Daniel Radcliffe Writes a Thoughtful Response to J.K. Rowling’s Statements about Trans Women

Image by Gage Skid­more, via Wiki­me­dia Com­mons

There are many more impor­tant things hap­pen­ing in the world than the tweets of Har­ry Pot­ter author J.K. Rowl­ing, but the tweets of J.K. Rowl­ing are nonethe­less wor­thy of atten­tion, for the sake of fans of the series, many of whom are young and do not under­stand why their par­ents might sud­den­ly be angry with her, or who are very angry with her them­selves. As you have prob­a­bly heard, Rowl­ing has dou­bled and tripled down on state­ments oth­ers have repeat­ed­ly told her are trans­pho­bic, igno­rant, and offen­sive.

What­ev­er you think of her tweets (and if you agree with her, you’re prob­a­bly only read­ing this post to dis­agree with me), they sig­nal a fail­ure of empa­thy and humil­i­ty on Rowling’s part. She could just say noth­ing and try to lis­ten and learn more. Empa­thy does not require that we whol­ly under­stand another’s lived expe­ri­ence. Only that we can imag­ine feel­ing the feel­ings some­one has about it—feelings of mar­gin­al­iza­tion, dis­ap­point­ment, fear, desire for recog­ni­tion and respect, what­ev­er; and that we trust they know more about who they are than we do.

Rowl­ing is nei­ther a trans woman, nor a doc­tor, nor an expert on gen­der iden­ti­ty, a fact that Daniel Rad­cliffe, Har­ry Pot­ter him­self, points out in his response to her:

Trans­gen­der women are women. Any state­ment to the con­trary eras­es the iden­ti­ty and dig­ni­ty of trans­gen­der peo­ple and goes against all advice giv­en by pro­fes­sion­al health care asso­ci­a­tions who have far more exper­tise on this sub­ject mat­ter than either Jo or I. Accord­ing to The Trevor Project, 78% of trans­gen­der and non­bi­na­ry youth report­ed being the sub­ject of dis­crim­i­na­tion due to their gen­der iden­ti­ty. It’s clear that we need to do more to sup­port trans­gen­der and non­bi­na­ry peo­ple, not inval­i­date their iden­ti­ties, and not cause fur­ther harm.

While the author has qual­i­fied her dog­mat­ic state­ments by express­ing sup­port for the trans com­mu­ni­ty and say­ing she has many trans friends, this doesn’t explain why she feels the need to offer unin­formed opin­ions about peo­ple who face very real harm from such rhetoric: who are rou­tine­ly vic­tims of vio­lent hate crimes and are far more like­ly to live in pover­ty and face employ­ment dis­crim­i­na­tion.

Radcliffe’s thought­ful, kind response will get more clicks if it’s sold as “Har­ry Pot­ter Claps Back at J.K. Rowl­ing” or “Har­ry Pot­ter DESTROYS J.K. Rowl­ing” or “Har­ry Pot­ter Bites the Hand that Fed Him” or some­thing, but he wants to make it clear “that is real­ly not what this is about, nor is it what’s impor­tant right now” and that he would­n’t be where he is with­out her. He clos­es with a love­ly mes­sage to the series’ fans, one that might apply to any of our trou­bled rela­tion­ships with an artist and their work:

To all the peo­ple who now feel that their expe­ri­ence of the books has been tar­nished or dimin­ished, I am deeply sor­ry for the pain these com­ments have caused you. I real­ly hope that you don’t entire­ly lose what was valu­able in these sto­ries to you. If these books taught you that love is the strongest force in the uni­verse, capa­ble of over­com­ing any­thing; if they taught you that strength is found in diver­si­ty, and that dog­mat­ic ideas of pure­ness lead to the oppres­sion of vul­ner­a­ble groups; if you believe that a par­tic­u­lar char­ac­ter is trans, non­bi­na­ry, or gen­der flu­id, or that they are gay or bisex­u­al; if you found any­thing in these sto­ries that res­onat­ed with you and helped you at any time in your life — then that is between you and the book that you read, and it is sacred. And in my opin­ion nobody can touch that. It means to you what it means to you and I hope that these com­ments will not taint that too much.

The state­ment was post­ed at the Trevor Project, an orga­ni­za­tion pro­vid­ing “cri­sis inter­ven­tion and sui­cide pre­ven­tion ser­vices to les­bian, gay, bisex­u­al, trans­gen­der, queer & ques­tion­ing (LGBTQ) young peo­ple under 25.” Learn more about resources for young peo­ple who might need men­tal health sup­port at their site.

Update: You can read Rowl­ing’s response, post­ed today here.

Relat­ed Con­tent:

J.K. Rowl­ing Defends Don­ald Trump’s Right to Be “Offen­sive and Big­ot­ed”

J.K. Rowl­ing Is Pub­lish­ing Her New Children’s Nov­el Free Online, One Chap­ter Per Day

Har­ry Pot­ter Final­ly Gets Trans­lat­ed Into Scots: Hear & Read Pas­sages from Har­ry Pot­ter and the Philosopher’s Stane

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

An Anti-Racist Reading List: 20 Books Recommended by Open Culture Readers

You may have received an email from your favorite online retail­er, your boss, uni­ver­si­ty pres­i­dent, or the CEO of your bank: “It has come to our atten­tion that racism is real, and it is real­ly, real­ly bad.” Oppor­tunism is real too, but a sig­nif­i­cant num­ber of indi­vid­u­als seem to have final­ly drawn the same con­clu­sion and feel moral­ly com­pelled to do some­thing about an epi­dem­ic that has—very discriminately—killed tens of thou­sands of black, indige­nous, and peo­ple of col­or in the U.S. through the unequal dis­tri­b­u­tion of med­ical resources, and dozens more at the hands of the police and racist vig­i­lantes. That’s only in the past three months.

