Henry Rollins: Education is the Cure to “Disaster Capitalism”

We’ve already fea­tured for­mer Black Flag front­man and cur­rent spo­ken-word artist Hen­ry Rollins explain­ing why, to his mind, only edu­ca­tion can restore democ­ra­cy. He also believes it can cure some­thing he calls “dis­as­ter cap­i­tal­ism,” and you can hear more from him about it in the Big Think video above. He address­es, in his char­ac­ter­is­ti­cal­ly straight­for­ward man­ner, the ques­tions of what exact­ly ails the Amer­i­can econ­o­my, how that ail­ment might have come about, and how the coun­try can edu­cate itself back to health. We may indi­vid­u­al­ly get our edu­ca­tions now, he grants, but “how long will it be until Amer­i­ca fis­cal­ly turns itself around” to the point of repay­ing “the risk of the invest­ment on that stu­dent loan to get a per­son through four years of col­lege? Will that per­son get a job where pay­ing off that loan and get­ting a house and afford­ing a fam­i­ly, will that be a pos­si­bil­i­ty? In the present Amer­i­ca, it doesn’t look like it is.”

See­ing a dire nation­al sit­u­a­tion, Rollins rec­om­mends doing like Chi­na, but not in the way you might assume. He sug­gests look­ing “500 years at a time,” much far­ther up the road than we have of late. “I’d be look­ing up the road so far my eyes would fall out of my head.” He wants the coun­try to become “like Europe, where they’ll edu­cate your kid until his head explodes,” pro­duc­ing “three doc­tors per floor of every apart­ment build­ing” and doing so by mak­ing “col­lege tuition either free or real­ly low.” Gen­er­al­ly thought of as lib­er­al, Rollins sums this up in a way that might appeal to his ide­o­log­i­cal oppo­nents: “If you have a coun­try full of whip-crack smart peo­ple, you have a coun­try the rest of the world will fear. They will not invade a coun­try of edu­cat­ed peo­ple because we are so smart we’ll build a laser that will burn you, the ene­my, in your sleep before you can even mobi­lize your air force to kill us. We will kill you so fast because we are so smart and we will have for­eign pol­i­cy that will not piss you off to the point to where you have to attack us.”

Relat­ed Con­tent:

Hen­ry Rollins Pitch­es Edu­ca­tion as the Key to Restor­ing Democ­ra­cy

Hen­ry Rollins Tells Young Peo­ple to Avoid Resent­ment and to Pur­sue Suc­cess with a “Monas­tic Obses­sion”

Hen­ry Rollins Remem­bers the Life-Chang­ing Deci­sion That Brought Him From Häa­gen-Dazs to Black Flag

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on lit­er­a­ture, film, cities, Asia, and aes­thet­ics. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall.

Pussy Riot Releases First Video in a Year, Taking on Russian Oil Profits and Other High-Profile Targets

Russ­ian punk per­for­mance art col­lec­tive Pussy Riot will not be deterred. Despite two of their mem­bers still lan­guish­ing in prison labor camps for a musi­cal protest in Moscow’s Cathe­dral of Christ the Sav­ior, the band con­tin­ues to rail against its country’s cor­rup­tion and abus­es. This time, in their first music video in almost a year, they take on the Russ­ian oil indus­try and oth­er tar­gets in the song above called “Like in a Red Prison.” The Wall Street Jour­nal writes:

The con­fus­ing and caus­tic lyrics to the hard-to-lis­ten-to song decry sex­ism, “homo­pho­bic ver­min,” actor Ger­ard Depar­dieu (a recent recip­i­ent of Russ­ian cit­i­zen­ship cour­tesy of Mr. Putin), and likens Russia’s pres­i­dent to the Aya­tol­lah of Iran.

