Brexit 101: The UK’s Stunning Vote Explained in 4 Minutes

The Brex­it votes have been count­ed. The Brits have decid­ed to leave the Euro­pean Union. And the finan­cial mar­kets are tak­ing it hard. Right now, futures on the Lon­don stock exchange are down 8%. The pound is down 9.8 per­cent, more than dou­ble its pre­vi­ous record decline of 4.1 per­cent. We’re liv­ing in inter­est­ing times.

No doubt, some of you are sud­den­ly won­der­ing, what exact­ly is Brex­it? And what’s at stake? Up top, you can watch a four-minute primer cre­at­ed by The Wall Street Jour­nal. Bloomberg has its own two-minute ver­sion here (or view below). The Toron­to Star breaks down Brex­it in 13 points. And The Guardian went so far as to cre­ate a guide just for Amer­i­cans. (For any­one who wants to dis­sect the pro­pa­gan­da for leav­ing Brex­it, you can watch the fea­ture-length doc­u­men­tary film, Brex­it: The Moviereleased last month.) Please feel free to add oth­er primers in the com­ments below.

For Amer­i­cans read­ing this, I’d point out that Brex­it and Trump share some impor­tant things in com­mon: they’re both about putting up walls, plac­ing blame on immi­grants and minori­ties; exploit­ing the resent­ments of the eco­nom­i­cal­ly dis­ad­van­taged; dis­miss­ing experts and estab­lish­ment fig­ures; and risk­ing upend­ing a frag­ile world order. How Eng­land looks on June 24th is per­haps a small pre­view of how Amer­i­ca might look on Novem­ber 9th. Only there will be tril­lions more at stake.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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Princeton Historian Sean Wilentz on How Trump May Change (If Not Destroy) the GOP

Around here, we main­ly know Sean Wilentz as the “his­to­ri­an in res­i­dence” of Bob Dylan’s offi­cial web­site, and the author of the biog­ra­phy, Bob Dylan In Amer­i­ca.

But, in his day job, Wilentz is Pro­fes­sor of Amer­i­can His­to­ry at Prince­ton Uni­ver­si­ty, where has taught since 1979, and writ­ten books on every­thing from The Rise of Amer­i­can Democ­ra­cy: Jef­fer­son to Lin­coln, to The Age of Rea­gan: A His­to­ry, 1974–2008. More than most, he’s well posi­tioned to talk about what, in the big­ger scheme of things, a Trump pres­i­den­cy could mean for the Amer­i­can polit­i­cal sys­tem. Above, Wilentz con­tends that we’d have a “cri­sis pres­i­den­cy,” hope­ful­ly con­strained by the checks and bal­ances built into our con­sti­tu­tion. And he sug­gests that, if his­to­ry offers any guide, the nativism fuel­ing the Trump cam­paign could spell doom for the GOP. When­ev­er a par­ty runs on “Mak­ing Amer­i­ca Great Again,” says Wilentz, it “usu­al­ly means that the par­ty is going to fall under great pressure–it’s going to, if not col­lapse entire­ly, dis­in­te­grate or get pushed to the mar­gins.” Few GOP lead­ers, Lind­sey Gra­ham except­ed, seem to real­ly get that. But can we real­ly expect polit­i­cal nonen­ti­ties to see that you’re actu­al­ly los­ing when you think you’re win­ning? 

 

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Jon Stewart Resurfaces and Breaks Down the 2016 Election: The “Man Baby” v. the “Inauthentic”

It’s a farce of an elec­tion, and the only thing that could make it bear­able is The Dai­ly Show with Jon Stew­art. (Sor­ry Trevor Noah.) But, alas, Stew­art retired from the show ear­li­er this year, leav­ing us starv­ing for some inci­sive com­ic relief.

But here’s a momen­tary respite.

Two days ago, Stew­art appeared on “The Axe Files,” a pod­cast host­ed by David Axel­rod, once the Chief Strate­gist for Barack Oba­ma’s pres­i­den­tial cam­paigns, and now the Direc­tor of the Insti­tute of Pol­i­tics at the Uni­ver­si­ty of Chica­go. The pod­cast fea­tures intel­li­gent con­ver­sa­tions with key fig­ures in the polit­i­cal world. And they often put a human face on polit­i­cal fig­ures you might oth­er­wise dis­dain. If you want to feel a lit­tle bet­ter about Amer­i­can pol­i­tics, you can lis­ten to archived episodes here.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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Edward Snowden & Jean-Michel Jarre Record a Techno Protest Song, “Exit”

For his new album, Elec­tron­i­ca Vol­ume II: The Heart Of Noise, Jean-Michel Jarre, a pio­neer in elec­tron­ic and ambi­ent music, col­lab­o­rat­ed on a record­ing with Edward Snow­den, the for­mer CIA com­put­er ana­lyst-turned-whistle­blow­er. Cue up their song, “Exit,” above.