But racism isn’t new; the cur­rent con­flict has been on its way for a very long time. How long? Anti-racist schol­ar and activist Ibram X. Ken­di, author of the Nation­al Book Award-Win­ning Stamped from the Begin­ning, would say from the country’s ear­li­est set­tle­ment and enslave­ment of African peo­ple. “For near­ly six cen­turies,” he writes, “antiracist ideas have been pit­ted against two kinds of racist ideas: seg­re­ga­tion­ist and assim­i­la­tion­ist,” Ken­di wrote dur­ing the protests in Fer­gu­son and oth­er U.S. cities. At the time, antiracists were large­ly char­ac­ter­ized in main­stream media as fringe agi­ta­tors, naïve Gen‑Z neo­phytes, and pos­si­ble for­eign agents, not “real Amer­i­cans.”

How things have changed in six years. Antiracism has become a default posi­tion, all of a sud­den, for per­haps the first time in U.S. his­to­ry, so much so that every com­pa­ny and insti­tu­tion has issued some sort of state­ment in sup­port of Black Lives Mat­ter, and every­one is col­lect­ing and shar­ing Anti-Racist Read­ing Lists, near­ly all of which con­tain Kendi’s fol­low-up book, last year’s How to Be an Anti-Racist (which he dis­cuss­es above with Brené Brown). How long this will last is any­one’s guess, but it is with­out a doubt a cul­tur­al sea change a long time in the mak­ing.

Ken­di and White Fragili­ty author Robin DiAn­ge­lo are the “mac dad­dies of the bunch” of recent antiracist authors, Lau­ren Michele Jack­son writes at Vul­ture, and it’s become a crowd­ed field as more and more Amer­i­cans attempt to come to grips with a nation­al his­to­ry many of them are learn­ing for the first time. As Ken­di and Pulitzer Prize-win­ning jour­nal­ist Nikole Han­nah-Jones, cre­ator of the 1619 project, dis­cuss on Chris Hayes’ pod­cast at the top, the country’s past as it is taught to us and as it hap­pened are two entire­ly dif­fer­ent things. Antiracism has always rec­og­nized the vicious, cease­less mur­der, dis­en­fran­chise­ment, and ran­sack­ing of black and brown peo­ple, and has pushed against the nar­ra­tives that deny or excuse these acts.

Car­ol Ander­son, author of White Rage, has giv­en us one of the most raw, com­pelling, and exhaus­tive­ly researched accounts of the vio­lence of Recon­struc­tion and the lynch­ings of the ear­ly 20th cen­tu­ry. Above, she links the mur­der of 25-year-old Ahmaud Arbery and recent police killings to the shock­ing­ly bru­tal racism that fol­lowed the Civ­il War. Anderson’s book also rou­tine­ly appears on sug­gest­ed read­ing lists, and well it should. All of these schol­ars and authors have pro­duced acces­si­ble work full of his­to­ries one might pre­vi­ous­ly have only encoun­tered in grad­u­ate-lev­el col­lege and uni­ver­si­ty cours­es. It is essen­tial infor­ma­tion for peo­ple com­mit­ted to over­turn­ing racist sys­tems, which is exact­ly why it has been left out of the text­books.

For all the urgency of edu­ca­tion, the anti-racist book­list is an ambigu­ous kind of cur­ren­cy. Jack­son won­ders what func­tion it serves, exact­ly. Read­ing lists can be an eru­dite brush-off, a polite way of say­ing, “go away and read a book.” They can be a way to sig­nal mas­tery and work for online mer­it badges rather than real ben­e­fi­cial action. They can “feel good to solic­it, good to mete out, but some­one at some point has to get down to the busi­ness of read­ing. And there, between giv­ing and receiv­ing, lies a great gulf. No one can quite account for what hap­pens. Read­ing, hope­ful­ly, but you nev­er can be sure.”

Jackson’s cri­tique of the anti-racist read­ing list is worth read­ing before engag­ing with lists of books, recent and his­tor­i­cal, that oppose racist ideas, poli­cies, and sys­tems. What are we look­ing for in such lists? And can we real­ly make good use of them? She makes a case for why fic­tion, poet­ry, and dra­ma should not appear, since they deserve the sta­tus of art, not as instru­men­tal works of social change. “It is unfair,” Jack­son writes, “to beg oth­er lit­er­a­ture and oth­er authors, many of them dead, to do this sort of work for some­one,” when the work they set out to do is pri­mar­i­ly cre­ative. Ignor­ing genre “rein­forces an already per­ni­cious lit­er­ary divide that books writ­ten by or about minori­ties are for edu­ca­tion­al pur­pos­es” only.

Despite many poten­tial blind spots, despite the fact that “our cus­tom­ar­i­ly wan atten­tion spans have been dec­i­mat­ed” by pan­dem­ic and protest, the read­ing “has to get done,” Jack­son weari­ly admits. Anti-racist book­lists must cir­cu­late. And read­ers must make crit­i­cal judg­ments about which books to read and what to take away from them, since we’re giv­en the equiv­a­lent of a syl­labus with­out a class or an instruc­tor. We trust that our read­ers can find their way and will make a good faith effort to do the read­ing. There won’t be a grad­ed exam; the test is far more con­se­quen­tial than that.

