Toni Morrison Deconstructs White Supremacy in America

Toni Mor­ri­son wrote against for­get­ting, against the insti­tu­tion­al­iza­tion of denial nec­es­sary for main­tain­ing racial hier­ar­chies in the Unit­ed States. But that denial is not suf­fi­cient, she also showed. Racism always falls back on bru­tal­i­ty when con­front­ed with change, no mat­ter that the past will not return except to haunt us. This real­i­ty has dri­ven a sig­nif­i­cant per­cent­age of Amer­i­cans (back) into the arms of white suprema­cist ide­ol­o­gy, espoused equal­ly by politi­cians and armed “lon­ers” in net­works on Face­book or YouTube or 8chan.

In a short essay for The New York­er after the 2016 elec­tion, Mor­ri­son dis­played lit­tle sur­prise at the turn of events. The lan­guage of white suprema­cy, she wrote, is a lan­guage of cow­ardice dis­guised as dom­i­nance. “These peo­ple are not so much angry as ter­ri­fied, with the kind of ter­ror that makes knees trem­ble.” A fear so great, it has brought back pub­lic lynch­ing, with high-capac­i­ty semi­au­to­mat­ic weapons.

What did Mor­ri­son think of the idea that racist mass shoot­ings are the acts of ran­dom men­tal­ly ill peo­ple? She did not offer a med­ical opin­ion, nor pre­sume to diag­nose par­tic­u­lar indi­vid­u­als. She did say that racism is seri­ous­ly dis­or­dered think­ing, and she sug­gest­ed that if racist killers are “crazy,” so are the mil­lions who tac­it­ly approve and sup­port racist vio­lence, or who spur it on by repeat­ing rhetoric that dehu­man­izes peo­ple.

In the clip above from a 2012 inter­view with Char­lie Rose, Mor­ri­son says “those who prac­tice racism are bereft. There is some­thing dis­tort­ed about the psy­che…. It’s like it’s a pro­found neu­ro­sis that nobody exam­ines for what it is. It feels crazy, it is crazy.” Some may rea­son­ably take issue with this as stig­ma­tiz­ing, but it seems she is nei­ther scape­goat­ing the men­tal­ly ill, nor absolv­ing racists of respon­si­bil­i­ty.

Mor­ri­son points out that despite (and because of) its lofty delu­sions, white suprema­cy makes things worse for every­one, white peo­ple very much includ­ed. It suc­ceeds because the belief in “white­ness” as a cat­e­go­ry of spe­cial­ness cov­ers up deep-seat­ed inse­cu­ri­ty and doubt. “What are you with­out racism?” she asks. “Are you any good? Are you still strong? Are you still smart? Do you still like your­self?”

In her mas­ter­ful way, Mor­ri­son showed us how to have empa­thy for peo­ple in the grip of hatred and fear with­out dilut­ing the con­se­quences of their actions. She pitied racists but nev­er gave an inch to racism. Trag­i­cal­ly, her 2016 essay, “Mourn­ing for White­ness,” is mak­ing the rounds for rea­sons oth­er than in trib­ute to its author, one of the coun­try’s great­est writ­ers and one of its most unflinch­ing­ly can­did.

In the days before her death yes­ter­day at age 88, Amer­i­cans were once again, “train­ing their guns on the unarmed, the inno­cent, the scared, on sub­jects who are run­ning away, expos­ing their unthreat­en­ing backs to bul­lets.” Mor­ri­son dares us to look away from this:

In order to lim­it the pos­si­bil­i­ty of this unten­able change, and restore white­ness to its for­mer sta­tus as a mark­er of nation­al iden­ti­ty, a num­ber of white Amer­i­cans are sac­ri­fic­ing them­selves. They have begun to do things they clear­ly don’t real­ly want to be doing, and, to do so, they are (1) aban­don­ing their sense of human dig­ni­ty and (2) risk­ing the appear­ance of cow­ardice. Much as they may hate their behav­ior, and know full well how craven it is, they are will­ing to kill small chil­dren attend­ing Sun­day school and slaugh­ter church­go­ers who invite a white boy to pray. 

End­ing with a ref­er­ence to William Faulkner’s Absa­lom, Absa­lom!, she summed up the state of the nation in one deft sen­tence: “Rather than lose its ‘white­ness’ (once again), the fam­i­ly choos­es mur­der.”

Relat­ed Con­tent:

Hear Toni Mor­ri­son (RIP) Present Her Nobel Prize Accep­tance Speech on the Rad­i­cal Pow­er of Lan­guage (1993)

Toni Mor­ri­son Dis­pens­es Sound Writ­ing Advice: Tips You Can Apply to Your Own Work

Toni Mor­ris­son: For­get Writ­ing About What You Know; Write About What You Don’t Know

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness.

