Joseph Stiglitz and Lawrence Lessig at Occupy Wall Street

Joseph Stiglitz teach­es at the Colum­bia Busi­ness School and Columbi­a’s Depart­ment of Eco­nom­ics and, of course, won the Nobel Prize in Eco­nom­ics in 2001.

The mon­ey quote from his appear­ance had less to do with eco­nom­ics per se and more with democ­ra­cy: “We have too many reg­u­la­tions stop­ping democ­ra­cy, and not enough reg­u­la­tions stop­ping Wall Street from mis­be­hav­ing.” No bull­horns, are you seri­ous?

You prob­a­bly know Lawrence Lessig because of his work found­ing Cre­ative Com­mons and pro­mot­ing “Free Cul­ture.” (Watch his final speech on Free Cul­ture here.) Sev­er­al years ago, Lessig moved from Stan­ford to Har­vard, where he took up a new focus — gov­ern­ment cor­rup­tion. That’s what he grap­ples with in his new book, Repub­lic, Lost and this relat­ed video. Giv­en Lessig’s focus on how cor­po­rate mon­ey cor­rupts our polit­i­cal sys­tem, it’s not sur­pris­ing that he would have some­thing to say about the poten­tial of the Wall Street protests.

Relat­ed Con­tent:

Slavoj Zizek Takes the Stage at Occu­py Wall Street

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Slavoj Zizek Takes the Stage at Occupy Wall Street

When Slove­ni­a’s hip Marxist/Lacanian crit­i­cal the­o­rist takes cen­ter stage at a Wall Street protest, it’s news for a cul­ture site. No doubt. How can we not observe a rare moment of prax­is? But, what it all means for the Occu­py Wall Street move­ment, we’ll let you wres­tle with that. Part 2 appears here. H/T Bib­liok­lept.

Relat­ed Stuff: It looks like the 2005 doc­u­men­tary Zizek! has found its way on YouTube, and if you want to under­stand the essence of Occu­py Wall Street, it’s worth lis­ten­ing to this recent episode of Plan­et Mon­ey. They do a good job of demys­ti­fy­ing things…

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Six Ideas That Set the West Apart from the Rest (And Why It’s All Over Now Baby Blue)

We’re tack­ling anoth­er big ques­tion today with the help of Har­vard eco­nom­ic his­to­ri­an Niall Fer­gu­son. And the ques­tion goes like this: Why has the West cre­at­ed so much pros­per­i­ty and sta­bil­i­ty over the past sev­er­al cen­turies, when the rest of the world did not? For Fer­gu­son, the “great diver­gence” can be explained by six big ideas, or what he calls killer apps for the ben­e­fit of his technophile TED audi­ence:

1. Com­pe­ti­tion
2. The Sci­en­tif­ic Rev­o­lu­tion
3. Prop­er­ty Rights
4. Mod­ern Med­i­cine
5. The Con­sumer Soci­ety
6. Work Eth­ic

These apps, it turns out, are open source. Any­one can down­load and use them. And that’s pre­cise­ly what Asia has done. The great diver­gence is over (baby blue)…

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This is Real Democracy

The Israeli mashup artist Ophir Kutiel, oth­er­wise known as Kuti­man, strikes again. His lat­est cre­ation, “This is Real Democ­ra­cy,” offers a mul­ti­me­dia com­men­tary on the messy state of world affairs. Which way will bank­rupt democ­ra­cies and nascent demo­c­ra­t­ic move­ments take us? It’s unclear and a lit­tle unnerv­ing, or per­haps a reminder of Churchill’s famous dic­tum “Democ­ra­cy is the worst form of gov­ern­ment, except for all those oth­er forms that have been tried.” The mashup cap­tures that sense in its own unique way…

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Inside the Renaissance of Iranian Cinema

Iran had a rich tra­di­tion of film­mak­ing before the Rev­o­lu­tion of 1979, when the fun­da­men­tal­ists burned cin­e­mas and shut down pro­duc­tions. But, by the late 80s, the cler­ics warmed up to cin­e­ma again and a film­mak­ing renais­sance got under­way. Then, in 1997, the whole world took notice when Abbas Kiarosta­mi won the Palme d’Or at the Cannes Film Fes­ti­val for Taste of Cher­ry. Nowa­days, Iran­ian films show up reg­u­lar­ly at film fes­ti­vals world­wide.

Get­ting inside the vibrant Iran­ian film scene has­n’t been ter­ri­bly easy, espe­cial­ly for Amer­i­cans. Blame that on pol­i­tics. But last year, the folks behind the Vice Guide to Film trav­eled to Tehran and put togeth­er a reportage on Iran­ian cin­e­ma past and present. It runs 23 min­utes and over­turns a few stereo­types along the way. Def­i­nite­ly worth a watch.