We solicit­ed an anti-racist read­ing list on Twit­ter and chose the books below sub­mit­ted by our read­ers. Since there’s no such thing as a defin­i­tive list, and dif­fer­ent kinds of read­ers have dif­fer­ent needs, we include oth­er col­lec­tions of read­ings lists here, includ­ing “41 Children’s Books to Sup­port Con­ver­sa­tions on Race, Racism, and Resis­tance.” You’ll find an anti-racist read­ing list on Twit­ter, here, com­piled by doc­tor­al researcher Vic­to­ria Alexan­der, and a list on LinkedIn enti­tled “Why White Peo­ple Stay Silent on Racism, and What to Read First,” from orga­ni­za­tion­al psy­chol­o­gist Adam Grant.

If this is over­whelm­ing but you feel you must start to engage with the his­to­ry and the­o­ry of anti-racism, don’t despair or buy a pile of books you know you can’t read right now. All of the most promi­nent anti-racist authors have been in high demand for inter­views. “There are snap­pi­er places to glean the long-sto­ry-short of Amer­i­ca, like pod­casts, if it took some­one this long to care,” writes Jack­son, or if, like so many mil­lions of oth­er stressed out, angry, griev­ing, out-of-work Amer­i­cans, you’re sim­ply too burned out to crack anoth­er book. But if you’re will­ing and able to dig in, see our read­er-sub­mit­ted list below and sug­gest oth­er titles you’d rec­om­mend in the com­ments. If you pre­fer audio­books, many of these texts also exist as audio­books on Audi­ble. Get details on Audi­ble’s free tri­al here.

Between the World and Me—Ta-Nehisi Coates: Hailed by Toni Mor­ri­son as “required read­ing,” a bold and per­son­al lit­er­ary explo­ration of America’s racial his­to­ry by “the most impor­tant essay­ist in a gen­er­a­tion and a writer who changed the nation­al polit­i­cal con­ver­sa­tion about race” (Rolling Stone)

Biased: Uncov­er­ing the Hid­den Prej­u­dice That Shapes What We See, Think, and Do—Jen­nifer L. Eber­hardt PhD: How do we talk about bias? How do we address racial dis­par­i­ties and inequities? What role do our insti­tu­tions play in cre­at­ing, main­tain­ing, and mag­ni­fy­ing those inequities? What role do we play? With a per­spec­tive that is at once sci­en­tif­ic, inves­tiga­tive, and informed by per­son­al expe­ri­ence, Dr. Jen­nifer Eber­hardt offers us the lan­guage and courage we need to face one of the biggest and most trou­bling issues of our time. She expos­es racial bias at all lev­els of society—in our neigh­bor­hoods, schools, work­places, and crim­i­nal jus­tice sys­tem. Yet she also offers us tools to address it.

Black Like Me—John Howard Grif­fin: The his­to­ry-mak­ing clas­sic about cross­ing the line in Amer­i­ca’s seg­re­gat­ed south. The Atlanta Jour­nal & Con­sti­tu­tion calls it “One of the deep­est, most pen­e­trat­ing doc­u­ments yet set down on the racial ques­tion.”

How To Be An Antiracist — Ibram X. Ken­di: “What do you do after you have writ­ten Stamped From the Begin­ning, an award-win­ning his­to­ry of racist ideas? … If you’re Ibram X. Ken­di, you craft anoth­er stun­ner of a book.… What emerges from these insights is the most coura­geous book to date on the prob­lem of race in the West­ern mind, a con­fes­sion­al of self-exam­i­na­tion that may, in fact, be our best chance to free our­selves from our nation­al nightmare.”—The New York Times

I Can’t Breathe: A Killing on Bay Street—Matt Tiab­bi: A work of riv­et­ing lit­er­ary jour­nal­ism that explores the roots and reper­cus­sions of the infa­mous killing of Eric Gar­ner by the New York City police.

Just Mer­cy: A Sto­ry of Jus­tice and Redemp­tion—Bryan Steven­son: “Every bit as mov­ing as To Kill a Mock­ing­bird, and in some ways more so … a sear­ing indict­ment of Amer­i­can crim­i­nal jus­tice and a stir­ring tes­ta­ment to the sal­va­tion that fight­ing for the vul­ner­a­ble some­times yields.”—David Cole, The New York Review of Books

On the Cour­t­house Lawn: Con­fronting the Lega­cy of Lynch­ing in the Twen­ty-First Cen­tu­ry—Sher­ri­lyn A. Ifill: “This path­break­ing book by Sher­ri­lyn Ifill shows how the ugli­est mes­sages from our racial his­to­ry and pol­i­tics can hide open­ly in the pub­lic square. Her unflinch­ing mem­o­ry restores hope for the com­mon good.”—Taylor Branch, Pulitzer Prize–winning author of Part­ing the Waters

So You Want to Talk About Race—Ijeo­ma Oluo: “Ijeo­ma Olu­o’s [book] is a wel­come gift to us all — a crit­i­cal offer­ing dur­ing a moment when the hard work of social trans­for­ma­tion is ham­pered by the inabil­i­ty of any­one who ben­e­fits from sys­temic racism to reck­on with its costs. Olu­o’s man­date is clear and pow­er­ful: change will not come unless we are brave enough to name and remove the many forces at work stran­gling free­dom. Racial suprema­cy is but one of those forces.” ―Dar­nell L. Moore, author of No Ash­es in the Fire

Stamped from the Begin­ning: The Defin­i­tive His­to­ry of Racist Ideas in Amer­i­ca—Ibram X. Ken­di: The Nation­al Book Award win­ning his­to­ry of how racist ideas were cre­at­ed, spread, and deeply root­ed in Amer­i­can soci­ety. In this deeply researched and fast-mov­ing nar­ra­tive, Ken­di chron­i­cles the entire sto­ry of anti-black racist ideas and their stag­ger­ing pow­er over the course of Amer­i­can his­to­ry. He uses the life sto­ries of five major Amer­i­can intel­lec­tu­als to dri­ve this his­to­ry: Puri­tan min­is­ter Cot­ton Math­er, Thomas Jef­fer­son, abo­li­tion­ist William Lloyd Gar­ri­son, W.E.B. Du Bois, and leg­endary activist Angela Davis.