An Illustrated Version of The Mueller Report: Read Online an Edition Created by the Author of Black Hawk Down and an Illustrator from Archer

The 448 page Mueller Report does­n’t make for breezy beach read­ing. That’s for sure. But, “buried with­in the Mueller report, there is a nar­ra­tive that reads in parts like a thriller.” Work­ing with that the­o­ry, Insider.com “hired Mark Bow­den, a jour­nal­ist and author known for his bril­liant works of nar­ra­tive non­fic­tion like Black Hawk Down, Killing Pablo, and Hue 1968.” And they gave him an assign­ment: “Use the inter­views and facts laid out in the Mueller Report (plus those from reli­able, fact-checked sources and pub­lished first­hand accounts)” and cre­ate an account that’s “so grip­ping it will hold your atten­tion (and maybe your con­gres­sion­al rep­re­sen­ta­tive’s).” They also hired “Chad Hurd, an illus­tra­tor from the art depart­ment of Archer,” and “asked him to draw out scenes from the report to bring them to life.” Find the result­ing illus­trat­ed edi­tion of The Mueller Report right here.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

The Mueller Report Released as a Free Well-For­mat­ted eBook (by The Dig­i­tal Pub­lic Library of Amer­i­ca)

Watch a Star-Stud­ded Cast Read The Mueller Report: John Lith­gow, Kevin Kline, Sigour­ney Weaver, Annette Ben­ing & More

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Watch a Star-Studded Cast Read The Mueller Report: John Lithgow, Kevin Kline, Sigourney Weaver, Annette Bening & More

Laugh­ter is good med­i­cine, but I’ve found lit­tle gen­uine humor in satire of the 2016 elec­tion and sub­se­quent events. Polit­i­cal real­i­ty defies par­o­dy. So, I guess I wasn’t par­tic­u­lar­ly amused by the idea of a com­ic stag­ing of the Mueller Report. But aside from whether or not the report has com­ic poten­tial, the exer­cise rais­es a more seri­ous ques­tion: Should ordi­nary cit­i­zens read the report?

Giv­en the snowjob sum­ma­ry offered by the Attor­ney General—and cer­tain press out­fits who repeat­ed claims that it exon­er­at­ed the president—probably. Espe­cial­ly (good luck) if they can score an unredact­ed copy. Yet, this rais­es yet anoth­er ques­tion: Does any­one actu­al­ly want to read it? The answer appears to be a resound­ing yes. Even though it’s free, the [redact­ed] report is a best­seller.

And yet, “the pub­lished ver­sion is as dry as a [redact­ed] saltine,” writes James Poniewozik at The New York Times. “Robert Mueller him­self has the sto­ic G‑man bear­ing of some­one who would laugh by writ­ing ‘ha ha’ on a memo pad.” (Now that’s a fun­ny image.) One won­ders how many peo­ple duti­ful­ly down­load­ing it have stayed up late by the light of their tablets com­pelled to read it all.

But of course, one does not approach any gov­ern­ment doc­u­ment with the hopes of being enter­tained, though unin­ten­tion­al hilar­i­ty can leap from the page at any time. How should we approach The Inves­ti­ga­tion: A Search for the Truth in 10 Acts? Script­ed by Pulitzer Prize-win­ning  play­wright Robert Schenkkan from the Mueller Report’s tran­scripts, the pro­duc­tion is “part old-time pub­lic recita­tion,” writes Ponei­wozik, and “part Hol­ly­wood table read.”

The stag­ing above at New York’s River­side Church was host­ed by Law Works and per­formed live by a cast includ­ing Annette Ben­ing, Kevin Kline, John Lith­gow (as “Indi­vid­ual 1” him­self), Michael Shan­non, Justin Long, Jason Alexan­der, Wil­son Cruz, Joel Gray, Kyra Sedg­wick, Alfre Woodard, Zachary Quin­to, Mark Ruf­fa­lo, Bob Bal­a­ban, Alyssa Milano, Sigour­ney Weaver, Julia Louis-Drey­fus, Mark Hamill, and more. Bill Moy­ers serves as emcee.

Can this dark­ly com­ic pro­duc­tion deliv­er some com­ic balm for hav­ing lived through the sor­did real­i­ty of the events in ques­tion? It has its moments. Can it offer us some­thing resem­bling truth? You be the judge. Or you be the pro­duc­er, direc­tor, actor, etcetera. If you find value—civic, enter­tain­ment, or otherwise—in the exer­cise, Schenkkan encour­ages you to put on your own ver­sion of The Inves­ti­ga­tion. “Your pro­duc­tion can be as mod­est or extrav­a­gant as you like,” he writes at Law Works, fol­lowed by a list of fur­ther instruc­tions for a pos­si­ble stag­ing.

