Oil’d, by Chris Harmon

We’re often obsessed with oil. A year ago, the issue was off­shore drilling. The Deep­wa­ter Hori­zon rig had explod­ed, and crude oil was spilling into the Gulf of Mex­i­co at a rate of 53,000 bar­rels a day. We all watched help­less­ly as BP threw every­thing but the kitchen sink at the prob­lem. (Remem­ber the golf balls?) Three months passed and 4.9 mil­lion bar­rels ripped into the ecosys­tem before the well was final­ly capped. Time to talk about it? Hard­ly. Now the dis­cus­sion has moved on to sky­rock­et­ing oil prices and the issues sur­round­ing them, like the caus­es (con­flict in the Mid­dle East, ris­ing con­sump­tion in Chi­na and India, com­mod­i­ty spec­u­la­tion at home…) and the polit­i­cal impli­ca­tions for the 2012 U.S. pres­i­den­tial elec­tion if gas prices stay high. Weighty issues, to be sure. But before we allow the Deep­wa­ter Hori­zon oil spill of 2010 to fade into our col­lec­tive amne­sia, Chris Har­mon, a Brook­lyn-based design­er, ani­ma­tor and writer, has cre­at­ed a work of ani­mat­ed typog­ra­phy to put some of the stag­ger­ing facts into per­spec­tive.

Obama Announces Death of Osama bin Laden (Video)

It’s news and it’s instant his­tor­i­cal footage. Tonight, Pres­i­dent Oba­ma announced that Osama bin Laden, the mas­ter­mind behind the 9/11 attacks, was killed Sun­day by US forces in Pak­istan, right out­side of Islam­abad (and, in a for­ti­fied man­sion, no less). The US began search­ing for bin Laden back in 1998, fol­low­ing the bomb­ing of the US embassies in Kenya and Tan­za­nia. 13 years lat­er, the pur­suit of Al Qaeda’s leader is over…

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A Very Brief History of Royal Weddings

I can’t say that we’ll be watch­ing the roy­al wed­ding. But we should at least put a thin veneer of intel­li­gence on top of the shal­low spec­ta­cle. That’s our job. In two very quick min­utes, Emory his­to­ri­an Patrick Allitt sketch­es out the his­to­ry of roy­al wed­dings, and tells you why this “Roy­al Willd­ing” stands out…

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The Kitty Genovese Myth and the Popular Imagination

On Mon­day, April 18th a 22-year old woman named Chris­sy Lee Polis was severe­ly beat­en by two teenagers at a McDon­ald’s in Bal­ti­more, while sev­er­al bystanders watched and a McDon­ald’s employ­ee video­taped the whole inci­dent. Late last week, the video went viral, and now the employ­ee has been fired, the two girls (one of whom is only 14) are in cus­tody, and Polis is con­sid­er­ing a civ­il suit. The vic­tim, who is trans­gen­dered, told the Bal­ti­more Sun this week­end that she con­sid­ers the beat­ing a hate crime.

Mean­while, the inci­dent has elicit­ed sev­er­al com­par­isons to the famous 1964 case of Kit­ty Gen­ovese, a young woman who was stabbed to death in the court­yard of her New York City apart­ment build­ing while 38 neigh­bors watched and did noth­ing to help her. The wide­spread cov­er­age of her case had a huge impact on both pol­i­cy and the field of psy­chol­o­gy: The NYPD reformed its tele­phone report­ing sys­tem; researchers began study­ing the bystander effect and dif­fu­sion of respon­si­bil­i­ty; and the dead woman became a sym­bol of the dire con­se­quences of inac­tion.

One of the most ele­gant uses of that sym­bol­ism is the chap­ter (above) from the online motion com­ic based on the graph­ic nov­el Watch­men. Gen­ovese fig­ures promi­nent­ly in the ori­gin sto­ry of the superhero/antihero Wal­ter Joseph Kovacs, aka “Rorschach.” Rorschach con­structs both his iden­ti­ty and his cos­tume as a direct response to the pas­siv­i­ty and even cyn­i­cal voyeurism embod­ied by the neigh­bors who heard and watched her die.

But the actu­al reac­tions of the wit­ness­es to Kit­ty Gen­ovese’s mur­der were more com­pli­cat­ed than orig­i­nal­ly report­ed. It’s unlike­ly, for exam­ple, that any of the infa­mous 38 bystanders heard the entire crime, or real­ized its sever­i­ty in the moment. For a fas­ci­nat­ing account of the dis­crep­an­cies between the facts and myths of the case, you can lis­ten to this 2009 sto­ry on NPR, or read this 2007 arti­cle from Amer­i­can Psy­chol­o­gist (the link is to a PDF from the author’s web­site).

The Kit­ty Gen­ovese para­ble is no less moral­ly instruc­tive for being not quite accu­rate. The bystander effect is still real, the McDon­ald’s work­er’s deci­sion to tape the beat­ing last week rather than stop it is still rep­re­hen­si­ble. And of course, Rorschach is still one of the most right­eous dark avengers in pop­u­lar cul­ture. But it’s worth remem­ber­ing that we’re more like­ly to learn from our mis­takes when we dig for the truth, even — and per­haps espe­cial­ly — when the truth isn’t so sim­ple.

