The Mueller Report Released as a Free Well-Formatted eBook (by The Digital Public Library of America)

Boing Boing writes: “Back in April, Andrew Albanese from Pub­lish­ers Week­ly wrote a col­umn deplor­ing the abysmal for­mat­ting in the DoJ’s release of the Mueller Report, and pub­licly request­ing that the Dig­i­tal Pub­lic Library of Amer­i­ca pro­duce well-for­mat­ted ebook edi­tions, which they have now done!”

The Dig­i­tal Pub­lic Library of Amer­i­ca adds:

The Report On The Inves­ti­ga­tion Into Russ­ian Inter­fer­ence In The 2016 Pres­i­den­tial Elec­tion, or the Mueller Report, is now freely avail­able in ebook for­mat to read on your phone or tablet from DPLA’s web­site and the Open Book­shelf col­lec­tion. The Mueller report was released to the pub­lic by the Depart­ment of Jus­tice as a PDF last month, ini­tial­ly in a for­mat that was not text-search­able. By mak­ing the report avail­able as an ebook in our Open Book­shelf col­lec­tion, any­one can down­load and read it for free, all in the Sim­plyE app — no library card or sign in required.

One of the pri­ma­ry objec­tives of DPLA’s ebooks work is to make the best open­ly-licensed e‑content avail­able to libraries and their patrons. For libraries offer­ing New York Pub­lic Library’s Sim­plyE app, the Mueller Report can be eas­i­ly inte­grat­ed into the ebook offer­ings made avail­able to their patrons. Sim­plyE and Open Book­shelf are freely avail­able to any­one with an iOS or Android device.

Read the Mueller Report today

Down­load on the web: Vis­it https://muellerreport.dp.la, down­load it in one click, and read it with your computer’s e‑reader like iBooks.

Read in Sim­plyE on your phone or tablet:

  1. Down­load the Sim­plyE app to your iOS or Android device.

  2. Use the library selec­tor icon in the upper left cor­ner, select Man­age Accounts, then Add Library, and select Dig­i­tal Pub­lic Library of Amer­i­ca.

  3. Find the Mueller Report in the top row.

To learn more about Open Book­shelf and oth­er DPLA ebooks offer­ings, vis­it https://ebooks.dp.la. DPLA’s Ebook work and the pro­duc­tion of the Mueller Report ebook is sup­port­ed by the Alfred P. Sloan Foun­da­tion.

You can also down­load The Mueller Report in an epub ver­sion here.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

via Boing Boing

Relat­ed Con­tent

1,000 Free Audio Books: Down­load Great Books for Free

800 Free eBooks for iPad, Kin­dle & Oth­er Devices

1,300 Free Online Cours­es from Top Uni­ver­si­ties

1,150 Free Movies Online: Great Clas­sics, Indies, Noir, West­erns, etc.

 

by | Permalink | Make a Comment ( 3 ) |

Banksy Strikes Again in Venice

Jux­tapoz writes: “Nev­er invit­ed to be the part of Venice Bien­nale, Banksy once again invit­ed him­self to show­case his work. Using a typ­i­cal pop-up stand that usu­al­ly sells tacky paint­ings and sou­venirs, he assem­bled a selec­tion of 9 works that col­lec­tive­ly built an image of a mas­sive cruise ship block­ing the city.”

In recent years, the flood of mas­sive cruise ships into Venice has cre­at­ed ten­sions between Vene­tians and tourism com­pa­nies. It’s pret­ty clear on what side the street artist comes down.

Get more at Jux­tapoz.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

How Venice Works: 124 Islands, 183 Canals & 438 Bridges

Venice in Beau­ti­ful Col­or Images 125 Years Ago: The Rial­to Bridge, St. Mark’s Basil­i­ca, Doge’s Palace & More

The Venice Time Machine: 1,000 Years of Venice’s His­to­ry Gets Dig­i­tal­ly Pre­served with Arti­fi­cial Intel­li­gence and Big Data

Watch City Out of Time, A Short Trib­ute to Venice, Nar­rat­ed by William Shat­ner in 1959

Huge Hands Rise Out of Venice’s Waters to Sup­port the City Threat­ened by Cli­mate Change: A Poignant New Sculp­ture

by | Permalink | Make a Comment ( 2 ) |

The Mueller Report Is #1, #2 and #3 on the Amazon Bestseller List: You Can Get It Free Online

Peruse the Ama­zon best­selling book list and you’ll find that the long-await­ed Mueller Report is not just the #1 best­seller. It’s also the #2 best­seller and the #3 best­seller. Col­lu­sion and obstruction–it’s the stuff that makes for good book sales, it appears.

