High School Teacher Reads Allen Ginsberg’s Explicit Poem “Please Master” and Loses His Job

Image by Michiel hendryckx.

Image by Michiel Hendryckx.

Although the bound­aries of what should pass for free speech in high school Eng­lish class­rooms will be for­ev­er in debate, most every­one would agree some bound­aries must exist. But what of the speech of famous authors? Of tow­er­ing fig­ures of 20th cen­tu­ry poet­ry? Should their speech be sub­ject to review? What of an Eng­lish teacher who allows the most risqué Beat poem you’ve ever heard to be read aloud in class by the poet him­self, Allen Gins­berg, via an online video (per­haps this one)? Award-win­ning Eng­lish teacher David Olio, a beloved 19-year vet­er­an, did just that when a stu­dent asked to share Ginsberg’s ecsta­t­ic, and very explic­it, poem “Please Mas­ter” with the class.

After com­plaints from sev­er­al stu­dents, the school admin­is­tra­tion sus­pend­ed Olio, then forced him to resign. Whether or not this deci­sion was just is a debate that extends beyond the scope of this post. The vari­ables are many, as Slate’s sym­pa­thet­ic Mark Joseph Stern admits, includ­ing the fact that Olio did not exact­ly pre­pare his stu­dents for what was to come, nor give them the oppor­tu­ni­ty to opt out. The high school seniors—on the thresh­old of adult­hood and some already with one foot in college—may not have had their “emo­tion­al health” endan­gered, as Olio’s ter­mi­na­tion let­ter alleged, but it’s lit­tle won­der some of them found the mate­r­i­al shock­ing.

Ginsberg’s poem, which you can hear him read above, describes a “fan­ta­sized sex­u­al encounter between Gins­berg and Neal Cas­sady, the inspi­ra­tion for the Dean Mori­ar­ty char­ac­ter in Jack Kerouac’s On the Road.” It is graph­ic, writes Stern, but “not obscene.” Instead—in its allu­sions to St. Teresa’s angel­ic vis­i­ta­tion in a “pro­fane descrip­tion of anal sex as a near­ly divine act”—Ginsberg’s poem is “dan­ger­ous because it jux­ta­pos­es ten­der­ness with masochism; dan­ger­ous because it rap­tur­ous­ly cel­e­brates a vision of same-sex inti­ma­cy we are only sup­posed to whis­per about.” Read the poem, lis­ten to Gins­berg read it, and judge for your­self.

Of course, this is hard­ly the first time Ginsberg’s work has caused con­tro­ver­sy. His Beat epic “Howl” (1955), with its sex­u­al­ly charged lines, irked the U.S. gov­ern­ment, who seized copies of the poem and put its pub­lish­er, poet and City Lights’ book­seller Lawrence Fer­linghet­ti, on tri­al for obscen­i­ty. Well over six­ty years lat­er, Fer­linghet­ti has writ­ten in defense of David Olio. We can safe­ly assume that Gins­berg, who died in 1997, also would approve. And while we have every right to be shocked by Ginsberg’s poem, or not, and find the deci­sion to fire Olio war­rant­ed, or not, I tend to agree with Stern when he writes “if every Eng­lish teacher were that enthu­si­as­tic about his sub­ject, Amer­i­ca would be a much more lit­er­ate, edu­cat­ed and inter­est­ing place.”

Relat­ed Con­tent:

The First Record­ing of Allen Gins­berg Read­ing “Howl” (1956)

Allen Gins­berg Reads a Poem He Wrote on LSD to William F. Buck­ley

Allen Gins­berg Talks About Com­ing Out to His Fam­i­ly & Fel­low Poets on 1978 Radio Show (NSFW)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness.

Parvati Saves the World: Watch a Remix of Bollywood Films That Combats Rape in India

Sex­u­al vio­lence in India has been in the spot­light ever since a 23-year-old med­ical stu­dent was gang raped and mur­dered on a bus in New Del­hi in 2012. The crime was so fla­grant and so bru­tal that the coun­try recoiled in shock. Stu­dents and activists descend­ed into the streets of Del­hi to protest.

Film­mak­er Ram Devi­neni real­ized just how entrenched the prob­lem is in Indi­an cul­ture when he spoke with a cop dur­ing one of those protests. As he told the BBC,“I was talk­ing to a police offi­cer when he said some­thing that I found very sur­pris­ing. He said ‘no good girl walks alone at night.’