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly

Kevin Spacey & Alec Baldwin Go to Bat for the Arts

Both Alec Bald­win and Kevin Spacey are long­time advo­cates for gov­ern­ment fund­ing of  the Arts. If you missed their tes­ti­mo­ny before the House Appro­pri­a­tions Subcom­mi­tee on the Inte­ri­or ear­li­er this month, you aren’t alone. They were kicked off the sched­ule because of prepa­ra­tions for a con­gres­sion­al shut­down. These speech­es were deliv­ered not to the sub­com­mit­tee but to a crowd of advo­cates and fans.

Both are well worth watch­ing. Spacey, who is also the artis­tic direc­tor of Lon­don’s Old Vic The­atre, has long been one of the most respect­ed and artic­u­late actors in Hol­ly­wood. (See his inspir­ing pep talk to a young actor on Inside the Actor’s Stu­dio here.) He packs more wis­dom in these 12 and a half min­utes than some per­form­ers do in a life­time.

As for Alec Bald­win, his speech is short­er, but equal­ly com­pelling. If you’re in a rush, head straight to minute  4:00, which begins with this teas­er: “I come from a busi­ness where we all know a great secret …”

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

Diary: The Last Short Film by Tim Hetherington

Ear­li­er today, Tim Het­her­ing­ton, the pho­tog­ra­ph­er who pro­duced and direct­ed the award-win­ning film Restre­po, was killed in the Libyan city of Mis­ura­ta. Although inter­est­ed in diverse art forms, Het­her­ing­ton spent more than a decade work­ing in war zones. He was a cam­era­man on Liberia: An Unciv­il War (2004) and The Dev­il Came on Horse­back (2007), then direct­ed Restre­po, a film about a pla­toon of sol­diers in Afghanistan. It won the Grand Jury Prize at the 2010 Sun­dance Film Fes­ti­val. And, that same year, Het­her­ing­ton also shot a short film, Diary, which he sum­ma­rized in this fash­ion:

‘Diary’ is a high­ly per­son­al and exper­i­men­tal film that express­es the sub­jec­tive expe­ri­ence of my work, and was made as an attempt to locate myself after ten years of report­ing. It’s a kalei­do­scope of images that link our west­ern real­i­ty to the seem­ing­ly dis­tant worlds we see in the media.”

You can watch Diary above and also vis­it a slideshow of Het­her­ing­ton’s pho­to­graph­ic work here.

via Boing­Bo­ing

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Bubble Watch: Is China Next?


Last month, Chi­na hit anoth­er major mile­stone. It passed Japan and became the sec­ond largest econ­o­my in the world, leav­ing only the US in its way. Give Chi­na a decade, maybe a lit­tle more, and it will inevitably surge into the lead. That’s the accept­ed nar­ra­tive.

But then we come across this: the pos­si­bil­i­ty that a mount­ing real estate bub­ble might derail Chi­na’s plans. This report from Aus­tralian pub­lic tele­vi­sion gives you a dis­turb­ing look at how the Chi­nese gov­ern­ment has pumped vast amounts of cap­i­tal into fixed assets, like com­mer­cial and res­i­den­tial real estate, to keep the coun­try’s econ­o­my grow­ing. And what they’re left with is what James Chanos (a hedge fund man­ag­er) has famous­ly described as “Dubai times one thou­sand.” Right now, there are an esti­mat­ed 64 mil­lion emp­ty apart­ments in Chi­na, and approx­i­mate­ly 30 bil­lion square feet of com­mer­cial real estate under con­struc­tion — equiv­a­lent to a five-by-five foot office cubi­cle for every man, woman and child in Chi­na. It’s one thing to read these facts, anoth­er thing to see what it all looks like. And that’s the oppor­tu­ni­ty you get above.

For a more pre­cise roadmap of what a Chi­nese crash might look like, you should spend some time with this piece in Cana­di­an Busi­ness mag­a­zine.

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How Venice Works: 124 Islands, 183 Canals & 438 Bridges

3,000,000 tourists move through Venice each year. But when the tourists leave the city, 60,000 year-round res­i­dents stay behind, con­tin­u­ing their dai­ly lives, which requires nav­i­gat­ing an arch­i­pel­ago made up of 124 islands, 183 canals and 438 bridges. How this com­pli­cat­ed city works – how the build­ings are defend­ed from water, how the build­ings stand on unsteady ground, how the Vene­tians nav­i­gate this maze of a city – is a pret­ty fas­ci­nat­ing sto­ry. These tech­niques have been worked out over Venice’s 1500 year his­to­ry, and now they’re explored in a cap­ti­vat­ing 17 minute video pro­duced by a Venet­ian gov­ern­ment agency. You can learn more about the inner life of this great city at Venice Back­stage.

via Metafil­ter

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