You can pre-order the Mueller Report in book, ebook and even audio book for­mats via the links above. But if you want to down­load the report for free, and start read­ing it asap, sim­ply head to the Wash­ing­ton Post and New York Times. Or go straight to the source at the Jus­tice Depart­ment web site. Politi­co has a search­able PDF ver­sion here.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

by | Permalink | Make a Comment ( 2 ) |

A Virtual Time-Lapse Recreation of the Building of Notre Dame (1160)

Hun­dreds of goth­ic cathe­drals dot­ted all over Europe have faced dec­i­ma­tion and destruc­tion, whether through sack­ings, rev­o­lu­tions, nat­ur­al decay, or bomb­ing raids. But since World War II, at least, the most extra­or­di­nary exam­ples that remain have seen restora­tion and con­stant upkeep, and none of them is as well-known and as cul­tur­al­ly and archi­tec­tural­ly sig­nif­i­cant as Paris’s Notre Dame. One can­not imag­ine the city with­out it, which made the scenes of Parisians watch­ing the cathe­dral burn yes­ter­day as poignant as the scenes of the fire itself.

The flames claimed the rib-vault­ed roof and the “spine-tin­gling, soul-lift­ing spire,” writes The Wash­ing­ton Post, who quote cathe­dral spoke­man Andre Finot’s assess­ment of the dam­age as “colos­sal.” The exte­ri­or stone tow­ers, famed stained-glass win­dows, and icon­ic arch­es and fly­ing but­tress­es with­stood the dis­as­ter, but the wood­en inte­ri­or, “a mar­vel,” writes the Post, “that has inspired awe and won­der for the mil­lions who have vis­it­ed over the centuries—has been gut­ted.” Noth­ing of the frame, says Finot, “will remain.”

The sad irony is that the fire report­ed­ly result­ed from an acci­dent dur­ing the medieval church’s ren­o­va­tion, one of many such projects that have pre­served this almost 900-year-old archi­tec­ture. The French gov­ern­ment has vowed to rebuild. Will it mat­ter to pos­ter­i­ty that a sig­nif­i­cant por­tion of the Cathe­dral dates from hun­dreds of years after its orig­i­nal con­struc­tion? Will Notre Dame lose its ancient aura, and what does this mean for Parisians and the world?

It’s too soon to answer ques­tions like these and too soon to ask them. Now is a time to reck­on with cul­tur­al and his­tor­i­cal loss, and to appre­ci­ate the impor­tance of what was saved. At the top of the post, you can watch a vir­tu­al time-lapse recre­ation of the con­struc­tion of Notre Dame, begun in 1160 and most­ly com­plet­ed one hun­dred years lat­er, though build­ing con­tin­ued into the 14th century—a jaw-drop­ping time scale in an era when tow­er­ing new build­ings go up in a mat­ter of weeks.

After tak­ing more than the human lifes­pan to com­plete, until yes­ter­day the cathe­dral stood the test of time, as the brief France in Focus tour of its eight cen­turies of art and archi­tec­tur­al his­to­ry above explains. “The most vis­it­ed mon­u­ment in the French Cap­i­tal” may be a rel­ic of a very dif­fer­ent, pre-mod­ern, pre-rev­o­lu­tion­ary, France. But its impos­ing cen­tral set­ting in the city, and in mod­ern works from Vic­tor Hugo’s Hunch­back of Notre Dame to Walt Disney’s Hunch­back of Notre Dame—not to men­tion the tourists, reli­gious pil­grims, schol­ars, and art stu­dents who pour into Paris to see it—mark Notre Dame as a very con­tem­po­rary land­mark. Learn more about how it became so above.

Relat­ed Con­tent:

Notre Dame Cap­tured in an Ear­ly Pho­to­graph, 1838

The His­to­ry of West­ern Archi­tec­ture: From Ancient Greece to Roco­co (A Free Online Course)

Wikipedia Leads Effort to Cre­ate a Dig­i­tal Archive of 20 Mil­lion Arti­facts Lost in the Brazil­ian Muse­um Fire