I don’t find the song hard to lis­ten to at all—quite the contrary—and the video’s pret­ty exhil­a­rat­ing too, with the band mem­bers, in trade­mark mul­ti-col­ored bal­a­clavas, clam­ber­ing atop an oil der­rick and defac­ing a por­trait of oil exec­u­tive Igor Sechin and a head of the Inves­tiga­tive Com­mit­tee (Russia’s FBI). Def­i­nite­ly a lot going on here, but the cen­tral focus is the cri­tique of Russ­ian big oil. The band explains on their site that “Russia’s rev­enues from the oil indus­try amount­ed to 7 tril­lion rubles ($216 bil­lion), but only Russ­ian Pres­i­dent Vladimir Putin and ‘sev­er­al of his friend see this’” [sic].  The new song’s lyrics were part­ly writ­ten by one of the still-impris­oned mem­bers, Nadezh­da Tolokon­niko­va.

Relat­ed Con­tent:

Russ­ian Punk Band, Sen­tenced to Two Years in Prison for Derid­ing Putin, Releas­es New Sin­gle

Fear of a Female Plan­et: Kim Gor­don (Son­ic Youth) on Why Rus­sia and the US Need a Pussy Riot

Josh Jones is a writer and musi­cian based in Wash­ing­ton, DC. Fol­low him at @jdmagness

Amanda Palmer’s Tips for Being an Artist in the Rough-and-Tumble Digital Age

Aman­da Palmer is an artist who total­ly gets the pow­er of the Inter­net. Encour­ag­ing fans to freely share pay-what-you-wish down­loads of her music has endeared her to a cer­tain per­cent­age of the 99%, while anoth­er per­cent­age (there may be some over­lap here, folks) drubs her for lever­ag­ing her fame to crowd­source back­ing musi­cians will­ing to work for hugs, merch, and beer.

Her appetite for dig­i­tal dia­logue with admir­ers and accusers alike calls to mind fel­low shrink­ing vio­let Court­ney Love. Her refusal to let any­one but Aman­da Palmer speak for Aman­da Fuck­ing Palmer has giv­en rise to an army of trolls, who glee­ful­ly find proof of mon­strous ego in her most innocu­ous of moves. It’s the price of allow­ing the pub­lic com­plete access to “Do It With a Rock­star,” if you will.

As not­ed in her keynote speech (above) at the recent Muse and the Mar­ket­place lit­er­ary con­fer­ence, “with the inter­net you do not get to choose.” This applies whether one is gen­er­at­ing con­tent or leav­ing nasty com­ments. Her remarks touch upon her most recent firestorm, a direct trail lead­ing back to “A Poem for Dzhokar,” a hasti­ly com­posed and post­ed attempt to put her­self in the shoes of the sus­pect­ed Boston Marathon bomber as he lay in a boat, await­ing cap­ture.

Clear­ly, some­one with her expe­ri­ence does not slap such a hot pota­to online inno­cent of the con­se­quences. She got plen­ty of lumps, and whether or not the major­i­ty of them were deserved is a mat­ter of per­son­al opin­ion. More than 2300 peo­ple quick­ly logged on to voice these afore­men­tioned opin­ions, some sup­port­ive, some tak­ing the form of mock­ing haikus, which Palmer appre­ci­at­ed, espe­cial­ly since it was, at the time, Nation­al Poet­ry Month.

It seems to me that any time her ass is hang­ing out her giant heart’s not far behind. Lis­ten to her speech, and see if you don’t find her atti­tude ulti­mate­ly inspir­ing, espe­cial­ly for those artists inter­est­ed in con­nect­ing with a larg­er audi­ence. (The pre­sen­ta­tion’s so restrained, you can turn your back on the screen, turn your atten­tion to some pedes­tri­an task, and enjoy her thoughts pod­cast-style. )

Relat­ed Con­tent:

Neil Gaiman Launch­es New Crowd­sourced Sto­ry­telling Project (Spon­sored by the New Black­Ber­ry)

The Black Cab Ses­sions: One Song, One Take, One Cab

Ayun Hal­l­i­day will glad­ly wrap her­self in Aman­da Palmer’s “Ukelele Anthem”

Three University Projects Use Twitter to Understand Happiness, Hate and Other Emotions in America

It turns out that the fleet­ing pro­nounce­ments we post on Twit­ter are cat­nip for aca­d­e­mics and oth­ers eager to find the elu­sive pulse of Amer­i­can soci­ety. Since Twit­ter launched in 2006, researchers have been hard at work fig­ur­ing out how to turn those 140-char­ac­ter mus­ings into tea leaves with some­thing mean­ing­ful to say about us all.