The Indi­an gov­ern­ment rushed leg­is­la­tion that would increase the prison term for rape along with crim­i­nal­iz­ing oth­er crimes against women like stalk­ing. Yet, a string of oth­er high-pro­file rapes, includ­ing a few against for­eign tourists, show that this is a con­tin­u­ing prob­lem, one that wasn’t going to be solved with a few laws.

“I real­ized that rape and sex­u­al vio­lence in India was a cul­tur­al issue,” said Devi­neni. “And that it was backed by patri­archy, misog­y­ny and peo­ple’s per­cep­tions.”

So Devi­neni decid­ed to try and change India’s cul­ture with one of the most pow­er­ful weapons out there: art.

Inspired by Hin­du mythol­o­gy, Devi­neni and a cou­ple col­lab­o­ra­tors cre­at­ed a graph­ic nov­el about Priya, a rape sur­vivor who appeals for help to Par­vati, the God­dess of pow­er and beau­ty. By the end of the com­ic, Priya con­fronts her attack­ers while rid­ing a tiger.

As a con­tin­u­a­tion of the project, Devi­neni cre­at­ed Par­vati Saves the World, a sim­i­lar sto­ry pieced togeth­er from some amaz­ing­ly kitschy Bol­ly­wood epics from the 1970s. He described the project as being “like DJ Spooky’s remix of Birth of a Nation but this focus­es on sex­u­al vio­lence.”

In the film, Priya once again appeals to Par­vati after get­ting attacked, this time by the friend of a pride­ful king. When Par­vati con­fronts the king, he tries to assault her. This is a bad move. Her hus­band is the God Shi­va, AKA “the Destroy­er,” AKA some­one you real­ly don’t want to tick off. As pun­ish­ment, he brings fire and death on heav­en and earth. Real­iz­ing that vio­lence isn’t the answer, Par­vati goes to Earth to become “a bea­con of hope for oppressed women every­where.”

You can watch Par­vati Saves the World in three parts above. You can learn more about Devi­neni’s mis­sion at The Cre­ator’s Project.

Relat­ed Con­tent:

Bertrand Russell’s Improb­a­ble Appear­ance in a Bol­ly­wood Film (1967)

Ravi Shankar Gives George Har­ri­son a Sitar Les­son … and Oth­er Vin­tage Footage

George Harrison’s Mys­ti­cal, Fish­eye Self-Por­traits Tak­en in India (1966)

Jonathan Crow is a Los Ange­les-based writer and film­mak­er whose work has appeared in Yahoo!, The Hol­ly­wood Reporter, and oth­er pub­li­ca­tions. You can fol­low him at @jonccrow. And check out his blog Veep­to­pus, fea­tur­ing pic­tures of vice pres­i­dents with octo­pus­es on their heads.  The Veep­to­pus store is here.

Prince’s New Protest Song “Baltimore” Now Streaming Online

As the protests in Bal­ti­more unfold­ed, Prince sat at his key­board at Pais­ley Park’s sound­stage in Min­neso­ta and start­ed pen­ning a peace­ful protest song, which just hit the web this morn­ing. Click play and pon­der the lyrics below. Then get the back­sto­ry on the writ­ing of “Bal­ti­more” at MyFox­TwinCi­ties.

BALTIMORE
lyrics by Prince
NPG RECORDS, copy­right 2015

NOBODY GOT IN NOBODY’S WAY
SO EYE GUESS U COULD SAY
IT WAS A GOOD DAY
AT LEAST A LITTLE BETTER THAN THE DAY IN BALTIMORE

DOES ANYBODY HEAR US PRAY?
4 MICHAEL BROWN OR FREDDIE GRAY PEACE IS MORE THAN THE ABSENCE OF WAR
ABSENCE OF WAR

R WE GONNA C ANOTHER BLOODY DAY?
WE’RE TIRED OF CRYIN’ & PEOPLE DYIN’
LET’S TAKE ALL THE GUNS AWAY

ABSENCE OF WAR- U AND ME
MAYBE WE CAN FINALLY SAY
ENUFF IS ENUFF IT’S TIME 4 LOVE

IT’S TIME 2 HEAR,
IT’S TIME 2 HEAR

THE GUITAR PLAY! (gui­tar solo)

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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Read Noam Chomsky & Sam Harris’ “Unpleasant” Email Exchange

In 2013, we doc­u­ment­ed the acri­mo­nious exchange between Noam Chom­sky and Slavoj Žižek, which all start­ed when Chom­sky accused Žižek of “posturing–using fan­cy terms like poly­syl­la­bles and pre­tend­ing [to] have a the­o­ry when you have no the­o­ry what­so­ev­er.” To which Žižek respond­ed: “Chom­sky, … always empha­sizes how one has to be empir­i­cal, accu­rate… well I don’t think I know a guy who was so often empir­i­cal­ly wrong in his descrip­tions…” And so it con­tin­ued.

