Watch Neil Gaiman & Amanda Palmer’s Haunting, Animated Take on Leonard Cohen’s “Democracy”

The late Leonard Cohen’s 1992 anthem “Democ­ra­cy” feels not just fresh, but painful­ly rel­e­vant these days.

Cohen, a Cana­di­an who spent much of his adult life in the States, avowed that the song was nei­ther sar­cas­tic nor iron­ic, but rather hope­ful, an “affir­ma­tion of the exper­i­ment of democ­ra­cy in this coun­try.”

He start­ed writ­ing it in the late ’80s, churn­ing out dozens of vers­es as he pon­dered the impact of the fall of the Berlin Wall and the Tianan­men Square protests.

The press kit for the album on which the song orig­i­nal­ly appeared stat­ed:

These are the final days, this is the dark­ness, this is the flood. What is the appro­pri­ate behav­ior in a cat­a­stro­phe, in a flood? You know, while you’re clean­ing out your orange crate in the tor­rent and you pass some­body else hang­ing on to a spar of wood. What do you declare your­self? “left wing” “right wing” “pro-abor­tion” “against abor­tion”? All these things are lux­u­ries which you can no longer afford. What is the prop­er behav­ior in a flood?

For musi­cian Aman­da Palmer and her hus­band, author Neil Gaiman, the answer to Cohen’s ques­tion is the stripped down, spo­ken word ver­sion of “Democ­ra­cy,” above—a fundrais­er for the free speech defense orga­ni­za­tion, PEN Amer­i­ca.

The video’s stir­ring water­col­ors are cour­tesy of artist David Mack, an offi­cial Ambas­sador of Arts & Sto­ry for the US State Depart­ment who has illus­trat­ed sev­er­al of Gaiman’s poems. Singer-song­writer Olga Nunes, anoth­er in Gaiman and Palmer’s vast sta­ble of tal­ent­ed co-con­spir­a­tors, ani­mat­ed.

Gaiman fans will no doubt thrill to hear that unmis­tak­able accent game­ly tack­ling such lyrics as “the homi­ci­dal bitchin’ that goes down in every kitchen,” but for my mon­ey, the most mem­o­rable phrase is the descrip­tion of this coun­try as “the cra­dle of the best and of the worst.”

Tru­ly.

You can pur­chase the track here—the project was fund­ed by 9,408 con­trib­u­tors to Palmer’s Patre­on and all pro­ceeds ben­e­fit PEN Amer­i­ca.

Relat­ed Con­tent:

Hear Leonard Cohen’s Final Inter­view: Record­ed by David Rem­nick of The New York­er

Hear Aman­da Palmer’s Cov­er of “Pur­ple Rain,” a Gor­geous Stringfelt Send-Off to Prince

Neil Gaiman Reads Edgar Allan Poe’s “The Raven”: One Mas­ter of Dra­mat­ic Sto­ry­telling Reads Anoth­er

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Her play Zam­boni Godot is open­ing in New York City in March 2017. Fol­low her @AyunHalliday.

Yes, the Holocaust Happened, Even If a Top Google Search Result Says It Didn’t

We’re well into the back­lash cycle of the post-elec­tion out­rage over “fake news,” as com­men­ta­tor after com­men­ta­tor calls this phrase into ques­tion and cel­e­brates the fall of the gate­keep­er media. Tak­ing a phrase from Tom Wolfe, Matthew Con­tinet­ti at the con­ser­v­a­tive Com­men­tary argues that “the press… is a Vic­to­ri­an Gen­tle­man, the arbiter of man­ners and fash­ion, the judge of right con­duct and good breed­ing.” We should not lament this gentleman’s loss of a “lib­er­al, afflu­ent, enti­tled cocoon.” He had long ago “changed his job descrip­tion and went from telling his read­ers what had hap­pened to telling them what to think.”