Here come three new projects that claim to pro­vide a win­dow into the Amer­i­can soul through Twit­ter. Whether they suc­ceed or not, well, that’s still unclear. (And, by the way, you can start fol­low­ing Open Cul­ture on Twit­ter here.)

Most fever­ish­ly excit­ed about its work are the team behind the Glob­al Twit­ter Heart­beat, which so far focus­es most­ly on the Unit­ed States. With the help of a huge SGI proces­sor to process a live feed of pub­lic social media data, a team of researchers from the Uni­ver­si­ty of Illi­nois at Urbana-Cham­paign has made a heat map to show how peo­ple react (through Twit­ter) to big events.

They looked at two things: Hur­ri­cane Sandy (top) and the 2012 Pres­i­den­tial Elec­tion (above). Using Twitter’s “gar­den hose feed”—a ran­dom sam­pling of 10 per­cent of the rough­ly 500 mil­lion tweets sent every day—researchers col­or-cod­ed tweets red for neg­a­tive tone and blue for pos­i­tive and showed the shift­ing con­cen­tra­tions of Twit­ter activ­i­ty across the coun­try. It looks like a map of a talk­ing weath­er sys­tem as occa­sion­al dia­logue box­es open up to show rep­re­sen­ta­tive tweets. Researcher Kalev Lee­taru argues that track­ing Twit­ter activ­i­ty gives us the poten­tial to track the heart­beat of soci­ety.

geographyofhate

Two oth­er projects look in an on-going way at tweet “tone,” or the negativity/positivity of mes­sages. One spin on this research is the Geo­graph­ic Hate Map (sam­ple map above), a project by Dr. Mon­i­ca Stephens of Hum­boldt State Uni­ver­si­ty in North­ern Cal­i­for­nia. To begin their work, Stephens and her team accessed a mas­sive data­base of geo­graph­i­cal­ly tagged tweets sent between June, 2012  and April, 2013.

They used only tweets that con­tained any of ten “hate words.” They read each tweet to be sure the words were used in a neg­a­tive way and built a map based on where the tweets came from. Then they aggre­gat­ed to the coun­ty lev­el and nor­mal­ized for the amount of twit­ter traf­fic in that area so that dense­ly pop­u­lat­ed areas don’t look more racist or homo­pho­bic by default.

Then there’s the glass half full. The Hedo­nome­ter mea­sures hap­pi­ness, or lack there­of, as expressed by tweets, cal­cu­lat­ing aver­ages based on what the researchers call “word shifts” (watch an expla­na­tion above). This research project, put togeth­er by the Uni­ver­si­ty of Ver­mont Com­plex Sys­tems Cen­ter, uses the same gar­den hose feed as the Glob­al Twit­ter Heart­beat. This project search­es for fre­quent­ly used words to mea­sure how good a day Twit­ter users are hav­ing. Since 2008 the Hedo­nome­ter has kept track of how often words like “hap­py,” “yes,” and “love” pop up in tweets, as opposed to “hate,” “no,” and “unhap­py.” The sad­dest day on Hedo­nome­ter record so far is April 15, 2013, the day bombs explod­ed at the Boston Marathon fin­ish line. Christ­mas Day tends to rank as the hap­pi­est day of the year.

To be sure, any tool that uses tweets for data is mea­sur­ing a very young and spe­cif­ic sub­group of peo­ple. Tweets are not a reli­able mea­sure of any­thing, real­ly, but maybe with some tweak­ing, these research mod­els will come up with some­thing inter­est­ing.

Relat­ed Con­tent:

The Art of Data Visu­al­iza­tion: How to Tell Com­plex Sto­ries Through Smart Design

Watch a Cool and Creepy Visu­al­iza­tion of U.S. Births & Deaths in Real-Time

An Ani­mat­ed Visu­al­iza­tion of Every Observed Mete­orite That Has Hit Earth Since 861 AD

Kate Rix writes about edu­ca­tion and dig­i­tal media. Fol­low dai­ly ups and downs on Twit­ter @mskaterix.

