Spike Lee Directs, “Wake Up,” a Five-Minute Campaign Film for Bernie Sanders

Ear­li­er this month Spike Lee and Bernie Sanders, two Brook­lyn natives, sat down and talked about pol­i­tics and the state of our nation. Now, with the New York pri­ma­ry right around the cor­ner, Spike drew on his film­mak­ing tal­ents and direct­ed a five-minute polit­i­cal cam­paign film for Bernie. It’s called sim­ply “Wake Up,” and it fea­tures cameos by Dr. Cor­nel West, Susan Saran­don, and Har­ry Bela­fonte.

I can’t recall anoth­er instance where a major film­mak­er shot an ad for a pres­i­den­tial can­di­date. If we’re over­look­ing some­thing obvi­ous (or less obvi­ous), let us know in the com­ments and we’ll maybe fea­ture it dur­ing this cam­paign sea­son.

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If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Spike Lee Inter­views Bernie Sanders: Two Guys from Brook­lyn Talk About Edu­ca­tion, Inequal­i­ty & More

Bernie Sanders: I Will Be an Arts Pres­i­dent

Spike Lee’s List of 95 Essen­tial Movies – Now with Women Film­mak­ers

Bernie Sanders Sings “This Land is Your Land” on the Endear­ing­ly Bad Spo­ken Word Album, We Shall Over­come

Allen Ginsberg’s Hand­writ­ten Poem For Bernie Sanders, “Burling­ton Snow” (1986)

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Spike Lee Interviews Bernie Sanders: Two Guys from Brooklyn Talk About Education, Inequality & More

With the New York pri­ma­ry com­ing up, Spike Lee and Bernie Sanders–the film­mak­er and the politician–sat down and talked about pol­i­tics and the state of our nation. At the 15 minute mark, the two Brook­lyn natives turned to edu­ca­tion (some­thing that undoubt­ed­ly con­cerns many read­ers here) and the impor­tance of mak­ing our pub­lic uni­ver­si­ties actu­al­ly acces­si­ble to the pub­lic. Such a rad­i­cal thought? You can read a tran­script of the con­ver­sa­tion over at The Hol­ly­wood Reporter.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Bernie Sanders: I Will Be an Arts Pres­i­dent

Spike Lee’s List of 95 Essen­tial Movies – Now with Women Film­mak­ers

Bernie Sanders Sings “This Land is Your Land” on the Endear­ing­ly Bad Spo­ken Word Album, We Shall Over­come

Allen Ginsberg’s Hand­writ­ten Poem For Bernie Sanders, “Burling­ton Snow” (1986)

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Michio Kaku & Noam Chomsky School Moon Landing and 9/11 Conspiracy Theorists

Who real­ly killed John F. Kennedy? Did Amer­i­ca real­ly land on the moon? What real­ly brought down the Twin Tow­ers? Few mod­ern phe­nom­e­na pos­sess the sheer fas­ci­na­tion quo­tient of con­spir­a­cy the­o­ries. If you believe in them, you’ll of course dig into them obses­sive­ly, and if you don’t believe in them, you sure­ly feel a great curios­i­ty about why oth­er peo­ple do. Sci­ence writer and Skep­tic mag­a­zine Edi­tor in Chief Michael Sher­mer falls, need­less to say, into the sec­ond group; so far into it that exam­in­ing con­spir­a­cy the­o­ries and those who sub­scribe to them has become one of his best-known pro­fes­sion­al pur­suits since at least 1997, the year of his straight­for­ward­ly titled book Why Peo­ple Believe Weird Things.