If, like maybe mil­lions of oth­er peo­ple, you’ve got an unread copy of the Mueller Report on your night­stand, maybe watching—or per­form­ing—The Inves­ti­ga­tion is the best way to get your­self to final­ly read it. Or the most grim­ly humor­ous, moron­ic, pathet­ic, and sur­re­al parts of it, any­way.

Relat­ed Con­tent:

The Mueller Report Released as a Free Well-For­mat­ted eBook (by The Dig­i­tal Pub­lic Library of Amer­i­ca)

Sat­ur­day Night Live: Putin Mocks Trump’s Poor­ly Attend­ed Inau­gu­ra­tion 

The Mueller Report Is #1, #2 and #3 on the Ama­zon Best­seller List: You Can Get It Free Online

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

The Mueller Report Released as a Free Well-Formatted eBook (by The Digital Public Library of America)

Boing Boing writes: “Back in April, Andrew Albanese from Pub­lish­ers Week­ly wrote a col­umn deplor­ing the abysmal for­mat­ting in the DoJ’s release of the Mueller Report, and pub­licly request­ing that the Dig­i­tal Pub­lic Library of Amer­i­ca pro­duce well-for­mat­ted ebook edi­tions, which they have now done!”

The Dig­i­tal Pub­lic Library of Amer­i­ca adds:

The Report On The Inves­ti­ga­tion Into Russ­ian Inter­fer­ence In The 2016 Pres­i­den­tial Elec­tion, or the Mueller Report, is now freely avail­able in ebook for­mat to read on your phone or tablet from DPLA’s web­site and the Open Book­shelf col­lec­tion. The Mueller report was released to the pub­lic by the Depart­ment of Jus­tice as a PDF last month, ini­tial­ly in a for­mat that was not text-search­able. By mak­ing the report avail­able as an ebook in our Open Book­shelf col­lec­tion, any­one can down­load and read it for free, all in the Sim­plyE app — no library card or sign in required.

One of the pri­ma­ry objec­tives of DPLA’s ebooks work is to make the best open­ly-licensed e‑content avail­able to libraries and their patrons. For libraries offer­ing New York Pub­lic Library’s Sim­plyE app, the Mueller Report can be eas­i­ly inte­grat­ed into the ebook offer­ings made avail­able to their patrons. Sim­plyE and Open Book­shelf are freely avail­able to any­one with an iOS or Android device.

Read the Mueller Report today

Down­load on the web: Vis­it https://muellerreport.dp.la, down­load it in one click, and read it with your computer’s e‑reader like iBooks.

Read in Sim­plyE on your phone or tablet:

  1. Down­load the Sim­plyE app to your iOS or Android device.

  2. Use the library selec­tor icon in the upper left cor­ner, select Man­age Accounts, then Add Library, and select Dig­i­tal Pub­lic Library of Amer­i­ca.

  3. Find the Mueller Report in the top row.

To learn more about Open Book­shelf and oth­er DPLA ebooks offer­ings, vis­it https://ebooks.dp.la. DPLA’s Ebook work and the pro­duc­tion of the Mueller Report ebook is sup­port­ed by the Alfred P. Sloan Foun­da­tion.

You can also down­load The Mueller Report in an epub ver­sion here.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

via Boing Boing

Relat­ed Con­tent

1,000 Free Audio Books: Down­load Great Books for Free

800 Free eBooks for iPad, Kin­dle & Oth­er Devices

1,300 Free Online Cours­es from Top Uni­ver­si­ties

1,150 Free Movies Online: Great Clas­sics, Indies, Noir, West­erns, etc.

 

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Banksy Strikes Again in Venice

Jux­tapoz writes: “Nev­er invit­ed to be the part of Venice Bien­nale, Banksy once again invit­ed him­self to show­case his work. Using a typ­i­cal pop-up stand that usu­al­ly sells tacky paint­ings and sou­venirs, he assem­bled a selec­tion of 9 works that col­lec­tive­ly built an image of a mas­sive cruise ship block­ing the city.”

In recent years, the flood of mas­sive cruise ships into Venice has cre­at­ed ten­sions between Vene­tians and tourism com­pa­nies. It’s pret­ty clear on what side the street artist comes down.

Get more at Jux­tapoz.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

How Venice Works: 124 Islands, 183 Canals & 438 Bridges

Venice in Beau­ti­ful Col­or Images 125 Years Ago: The Rial­to Bridge, St. Mark’s Basil­i­ca, Doge’s Palace & More

The Venice Time Machine: 1,000 Years of Venice’s His­to­ry Gets Dig­i­tal­ly Pre­served with Arti­fi­cial Intel­li­gence and Big Data

Watch City Out of Time, A Short Trib­ute to Venice, Nar­rat­ed by William Shat­ner in 1959

Huge Hands Rise Out of Venice’s Waters to Sup­port the City Threat­ened by Cli­mate Change: A Poignant New Sculp­ture

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The Mueller Report Is #1, #2 and #3 on the Amazon Bestseller List: You Can Get It Free Online

Peruse the Ama­zon best­selling book list and you’ll find that the long-await­ed Mueller Report is not just the #1 best­seller. It’s also the #2 best­seller and the #3 best­seller. Col­lu­sion and obstruction–it’s the stuff that makes for good book sales, it appears.