Stamped: Racism, Antiracism, and You—Jason Reynolds and Ibram X. Ken­di: “Read­ers who want to tru­ly under­stand how deeply embed­ded racism is in the very fab­ric of the U.S., its his­to­ry, and its sys­tems will come away edu­cat­ed and enlight­ened. Wor­thy of inclu­sion in every home and in cur­ric­u­la and libraries every­where. Impres­sive and much need­ed.” ―Kirkus

Sun­down Towns—James Loewen: In this ground­break­ing work, soci­ol­o­gist James W. Loewen brings to light decades of hid­den racial exclu­sion in Amer­i­ca. In a sweep­ing analy­sis of Amer­i­can res­i­den­tial pat­terns, Loewen uncov­ers the thou­sands of “sun­down towns”—almost exclu­sive­ly white towns where it was an unspo­ken rule that blacks weren’t welcome—that cropped up through­out the twen­ti­eth cen­tu­ry, most of them locat­ed out­side of the South.

The Auto­bi­og­ra­phy of Mal­colm X: As Told to Alex Haley: In the sear­ing pages of this clas­sic 1964 auto­bi­og­ra­phy, Mal­colm X out­lines the lies and lim­i­ta­tions of the Amer­i­can Dream, along with the inher­ent racism in a soci­ety that denies its non­white cit­i­zens the oppor­tu­ni­ty to dream.

The Col­or of Law—Richard Roth­stein: Roth­stein argues with exact­ing pre­ci­sion and fas­ci­nat­ing insight how seg­re­ga­tion in America—the inces­sant kind that con­tin­ues to dog our major cities and has con­tributed to so much recent social strife—is the byprod­uct of explic­it gov­ern­ment poli­cies at the local, state, and fed­er­al lev­els.

The Fire Next Time—James Bald­win: “Bald­win’s best­seller from 1963, which com­mem­o­rat­ed the cen­ten­ni­al of the sign­ing of the Eman­ci­pa­tion Procla­ma­tion, still res­onates pow­er­ful­ly today. The late author’s book con­sists of two essays that exam­ine racial injus­tice in Amer­i­ca, includ­ing his own expe­ri­ence grow­ing up as a black teenag­er in Harlem.”

The New Jim Crow: Mass Incar­cer­a­tion in the Age of Col­or­blind­ness —Michelle Alexan­der: The New Jim Crow “took the acad­e­my and the streets by storm, and forced the nation to recon­sid­er the sys­tems that allowed for bla­tant discrimination.”—The Chron­i­cle of High­er Edu­ca­tion

The Oth­er by Wes Moore: “This is a fas­ci­nat­ing book about two young men from Bal­ti­more with the same name. One, the author, became a Rhodes Schol­ar while the oth­er land­ed in jail. It’s as much a med­i­ta­tion on cir­cum­stance and luck as it is a com­men­tary on how suc­cess­ful our soci­ety is in man­ag­ing those who are on the precipice, both social­ly and eco­nom­i­cal­ly.”

The Per­son You Mean to Be: How Good Peo­ple Fight Bias—Dol­ly Chugh: An inspir­ing guide from Dol­ly Chugh, an award-win­ning social psy­chol­o­gist at the New York Uni­ver­si­ty Stern School of Busi­ness, on how to con­front dif­fi­cult issues includ­ing sex­ism, racism, inequal­i­ty, and injus­tice so that you can make the world (and your­self) bet­ter.

The Warmth of Oth­er Suns—Isabel Wilk­er­son: In this epic, beau­ti­ful­ly writ­ten mas­ter­work, Pulitzer Prize–winning author Isabel Wilk­er­son chron­i­cles one of the great untold sto­ries of Amer­i­can his­to­ry: the decades-long migra­tion of black cit­i­zens who fled the South for north­ern and west­ern cities, in search of a bet­ter life.

White Fragili­ty: Why It’s So Hard for White Peo­ple to Talk About Racism—Robin DiAn­ge­lo: The New York Times best-sell­ing book explor­ing the coun­ter­pro­duc­tive reac­tions white peo­ple have when their assump­tions about race are chal­lenged, and how these reac­tions main­tain racial inequal­i­ty.

White Rage—Car­ol Ander­son: “White Rage is a riv­et­ing and dis­turb­ing his­to­ry that begins with Recon­struc­tion and lays bare the efforts of whites in the South and North alike to pre­vent eman­ci­pat­ed black peo­ple from achiev­ing eco­nom­ic inde­pen­dence, civ­il and polit­i­cal rights, per­son­al safe­ty, and eco­nom­ic oppor­tu­ni­ty.” — The Nation

Why Are All the Black Kids Sit­ting Togeth­er in the Cafe­te­ria?—Bev­er­ly Daniel Tatum: Walk into any racial­ly mixed high school and you will see Black, White, and Lati­no youth clus­tered in their own groups. Is this self-seg­re­ga­tion a prob­lem to address or a cop­ing strat­e­gy? Bev­er­ly Daniel Tatum, a renowned author­i­ty on the psy­chol­o­gy of racism, argues that straight talk about our racial iden­ti­ties is essen­tial if we are seri­ous about enabling com­mu­ni­ca­tion across racial and eth­nic divides. This ful­ly revised edi­tion is essen­tial read­ing for any­one seek­ing to under­stand the dynam­ics of race in Amer­i­ca.

