopes. Last week, they added a new, curi­ous book to the col­lec­tion, Archae­ol­o­gy, Anthro­pol­o­gy, and Inter­stel­lar Com­mu­ni­ca­tion. Edit­ed by Dou­glas A. Vakoch (the Direc­tor of Inter­stel­lar Mes­sage Com­po­si­tion at the SETI Insti­tute), the text con­tem­plates how we’ll go about “estab­lish­ing mean­ing­ful com­mu­ni­ca­tion with an extrater­res­tri­al intel­li­gence.” The schol­ars con­tribut­ing to the vol­ume â€śgrappl[e] with some of the enor­mous chal­lenges that will face human­i­ty if an infor­ma­tion-rich sig­nal ema­nat­ing from anoth­er world is detect­ed.” And to make sure that we’re “pre­pared for con­tact with an extrater­res­tri­al civ­i­liza­tion, should that day ever come,” they draw on “issues at the core of con­tem­po­rary archae­ol­o­gy and anthro­pol­o­gy.” Why archae­ol­o­gy and anthro­pol­o­gy? Because, says Vack­och, com­mu­ni­ca­tion with intel­li­gent life prob­a­bly won’t be through sound, but through images. We will need to read/understand the civ­i­liza­tion we encounter based on what we observe. Vakoch says:

[D]on’t think of “sound worlds” or music or speech as the domains, vehi­cles, or con­tents of ETI [extra ter­res­tri­al intel­li­gence] mes­sages. Regard­less of semi­otic con­cerns, the acces­si­bil­i­ty of acoustic mes­sag­ing must remain doubt­ful. Fur­ther­more, there will be intend­ed and unin­tend­ed aspects of per­for­mance, which elab­o­rate the dif­fi­cul­ties of using sound. In my view avoid­ance of the sound world need not be con­tro­ver­sial.

On the oth­er hand, vision and the use of images would appear to be at least plau­si­ble. Although spec­tral details can­not be con­sid­ered uni­ver­sal, the phys­i­cal arrange­ment of objects on a hab­it­able plan­et’s sur­face will be shaped in part by grav­i­ty (the notion of a hori­zon might well be uni­ver­sal) and thus mul­ti­spec­tral images might plau­si­bly be con­sid­ered worth­while for mes­sages. More gen­er­al­ly, the impli­ca­tions for con­sid­er­ing SETI/CETI as some sort of anthro­po­log­i­cal chal­lenge need teas­ing out.

The 300-page book, Archae­ol­o­gy, Anthro­pol­o­gy, and Inter­stel­lar Com­mu­ni­ca­tion, has been made avail­able in three for­mats, and added to our own col­lec­tion, 800 Free eBooks for iPad, Kin­dle & Oth­er Devices:

› Kin­dle read­ers: MOBI [2.8 MB]

› All oth­er eBook read­ers: EPUB [3.8 MB]

› Fixed lay­out: PDF [1.7 MB]

Below you can watch Vakoch give a TEDX talk called,“What Would You Say to an Extrater­res­tri­al?”

via Giz­mo­do/Kim Komand0

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700 Free eBooks: Fiction, Poetry & Non-Fiction for Kindle, iPad & Other Devices

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If you’re look­ing for a free read today, let us turn your atten­tion to our col­lec­tion, 800 Free eBooks for iPad, Kin­dle & Oth­er Devices. Arendt, Asi­mov, Austen, Balzac, Baude­laire, Brad­bury, Bukows­ki, Calvi­no, Chekhov, Clarke (as in Arthur C.), Dante, Dick (as in Philip K.), Dick­ens, Dick­in­son, Dos­to­evsky, Faulkn­er, Fitzger­ald, Flaubert, Freud, Gaiman, Gins­berg, Gogol, Hem­ing­way, Hux­ley, Joyce, Kaf­ka, Kierkegaard, Love­craft, Melville, Nabokov, Niet­zsche, Oates (as in Joyce Car­ol), Orwell, Plath, Poe, Pound, Proust, Rus­sell (as in Bertrand), Sartre, Shake­speare, Stein, Tol­stoy, Twain, DFW, Wells (as in H.G.), Whit­man, Zola — they’re all on the list.