23 Cartoonists Unite to Demand Action to Reduce Gun Violence: Watch the Result

The Unit­ed States has only five per­cent of the world’s pop­u­la­tion, but some­where between 35 and 50 per­cent of the world’s pri­vate­ly owned guns. Is it a sur­prise, then, that we have sig­nif­i­cant­ly high­er rates of gun vio­lence?

Accord­ing to research pub­lished by the Nation­al Insti­tutes of Health, homi­cide rates in the U.S. are 6.9 times high­er than they are in oth­er high-income nations. For 15- to 24-year-olds, the homi­cide rate is 42.7 times high­er. Firearm sui­cide rates are 5.8 times high­er in Amer­i­ca than in oth­er coun­tries, even though the over­all sui­cide rates are 30 per­cent low­er.

A suc­ces­sion of high-pro­file massacres–Columbine, Vir­ginia Tech, Sandy Hook–has tak­en place against a base­line of dai­ly gun deaths that rarely make the nation­al head­lines: mur­ders, sui­cides, acci­den­tal killings. Since the Decem­ber 14 mass mur­der at Sandy Hook Ele­men­tary School in New­town, Con­necti­cut, in which 20 chil­dren and six adults were gunned down by a heav­i­ly armed man, there have been well over 3,300 gun-relat­ed deaths in Amer­i­ca. If cur­rent trends con­tin­ue, gun deaths are pro­ject­ed to exceed traf­fic deaths for the first time by the year 2015.

So what is being done? At the fed­er­al lev­el, noth­ing.

Ear­li­er this month the Sen­ate not only struck down leg­is­la­tion to ban assault weapons and high-capac­i­ty gun mag­a­zines, it also struck down–at the will of a 45-mem­ber minority–a bipar­ti­son com­pro­mise to expand back­ground checks for gun buy­ers, a mea­sure sup­port­ed by 90 per­cent of the Amer­i­can peo­ple.

In response to the paral­y­sis (some would say cow­ardice) on Capi­tol Hill, a group of 23 promi­nent car­toon­ists, includ­ing Gar­ry Trudeau, Ruben Bolling, Art Spiegel­man and Tom Tomor­row, have joined forces to fight back against the gun lob­by. The car­toon (above) was orga­nized by May­ors Against Ille­gal Guns, and is nar­rat­ed by actors Julianne Moore and Philip Sey­mour Hoff­man.

“Enough. Demand action,” say Moore and Hoff­man. “As a dad, as a mom, as a hus­band, as a wife, as a fam­i­ly, as a friend. As an Amer­i­can. It’s time. We can’t back down. It’s time for our lead­ers to act right now. Demand action”

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

History Declassified: New Archive Reveals Once-Secret Documents from World Governments

che and Zhou Enlai

In the ear­ly ’90s, the so-called “Iron Archives” of Russ­ian polit­i­cal doc­u­ments from the Cold War era opened up to his­to­ri­ans, shed­ding light on the ear­li­est days of Mao Zedong and Joseph Stalin’s diplo­mat­ic alliance.

But not all of the Russ­ian doc­u­ments were declas­si­fied at that time. The Woodrow Wil­son Inter­na­tion­al Cen­ter for Schol­ars has launched a new dig­i­tal archive con­tain­ing recent­ly declas­si­fied mate­ri­als from some 100 dif­fer­ent inter­na­tion­al col­lec­tions, includ­ing a cable Mao sent to Com­man­der Fil­ip­pov (Stalin’s alias) eager­ly detail­ing his plans to study Rus­sia and com­plain­ing about his poor health.

The sub­se­quent exchange between the two world lead­ers is as banal as their lat­er cor­re­spon­dence would be ide­o­log­i­cal. Mao sug­gests, once his health improves, that they use the aero­drome in Weix­i­an for his depar­ture and he includes the exact dimen­sions of the land­ing strip. One won­ders whether Oba­ma and Israeli Pres­i­dent Shi­mon Peres worked so close­ly togeth­er on trav­el details for their meet­ings in March.