Relat­ed Con­tent: 

Noam Chom­sky Explains the Best Way for Ordi­nary Peo­ple to Make Change in the World, Even When It Seems Daunt­ing

Watch Ava DuVernay’s 13th Free Online: An Award-Win­ning Doc­u­men­tary Reveal­ing the Inequal­i­ties in the US Crim­i­nal Jus­tice Sys­tem

Albert Ein­stein Explains How Slav­ery Has Crip­pled Everyone’s Abil­i­ty to Think Clear­ly About Racism

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

David Lynch Recounts His Surreal Dream of Being a German Solider Dying on D‑Day

Some of last week’s major head­lines:

Police forcibly remove a large num­ber of peace­able pro­tes­tors from the area in front of a Wash­ing­ton DC church, so a 73-year-old white man can be pho­tographed stand­ing there alone, hold­ing a prop bible.

An unarmed 75-year-old white man approach­es a Buf­fa­lo police offi­cer at a protest and is shoved so force­ful­ly that he cracks his skull open, lying uncon­scious and bleed­ing as mem­bers of the force step past him with­out offer­ing assis­tance. But first the weath­er, as per­ceived by a 74-year-old white man peer­ing out the win­dow of his stu­dio of his Hol­ly­wood Hills home (one of three), pri­or to shar­ing a dream in which he is a Ger­man sol­dier dying on D‑Day….

What makes this news­wor­thy?

The date and the iden­ti­ty of the self-appoint­ed weath­er­man, film­mak­er David Lynch.

For the record, June 6, 2020 start­ed out cloudy and a bit chilly. The hope just off Mul­hol­land Dri­ve was for increased “gold­en sun­shine” in the after­noon.

(One does won­der how much time this ama­teur spends out­doors.)

76 years ear­li­er, an absolute­ly accu­rate weath­er fore­cast was essen­tial for the Allied Inva­sion of France. Mul­ti­ple mete­o­ro­log­i­cal teams con­tributed obser­va­tions and exper­tise to ensure that con­di­tions would be right, or right enough, for the inva­sion Gen­er­al Dwight D. Eisen­how­er envi­sioned.

As author William Bryant Logan details in Air: The Rest­less Shaper of the World:

In the end the Allies won the day because in order to pre­dict the weath­er, they act­ed like the weath­er. Com­pet­ing groups jos­tled and maneu­vered, each try­ing to pres­sure the oth­ers into accept­ing their point of view. In just the same way, the high- and low-pres­sure cells fought and spun into one anoth­er over the Atlantic. The fore­cast­ers rein­forced their own ideas, and none of their ideas was the win­ner,  just as each gyre and each cen­ter of low and high pres­sure pressed against the oth­ers, squeez­ing out the future among them. The Ger­mans, on the oth­er hand, believ­ing that they could con­quer uncer­tain­ty by fiat, declared that weath­er and peo­ple would con­form to their assump­tions. They were proved wrong. The Allies appeared on the beach­es of Nor­mandy, just like a sur­prise storm.

Lynch’s D‑Day anniver­sary report for Los Ange­les was his 27th, part of a dai­ly project launched with­out expla­na­tion on May 11.

His emo­tion­al weath­er seems to run cool. He relays his his­toric life or death uncon­scious encounter (it involves a machine gun) in much the same tone that he uses for report­ing on South­ern California’s pleas­ant late spring tem­per­a­tures. For the record, Lynch was born 593 days after D‑Day, and has no plans for a WWII feature—or any oth­er big screen project—in the fore­see­able future.

In a vis­it with The Guardian’s Rory Car­roll, he expressed how tele­vi­sion has become the medi­um best suit­ed to the sort of long and twist‑y nar­ra­tives he finds compelling—like art, life, and rein­car­na­tion:

Life is a short trip but always con­tin­u­ing. We’ll all meet again. In enlight­en­ment you real­ize what you tru­ly are and go into immor­tal­i­ty. You don’t ever have to die after that.

So maybe he real­ly was a luck­less 16-year-old Ger­man sol­dier…

One whose cur­rent incarnation’s foun­da­tion cre­at­ed a fund to pro­vide no-cost Tran­scen­den­tal Med­i­ta­tion instruc­tion to vet­er­ans as a way of cop­ing with Post-Trau­mat­ic Stress. Lynch named the fund in hon­or of Jer­ry Yellin, a fel­low TM prac­ti­tion­er and peace activist who, as an Amer­i­can fight­er pilot, flew the final com­bat mis­sion of World War II on August 14, 1945.

Sub­scribe to Lynch’s YouTube chan­nel to stay abreast of his dai­ly weath­er reports, like the install­ment from June 3, below, which finds him voic­ing his sup­port for Black Lives Mat­ter.

Relat­ed Con­tent:

David Lynch Cre­ates Dai­ly Weath­er Reports for Los Ange­les: How the Film­mak­er Pass­es Time in Quar­an­tine

David Lynch Releas­es an Ani­mat­ed Film Online: Watch Fire (Pozar)

David Lynch Teach­es an Online Course on Film & Cre­ativ­i­ty

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Her dai­ly art-in-iso­la­tion project is close­ly tied to the weath­er in New York City.  Fol­low her @AyunHalliday.