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

The Assassination of Jamal Khashoggi: A New Documentary

“It’s been six months since agents from Sau­di Ara­bia killed the Wash­ing­ton Post colum­nist. What has been done in the after­math?” In this doc­u­men­tary, The Assas­si­na­tion of Jamal Khashog­gi, The Wash­ing­ton Post exam­ines Khashoggi’s writ­ings, his killing inside the Sau­di Con­sulate in Istan­bul and the Trump administration’s response.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Journalism Under Siege: A Free Online Course from Stanford Explores the Imperiled Freedom of the Press

This past fall, Stan­ford Con­tin­u­ing Stud­ies and the John S. Knight Jour­nal­ism Fel­low­ships teamed up to offer an impor­tant course on the chal­lenges fac­ing jour­nal­ism and the free­dom of the press. Called Jour­nal­ism Under Siege? Truth and Trust in a Time of Tur­moil, the five-week course fea­tured 28 jour­nal­ists and media experts, all offer­ing insights on the emerg­ing chal­lenges fac­ing the media across the Unit­ed States and the wider world. The lectures/presentations are now all online. Find them below, along with the list of guest speak­ers, which includes Alex Sta­mos who blew the whis­tle on Rus­si­a’s manip­u­la­tion of the Face­book plat­form dur­ing the 2016 elec­tion. Jour­nal­ism Under Siege will be added to our col­lec­tion, 1,700 Free Online Cours­es from Top Uni­ver­si­ties.

Week­ly Ses­sions:

  • Week 1 –  First Draft of His­to­ry: How a Free Press Pro­tects Free­dom; Part OnePart Two
  • Week 2 –  Pow­er to the Peo­ple: Hold­ing the Pow­er­ful Account­able; Part OnePart Two
  • Week 3 – Pick­ing Sides? How Jour­nal­ists Cov­er Bias, Intol­er­ance and Injus­tice; Part OnePart Two
  • Week 4 – The Last Stand of Local News; Part OnePart Two
  • Week 5 – The Mis­in­for­ma­tion Soci­ety; Part OnePart Two

Guest Speak­ers:

  • Han­nah Allam, nation­al reporter, Buz­zFeed News
  • Roman Anin, inves­ti­ga­tions edi­tor, Novaya Gaze­ta, Moscow
  • Hugo Bal­ta, pres­i­dent, Nation­al Asso­ci­a­tion of His­pan­ic Jour­nal­ists
  • Sal­ly Buzbee, exec­u­tive edi­tor, Asso­ci­at­ed Press (AP)
  • Neil Chase, exec­u­tive edi­tor, San Jose Mer­cury News
  • Audrey Coop­er, edi­tor-in-chief, San Fran­cis­co Chron­i­cle
  • Jenée Desmond-Har­ris, staff edi­tor, NYT Opin­ion, New York Times
  • Jiquan­da John­son, founder and pub­lish­er, Flint Beat
  • Joel Konopo, man­ag­ing part­ner, INK Cen­tre for Inves­tiga­tive Jour­nal­ism, Gaborone, Botswana
  • Richard Lui, anchor, MSNBC and NBC News
  • Geral­dine Mori­ba, for­mer vice pres­i­dent for diver­si­ty and inclu­sion, CNN
  • Bryan Pol­lard, pres­i­dent, Native Amer­i­can Jour­nal­ists Asso­ci­a­tion
  • Cecile Prieur, deputy edi­tor, Le Monde, Paris
  • Joel Simon, exec­u­tive direc­tor, Com­mit­tee to Pro­tect Jour­nal­ists
  • Alex Sta­mos, for­mer Face­book chief secu­ri­ty offi­cer
  • Mari­na Walk­er Gue­vara, win­ner of the 2017 Pulitzer Prize for Explana­to­ry Report­ing for coor­di­nat­ing the Pana­ma Papers inves­ti­ga­tion

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

by | Permalink | Make a Comment ( 6 ) |

America at War: Infographic Reveals How the U.S. Military Is Operating in 40% of the World’s Nations

Ear­li­er this month, NBC reporter and ana­lyst William Arkin end­ed a 30-year career as a jour­nal­ist, announc­ing in a “scathing let­ter,” Democ­ra­cy Now! reports, that “he would be leav­ing the net­work. Arkin accus­es “the media of war­mon­ger­ing while ignor­ing the, quote, ‘creep­ing fas­cism of home­land secu­ri­ty.’” He does not equiv­o­cate in a fol­low-up inter­view with Amy Good­man. “The gen­er­als and the nation­al secu­ri­ty lead­er­ship” are also now, he says, “the com­men­ta­tors and the ana­lysts who pop­u­late the news media” (Arkin him­self is a for­mer Army intel­li­gence offi­cer).