google-holocaust-2

Like­wise, The Inter­cept has shown how fake news pan­ic pro­duced a “McCarthyite Black­list of inde­pen­dent orga­ni­za­tions lumped togeth­er by “shod­dy, sloth­ful jour­nal­is­tic tac­tics” of the kind used by “smear artists” and ped­dlers of dis­in­for­ma­tion. Pol­i­tics aside, what we should at least gath­er from this firestorm is that the sto­ry of “fake news”—or of delib­er­ate hoax­es, lies, and propaganda—is much old­er than the Inter­net, though the speed at which it spreads has increased expo­nen­tial­ly with the dom­i­nance of social media. We’re left won­der­ing how we might reclaim some ori­en­ta­tion toward the truth in any media. If every­thing is poten­tial­ly fake news, what can we trust?

With the pro­fes­sion­al vet­ting of infor­ma­tion in cri­sis, we are thrown back on the pop­u­lar­iza­tion of Dar­win­ism advanced by “British defend­er of cap­i­tal­ism” Her­bert Spencer, who—writes Tim­o­thy Sny­der in his New York Times best­seller Black Earth: The Holo­caust as His­to­ry and Warn­ingdescribed the mar­ket as “an ecos­phere where the strongest and best sur­vived.” In our infor­ma­tion ecosys­tem, “strongest and best” is often deter­mined not by nat­ur­al forces, nor by expert adju­di­ca­tion of mer­it, but by algo­rithms… and cash. And as jour­nal­ists at The Inde­pen­dent and else­where dis­cov­ered last week, Google’s algo­rithms have decid­ed that the best, most help­ful answer to the ques­tion “did the holo­caust hap­pen?” comes from neo-Nazi hate site Storm­front, in a piece glibly titled “Top 10 rea­sons why the Holo­caust didn’t hap­pen.”

It should go with­out saying—and yet it must be said—that no seri­ous his­to­ri­an of the peri­od con­sid­ers the sys­tem­at­ic mass mur­der of mil­lions of Jews and oth­er “unde­sir­ables” to be an open his­tor­i­cal ques­tion. The hor­ror of the 30s and 40s, writes the U.S. Holo­caust Memo­r­i­al Muse­um, is “one of the best doc­u­ment­ed events in his­to­ry” and denials and dis­tor­tions of these events “are gen­er­al­ly moti­vat­ed by hatred of Jews.” (See their video explain­ing denial­ism at the top.) There’s no ques­tion that’s the motive in Google’s top search result for Holo­caust denial­ism. Google admits as much, writ­ing this past Mon­day, “We are sad­dened to see that hate orga­ni­za­tions still exist. The fact that hate sites appear in search results does not mean that Google endors­es these views.”

And yet, writes Car­ole Cad­wal­ladr at The Guardian, the search engine giant also “con­firmed it would not remove the result.” Cad­wal­ladr details how she dis­placed the top result her­self “with the only lan­guage that Google under­stands: mon­ey.” Lil­ian Black, the daugh­ter of a Holo­caust sur­vivor, com­pared the tech giant’s response to “say­ing we know that the trains are run­ning into Birke­nau, but we’re not respon­si­ble for what’s hap­pen­ing at the end of it.” But they should bear some respon­si­bil­i­ty. Google, she says, shapes “people’s think­ing… Can’t they see where this leads? And to have a huge world­wide orga­ni­za­tion refus­ing to acknowl­edge this. That’s what they think their role is? To be a bystander?”

The ques­tion forces us to con­front not only the role of the press but also the role of the new gate­keep­ers, Google, Face­book, Twit­ter, etc., who have dis­placed Vic­to­ri­an sys­tems of man­ag­ing infor­ma­tion and knowl­edge. The loss of sta­tus among aca­d­e­mics and pro­fes­sion­al jour­nal­ists and edi­tors may have salu­tary effects, such as a democ­ra­ti­za­tion of media and the emer­gence of cred­i­ble voic­es pre­vi­ous­ly con­fined to the mar­gins. But what can be done about the cor­re­spond­ing rise in delib­er­ate mis­in­for­ma­tion pub­lished by hate groups and pro­pa­gan­da orga­ni­za­tions? Moral con­sid­er­a­tions car­ry no weight when the fig­u­ra­tive “mar­ket­place of ideas” is reduced to the lit­er­al mar­ket.