On the 50th anniver­sary of JFK’s assas­si­na­tion, Sher­mer wrote an arti­cle in the Los Ange­les Times about the rea­sons that event has drawn so many avid con­spir­a­cy the­o­rists over the past half-decade. First: their cog­ni­tive dis­so­nance result­ing from the two seem­ing­ly incom­pat­i­ble ideas, that of JFK “as one of the most pow­er­ful peo­ple on Earth” and JFK “killed by Lee Har­vey Oswald, a lone los­er, a nobody.” Sec­ond: their par­tic­i­pa­tion in a mono­log­i­cal belief sys­tem, “a uni­tary, closed-off world­view in which beliefs come togeth­er in a mutu­al­ly sup­port­ive net­work.” Third: their con­fir­ma­tion bias, or “the ten­den­cy to look for and find con­firm­ing evi­dence for what you already believe” — the umbrel­la man, the grassy knoll — “and to ignore dis­con­firm­ing evi­dence.”

These fac­tors all come into play with the oth­er major Amer­i­can con­spir­a­cy the­o­ries as well. In the pod­cast clip at the top of the post, you can hear physi­cist Michio Kaku try­ing to set straight a moon land­ing con­spir­a­cy the­o­rist. They argue that man has nev­er set foot on the moon, but that the gov­ern­ment instead hood­winked us into believ­ing it with an elab­o­rate audio­vi­su­al pro­duc­tion (direct­ed, some the­o­rists insist, by none oth­er than Stan­ley Kubrick, who sup­pos­ed­ly “con­fessed” in fake inter­view footage that recent­ly made the inter­net rounds). Should you require fur­ther argu­ment to the con­trary, have a look at S.G. Collins’ Moon Hoax Not just above.

No high­er-pro­file set of con­spir­a­cy-the­o­ry move­ment has come out of recent his­to­ry than the 9/11 Truthers, who may dif­fer on the details, but who all gath­er under the umbrel­la of believ­ing that the events of that day hap­pened not because of the actions of a con­spir­a­cy of for­eign ter­ror­ists, but because of a con­spir­a­cy with­in the Unit­ed States gov­ern­ment itself. In the Q&A footage above (orig­i­nal­ly uploaded, in fact, by a believ­er), one such the­o­rist stands up and asks lin­guist and activist Noam Chom­sky to join in on the move­ment, point­ing to a cov­er-up of the man­ner in which 7 World Trade Cen­ter col­lapsed — a big “smok­ing gun” of the larg­er con­spir­a­cy, in their eyes.

This prompts Chom­sky to offer an expla­na­tion of how sci­en­tists and engi­neers actu­al­ly go look­ing for the truth. Have they elim­i­nat­ed entire­ly their cog­ni­tive dis­so­nance, mono­log­i­cal belief sys­tems, and con­fir­ma­tion bias­es? No human could ever do that per­fect­ly — indeed, to be human is to be sub­ject to all these dis­tort­ing con­di­tions and more — but the larg­er enter­prise of sci­ence, at its best, frees us lit­tle by lit­tle from those very shack­les. What a shame to vol­un­tar­i­ly clap one­self back into them.

Relat­ed Con­tent:

Michio Kaku Schools a Moon Land­ing-Con­spir­a­cy Believ­er on His Sci­ence Fan­tas­tic Pod­cast

Stan­ley Kubrick Faked the Apol­lo 11 Moon Land­ing in 1969, Or So the Con­spir­a­cy The­o­ry Goes

Noam Chom­sky Schools 9/11 Truther; Explains the Sci­ence of Mak­ing Cred­i­ble Claims

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. He’s at work on a book about Los Ange­les, A Los Ange­les Primer, the video series The City in Cin­e­ma, the crowd­fund­ed jour­nal­ism project Where Is the City of the Future?, and the Los Ange­les Review of Books’ Korea Blog. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

People of Nowhere: Short, Powerful Film Captures the Human Dimension of the Syrian Refugee Crisis

“The pro­pa­gan­dis­t’s pur­pose is to make one set of peo­ple for­get that cer­tain oth­er sets of peo­ple are human.”
–Aldous Hux­ley (1936)

Lior Speran­deo, who has pre­vi­ous­ly direct­ed short films called Peo­ple of Mum­bai, Peo­ple of Nepal, and Peo­ple of Sene­gal, returns with a film that resists focus­ing on a sense of place. Peo­ple of Nowhere cap­tures the plight of Syr­i­an refugees, flee­ing their worn-torn coun­try for a safer life in Europe. Explain­ing how he came to make the dra­mat­ic film, Speran­deo writes:

I have heard and read dif­fer­ent opin­ions about the wave of Syr­i­an refugees who try to make their way in to the EU. Then I went to Lesvos. 7 days on the Greek Island gave me a health­i­er, human per­spec­tive on the sit­u­a­tion.  See­ing the peo­ple behind the head­lines with my own eyes, and feel­ing their deep strug­gle, broke my heart.  Are they the ‘threat’ peo­ple talk about? All I saw were coura­geous peo­ple in a time of cri­sis, look­ing for hope.  I also got to meet brave vol­un­teers from all over the world who reach out to help all peo­ple regard­less of their reli­gion, race or back­ground. That inspired me.  My hope is that this video might tear down some of the walls of bad ideas and opin­ions we have built around our­selves.

You can watch Lior’s film, a reminder that real lives are stake in the slow-mov­ing geno­cide in Syr­ia, on Vimeo here. And vis­it his Vimeo Chan­nel here.

Fol­low Open Cul­ture on Face­book and Twit­ter and share intel­li­gent media with your friends. Or bet­ter yet, sign up for our dai­ly email and get a dai­ly dose of Open Cul­ture in your inbox. And if you want to make sure that our posts def­i­nite­ly appear in your Face­book news­feed, just fol­low these sim­ple steps.

Bernie Sanders: I Will Be an Arts President

Art is speech. Art is what life is about. 

A rous­ing sen­ti­ment, and one rarely expressed by those run­ning for the nation’s high­est office.

Once a can­di­date has been safe­ly elect­ed, he may feel com­fort­able betray­ing a deep­er affin­i­ty, or ced­ing to the tastes of an arts-inclined First Lady. Sanders isn’t wait­ing, pledg­ing in the video above, that he will be an Arts Pres­i­dent.

The Amer­i­cans for the Arts Action Fund tracks the can­di­dates’ records with regard to arts advo­ca­cy, and it appears that Sanders has been walk­ing the walk for quite some time.

He filmed a half-hour long doc­u­men­tary about labor leader Eugene Debs.

He record­ed a 1987 folk album with the help of 30 Ver­mont musi­cians, stout­ly pro­nounc­ing the lyrics to “This Land is Your Land” and “Where Have All the Flow­ers Gone” a la Rex Har­ri­son.

Vice’s Paul Best made a com­pelling case for how Bernie Sanders shaped the north­east punk scene.

If Allen Gins­berg could vote from beyond the grave, I’m pret­ty sure I know which lever he’d be pulling…

With regard to liv­ing celebri­ties, it’s no big sur­prise to see that Will Fer­rell, Susan Saran­don, and John C Reil­ly are among the artists sup­port­ing Bernie Sanders. Hol­ly­wood has long embraced lib­er­al can­di­dates. They are joined on the ever grow­ing list of Artists and Cul­tur­al Lead­ers for Bernie Sanders by musi­cians Jel­lo Biafra and The Red Hot Chili Pep­pers, come­di­ans Mar­garet Cho and Sarah Sil­ver­man, and graf­fi­ti artists Ron Eng­lish and Shep­ard Fairey, cre­ator of the Oba­ma Hope poster.

As Sanders fans wait to see whether Fairey will per­form a sim­i­lar ser­vice for his 2016 pick, Sten­cils for Bernie is tak­ing up the slack with down­load­able images for the DIY-inclined.