Two years lat­er, Chom­sky now finds him­self in anoth­er fraught exchange — this time, with Sam Har­ris, author of The End of Faith and Let­ter to a Chris­t­ian Nation. It’s a lit­tle hard to pin down when the dust-up first began. But, it at least goes back to Jan­u­ary, when Har­ris took Chom­sky to task  (hear an excerpt of a longer pod­cast above) for draw­ing a moral equiv­a­lence between U.S. mil­i­tary action and the vio­lence com­mit­ted by some of Amer­i­ca’s his­tor­i­cal foes (e.g., the Nazis dur­ing WWII and lat­er Al-Qae­da).

Over the past week, Chom­sky and Har­ris con­tin­ued the debate, trad­ing emails back and forth. Their corre­spon­dence runs some 10,000 words, but it only amounts to what Har­ris ulti­mate­ly calls “an unpleas­ant and fruit­less encounter” that demon­strates the “lim­its of dis­course.” It’s an exchange that Chom­sky seem­ing­ly pre­ferred to keep pri­vate (his per­mis­sion to print the emails was grudg­ing at best), and Har­ris saw some virtue in mak­ing pub­lic. The final email by Har­ris reads:

May 1, 2015

From: Sam Har­ris
To: Noam Chom­sky

Noam—

I’ve now read our cor­re­spon­dence through and have decid­ed to pub­lish it (www.samharris.org). I under­stand your point about “exhi­bi­tion­ism,” but I dis­agree in this case.

You and I prob­a­bly share a mil­lion read­ers who would have found a gen­uine con­ver­sa­tion between us extreme­ly use­ful. And I trust that they will be dis­ap­point­ed by our fail­ure to pro­duce one, as I am. How­ev­er, if pub­lish­ing this exchange helps any­one to bet­ter com­mu­ni­cate about these top­ics in the future, our time won’t have been entire­ly wast­ed.

Sam

Whether Sam is right about that (is there some­thing par­tic­u­lar­ly instruc­tive here?), you can decide. Here’s the entire exchange.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Noam Chom­sky Slams Žižek and Lacan: Emp­ty ‘Pos­tur­ing’

Slavoj Žižek Responds to Noam Chom­sky: ‘I Don’t Know a Guy Who Was So Often Empir­i­cal­ly Wrong’

Clash of the Titans: Noam Chom­sky & Michel Fou­cault Debate Human Nature & Pow­er on Dutch TV, 1971

Read 9 Free Books By Noam Chom­sky Online

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Günter Grass Takes On Facebook: “Someone Who Has 500 Friends, Has No Friends.”

Inci­sive social crit­ic, nov­el­ist, poet, sculp­tor, and inspi­ra­tion to such tren­chant fab­u­lists as John Irv­ing and Salman Rushdie, Ger­man writer Gün­ter Grass passed away this week with a well-defined lega­cy as “his country’s moral con­science.” Win­ner of the Nobel Prize in 1999, the author did not shy away from con­tro­ver­sial polit­i­cal stances—despite his own once-hid­den past as a teenage mem­ber of the Hitler Youth and Waf­fen-SS. In 2012, Grass caused an inter­na­tion­al stir with the pub­li­ca­tion of his poem “What Must Be Said,” a fierce cri­tique of Israel’s mil­i­tarism. The poem drew some rather pre­dictable charges, and its pub­li­ca­tion, wrote Der Spiegel, broached what many con­sid­ered a taboo sub­ject. The inci­dent rep­re­sents only one of Grass’s many pub­lic state­ments, woven through­out his art and life, against nation­al­ism and war.

Which brings us to the video inter­view above from 2013. While not exact­ly address­ing a mat­ter of dire geopo­lit­i­cal sig­nif­i­cance, Grass nonethe­less levies his char­ac­ter­is­tic crit­i­cal wit against a cor­po­rate enti­ty that threat­ens to swal­low the globe, vir­tu­al­ly—Face­book. Remark­ing on his chil­dren and grandchildren’s expe­ri­ence with the social net­work, Grass says he told one of them, “Some­one who has 500 friends, has no friends.” It’s some­thing of a famil­iar sen­ti­ment by now—we’ve all read numer­ous think-pieces more or less say­ing the same thing. But Grass goes on to define the val­ue of what he calls “direct expe­ri­ences” in spe­cif­ic terms—with the admis­sion that he feels like “a dinosaur” for writ­ing his man­u­scripts by hand and typ­ing them on an old Olivet­ti type­writer.