If you’re an iPad/iPhone user, the down­load process is super easy. Just click the “iPad/iPhone” links and you’re good to go. Kin­dle users will gen­er­al­ly want to click the “Kin­dle + Oth­er For­mats links” to down­load ebook files, but we’d sug­gest watch­ing this instruc­tion­al video (not made by us) before­hand to take full advan­tage of the col­lec­tion. And, if down­load­ing files seems like a bur­den, fear not. We often give you the abil­i­ty to sim­ply read texts online.

Find our full col­lec­tion here: 700 Free eBooks for iPad, Kin­dle & Oth­er Devices. You might equal­ly enjoy our relat­ed col­lec­tion, 1,000 Free Audio Books: Down­load Great Books for Free. Enjoy.

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15 Free eBooks on New Media Studies & the Digital Humanities

hacking-the-academy

Worth not­ing: dig­i­tal­cul­ture­books is an imprint of the Uni­ver­si­ty of Michi­gan Press ded­i­cat­ed to pub­lish­ing books on new media stud­ies and dig­i­tal human­i­ties. Com­mit­ted to open­ness, the imprint typ­i­cal­ly releas­es its titles under a Cre­ative Com­mons (CC) license that lets you read the works online for free. You can also make non-com­mer­cial use of the texts with­out get­ting per­mis­sion (or pay­ing fees) so long as you give prop­er attri­bu­tion. Below, we have list­ed the texts (and the series in which they appear). Click the links below, then look for the “Read for free online” link beneath each author’s name. And you’ll be good to go. We have more free ebooks in two col­lec­tions: 600 Free eBooks for iPad, Kin­dle & Oth­er Devices and 170 Free Text­books: A Meta Col­lec­tion.

Dig­i­tal Human­i­ties

Land­mark Video Games

The New Media World

Tech­nolo­gies of the Imag­i­na­tion

via Metafil­ter

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Oxford University Press Gives You Free Access to Books, Dictionaries & More During National Library Week

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It’s Nation­al Library Week, and to cel­e­brate Oxford Uni­ver­si­ty Press is mak­ing many of its online resources free for users in the U.S. and Cana­da this week. Access will be open until the end of Sat­ur­day, the 19th. You will be able to read Oxford’s online dic­tio­nar­ies, online schol­ar­ly edi­tions, exten­sive ref­er­ence mate­ri­als, and the pop­u­lar series of Very Short Intro­duc­tions, which “offer con­cise intro­duc­tions to a diverse range of sub­ject areas from Cli­mate to Con­scious­nessGame The­o­ry to Ancient War­farePri­va­cy to Islam­ic His­to­ryEco­nom­ics to Lit­er­ary The­o­ry.” (To access the texts, type “library­week” as the user­name and pass­word in the Sub­scriber Login area. It appears halfway down the page, on the left.)

The open access peri­od excludes Oxford Uni­ver­si­ty Press schol­ar­ly jour­nals. This is unfor­tu­nate. As you prob­a­bly know, most of the research pub­lished by uni­ver­si­ty press­es resides behind pro­hib­i­tive pay­walls that make it dif­fi­cult for inde­pen­dent schol­ars and laypeo­ple to read cur­rent schol­ar­ship. It would be nice to see Oxford and oth­er press­es make such grace peri­ods more fre­quent and inclu­sive in the future. But for now, OUP’s open access week is a great way to entice non-pro­fes­sion­als into aca­d­e­m­ic schol­ar­ship and tem­porar­i­ly ease the bur­den on those with­out reg­u­lar access to their data­bas­es. Vis­it Oxford’s site and sign in with user­name and pass­word “library­week” to begin read­ing.