Dan­ny Sul­li­van, a search engine expert Cad­wal­ladr cites, sug­gests that the rea­son the Storm­front result rose to the top of Google’s search may be noth­ing more than pop­ulism for prof­it: “Google has changed its algo­rithm to reward pop­u­lar results over author­i­ta­tive ones. For the rea­son that it makes Google more mon­ey.” The ris­ing pop­u­lar­i­ty of hate sites presents a growth oppor­tu­ni­ty for Google and its com­peti­tors. Mean­while, racist hate groups spread their mes­sages unim­ped­ed, ordi­nary cit­i­zens are bad­ly mis­in­formed, and so-called “self-rad­i­cal­ized” indi­vid­u­als like mass killer Dylann Roof and Tom­my Mair—who mur­dered British MP Jo Cox this past sum­mer—con­tin­ue to find the “strongest and best” cas­es for their homi­ci­dal designs, no mat­ter that so much of the infor­ma­tion they con­sume is not only fake, but designed­ly, malev­o­lent­ly false.

Relat­ed Con­tent:

High School Teacher & Holo­caust Expert Sus­pend­ed for Draw­ing Par­al­lels Between Trump & Hitler’s Rhetoric

Mem­o­ry of the Camps (1985): The Holo­caust Doc­u­men­tary that Trau­ma­tized Alfred Hitch­cock, and Remained Unseen for 40 Years

The Touch­ing Moment When Nicholas Win­ton (RIP) Met the Chil­dren He Saved Dur­ing the Holo­caust

Rudolf Braz­da, Last Man to Wear the Pink Tri­an­gle Dur­ing the Holo­caust, Tells His Sto­ry

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Noam Chomsky & Harry Belafonte Speak on Stage for the First Time Together: Talk Trump, Klan & Having a Rebellious Heart

Noam Chom­sky, now 88 years old, made his career study­ing lin­guis­tics at MITHar­ry Bela­fonte, 89, became the “King of Calyp­so,” pop­u­lar­iz­ing Caribbean music in the 1950s. Yes, the two men come from dif­fer­ent worlds, but they share some­thing impor­tant in common–a long com­mit­ment to social jus­tice and activism. Bela­fonte used his fame to cham­pi­on the Civ­il Rights move­ment and Mar­tin Luther King Jr., and also helped orga­nize the March on Wash­ing­ton in 1963. Chom­sky protest­ed against the Viet­nam War, putting his career on the line, and has since become one of Amer­i­ca’s lead­ing voic­es of polit­i­cal dis­sent.

On Mon­day, these two fig­ures appeared onstage for the first time togeth­er. Speak­ing at River­side Church in NYC, before a crowd of 2,000 peo­ple, Chom­sky and Bela­fonte took stock of where Amer­i­ca stands after the elec­tion of Don­ald Trump. Nat­u­ral­ly, nei­ther man looks for­ward to what Trump has to bring. But they’re not as glum about the future as many oth­er vot­ers on the left. Chom­sky espe­cial­ly reminds us that Amer­i­ca has made great strides since 1960. The Unit­ed States is a far more civ­i­lized coun­try over­all. And it’s much easier–not to men­tion less dangerous–to effect change today than a half cen­tu­ry ago. It’s just a mat­ter of get­ting out there and putting in the hard work. Mean­while, Bela­fonte urges us to have a “rebel­lious heart” and leaves with this spir­it­ed reminder, “there’s still some ass kick­ing to be done!”

via @JohnCusack

Relat­ed Con­tent:

Great Cul­tur­al Icons Talk Civ­il Rights: James Bald­win, Mar­lon Bran­do, Har­ry Bela­fonte & Sid­ney Poiti­er (1963)