The details con­tained in the thou­sands of cables, telegrams and mem­os are part of the fun. Oth­er doc­u­ments exchanged between the KGB chair­man and East Ger­man Min­is­ter in July, 1981 include blunt lan­guage about the dif­fi­cul­ties of read­ing the Rea­gan Administration’s inten­tions and the impor­tance of quash­ing the Pol­ish Sol­i­dar­i­ty Move­ment.

Because the world’s biggest issues tend to have long roots, there is a lot of mate­r­i­al here that echoes today’s head­lines. Here, the Sovi­et Min­is­ter of For­eign Affairs records a 1958 memo about his assess­ment of North Korea’s plans for a nuclear pro­gram.

Dur­ing a 1960 glob­al com­mu­nist del­e­ga­tion meet­ing, Mao Zedong spoke at length with Che Gue­vara about sug­ar sales, Amer­i­can influ­ence and counter-rev­o­lu­tion­ar­ies.

As a side note, the Wil­son Cen­ter is a one of the more intel­lec­tu­al memo­ri­als to an Amer­i­can pres­i­dent. Woodrow Wil­son was, after all, the only Pres­i­dent of the Unit­ed States to hold a Ph.D. The Cen­ter is one of the world’s top think tanks, with research and projects focused on U.S.-Russia rela­tions, the Mid­dle East, North Korea and, odd­ly, emerg­ing nan­otech­nolo­gies. But, of course, the Wil­son Cen­ter is more known for its cen­trist analy­sis of inter­na­tion­al diplo­ma­cy issues.

The new dig­i­tal archive (whose tagline is “Inter­na­tion­al His­to­ry Declas­si­fied”) offers sev­er­al ways to search: by place, year (begin­ning with1938) or sub­ject. For schol­ars or his­to­ry buffs, this is a trove worth brows­ing.

Kate Rix writes about edu­ca­tion and dig­i­tal media. Vis­it her web­site: .

Listen to Supreme Court Arguments on Prop 8 and DOMA Online

ernieThis week, the Supreme Court is hear­ing argu­ments about gay rights in Amer­i­ca. And, no mat­ter how the court decides, these cas­es will enter the his­to­ry books. Will the court lead the nation in mak­ing equal­i­ty avail­able for all, as it did dur­ing the civ­il rights era? Or will the nation be forced to lead the court into moder­ni­ty dur­ing the years ahead? That we will soon find out.

Usu­al­ly the court delays the release of audio record­ings of oral argu­ments. But, acknowl­edg­ing the impor­tance of these par­tic­u­lar cas­es, SCOTUS is mak­ing this week’s argu­ments imme­di­ate­ly avail­able. You can lis­ten to the debates over Prop. 8 here or below. DOMA argu­ments will appear here. And it’s also now below.

Prop 8

DOMA

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Drones Over America!: Two Animated Satires of Misguided American Policy

Drones over Amer­i­ca –they’re a high tech assault on Amer­i­can con­sti­tu­tion­al rights, and they deserve to be met with a mod­ern form of dis­sent, some­thing more than a cranky op-ed in the pages of The New York Times. In this case, ani­mat­ed satire feels just about right. Enter Drew Christie, who cre­at­ed a satir­i­cal “Op-Doc” for the Times that mocks plans to use drones to police Amer­i­ca. Christie hails from Seat­tle, whose police force recent­ly announced it would adopt an aer­i­al drone pro­gram. When the plan was lat­er scut­tled, K.G.B. agents every­where were very upset. Who could blame them, see­ing that we were so close to achiev­ing our brave new world?

If Mr. K.G.B. feels a lit­tle too severe, then why not have a lit­tle fun with Mr. Blasty? He’s adorable, a bar­rel of laughs, but he pulls no punch­es. “While you’re all sud­den­ly won­der­ing about me and my drone friends blow­ing you to bits in Bowl­ing Green, I’ve been busy abroad for years killing thou­sands!…” “Don’t wor­ry, they’re usu­al­ly just for­eign­ers though. But whether they’re for­eign­ers or cit­i­zens– first comes fire­pow­er [blam], then comes legalese! And if the legalese does­n’t work, there’s always “state secrets” where nobody knows noth­in’–.” The more the admin­is­tra­tions the change, the more they stay the same.

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