I pre­sume that it’s only a mat­ter of time before some young ani­ma­tor puts him or her­self at Sanders’ dis­pos­al, though I kind of hope not. The candidate’s short video is reas­sur­ing­ly devoid of the snap­py visu­als that have become a sta­ple of the form, thanks to such pop­u­lar series as Crash Course, CGP Grey, The School of Life, and TED Ed.

via Hyper­al­ler­gic

Relat­ed Con­tent:

Bernie Sanders Sings “This Land is Your Land” on the Endear­ing­ly Bad Spo­ken Word Album, We Shall Over­come

Allen Ginsberg’s Hand­writ­ten Poem For Bernie Sanders, “Burling­ton Snow” (1986)

Ayun Hal­l­i­day is an author, illus­tra­tor, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Her play, Fawn­book, opens in New York City lat­er this month. Fol­low her @AyunHalliday

The Syrian Conflict & The European Refugee Crisis Explained in an Animated Primer

In a quick six min­utes, the ani­ma­tion above explains the ori­gins of two very relat­ed prob­lems — the Syr­i­an Con­flict & the Euro­pean Refugee Cri­sis. How did the cri­sis first erupt? How did it lead to a refugee cri­sis? And why should we why put xeno­pho­bic fears aside and pro­vide refugees with a safe haven in the West? All of these ques­tions get addressed by “Kurzge­sagt” (“in a nut­shell” in Ger­man), whose time­ly ani­ma­tions you can find on Youtube (includ­ing a sep­a­rate video on the rise of ISIS in Iraq).

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Support “Where Is the City of the Future?”: A Journey Across the Pacific Rim Using a Brand New Model of Journalism

Apart from from writ­ing here on Open Cul­ture, I write about cities. Hav­ing men­tioned my city-relat­ed projects here from time to time (the pod­cast Note­book on Cities and Cul­ture, the City in Cin­e­ma video essays), I’d like to sub­mit for your approval my newest and most ambi­tious one yet: Where Is the City of the Future?, an in-depth search across the Pacif­ic Rim for the best city to lead us into the urban cen­tu­ry ahead — using a brand new mod­el of jour­nal­ism.

Not long after the turn of the 21st cen­tu­ry, the world’s urban pop­u­la­tion sur­passed its non-urban pop­u­la­tion for the first time ever. And the deep­er human­i­ty gets into the this cen­tu­ry, the more urban­ized our world becomes: devel­op­ing cities devel­op, neglect­ed cities revi­tal­ize them­selves, and the long-stand­ing great cities of the world con­tin­ue to find (or strug­gle to find) new ways of accom­mo­dat­ing all those who’ve nev­er stopped com­ing to live in them. How can the ever-grow­ing urban world pre­pare itself for things to come?

colin cities

This series of reports, com­bin­ing both text and pho­tographs, and informed by both exten­sive on-the-ground explo­ration and in-depth con­ver­sa­tions with those who know these fas­ci­nat­ing urban places best, aims to find out by tak­ing as close as pos­si­ble a look at cities all across the Pacif­ic Rim. These include 20th-cen­tu­ry metrop­o­lis­es look­ing toward the future like Los Ange­les, Seat­tle and Van­cou­ver, com­pact city-states like Sin­ga­pore and Hong Kong, fast-devel­op­ing cap­i­tals like Jakar­ta and Bangkok, low­er-pro­file but nev­er­the­less inven­tive “sleep­er” cities like Welling­ton and San­ti­a­go, and east Asian megac­i­ties like Seoul, Tokyo, and Shang­hai.

I’ve launched “Where Is the City of the Future?” as one of the flag­ship projects on Byline, a new plat­form for crowd­fund­ed jour­nal­ism. For every $2000 raised there, I’ll go report on one Pacif­ic Rim city, seek­ing out the impor­tant lessons it has to teach every oth­er, from the urban­is­tic to the archi­tec­tur­al to the cul­tur­al and beyond. This will begin with reports on Los Ange­les and Seoul, and will con­tin­ue on indef­i­nite­ly to poten­tial cities of the future in an order vot­ed on the back­ers. (The­o­ret­i­cal­ly, you could keep me at this for quite a long time!) If you like, you can get involved at the project’s Byline page. Thanks very much indeed — and I look for­ward to find­ing the city of the future togeth­er.