Noam Chom­sky vs. William F. Buck­ley, 1969

Noam Chomsky’s Wide-Rang­ing Inter­view on a Don­ald Trump Pres­i­den­cy: “The Most Pre­dictable Aspect of Trump Is Unpre­dictabil­i­ty”

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We’re Gonna Build a Fourth Wall, and Make the Brechtians Pay for It

fourth-wall

By now, you undoubt­ed­ly know what hap­pened when Mike Pence went to see Hamil­ton on Fri­day night. And the brouha­ha that unfold­ed from there, par­tic­u­lar­ly on Twit­ter.

Tweets came and went through­out the week­end. But, if you’re keep­ing score at home, none out­fun­nied this tweet from Jere­my Noel-Tod. We’re suck­ers around here for Brecht­ian humor.

Find us on Twit­ter at @openculture.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Watch Them Watch Us: A His­to­ry of Break­ing the “Fourth Wall” in Film

The Cast of Hamil­ton Sends a Strong Mes­sage to Mike Pence (After the Crowd Jeers Him)

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The Cast of Hamilton Sends a Strong Message to Mike Pence (After the Crowd Jeers Him)

When Mike Pence entered the Richard Rodgers The­atre to see Hamil­ton Fri­day night, the crowd booed him.

When the play end­ed, the cast sent Pence off with a spe­cial mes­sage. Speak­ing for the cast, Bran­don Vic­tor Dixon, the actor who plays Aaron Burr, said this:

You know we have a guest in the audi­ence this evening. Vice Pres­i­dent-elect Pence I see you walk­ing out but I hope you will hear us just a few more moments.

There is noth­ing to boo here ladies and gen­tle­men, we are all shar­ing a sto­ry of love. We have a mes­sage for you sir, and we hope you will hear us out…

Vice Pres­i­dent-elect Mike Pence we wel­come you and we tru­ly thank you for join­ing us here at Hamil­ton, an Amer­i­can Musi­cal.

We, sir, we are the diverse Amer­i­ca who are alarmed and anx­ious that your new admin­is­tra­tion will not pro­tect us, our plan­et, our chil­dren, our par­ents or defend us or uphold our inalien­able rights, sir. But we tru­ly hope this show has inspired you to uphold our Amer­i­can val­ues and to work on behalf of all of us.

We tru­ly thank you for shar­ing this show, this won­der­ful Amer­i­can sto­ry told by a diverse group of men and women of dif­fer­ent col­ors, creeds and ori­en­ta­tions.

Trump and Pence came to office exploit­ing racial, nation­al and eth­nic resent­ments across Amer­i­ca. They’re now putting fig­ures like Steve Ban­non and Jeff Ses­sions (both tar­nished by alle­ga­tions of racism) in posi­tions of pow­er. And we’re seeing hate crimes on the rise. (701  report­ed cas­es since the elec­tion.) It’s no sur­prise that the new gov­ern­ment is get­ting tak­en to task. It’s free speech in action, democ­ra­cy being the some­times rau­cous, in your face thing it can be.

For­tu­nate­ly Pence seems to have a fin­er appre­ci­a­tion of the role dis­sent plays in our coun­try: He has since told The Hol­ly­wood Reporter, “I did hear what was said from the stage, and I can tell you, I was­n’t offend­ed by what was said.” “It was a real joy to be there. When we arrived, we heard a few boos and a few cheers, and I nudged my kids and remind­ed them, ‘That’s what free­dom sounds like.” Kudos to him.

In oth­er culture/education news, Don­ald Trump has agreed to pay $25 mil­lion to set­tle his Trump Uni­ver­si­ty fraud case.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Alexan­der Hamil­ton: Hip-Hop Hero at the White House Poet­ry Evening

“Alexan­der Hamil­ton” Per­formed with Amer­i­can Sign Lan­guage

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1950 Superman Poster Urged Kids to Defend All Americans, Regardless of Their Race, Religion or National Origin

superman-all-american

It makes sense that Super­man would take a tol­er­ant view of immi­grants and oth­er minori­ties, giv­en that he him­self arrived on Earth as a refugee from the plan­et Kryp­ton.