At first glance, it per­haps seems like an unlike­ly pair­ing. But if you give Jarre, the son of a French resis­tance fight­er, a chance to explain, it all makes per­fect sense. Recent­ly, he told The Guardian:

The whole Elec­tron­i­ca project is about the ambigu­ous rela­tion­ship we have with tech­nol­o­gy: on the one side we have the world in our pock­et, on on the oth­er, we are spied on con­stant­ly. There are tracks about the erot­ic rela­tion­ship we have with tech­nol­o­gy, the way we touch our smart­phones more than our part­ners, about CCTV sur­veil­lance, about love in the age of Tin­dr. It seemed quite appro­pri­ate to col­lab­o­rate not with a musi­cian but some­one who lit­er­al­ly sym­bol­is­es this crazy rela­tion­ship we have with tech­nol­o­gy.

A lot of what Jarre and Snow­den were try­ing to accom­plish with the song–musically, con­cep­tu­al­ly, ide­o­log­i­cal­ly, etc.–gets explained in the video below. Lis­ten­ing to Snow­den talk about the mean­ing of the song’s title (“Exit” means “things have to change,” “it’s time to leave, it’s time to do some­thing else, it’s time to find a bet­ter way”), you’ll get the sense that “Exit” is an elec­tron­ic protest song befit­ting our dig­i­tal age. Out with the folk music, in with the tech­no.

Elec­tron­i­ca Vol­ume II: The Heart Of Noise also fea­tures songs with the Pet Shop Boys, Gary Numan and the rap­per Peach­es.

Relat­ed Con­tent:

Whistle­blow­ing Is Not Just Leak­ing — It’s an Act of Polit­i­cal Resis­tance. Read Snow­den’s first long form essay, released just last week.

Recall­ing Albert Camus’ Fash­ion Advice, Noam Chom­sky Pans Glenn Greenwald’s Shiny, Pur­ple Tie

The His­to­ry of Elec­tron­ic Music in 476 Tracks (1937–2001)

Hear Sev­en Hours of Women Mak­ing Elec­tron­ic Music (1938- 2014)

How the Moog Syn­the­siz­er Changed the Sound of Music

Spike Lee Directs, “Wake Up,” a Five-Minute Campaign Film for Bernie Sanders

Ear­li­er this month Spike Lee and Bernie Sanders, two Brook­lyn natives, sat down and talked about pol­i­tics and the state of our nation. Now, with the New York pri­ma­ry right around the cor­ner, Spike drew on his film­mak­ing tal­ents and direct­ed a five-minute polit­i­cal cam­paign film for Bernie. It’s called sim­ply “Wake Up,” and it fea­tures cameos by Dr. Cor­nel West, Susan Saran­don, and Har­ry Bela­fonte.

I can’t recall anoth­er instance where a major film­mak­er shot an ad for a pres­i­den­tial can­di­date. If we’re over­look­ing some­thing obvi­ous (or less obvi­ous), let us know in the com­ments and we’ll maybe fea­ture it dur­ing this cam­paign sea­son.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Spike Lee Inter­views Bernie Sanders: Two Guys from Brook­lyn Talk About Edu­ca­tion, Inequal­i­ty & More

Bernie Sanders: I Will Be an Arts Pres­i­dent

Spike Lee’s List of 95 Essen­tial Movies – Now with Women Film­mak­ers

Bernie Sanders Sings “This Land is Your Land” on the Endear­ing­ly Bad Spo­ken Word Album, We Shall Over­come

Allen Ginsberg’s Hand­writ­ten Poem For Bernie Sanders, “Burling­ton Snow” (1986)

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Spike Lee Interviews Bernie Sanders: Two Guys from Brooklyn Talk About Education, Inequality & More