The prob­lem isn’t only NBC, in his esti­ma­tion, and it isn’t only sup­posed jour­nal­ists cheer­lead­ing for war. Most of the con­flicts the coun­try is cur­rent­ly engaged in are un- or under-report­ed in major sources. His let­ter “applies to all of the main­stream net­works, applies to CNN and Fox, as well…. We’ve just become so shal­low that we’re not real­ly able even to see the truth, which is that we’re at war right now in nine coun­tries around the world where we’re bomb­ing, and we hard­ly report any of it on a day-to-day basis.”

This isn’t the case with inde­pen­dent media orga­ni­za­tions like Democ­ra­cy Now!, The Inter­cept, or Air­wars. Sec­u­lar and reli­gious refugee relief orga­ni­za­tions like the Inter­na­tion­al Res­cue Com­mit­tee, World Relief, or Mus­lim Glob­al Relief are pay­ing atten­tion. Many of these orga­ni­za­tions are non‑U.S.-based or con­nect­ed to the “civil­ian experts” Arkin says once appeared reg­u­lar­ly in the nation­al media and rep­re­sent­ed oppos­ing views, “peo­ple who might be uni­ver­si­ty pro­fes­sors or activists… or experts who were asso­ci­at­ed with think tanks.”

Air­wars, affil­i­at­ed with the Depart­ment of Media and Com­mu­ni­ca­tions at Gold­smiths, Uni­ver­si­ty of Lon­don, has mon­i­tored con­flicts around the world since 2014, with exten­sive cov­er­age and records of alleged civil­ian deaths, mil­i­tary reports, and the names of vic­tims. For a com­pa­ra­ble U.S.-focused deep dive, see the Costs of War Project at Brown University’s Wat­son Insti­tute of Inter­na­tion­al & Pub­lic Affairs. The project’s web­site not only tracks the enor­mous eco­nom­ic costs of wars in the Mid­dle East and Africa since 9/11; it also tracks “the human toll,” as you can see in the video below.

At the top of the post, see a map (view in a larg­er for­mat here) from the Cost of War Project’s Stephanie Savell, 5W Info­graph­ics, and the Smith­son­ian of all the regions where the U.S. is “com­bat­ting ter­ror­ism.” While most of the media orgs and non-prof­its men­tioned above would prob­a­bly dis­pute the use of that term in some or all of the con­flict zones, Savell sticks with the offi­cial lan­guage to describe the situation—one in which the nation “is now oper­at­ing in 40 per­cent of the world’s nations,” as she writes at Smithsonian.com.

Maybe no one needs an edi­to­r­i­al to imag­ine the enor­mous toll this lev­el of mil­i­tary engage­ment has tak­en over the course of 17 years since the incep­tion of the “Glob­al War on Ter­ror.” The map cov­ers the past two, illus­trat­ing “80 coun­tries, engaged through 40 U.S. mil­i­tary bases,” and con­duct­ing train­ing, exer­cis­es, active com­bat, and air and drone strikes on six con­ti­nents. The selec­tions, writes Savell, are “con­ser­v­a­tive,” and sourced from both inde­pen­dent and main­stream media out­lets and inter­na­tion­al gov­ern­ment and mil­i­tary sources.

“The most com­pre­hen­sive depic­tion in civil­ian cir­cles of U.S. mil­i­tary and gov­ern­ment antiter­ror­ist actions over­seas,” the Amer­i­ca at War map pro­vides infor­ma­tion we don’t often get in our daily—or hourly, or by-the-minute—diet of news. “Con­trary to what most Amer­i­cans believe, the war on ter­ror is not wind­ing down.” It is expand­ing. Giv­en the country’s his­to­ry of sus­tained mass move­ments against legal­ly sus­pect, gross­ly expen­sive wars with high civil­ian casu­al­ties, dis­ease epi­demics, star­va­tion, and refugee crises, one would think that a siz­able seg­ment of the pop­u­la­tion would want to know what their coun­try’s mil­i­tary and civil­ian defense con­trac­tors are doing around the world.

via Smithsonian.com

Relat­ed Con­tent:

The His­to­ry of the U.S. Civ­il War Visu­al­ized Month by Month and State by State, in an Info­graph­ic from 1897

An Archive of 800+ Imag­i­na­tive Pro­pa­gan­da Maps Designed to Shape Opin­ions & Beliefs: Enter Cornell’s Per­sua­sive Maps Col­lec­tion

It’s the End of the World as We Know It: The Apoc­a­lypse Gets Visu­al­ized in an Inven­tive Map from 1486

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Stephen Fry Narrates Two Animated Videos Explaining How Fear, Loathing & Misinformation Drove the Brexit Campaign

For mil­lions watch­ing in the UK and around the world, antic­i­pat­ing the loom­ing Brex­it dead­line over the past two years has been like watch­ing the slow­est train wreck in his­to­ry. But for those not fol­low­ing the cov­er­age dai­ly, the impend­ing UK seces­sion from the Euro­pean Union is mys­ti­fy­ing. Just how many trains are there, and where are they com­ing from, and how fast, exact­ly, are they going?