Note: Accord­ing to our Twit­ter friends, the film should be view­able around the world. We only encoun­tered one excep­tion — Cana­da. So we offer our apolo­gies in advance to Cana­di­an view­ers. You can find us on Twit­ter here.

Relat­ed Con­tent:

North Korea’s Cin­e­ma of Dreams

420 Free Movies Online

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The Sins of the Renaissance, or The History That Shaped Michele Bachmann’s Worldview

Dur­ing the 1970s, Fran­cis A. Scha­ef­fer, an evan­gel­i­cal the­olo­gian, wrote and nar­rat­ed How Should We Then Live?, a ten-part film series that traced the his­to­ry of West­ern cul­ture and thought. Lots of art and phi­los­o­phy were put on dis­play. But the real nar­ra­tive focused on some­thing a lit­tle dif­fer­ent — the his­to­ry of human­i­ty’s lapse from God and a Bib­li­cal world­view. The film became a sen­sa­tion at evan­gel­i­cal church­es across Amer­i­ca, some­times draw­ing 5,000 peo­ple per screen­ing. And, as Ryan Liz­za writes in a New York­er pro­file pub­lished this week, the film had a life-alter­ing effect on Michele Bach­mann, the US Rep­re­sen­ta­tive now vying for the pres­i­den­cy.

For Scha­ef­fer, the big turn­ing point came dur­ing the Renais­sance. That’s when things went wrong. He laments (start­ing around the 10:45 mark above):

At the begin­ning of the Renais­sance, it could have gone either way. Nature could have had its prop­er place. Man could have been in his prop­er place, and it would have been absolute­ly beau­ti­ful. But at a cer­tain point in the Renais­sance, the scales tipped, and man put him­self at the cen­ter absolute­ly, and this opened the door com­plete­ly to the whole destruc­tive force of human­ism that fol­lowed down through the Enlight­en­ment [oth­er­wise called “The Age of Non Rea­son”] and into our own day.

If you want to see where this destruc­tive force brings us, you need only turn to the last seg­ment “Final Choic­es.” (Part 1 — Part 2 — Part 3) Accord­ing to Scha­ef­fer, we end up under the con­trol of an author­i­tar­i­an elite that impos­es its arbi­trary will on the peo­ple, some­times inject­ing birth con­trol into the water sup­ply, and some­times decid­ing who will be born, and who won’t. The author­i­tar­i­an elite resides in no one place. It’s shad­owy, doing its work in many places. But one place you def­i­nite­ly find it? The Supreme Court that gave us Roe v. Wade.

Should you wish, you can watch the remain­ing seg­ments via the links below.

Episode I — The Roman Age
Episode II — The Mid­dle Ages
Episode III — The Renais­sance
Episode IV — The Ref­or­ma­tion
Episode V — The Rev­o­lu­tion­ary Age
Episode VI — The Sci­en­tif­ic Age
Episode VII — The Age of Non Rea­son
Episode VIII — The Age of Frag­men­ta­tion
Episode IX — The Age of Per­son­al Peace & Afflu­ence
Episode X — Final Choic­es (Part 1 — Part 2 — Part 3)

via The LA Times

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David Lynch’s Video Response to Washington Debt Deal

No one is hap­py with Wash­ing­ton D.C. this week, and that includes film­mak­er David Lynch, who gives you his com­men­tary in sounds and images, not words. The sym­bol­ism? Amer­i­ca is in a dark posi­tion and mov­ing back­wards? The deficit deal is flat out garbage?

H/T @opedr


Relat­ed Con­tent:

David Lynch and Inter­pol Team Up on Short Film

David Lynch’s Organ­ic Cof­fee (Bar­bie Head Not Includ­ed)

David Lynch on his Favorite Movies and Film­mak­ers

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Al Jazeera: The Top 1% in America

Al Jazeera forced many West­erns view­ers to take their report­ing seri­ous­ly dur­ing the Egypt­ian upris­ing this spring, and now the Qatar-based news net­work has released a time­ly reportage (Aug. 2) on the fault lines in Amer­i­ca — on the gap between rich and poor that only grew wider this week. Alex­is de Toc­queville they’re not. There’s no sub­tle soci­ol­o­gy here. But, at the same time, I sus­pect that this for­eign per­spec­tive on the U.S. won’t appear unfa­mil­iar to many Amer­i­cans. The pro­gram runs 24 min­utes, and oth­er shows in the Fault Lines series can be viewed on YouTube here. H/T @courosa

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