With the New York pri­ma­ry com­ing up, Spike Lee and Bernie Sanders–the film­mak­er and the politician–sat down and talked about pol­i­tics and the state of our nation. At the 15 minute mark, the two Brook­lyn natives turned to edu­ca­tion (some­thing that undoubt­ed­ly con­cerns many read­ers here) and the impor­tance of mak­ing our pub­lic uni­ver­si­ties actu­al­ly acces­si­ble to the pub­lic. Such a rad­i­cal thought? You can read a tran­script of the con­ver­sa­tion over at The Hol­ly­wood Reporter.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Bernie Sanders: I Will Be an Arts Pres­i­dent

Spike Lee’s List of 95 Essen­tial Movies – Now with Women Film­mak­ers

Bernie Sanders Sings “This Land is Your Land” on the Endear­ing­ly Bad Spo­ken Word Album, We Shall Over­come

Allen Ginsberg’s Hand­writ­ten Poem For Bernie Sanders, “Burling­ton Snow” (1986)

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Michio Kaku & Noam Chomsky School Moon Landing and 9/11 Conspiracy Theorists

Who real­ly killed John F. Kennedy? Did Amer­i­ca real­ly land on the moon? What real­ly brought down the Twin Tow­ers? Few mod­ern phe­nom­e­na pos­sess the sheer fas­ci­na­tion quo­tient of con­spir­a­cy the­o­ries. If you believe in them, you’ll of course dig into them obses­sive­ly, and if you don’t believe in them, you sure­ly feel a great curios­i­ty about why oth­er peo­ple do. Sci­ence writer and Skep­tic mag­a­zine Edi­tor in Chief Michael Sher­mer falls, need­less to say, into the sec­ond group; so far into it that exam­in­ing con­spir­a­cy the­o­ries and those who sub­scribe to them has become one of his best-known pro­fes­sion­al pur­suits since at least 1997, the year of his straight­for­ward­ly titled book Why Peo­ple Believe Weird Things.

On the 50th anniver­sary of JFK’s assas­si­na­tion, Sher­mer wrote an arti­cle in the Los Ange­les Times about the rea­sons that event has drawn so many avid con­spir­a­cy the­o­rists over the past half-decade. First: their cog­ni­tive dis­so­nance result­ing from the two seem­ing­ly incom­pat­i­ble ideas, that of JFK “as one of the most pow­er­ful peo­ple on Earth” and JFK “killed by Lee Har­vey Oswald, a lone los­er, a nobody.” Sec­ond: their par­tic­i­pa­tion in a mono­log­i­cal belief sys­tem, “a uni­tary, closed-off world­view in which beliefs come togeth­er in a mutu­al­ly sup­port­ive net­work.” Third: their con­fir­ma­tion bias, or “the ten­den­cy to look for and find con­firm­ing evi­dence for what you already believe” — the umbrel­la man, the grassy knoll — “and to ignore dis­con­firm­ing evi­dence.”

These fac­tors all come into play with the oth­er major Amer­i­can con­spir­a­cy the­o­ries as well. In the pod­cast clip at the top of the post, you can hear physi­cist Michio Kaku try­ing to set straight a moon land­ing con­spir­a­cy the­o­rist. They argue that man has nev­er set foot on the moon, but that the gov­ern­ment instead hood­winked us into believ­ing it with an elab­o­rate audio­vi­su­al pro­duc­tion (direct­ed, some the­o­rists insist, by none oth­er than Stan­ley Kubrick, who sup­pos­ed­ly “con­fessed” in fake inter­view footage that recent­ly made the inter­net rounds). Should you require fur­ther argu­ment to the con­trary, have a look at S.G. Collins’ Moon Hoax Not just above.

No high­er-pro­file set of con­spir­a­cy-the­o­ry move­ment has come out of recent his­to­ry than the 9/11 Truthers, who may dif­fer on the details, but who all gath­er under the umbrel­la of believ­ing that the events of that day hap­pened not because of the actions of a con­spir­a­cy of for­eign ter­ror­ists, but because of a con­spir­a­cy with­in the Unit­ed States gov­ern­ment itself. In the Q&A footage above (orig­i­nal­ly uploaded, in fact, by a believ­er), one such the­o­rist stands up and asks lin­guist and activist Noam Chom­sky to join in on the move­ment, point­ing to a cov­er-up of the man­ner in which 7 World Trade Cen­ter col­lapsed — a big “smok­ing gun” of the larg­er con­spir­a­cy, in their eyes.