Relat­ed Con­tent:

The British Library Puts 1,000,000 Images into the Pub­lic Domain, Mak­ing Them Free to Reuse & Remix

Read All of Shakespeare’s Plays Free Online, Cour­tesy of the Fol­ger Shake­speare Library

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Read Hunter S. Thompson’s Fear and Loathing in Las Vegas, as It Was Originally Published in Rolling Stone (1971)

Last week, we revis­it­ed John­ny Dep­p’s read­ing of the famous “wave speech” from Hunter S. Thomp­son’s Fear and Loathing in Las Vegas. Would­n’t you know it, a week lat­er, we’ve dis­cov­ered that you can read the entire text of the orig­i­nal nov­el, online, for free.  The Gonzo jour­nal­ism clas­sic first appeared as a two-part series in Rolling Stone mag­a­zine in Novem­ber 1971, com­plete with illus­tra­tions from Ralph Stead­man, before being pub­lished as a book in 1972.  Rolling Stone has post­ed the orig­i­nal ver­sion on its web site. The 23,000 word man­u­script famous­ly begins:

We were some­where around Barstow on the edge of the desert when the drugs began to take hold. I remem­ber say­ing some­thing like “I feel a bit light­head­ed; maybe you should dri­ve. …” And sud­den­ly there was a ter­ri­ble roar all around us and the sky was full of what looked like huge bats, all swoop­ing and screech­ing and div­ing around the car, which was going about 100 miles an hour with the top down to Las Vegas. And a voice was scream­ing: “Holy Jesus! What are these god­damn ani­mals?”

Down the line, you can find this text per­ma­nent­ly list­ed in our col­lec­tion of Free eBooks, as well as in our List of 10 Free Arti­cles by Hunter S. Thomp­son That Span His Gonzo Jour­nal­ist Career (1965–2005). Enjoy.

via @SteveSilberman

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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George R.R. Martin Releases a Free Chapter From The Winds of Winter: Read It Online

Titan_of_Braavos-1024x576

In recent days, George R.R. Mar­tin pub­lished a blog post that begins, “Hiya kids, hiya hiya hiya. With sea­son 4 of HBO’s GAME OF THRONES almost upon us, I thought the time was ripe for me to give my read­ers anoth­er taste of WINDS OF WINTER.” The new chap­ter, he tells us, “is actu­al­ly an old chap­ter.  But no, it’s not one I’ve pub­lished or post­ed before.” The chap­ter, called “Mer­cy,” opens with these words:

She woke with a gasp, not know­ing who she was, or where.

The smell of blood was heavy in her nos­trils… or was that her night­mare, lin­ger­ing? She had dreamed of wolves again, of run­ning through some dark pine for­est with a great pack at her hells, hard on the scent of prey.

Half-light filled the room, grey and gloomy. Shiv­er­ing, she sat up in bed and ran a hand across her scalp. Stub­ble bris­tled against her palm. I need to shave before Izem­baro sees. Mer­cy, I’m Mer­cy, and tonight I’ll be raped and mur­dered. Her true name was Merce­dene, but Mer­cy was all any­one ever called her…

Except in dreams. She took a breath to qui­et the howl­ing in her heart, try­ing to remem­ber more of what she’d dreamt, but most of it had gone already. There had been blood in it, though, and a full moon over­head, and a tree that watched her as she ran.

You can read the chap­ter in full here. Mar­tin notes that you can also enjoy a new Tyri­on chap­ter, “that is live and avail­able with the ICE & FIRE app.” It’s free on iTunes.

Relat­ed Con­tent:

Neil Gaiman’s Free Short Sto­ries

Down­load 33 Great Sci-Fi Sto­ries by Philip K. Dick as Free Audio Books & Free eBooks

Free: Isaac Asimov’s Epic Foun­da­tion Tril­o­gy Dra­ma­tized in Clas­sic Audio

The Ware Tetral­o­gy: Free Sci­Fi Down­load

575 Free eBooks: Down­load Great Books for Free

Read All of Shakespeare’s Plays Free Online, Courtesy of the Folger Shakespeare Library

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Just a few short years ago, the world of dig­i­tal schol­ar­ly texts was in its pri­mor­dial stages, and it is still the case that most online edi­tions are sim­ply basic HTML or scanned images from more or less arbi­trar­i­ly cho­sen print edi­tions. An exam­ple of the ear­li­est phas­es of dig­i­tal human­i­ties, MIT’s web edi­tion of the Com­plete Works of William Shake­speare has been online since 1993. The site’s HTML text of the plays is based on the pub­lic domain Moby Text, which—the Fol­ger Shake­speare Library informs us—“reproduces a late-nine­teenth cen­tu­ry ver­sion of the plays,” made “long before schol­ars ful­ly under­stood the prop­er grounds on which to make the thou­sands of deci­sions that Shake­speare edi­tors face.”