Relat­ed con­tent:

The City in Cin­e­ma Mini-Doc­u­men­taries Reveal the Los Ange­les of Blade Run­ner, Her, Dri­ve, Repo Man, and More

Col­in Mar­shall writes else­where on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer, the video series The City in Cin­e­ma, and the crowd­fund­ed jour­nal­ism project Where Is the City of the Future? Fol­low him on Twit­ter at @colinmarshall or on Face­book.

High School Teacher Reads Allen Ginsberg’s Explicit Poem “Please Master” and Loses His Job

Image by Michiel hendryckx.

Image by Michiel Hendryckx.

Although the bound­aries of what should pass for free speech in high school Eng­lish class­rooms will be for­ev­er in debate, most every­one would agree some bound­aries must exist. But what of the speech of famous authors? Of tow­er­ing fig­ures of 20th cen­tu­ry poet­ry? Should their speech be sub­ject to review? What of an Eng­lish teacher who allows the most risqué Beat poem you’ve ever heard to be read aloud in class by the poet him­self, Allen Gins­berg, via an online video (per­haps this one)? Award-win­ning Eng­lish teacher David Olio, a beloved 19-year vet­er­an, did just that when a stu­dent asked to share Ginsberg’s ecsta­t­ic, and very explic­it, poem “Please Mas­ter” with the class.

After com­plaints from sev­er­al stu­dents, the school admin­is­tra­tion sus­pend­ed Olio, then forced him to resign. Whether or not this deci­sion was just is a debate that extends beyond the scope of this post. The vari­ables are many, as Slate’s sym­pa­thet­ic Mark Joseph Stern admits, includ­ing the fact that Olio did not exact­ly pre­pare his stu­dents for what was to come, nor give them the oppor­tu­ni­ty to opt out. The high school seniors—on the thresh­old of adult­hood and some already with one foot in college—may not have had their “emo­tion­al health” endan­gered, as Olio’s ter­mi­na­tion let­ter alleged, but it’s lit­tle won­der some of them found the mate­r­i­al shock­ing.

Ginsberg’s poem, which you can hear him read above, describes a “fan­ta­sized sex­u­al encounter between Gins­berg and Neal Cas­sady, the inspi­ra­tion for the Dean Mori­ar­ty char­ac­ter in Jack Kerouac’s On the Road.” It is graph­ic, writes Stern, but “not obscene.” Instead—in its allu­sions to St. Teresa’s angel­ic vis­i­ta­tion in a “pro­fane descrip­tion of anal sex as a near­ly divine act”—Ginsberg’s poem is “dan­ger­ous because it jux­ta­pos­es ten­der­ness with masochism; dan­ger­ous because it rap­tur­ous­ly cel­e­brates a vision of same-sex inti­ma­cy we are only sup­posed to whis­per about.” Read the poem, lis­ten to Gins­berg read it, and judge for your­self.

Of course, this is hard­ly the first time Ginsberg’s work has caused con­tro­ver­sy. His Beat epic “Howl” (1955), with its sex­u­al­ly charged lines, irked the U.S. gov­ern­ment, who seized copies of the poem and put its pub­lish­er, poet and City Lights’ book­seller Lawrence Fer­linghet­ti, on tri­al for obscen­i­ty. Well over six­ty years lat­er, Fer­linghet­ti has writ­ten in defense of David Olio. We can safe­ly assume that Gins­berg, who died in 1997, also would approve. And while we have every right to be shocked by Ginsberg’s poem, or not, and find the deci­sion to fire Olio war­rant­ed, or not, I tend to agree with Stern when he writes “if every Eng­lish teacher were that enthu­si­as­tic about his sub­ject, Amer­i­ca would be a much more lit­er­ate, edu­cat­ed and inter­est­ing place.”

Relat­ed Con­tent:

The First Record­ing of Allen Gins­berg Read­ing “Howl” (1956)

Allen Gins­berg Reads a Poem He Wrote on LSD to William F. Buck­ley

Allen Gins­berg Talks About Com­ing Out to His Fam­i­ly & Fel­low Poets on 1978 Radio Show (NSFW)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness.

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