The Man of Steel may strike you as an unlike­ly mouth­piece for pro­gres­sive ideals, but 1950 found him on a book cov­er, above, engaged in con­ver­sa­tion with a small crowd of most­ly white boys:

“…and remem­ber, boys and girls, your school – like our coun­try – is made up of Amer­i­cans of many dif­fer­ent races, reli­gions and nation­al ori­gins, so … If YOU hear any­body talk against a school­mate or any­one else because of his reli­gion, race or nation­al ori­gin – don’t wait: tell him THAT KIND OF TALK IS UN-AMERICAN. HELP KEEP YOUR SCHOOL ALL-AMERICAN!”

In oth­er words, cit­i­zens must steel them­selves to take action, because you can’t always count on a super­hero to show up and make things right.

The cheap paper jack­et, above, was dis­trib­uted to school chil­dren by the Insti­tute For Amer­i­can Democ­ra­cy, an off­shoot of the New York-based Anti-Defama­tion League.

(Per­haps Pres­i­dent Elect was too young to receive a copy. The back of the cov­er includes a grid for fill­ing in one’s class sched­ule and he was but four years old at the time.)

Super­man could not sur­vive Dooms­day, but the Anti-Defama­tion League, plan­et Krp­ty­on to the illus­tra­tion’s orig­i­nal dis­trib­uter, con­tin­ues to uphold the val­ues he pro­motes above.

Jonathan Green­blatt, the ADL’s CEO issued a post-Elec­tion state­ment that reads in part:

Already there have been trou­bling signs of a spike in hate crimes in the days after the elec­tion. As we look ahead, ADL will be vig­i­lant against extrem­ism and relent­less­ly hold the new admin­is­tra­tion account­able. You can expect ADL to be unwa­ver­ing in its com­mit­ment to fight­ing anti-Semi­tism, racism and big­otry.  We will mon­i­tor devel­op­ments and speak out.

And wher­ev­er and when­ev­er Jews, minor­i­ty groups, immi­grants, and oth­ers are mar­gin­al­ized or our civ­il lib­er­ties are threat­ened, ADL vig­or­ous­ly will defend those rights … We will not shrink from the fight ahead regard­less of where it takes us.

In addi­tion to main­tain­ing a data­base of hate sym­bols and a form where cit­i­zens can report Anti-Semit­ic, racist, or big­ot­ed encoun­ters, the ADL has a robust list of edu­ca­tion­al resources for par­ents, teach­ers and youth.

Mean­while, a full col­or ver­sion of the 66-year-old illus­tra­tion has been mak­ing the rounds on social media. Let us con­sid­er it a place­hold­er. Even­tu­al­ly some­one will sure­ly take it back to the draw­ing board to add more girls, chil­dren with dis­abil­i­ties, and chil­dren of col­or.

superman-all-american-color

Relat­ed Con­tent:

High School Teacher & Holo­caust Expert Sus­pend­ed for Draw­ing Par­al­lels Between Trump & Hitler’s Rhetoric

Read Mar­tin Luther King and The Mont­gomery Sto­ry: The Influ­en­tial 1957 Civ­il Rights Com­ic Book

Bat­man Stars in an Unusu­al Car­toon Adap­ta­tion of Dostoyevsky’s Crime and Pun­ish­ment

Dr. Seuss Draws Anti-Japan­ese Car­toons Dur­ing WWII, Then Atones with Hor­ton Hears a Who!

The Orig­i­nal 1940s Super­man Car­toon: Watch 17 Clas­sic Episodes Free Online

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Her play Zam­boni Godot is open­ing in New York City in March 2017. Fol­low her @AyunHalliday.