Noam Chomsky Explains the Best Way for Ordinary People to Make Change in the World, Even When It Seems Daunting

The threat of wide­spread vio­lence and unrest descends upon the coun­try, thanks again to a col­lec­tion of actors vicious­ly opposed to civ­il rights, and in many cas­es, to the very exis­tence of peo­ple who are dif­fer­ent from them. They have been giv­en aid and com­fort by very pow­er­ful enablers. Vet­er­an activists swing into action. Young peo­ple turn out by the hun­dreds week after week. But for many ordi­nary peo­ple with jobs, kids, mort­gages, etc. the cost of par­tic­i­pat­ing in con­stant protests and civ­il actions may seem too great to bear. Yet, giv­en many awful exam­ples in recent his­to­ry, the cost of inac­tion may be also.

What can be done? Not all of us are Rosa Parks or Howard Zinn or Mar­tin Luther King, Jr. or Thich Nat Hanh or Cesar Chavez or Dolores Huer­ta, after all. Few of us are rev­o­lu­tion­ar­ies and few may wish to be. Not every­one is brave enough or tal­ent­ed enough or knowl­edge­able enough or com­mit­ted enough or, what­ev­er.

The prob­lem with this kind of think­ing is a prob­lem with so much think­ing about pol­i­tics. We look to leaders—men and women we think of as supe­ri­or beings—to do every­thing for us. This can mean del­e­gat­ing all the work of democ­ra­cy to some­times very flawed indi­vid­u­als. It can also mean we fun­da­men­tal­ly mis­un­der­stand how demo­c­ra­t­ic move­ments work.

In the video above, Noam Chom­sky address­es the ques­tion of what ordi­nary peo­ple can do in the face of seem­ing­ly insur­mount­able injus­tice. (The clip comes from the 1992 doc­u­men­tary Man­u­fac­tur­ing Con­sent.) “The way things change,” he says, “is because lots of peo­ple are work­ing all the time, and they’re work­ing in their com­mu­ni­ties or their work­place or wher­ev­er they hap­pen to be, and they’re build­ing up the basis for pop­u­lar move­ments.”

In the his­to­ry books, there’s a cou­ple of lead­ers, you know, George Wash­ing­ton or Mar­tin Luther King, or what­ev­er, and I don’t want to say that those peo­ple are unim­por­tant. Mar­tin Luther King was cer­tain­ly impor­tant, but he was not the Civ­il Rights Move­ment. Mar­tin Luther King can appear in the his­to­ry books ‘cause lots of peo­ple whose names you will nev­er know, and whose names are all for­got­ten and who may have been killed and so on were work­ing down in the South.

King him­self often said as much. For exam­ple, in the Pref­ace of his Stride Toward Free­dom he wrote—referring to the 50,000 most­ly ordi­nary, anony­mous peo­ple who made the Mont­gomery Bus Boy­cott happen—“While the nature of this account caus­es me to make fre­quent use of the pro­noun ‘I,’ in every impor­tant part of the sto­ry it should be ‘we.’ This is not a dra­ma with only one actor.”

As for pub­lic intel­lec­tu­als like him­self engaged in polit­i­cal strug­gle, Chom­sky says, “peo­ple like me can appear, and we can appear to be promi­nent… only because some­body else is doing the work.” He defines his own work as “help­ing peo­ple devel­op cours­es of intel­lec­tu­al self-defense” against pro­pa­gan­da and mis­in­for­ma­tion. For King, the issue came down to love in action. Respond­ing in a 1963 inter­view above to a crit­i­cal ques­tion about his meth­ods, he coun­ters the sug­ges­tion that non­vi­o­lence means sit­ting on the side­lines.

I think of love as some­thing strong and that orga­nizes itself into pow­er­ful, direct action…. We are not engaged in a strug­gle that means we sit down and do noth­ing. There’s a great deal of dif­fer­ence between non­re­sis­tance to evil and non­vi­o­lent resis­tance. Non­re­sis­tance leaves you in a state of stag­nant pas­siv­i­ty and dead­en­ing com­pla­cen­cy, where­as non­vi­o­lent resis­tance means that you do resist in a very strong and deter­mined man­ner.

Both Chom­sky, King, and every oth­er voice for jus­tice and human rights would agree that the peo­ple need to act instead of rely­ing on move­ment lead­ers. What­ev­er actions one can take—whether it’s engag­ing in informed debate with fam­i­ly, friends, or cowork­ers, writ­ing let­ters, mak­ing dona­tions to activists and orga­ni­za­tions, doc­u­ment­ing injus­tice, or tak­ing to the streets in protest or acts of civ­il disobedience—makes a dif­fer­ence. These are the small indi­vid­ual actions that, when prac­ticed dili­gent­ly and coor­di­nat­ed togeth­er in the thou­sands, make every pow­er­ful social move­ment pos­si­ble.

Note: This post orig­i­nal­ly appeared on our site in August 2017 when white suprema­cists (aka the pres­i­den­t’s “many fine peo­ple”) marched in Char­lottesville, VA. It speaks no less direct­ly to the trau­ma of the cur­rent moment, so we’re bring­ing it back.