The schol­ar­ly Shake­speare edi­to­r­i­al process is far too Byzan­tine to get into, but suf­fice it to say that it mat­ters a great deal to seri­ous stu­dents which edi­tions they read and the new­er, often the bet­ter. And those edi­tions can become very cost­ly. Until recent­ly, the Moby Text was as good as it got for a free online edi­tion.

Oth­er online edi­tions of Shakespeare’s works had their own prob­lems. Bartleby.com has dig­i­tized the 1914 Oxford Com­plete Works, but this is not pub­lic-domain and is also out­dat­ed for schol­ar­ly use. Anoth­er online edi­tion from North­west­ern presents copy­right bar­ri­ers (and seems to have gone on indef­i­nite hia­tus). In light of these dif­fi­cul­ties, George Mason University’s Open Source Shake­speare project recent­ly pined for more: “per­haps some­day, a group of indi­vid­u­als will pro­duce a mod­ern, schol­ar­ly, free alter­na­tive to Moby Shake­speare.” Their wish has now been grant­ed. The Fol­ger Shake­speare Library has released all of Shakespeare’s plays as ful­ly search­able dig­i­tal texts, down­load­able as pdfs, in a free, schol­ar­ly edi­tion that makes all of its source code avail­able as well. Tak­en from 2010 Fol­ger Shake­speare Library edi­tions edit­ed by Bar­bara Mowat and Paul Wer­s­tine, the dig­i­tal plays con­sti­tute an invalu­able open resource.

You will still have to pur­chase Fol­ger print edi­tions for the com­plete “appa­ra­tus” (notes, crit­i­cal essays, tex­tu­al vari­ants, etc). But the Fol­ger promis­es new fea­tures in the near future. Cur­rent­ly, the dig­i­tal text is search­able by act/scene/line, key­word, and page and line num­ber (from the Fol­ger print edi­tions). Fol­ger touts its “metic­u­lous­ly accu­rate texts” as the “#1 Shake­speare text in U.S. class­rooms.” Per­haps some prick­ly expert will weigh in with a dis­par­age­ment, but for us non-spe­cial­ists, the free avail­abil­i­ty of these excel­lent online edi­tions is a great gift indeed.

As you know by now, Shake­speare’s plays can always be found in our col­lec­tion of Free eBooks.

Relat­ed Con­tent:

Free Course: A Sur­vey of Shakespeare’s Plays

What Shake­speare Sound­ed Like to Shake­speare: Recon­struct­ing the Bard’s Orig­i­nal Pro­nun­ci­a­tion

Dis­cov­er What Shakespeare’s Hand­writ­ing Looked Like, and How It Solved a Mys­tery of Author­ship

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Download a Free Copy of Danah Boyd’s Book, It’s Complicated: The Social Lives of Networked Teens

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danah boyd (she does­n’t cap­i­tal­ize her name) is a Prin­ci­pal Researcher at Microsoft Research and a Fel­low at Har­vard’s Berk­man Cen­ter, where she looks at how young peo­ple use social media as part of their every­day lives. She has a new book out called It’s Com­pli­cat­ed: The Social Lives of Net­worked Teens, and she’s made it avail­able as a free PDF. On her web­site she writes, “I didn’t write this book to make mon­ey. I wrote this book to reach as wide of an audi­ence as I pos­si­bly could.  This desire to get as many peo­ple as engaged as pos­si­ble drove every deci­sion I made through­out this process. One of the things that drew me to Yale [the pub­lish­er] was their will­ing­ness to let me put a freely down­load­able CC-licensed copy of the book online on the day the book came out.” But she also asks that you pur­chase a copy of the book if you find it use­ful. “Your pur­chas­ing deci­sions help me sig­nal to the pow­ers that be that this book is impor­tant, that the mes­sage in the book is valu­able.” Find the PDF here, or in our col­lec­tion of Free eBooks. Buy the book online here.

via Boing­Bo­ing

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