This prompts Chom­sky to offer an expla­na­tion of how sci­en­tists and engi­neers actu­al­ly go look­ing for the truth. Have they elim­i­nat­ed entire­ly their cog­ni­tive dis­so­nance, mono­log­i­cal belief sys­tems, and con­fir­ma­tion bias­es? No human could ever do that per­fect­ly — indeed, to be human is to be sub­ject to all these dis­tort­ing con­di­tions and more — but the larg­er enter­prise of sci­ence, at its best, frees us lit­tle by lit­tle from those very shack­les. What a shame to vol­un­tar­i­ly clap one­self back into them.

Relat­ed Con­tent:

Michio Kaku Schools a Moon Land­ing-Con­spir­a­cy Believ­er on His Sci­ence Fan­tas­tic Pod­cast

Stan­ley Kubrick Faked the Apol­lo 11 Moon Land­ing in 1969, Or So the Con­spir­a­cy The­o­ry Goes

Noam Chom­sky Schools 9/11 Truther; Explains the Sci­ence of Mak­ing Cred­i­ble Claims

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. He’s at work on a book about Los Ange­les, A Los Ange­les Primer, the video series The City in Cin­e­ma, the crowd­fund­ed jour­nal­ism project Where Is the City of the Future?, and the Los Ange­les Review of Books’ Korea Blog. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Orson Welles Narrates an Animated Parable About How Xenophobia & Greed Will Put America Into Decline (1971)

More than 40 years and sev­en pres­i­den­tial admin­is­tra­tions have passed since Orson Welles nar­rat­ed Free­dom Riv­er. And although it shows signs of age, the ani­mat­ed film, a para­ble about the role of immi­gra­tion, race, and wealth in Amer­i­ca, still res­onates today. Actu­al­ly, giv­en the cyn­i­cal exploita­tion of xeno­pho­bia dur­ing this most unpres­i­den­tial of pres­i­den­tial cam­paigns, you could say that Free­dom River strikes a big­ger chord than it has in years. That’s why, after a five year hia­tus, we’re fea­tur­ing the ani­ma­tion once again on Open Cul­ture.

The back­sto­ry behind the film deserves a lit­tle men­tion. Accord­ing to Joseph Cavel­la, a writer for the film, it took a lit­tle cajol­ing and per­se­ver­ance to get Orson Welles involved in the film.

For sev­er­al years, Bosus­tow Pro­duc­tions had asked Orson Welles, then liv­ing in Paris, to nar­rate one of their films. He nev­er respond­ed. When I fin­ished the Free­dom Riv­er script, we sent it to him togeth­er with a portable reel to reel tape recorder and a siz­able check and crossed our fin­gers. He was either des­per­ate for mon­ey or (I would rather believe) some­thing in it touched him because two weeks lat­er we got the reel back with the nar­ra­tion word for word and we were on our way.

Indeed, they were.

Direct­ed by Sam Weiss, Free­dom Riv­er tells the sto­ry of decline–of a once great nation laps­ing into ugli­ness. Despite the myths we like to tell our­selves here in Amer­i­ca, the ugli­ness has always been there. Xeno­pho­bia, greed, racism (you could add a few more traits to the list) are noth­ing new. They just tend to sur­face more dur­ing hard times, or when dem­a­gogues make it per­mis­si­ble, which is pre­cise­ly what we’re see­ing right now. For­tu­nate­ly, Orson Welles’s nar­ra­tion leaves us with room to hope, with room to believe that wis­dom will pre­vail and that peo­ple will find bet­ter options than what the provo­ca­teurs have to offer.

You can find Free­dom Riv­er in the the Ani­ma­tion sec­tion of our col­lec­tion, 4,000+ Free Movies Online: Great Clas­sics, Indies, Noir, West­erns, Doc­u­men­taries & More.

Fol­low Open Cul­ture on Face­book and Twit­ter and share intel­li­gent media with your friends. Or bet­ter yet, sign up for our dai­ly email and get a dai­ly dose of Open Cul­ture in your inbox. And if you want to make sure that our posts def­i­nite­ly appear in your Face­book news­feed, just fol­low these sim­ple steps.

Relat­ed Con­tent

Orson Welles Names His 10 Favorite Films: From Chaplin’s City Lights to Ford’s Stage­coach

Watch Orson Welles’ The Stranger Free Online, Where 1940s Film Noir Meets Real Hor­rors of WWII

Orson Welles Explains Why Igno­rance Was His Major “Gift” to Cit­i­zen Kane

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Open Culture was founded by Dan Colman.