Relat­ed Con­tent:

Noam Chom­sky & Har­ry Bela­fonte Speak on Stage for the First Time Togeth­er: Talk Trump, Klan & Hav­ing a Rebel­lious Heart

Noam Chom­sky Defines What It Means to Be a Tru­ly Edu­cat­ed Per­son

Read Mar­tin Luther King and The Mont­gomery Sto­ry: The Influ­en­tial 1957 Civ­il Rights Com­ic Book

Howard Zinn’s “What the Class­room Didn’t Teach Me About the Amer­i­can Empire”: An Illus­trat­ed Video Nar­rat­ed by Vig­go Mortensen

Hen­ry David Thore­au on When Civ­il Dis­obe­di­ence and Resis­tance Are Jus­ti­fied (1849)

Saul Alinsky’s 13 Tried-and-True Rules for Cre­at­ing Mean­ing­ful Social Change

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Ava DuVernay’s Selma Is Now Free to Stream Online: Watch the Award-Winning Director’s Film About Martin Luther King’s 1965 Voting-Rights March

Ava DuVer­nay made her award-win­ning doc­u­men­tary 13th free to stream online. Now comes her film Sel­maThe 2014 film chron­i­cles Dr. Mar­tin Luther King, Jr.‘s cam­paign to secure equal vot­ing rights with an epic march from Sel­ma to Mont­gomery, Alaba­ma, in 1965. Ava DuVer­nay writes on Twit­ter: “Para­mount Pic­tures is offer­ing SELMA for free rental on all US dig­i­tal plat­forms for June, start­ing today. We’ve got­ta under­stand where we’ve been to strate­gize where we’re going. His­to­ry helps us cre­ate the blue­print. Onward.” You can watch Sel­ma on YouTube/Google Play, Apple, Ama­zon Prime and oth­er stream­ing plat­forms list­ed here. The trail­er appears above.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Watch Ava DuVernay’s 13th Free Online: An Award-Win­ning Doc­u­men­tary Reveal­ing the Inequal­i­ties in the US Crim­i­nal Jus­tice Sys­tem

Watch Free Films by African Amer­i­can Film­mak­ers in the Cri­te­ri­on Col­lec­tion … and the New Civ­il Rights Film, Just Mer­cy

1,150 Free Movies Online: Great Clas­sics, Indies, Noir, West­erns, etc.

Watch Ava DuVernay’s 13th Free Online: An Award-Winning Documentary Revealing the Inequalities in the US Criminal Justice System

Ear­li­er today, we high­light­ed some free cin­e­mat­ic offer­ings online, includ­ing the new civ­il rights film Just Mer­cy, and a slew of films in the Cri­te­ri­on Col­lec­tion made by African Amer­i­can direc­tors. Then we stum­bled upon this. Above, you can watch Ava DuVer­nay’s Oscar-nom­i­nat­ed film 13th. Com­bin­ing archival footage with tes­ti­mo­ny from activists and schol­ars, DuVer­nay’s doc­u­men­tary focus­es on the U.S. prison sys­tem and “how the coun­try’s his­to­ry of racial inequal­i­ty dri­ves the high rate of incar­cer­a­tion in Amer­i­ca.” It won Best Doc­u­men­tary at the Emmys, the BAF­TAs and the NAACP Image Awards.

Update: Dur­ing the month of June, DuVer­nay’s film, Sel­ma, is also stream­ing free online.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

4,000+ Free Movies Online: Great Clas­sics, Indies, Noir, West­erns, Doc­u­men­taries & More

Ava DuVernay’s Sel­ma Is Now Free to Stream Online: Watch the Award-Win­ning Director’s Film About Mar­tin Luther King’s 1965 Vot­ing-Rights March

Watch Free Films by African Amer­i­can Film­mak­ers in the Cri­te­ri­on Col­lec­tion … and the New Civ­il Rights Film, Just Mer­cy

Watch the First-Ever Kiss on Film Between Two Black Actors, Just Hon­ored by the Library of Con­gress (1898)

Watch the Pio­neer­ing Films of Oscar Micheaux, America’s First Great African-Amer­i­can Film­mak­er

The Art of The Black Pan­thers: A Short Doc­u­men­tary on the Rev­o­lu­tion­ary Artist Emory Dou­glas

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Watch Martin Scorsese’s Brand New Short Film, Made Entirely in His Office Under Quarantine

Most who saw the last fea­ture by Mar­tin Scors­ese, 2019’s The Irish­man, saw it at home. That had to do with the fact that the bud­get came from Net­flix, which sure­ly aimed to get its not incon­sid­er­able mon­ey’s worth by offer­ing the film on its own stream­ing ser­vice as soon as pos­si­ble. If The Irish­man’s financ­ing and dis­tri­b­u­tion was a sign of the times, Scors­ese’s new short is even more so: shot on a smart­phone by the famed direc­tor him­self, it recent­ly pre­miered on Mary Beard’s BBC spe­cial about “lock­down cul­ture.” See­ing as the coro­n­avirus isn’t known to spare famous auteurs — and indeed does seem dis­pro­por­tion­ate­ly to harm indi­vid­u­als over age 70 — Scors­ese has spent a great deal of time at home over the past few months. But like all true cre­ators, he has­n’t stopped doing what he does.

“Been quite a while, now, that I’ve been quar­an­tined,” says Scors­ese, turn­ing his cam­era away from a screen­ing of Alfred Hitch­cock­’s The Wrong Man on his office wall. “We had been work­ing so hard on so many dif­fer­ent projects, and things were spin­ning and spin­ning and spin­ning, and sud­den­ly there was a crash. And a stop.” At first, “there was a day or so of a kind of relief. I did­n’t have to go any­where or do any­thing. I mean, I had to do every­thing, but I did­n’t have to do it then.” Then, “the anx­i­ety set in.” But as time passed, and as he tru­ly felt that time pass­ing, “a sense of relief set­tled in. And a real sense of free­dom, because you can’t do any­thing else. I don’t know how much longer I’m going to be in this room. I don’t know when we’re going to be able to actu­al­ly start pro­duc­tion in this film.”