You can pre-order the Mueller Report in book, ebook and even audio book for­mats via the links above. But if you want to down­load the report for free, and start read­ing it asap, sim­ply head to the Wash­ing­ton Post and New York Times. Or go straight to the source at the Jus­tice Depart­ment web site. Politi­co has a search­able PDF ver­sion here.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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A Virtual Time-Lapse Recreation of the Building of Notre Dame (1160)

Hun­dreds of goth­ic cathe­drals dot­ted all over Europe have faced dec­i­ma­tion and destruc­tion, whether through sack­ings, rev­o­lu­tions, nat­ur­al decay, or bomb­ing raids. But since World War II, at least, the most extra­or­di­nary exam­ples that remain have seen restora­tion and con­stant upkeep, and none of them is as well-known and as cul­tur­al­ly and archi­tec­tural­ly sig­nif­i­cant as Paris’s Notre Dame. One can­not imag­ine the city with­out it, which made the scenes of Parisians watch­ing the cathe­dral burn yes­ter­day as poignant as the scenes of the fire itself.

The flames claimed the rib-vault­ed roof and the “spine-tin­gling, soul-lift­ing spire,” writes The Wash­ing­ton Post, who quote cathe­dral spoke­man Andre Finot’s assess­ment of the dam­age as “colos­sal.” The exte­ri­or stone tow­ers, famed stained-glass win­dows, and icon­ic arch­es and fly­ing but­tress­es with­stood the dis­as­ter, but the wood­en inte­ri­or, “a mar­vel,” writes the Post, “that has inspired awe and won­der for the mil­lions who have vis­it­ed over the centuries—has been gut­ted.” Noth­ing of the frame, says Finot, “will remain.”

The sad irony is that the fire report­ed­ly result­ed from an acci­dent dur­ing the medieval church’s ren­o­va­tion, one of many such projects that have pre­served this almost 900-year-old archi­tec­ture. The French gov­ern­ment has vowed to rebuild. Will it mat­ter to pos­ter­i­ty that a sig­nif­i­cant por­tion of the Cathe­dral dates from hun­dreds of years after its orig­i­nal con­struc­tion? Will Notre Dame lose its ancient aura, and what does this mean for Parisians and the world?

It’s too soon to answer ques­tions like these and too soon to ask them. Now is a time to reck­on with cul­tur­al and his­tor­i­cal loss, and to appre­ci­ate the impor­tance of what was saved. At the top of the post, you can watch a vir­tu­al time-lapse recre­ation of the con­struc­tion of Notre Dame, begun in 1160 and most­ly com­plet­ed one hun­dred years lat­er, though build­ing con­tin­ued into the 14th century—a jaw-drop­ping time scale in an era when tow­er­ing new build­ings go up in a mat­ter of weeks.

After tak­ing more than the human lifes­pan to com­plete, until yes­ter­day the cathe­dral stood the test of time, as the brief France in Focus tour of its eight cen­turies of art and archi­tec­tur­al his­to­ry above explains. “The most vis­it­ed mon­u­ment in the French Cap­i­tal” may be a rel­ic of a very dif­fer­ent, pre-mod­ern, pre-rev­o­lu­tion­ary, France. But its impos­ing cen­tral set­ting in the city, and in mod­ern works from Vic­tor Hugo’s Hunch­back of Notre Dame to Walt Disney’s Hunch­back of Notre Dame—not to men­tion the tourists, reli­gious pil­grims, schol­ars, and art stu­dents who pour into Paris to see it—mark Notre Dame as a very con­tem­po­rary land­mark. Learn more about how it became so above.

Relat­ed Con­tent:

Notre Dame Cap­tured in an Ear­ly Pho­to­graph, 1838

The His­to­ry of West­ern Archi­tec­ture: From Ancient Greece to Roco­co (A Free Online Course)

Wikipedia Leads Effort to Cre­ate a Dig­i­tal Archive of 20 Mil­lion Arti­facts Lost in the Brazil­ian Muse­um Fire

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

The Assassination of Jamal Khashoggi: A New Documentary

“It’s been six months since agents from Sau­di Ara­bia killed the Wash­ing­ton Post colum­nist. What has been done in the after­math?” In this doc­u­men­tary, The Assas­si­na­tion of Jamal Khashog­gi, The Wash­ing­ton Post exam­ines Khashoggi’s writ­ings, his killing inside the Sau­di Con­sulate in Istan­bul and the Trump administration’s response.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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Open Culture was founded by Dan Colman.