Watch Dave Chappelle’s Saturday Night Live Monologue: “We’ve Elected an Internet Troll as Our President”

Dave Chap­pelle host­ed SNL last night and gave us the com­ic relief we need­ed. And also a few heart­felt thoughts about what a Trump pres­i­den­cy means for our imper­iled nation. The most poignant part comes at the very end:

You know, before I go, I do want to say one thing, and this is not a joke. But I think it’s impor­tant that I say this, ’cause they’re march­ing up the street right now as we speak.

A few weeks ago I went to the White House for a par­ty. It was the first time I’ve been there in many years and it was very excit­ing. And BET spon­sored the par­ty, so every­one there was black. And it was beau­ti­ful. I walked through the gates — you know, I’m from Wash­ing­ton, so I saw the bus stop, or the cor­ner where the bus stop used to be, where I used to catch the bus to school and dream about nights like tonight.

It was a real­ly, real­ly beau­ti­ful night. At the end of the night every­one went into the West Wing of the White House and it was a huge par­ty. And every­body in there was black — except for Bradley Coop­er, for some rea­son.

And on the walls were pic­tures of all the pres­i­dents, of the past. Now, I’m not sure if this is true, but to my knowl­edge the first black per­son that was offi­cial­ly invit­ed to the White House was Fred­er­ick Dou­glass. They stopped him at the gates. Abra­ham Lin­coln had to walk out him­self and escort Fred­er­ick Dou­glass into the White House, and it didn’t hap­pen again, as far as I know, until Roo­sevelt was pres­i­dent. Roo­sevelt was pres­i­dent, he had a black guy over and got so much flack from the media that he lit­er­al­ly said, “I will nev­er have a n—-r in this house again.”

I thought about that, and I looked at that black room, and saw all those black faces, and Bradley, and I saw how hap­py every­body was. These peo­ple who had been his­tor­i­cal­ly dis­en­fran­chised. It made me feel hope­ful and it made me feel proud to be an Amer­i­can and it made me very hap­py about the prospects of our coun­try.

So, in that spir­it, I’m wish­ing Don­ald Trump luck. And I’m going to give him a chance, and we, the his­tor­i­cal­ly dis­en­fran­chised, demand that he give us one too. Thank you very much.

You also should­n’t miss Kate McK­in­non’s two-for-one trib­ute to Hillary Clin­ton and Leonard Cohen. What a tal­ent she is.

And for any edu­cat­ed white lib­er­al, this skit will sure­ly hit home:

Look­ing for free, pro­fes­­sion­al­­ly-read audio books from Audible.com? Here’s a great, no-strings-attached deal. If you start a 30 day free tri­al with Audible.com, you can down­load two free audio books of your choice. Get more details on the offer here.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Chris Rock Reads James Baldwin’s Still Time­ly Let­ter on Race in Amer­i­ca: “We Can Make What Amer­i­ca Must Become”

Pres­i­dent Obama’s 2016 Stand-Up Com­e­dy Rou­tine

William S. Bur­roughs on Sat­ur­day Night Live, 1981

Alec Bald­win Does a Per­fect Don­ald Trump: Watch SNL’s Spoof of the Trump-Clin­ton Debate

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Patti Smith Reads from Oscar Wilde’s De Profundis, the Love Letter He Wrote From Prison (1897)

Just last month, the U.K. announced the so-called “Tur­ing Law,” a pol­i­cy U.K.’s jus­tice min­is­ter Sam Gyimah describes as par­don­ing “peo­ple con­vict­ed of his­tor­i­cal sex­u­al offens­es who would be inno­cent of any crime today.” The law is named for Alan Tur­ing, the bril­liant gay com­put­er sci­en­tist whose work on A.I. gave the arti­fi­cial intel­li­gence test its name.

