LitÂtle Amal is a 10-year-old SyrÂiÂan girl from a small vilÂlage near AlepÂpo, a refugee and unacÂcomÂpaÂnied minor, who’s travÂeled over 9,000 kiloÂmeÂters over the last 15 months, hopÂing to reunite with her mothÂer.
LitÂtle Amal is also a 12-foot tall rod pupÂpet, operÂatÂed by three perÂformÂers — one on stilts inside her moldÂed cane torÂso, to operÂate her head, face and legs, with two more takÂing charge of her hands.
As her creÂators, HandÂspring PupÂpet ComÂpaÂny co-founders AdriÂan Kohler and Basil Jones, explain above, Amal’s pupÂpeteers must enter a group mind state when interÂactÂing with the crowds who turn out to meet her at free, comÂmuÂniÂty-creÂatÂed events:
If the perÂson inside on the stilts decides to turn left, the othÂer two have to respond immeÂdiÂateÂly as the arms would, so they all think the same thought.
Amal, who travÂels with three times as many pupÂpeteers as are required for any givÂen appearÂance and two back up verÂsions of herÂself in case of malÂfuncÂtion, is truÂly a mirÂaÂcle of non-verÂbal comÂmuÂniÂcaÂtion.
As a child who doesn’t speak the lanÂguage of the counÂtries she has visÂitÂed, she expressÂes herÂself with gesÂtures, and seemÂingÂly involÂunÂtary micro-moveÂments.
She bows graÂciousÂly in both greetÂing and farewell, takÂing extra time to touch hands with litÂtle chilÂdren.
She swivels her head, eagerÂly, if a bit appreÂhenÂsiveÂly, takÂing in her surÂroundÂings.
Her lips part in wonÂder, revealÂing a row of pearly teeth.
Her big, expresÂsive eyes are operÂatÂed by the perÂformer on stilts, using a trackÂpad on a tiny comÂputÂer.
The lightÂweight ribÂbons that make up her long hair, pulled none too tidiÂly away from her face with a flopÂpy bow, catch the breeze as she towÂers above her well wishÂers.
After stops in Turkey, Greece, Italy, SwitzerÂland, GerÂmany, BelÂgium, France and the UK, LitÂtle Amal landÂed in New York City, where memÂbers of the MetÂroÂpolÂiÂtan Opera OrchesÂtra and Children’s ChoÂrus serÂeÂnadÂed her with Evening Song from Philip Glass’ opera SatyaÂgraÂha as she passed through John F. Kennedy InterÂnaÂtionÂal AirÂport.
The New York Times’ Matt Stevens described the scene as Amal came into view:
As her head peeked out from above metÂal barÂriÂers, LitÂtle Amal widened her eyes as she took in the arrivals terÂmiÂnal at Kennedy InterÂnaÂtionÂal AirÂport on WednesÂday. She looked left, then right, clutchÂing her big green suitÂcase with its rainÂbow and sun stickÂers. She was, as newÂcomÂers to New York City so often are, a litÂtle nerÂvous, and a litÂtle lost…(she) appeared transÂfixed by the music — much like the many travÂelÂers strolling by with their suitÂcasÂes appeared transÂfixed by the 12-foot-tall pupÂpet sudÂdenÂly towÂerÂing before them. Still, she was trepÂiÂdaÂtious, a tad relucÂtant to approach the orchesÂtra. At least, that is, until a choÂrus memÂber — a girl wearÂing a sunÂflower yelÂlow shirt — went up to her and took her by the hand.
With 50 events in 20 days, LitÂtle Amal had a packed schedÂule that includÂed a nighÂtÂime visÂit to Jane’s Carousel in BrookÂlyn Bridge Park and an earÂly mornÂing trip along Coney Island’s boardÂwalk. Unlike most first time visÂiÂtors, she spent time in Queens, StatÂen Island and The Bronx.
A New Orleans style secÂond line proÂcesÂsionÂal escortÂed her a litÂtle over a dozen blocks, from LinÂcoln CenÂter, where she interÂactÂed with dancers and perÂforÂmance artist Machine DazÂzle, to the AmerÂiÂcan MuseÂum of NatÂurÂal HisÂtoÂry, above.
New York’s immiÂgrant hisÂtoÂry was eviÂdent in LitÂtle Amal’s tour of the LowÂer East Side and ChiÂnaÂtown, with stops at the TenÂeÂment MuseÂum and the Clemente Soto VĂ©lez CulÂturÂal & EduÂcaÂtionÂal CenÂter.
With every appearÂance, Amal’s incredÂiÂbly lifeÂlike moveÂments and digÂniÂfied reserved turned adults as well as chilÂdren turned into believÂers, while bringÂing attenÂtion to the tens of thouÂsands of chilÂdren who have fled war and perÂseÂcuÂtion in their home counÂtries.
See phoÂtos and read more about LitÂtle Amal’s past and future travÂels here.
DownÂload a free LitÂtle Amal activÂiÂty and eduÂcaÂtion pack here.
RelatÂed ConÂtent
Jim HenÂson TeachÂes You How to Make PupÂpets in VinÂtage Primer From 1969
The Hand PupÂpets That Bauhaus Artist Paul Klee Made for His Young Son
Albert EinÂstein HoldÂing an Albert EinÂstein PupÂpet (CirÂca 1931)
- Ayun HalÂlÂiÂday is the Chief PriÂmaÂtolÂoÂgist of the East VilÂlage Inky zine and author, most recentÂly, of CreÂative, Not Famous: The Small PotaÂto ManÂiÂfesto. FolÂlow her @AyunHalliday.