The idea of own­ing a mobile phone and being acces­si­ble at all times—and as I know now, under sur­veil­lance, is abhor­rent to me. With the lat­est find­ings in mind, it sur­pris­es me—that mil­lions of peo­ple do not dis­tance them­selves from Face­book and all that—and say “I want no part of it.”

Grass’ aver­sion to Facebook—and the online world in general—isn’t strict­ly polit­i­cal, but lit­er­ary as well. He acknowl­edges the ease and speed of the inter­net as a research tool, and yet… “lit­er­a­ture… You can’t speed it up when you work with it. If you do, you do so at the expense of qual­i­ty.” To hear more from Grass about the writ­ing process and his atti­tudes toward lit­er­a­ture and activism, read his inter­view in the Paris Review.

via Bib­liokept

Relat­ed Con­tent:

The Prob­lem with Face­book: “It’s Keep­ing Things From You”

Stephen Hawk­ing Starts Post­ing on Face­book: Join His Quest to Explain What Makes the Uni­verse Exist

Wittgen­stein Day-by-Day: Face­book Page Tracks the Philosopher’s Wartime Expe­ri­ence 100 Years Ago

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Watch The Hitch: An Indie-Documentary on The Life & Times of Christopher Hitchens

A quick note: Kristof­fer Seland Helles­mark was look­ing for a doc­u­men­tary on Christo­pher Hitchens to watch, but could nev­er find one. So, after wait­ing a while, he said to him­self, “Why don’t I just make one?” The result is the 80-minute doc­u­men­tary about Hitchens, lov­ing­ly enti­tled The Hitch, which fea­tures clips from his speech­es and inter­views. We’ve added it to our col­lec­tion of 200+ Free Doc­u­men­taries, a sub­set of our larg­er col­lec­tion, 4,000+ Free Movies Online: Great Clas­sics, Indies, Noir, West­erns, Doc­u­men­taries & More.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Christo­pher Hitchens Revis­es the 10 Com­mand­ments for the 21st Cen­tu­ry

Christo­pher Hitchens: No Deathbed Con­ver­sion for Me, Thanks, But it was Good of You to Ask

Christo­pher Hitchens Cre­ates a Read­ing List for Eight-Year-Old Girl

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Dominic West, Stephen Fry & Benedict Cumberbatch Read From a Guantánamo Prisoner’s Diary

For more than a decade, Mohame­dou Ould Slahi has remained locked up in Guan­tá­namo, despite nev­er being charged with a crime. He’s just one of many pris­on­ers trapped in a Kafkian state of legal lim­bo. Con­fined to a sin­gle cell, Slahi has writ­ten a haunt­ing, 466 page account of his expe­ri­ence. And, after years of lit­i­ga­tion, and some 2,500 redac­tions by the US gov­ern­ment, his diary is final­ly being pub­lished. You can read the declas­si­fied man­u­script online over at The Guardian. To get some con­text on the whole affair, you can watch a short doc­u­men­tary above, which fea­tures read­ings by Dominic West (McNul­ty in The Wire). Below, we have more read­ings by Stephen Fry, Bene­dict Cum­ber­batch and Col­in Firth. Yet more read­ings can be found on Sound­Cloud.

Stephen Fry

 

Bene­dict Cum­ber­batch

 

Col­in Firth

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

David Sedaris Spends 3–8 Hours Per Day Picking Up Trash in the UK; Testifies on the Litter Problem

Humorist David Sedaris has become some­thing of a local hero in his adopt­ed home of West Sus­sex, Eng­land. And for fair­ly unex­pect­ed rea­sons. Repulsed by the lit­ter prob­lem in Eng­land, Sedaris began spend­ing 3–8 hours each day pick­ing up trash along the side of var­i­ous roads. Day in, day out. Fast for­ward a few years, and the local com­mu­ni­ty hon­ored Sedaris by nam­ing a garbage truck after him — “Pig Pen Sedaris.” And now we have him tes­ti­fy­ing before the MPs on the Com­mu­ni­ties and Local Gov­ern­ment Com­mit­tee. If you like C‑SPAN, you will love these 2+ hours of video.

via metafil­ter

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