Tur­ing was also instru­men­tal in break­ing the Nazi Enig­ma code, and the Min­istry of Justice’s press release iden­ti­fies Tur­ing only as an “Enig­ma code­break­er,” sug­gest­ing that his patri­ot­ic duty may have made him some­thing of an offi­cial mar­tyr; Tur­ing was one thou­sands of men unjust­ly con­vict­ed over many decades. But “does par­don­ing those men unlucky enough to get caught,” asks Jonathan Coop­er, “actu­al­ly address the trau­ma to which the British state sub­ject­ed LGBT peo­ple?”

I couldn’t pos­si­bly say. But the “unlucky ones” who were arrest­ed, con­vict­ed, and impris­oned for crimes of “gross inde­cen­cy” have left often poignant records of their mis­treat­ment, and of the psy­cho­log­i­cal toll it took on them. Tur­ing wrote a very pained let­ter to a friend, Nor­man Rut­ledge, after his con­vic­tion (hear Bene­dict Cum­ber­batch read it here).

Around six­ty years ear­li­er, an even more well-known con­vict, one of the first to be con­vict­ed of “gross inde­cen­cy” laws, Oscar Wilde, left an even more pro­found expres­sion of his emo­tion­al tur­moil. Called De Pro­fundis (from the depths) and addressed to his lover Lord Alfred Dou­glas, the hun­dred-page doc­u­ment, with its lengthy digres­sions and rumi­na­tions, can­not sole­ly be read as a let­ter, although it con­tains a wealth of ten­der and angry expres­sions for Dou­glas.

De Pro­fundis, writes Colm Tóibín, “can­not be read for its accu­rate account of their rela­tion­ship, nor tak­en at its word.” This is in part because Wilde had no oth­er choice but to write a let­ter, or write noth­ing at all. The suc­ces­sion of pris­ons in which he was held between 1895 and 1897 allowed no writ­ing of plays, nov­els, or essays.

Over the last four months of Wilde’s incar­cer­a­tion, he and the gov­er­nor of Read­ing prison came up with a scheme. Since “reg­u­la­tions did not spec­i­fy how long a let­ter should be,” Wilde would be giv­en pen and ink each day and be allowed com­pose cor­re­spon­dence as long as he liked. The let­ter would then be his per­son­al prop­er­ty when he left. Despite its lit­er­ary den­si­ty, the let­ter remains, writes Tóibín, “one of the great­est love let­ters ever writ­ten.”

Read­ing prison has just been opened to the pub­lic for the first time this year. Since July, artists, writ­ers, and per­form­ers have gath­ered with audi­ences inside the prison to cel­e­brate and com­mune with the spir­it of Wilde. Among the events have been read­ings of De Pro­fundis by Tóibín, who read the let­ter in its entire­ly last month, as did Pat­ti Smith.

At the top of the post, you can see an excerpt of Smith’s read­ing. “The edit­ed ver­sion of De Pro­fundis” from which she reads “was the first one to be pub­lished in 1905, in a lim­it­ed edi­tion of 200, five years after Wilde’s death.” In-between clips of her read­ing, there are inter­views with a Read­ing prison care­tak­er and oth­ers, and voice-over nar­ra­tion telling us Wilde’s trag­ic sto­ry of impris­on­ment, as well as the gen­er­al out­lines of those who left no record of their per­se­cu­tion.

Once released, Wilde went right back to writ­ing lit­er­a­ture, begin­ning with the long, vio­lent poem, “The Bal­lad of Read­ing Gaol.” The video up top comes from The Guardian.

via Vin­tage Anchor

Relat­ed Con­tent:

Hear Oscar Wilde Recite a Sec­tion of The Bal­lad of Read­ing Gaol (1897)

Oscar Wilde Offers Prac­ti­cal Advice on the Writ­ing Life in a New­ly-Dis­cov­ered Let­ter from 1890

Bene­dict Cum­ber­batch Reads a Let­ter Alan Tur­ing Wrote in “Dis­tress” Before His Con­vic­tion For “Gross Inde­cen­cy”

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

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