From the future of food and drug imports, to the sta­tus of the “cur­rent­ly invis­i­ble” bor­der between North­ern Ire­land and the Repub­lic of Ire­land, to all of the legal minu­ti­ae no one men­tioned dur­ing the cam­paign, the con­se­quences of the recent fail­ure of a Brex­it deal could be dis­as­trous. Were “leave” cam­paign­ers hon­est in their sale of Brex­it to the vot­ers? Did they have any idea how such a thing would work? Ample evi­dence shows the answer to both ques­tions is an unqual­i­fied No.

The Vote Leave cam­paign direc­tor now describes the ref­er­en­dum as a “dumb idea.” Wealthy UK res­i­dents, includ­ing many a Brex­it politi­cian, are fast mov­ing their assets out of the coun­try. So how did Brex­it get sold to vot­ers if it’s such a poten­tial cat­a­stro­phe? The usu­al meth­ods worked quite well, Stephen Fry explains in the video above.

By stok­ing xeno­pho­bic fears over migrants and refugees, Brex­i­teers, he says, cre­at­ed “false assump­tions about the EU, some very dark, and some com­i­cal.” They were assist­ed in con­jur­ing a “myth­i­cal EU drag­on” by tabloid jour­nal­ists who called migrants “cock­roach­es” and “fer­al humans.” Rhetoric indis­tin­guish­able from Nazi pro­pa­gan­da drove a spike in hate crimes on both sides of the Atlantic.

Despite the insis­tence of many vot­ers that their choice was not dri­ven by racial ani­mus, the Brex­it cam­paign, like the Trump cam­paign, Fry says above, unde­ni­ably was. The con­se­quences of these votes for migrant work­ers and refugees speak for them­selves. In the UK, There­sa May’s “hos­tile envi­ron­ment” poli­cies have deprived British cit­i­zens from migrant fam­i­lies of liveli­hoods and safe­ty. Some have faced threats of depor­ta­tion, a sit­u­a­tion sim­i­lar to that fac­ing the chil­dren of Viet­nam War refugees in the US.

Fry calls for iden­ti­fy­ing a “new ene­my” of the peo­ple: mis­lead­ing infor­ma­tion like the false claim that the NHS would save 350 mil­lion pounds a week after Brex­it and the repeat­ed lies in the U.S. about undoc­u­ment­ed immi­grants, crime, and ter­ror­ism. “Per­cep­tion of crime lev­els,” he says, “has become com­plete­ly detached from real­i­ty,” espe­cial­ly since the biggest secu­ri­ty threats come from hate crimes and right-wing vio­lence, a sit­u­a­tion report­ed on, warned about, and ignored, for sev­er­al years.

As in the US, so in the UK: relent­less­ly repeat­ed claims about “inva­sions” has cre­at­ed a very hos­tile envi­ron­ment for mil­lions of peo­ple. Are the facts like­ly to sway those vot­ers who were car­ried away by excess­es of hate and fear? Prob­a­bly not. But those who care about the truth should pay atten­tion to Fry’s debunk­ing. The facts about immi­gra­tion and oth­er issues used to sell far right poli­cies and politi­cians, as he out­lines in these videos, are entire­ly dif­fer­ent than what Brex­it lead­ers and their coun­ter­parts in the US want the pub­lic to believe.

Relat­ed Con­tent:

Brex­it 101: The UK’s Stun­ning Vote Explained in 4 Min­utes

Yale Pro­fes­sor Jason Stan­ley Iden­ti­fies 3 Essen­tial Fea­tures of Fas­cism: Invok­ing a Myth­ic Past, Sow­ing Divi­sion & Attack­ing Truth

George Orwell Iden­ti­fies the Main Ene­my of the Free Press: It’s the “Intel­lec­tu­al Cow­ardice” of the Press Itself

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

« Go BackMore in this category... »
Quantcast