By “this film” Scors­ese means Killers of the Flower Moon, a $200 mil­lion true-crime West­ern set in 1920s Okla­homa that will bring Leonar­do DiCaprio and Robert De Niro, the direc­tor’s lead­ing men of choice, togeth­er in a Scors­ese fea­ture for the first time. As a joint pro­duc­tion between Apple and Para­mount, notes the Observ­er’s Bran­don Katz, the pic­ture “will receive all the nec­es­sary fund­ing it needs while still receiv­ing a world­wide the­atri­cal roll­out,” but the ques­tion of when its shoot can start — and indeed, when movie­go­ers will return to the­aters — remains open. “I do know that, giv­en the grace of time and life, we will be in pro­duc­tion some­how,” says Scors­ese in his lock­down short, after a few shots of the mem­o­ra­bil­ia on his shelves.

Toward the end of this per­son­al dis­patch, Scors­ese remem­bers his final con­ver­sa­tion with the Iran­ian film­mak­er Abbas Kiarosta­mi. “We were at a din­ner in Lyon a few years ago and he looked at me and said, ‘Don’t do any­thing you don’t want to do.’ He knew. He under­stood. One can’t depend on time. One does­n’t know. Ulti­mate­ly that time has to be worth it, even if it’s just exist­ing. Even if it’s just being alive, breath­ing — if you can, under these cir­cum­stances.” But as we’ve all learned, cir­cum­stances can change, and sud­den­ly; it falls to us only to make best use of the sit­u­a­tion in which we find our­selves. To under­score that last truth, Scors­ese char­ac­ter­is­ti­cal­ly cites a clas­sic Amer­i­can movie. Though our lives may be restrict­ed, as we see in Robert Siod­mak’s Hem­ing­way adap­ta­tion The Killers, noth­ing’s stop­ping us from keep­ing our eyes on the stars.

Relat­ed Con­tent:

The Film­mak­ing of Mar­tin Scors­ese Demys­ti­fied in 6 Video Essays

How Mar­tin Scors­ese Directs a Movie: The Tech­niques Behind Taxi Dri­ver, Rag­ing Bull, and More

What Makes Taxi Dri­ver So Pow­er­ful? An In-Depth Study of Mar­tin Scorsese’s Exis­ten­tial Film on the Human Con­di­tion

Mar­tin Scors­ese Explains the Dif­fer­ence Between Cin­e­ma and Movies

Mar­tin Scorsese’s Very First Films: Three Imag­i­na­tive Short Works

11-Year-Old Mar­tin Scors­ese Draws Sto­ry­boards for His Imag­ined Roman Epic Film, The Eter­nal City

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall, on Face­book, or on Insta­gram.

Spike Lee Debuts the Short Film “3 Brothers”: A Remake of Do the Right Thing for Our Dark Times

When beloved actor Bill Nunn died in Sep­tem­ber of 2016, two months before the elec­tion, his pass­ing felt prophet­ic of more bad things to come. Best known as the boom­box-tot­ing, ulti­mate Pub­lic Ene­my fan Radio Raheem in Spike Lee’s 1989 film Do the Right Thing, Nunn’s char­ac­ter is mur­dered by a gang of cops, who put him in a choke­hold and suf­fo­cate him. At the time, Raheem’s death was a fic­tion­al restate­ment of what had come before, as Lee explains above in the 30th anniver­sary com­men­tary on the film.

“I’m renam­ing this ‘Anato­my of a Mur­der,’” he says, explain­ing how he based the scene of Raheem’s death on the 1983 killing of graf­fi­ti artist Michael Stew­art, who was stran­gled by 11 NYC tran­sit offi­cers. “The things that are hap­pen­ing in this film,” he says, “are still rel­e­vant today.” Lee then ref­er­ences the death of Eric Gar­ner, killed in exact­ly the same way as Raheem. Now we have seen the mur­der of George Floyd, asphyx­i­at­ed with a knee to the neck. These on-cam­era killings are trau­mat­ic, but Lee has not shied away from the pow­er of doc­u­men­tary images.

He reclaimed his place as a big-bud­get inter­preter of Amer­i­can racism with Black­kKlans­man, a fic­tion­al­ized film that ends with extreme­ly hard-to-watch (espe­cial­ly for those who were there) real footage of the mur­der of anti-racist activist Heather Hey­er in Char­lottesville. Lee faced a good deal of crit­i­cism over the use of this video, but he has again tak­en real-life footage of racial­ly-moti­vat­ed killings, this time by the police, and cut them togeth­er with fic­tion, edit­ing togeth­er the death of Raheem with the deaths of Gar­ner and Floyd.

Call­ing the short “3 Broth­ers,” he opens with the ques­tion, “Will His­to­ry Stop Repeat­ing Itself?” Lee Debuted the film on the CNN spe­cial “I Can’t Breathe: Black Men Liv­ing & Dying in Amer­i­ca.” The cumu­la­tive effects of his­to­ry are crit­i­cal to under­stand­ing the moment we are in, he says. The rage and protest on streets around the world are not a reac­tion to a sin­gle event—they are a con­fronta­tion with hun­dreds of years of vio­lent con­trol over black bod­ies, a state of affairs always includ­ing mur­der with impuni­ty. “The attack on black bod­ies has been here from the get-go,” Lee says.

Lee’s short is hard to watch, and I don’t blame any­one who nev­er wants to see this footage again (I don’t). The mur­ders of indi­vid­ual, unarmed black men by groups of offi­cers take on an eerie monot­o­ny in their same­ness over time. “The killings caught on cam­era,” writes his­to­ri­an Robert Greene II, “offer a dis­turb­ing reminder of the numer­ous pho­tographs of lynch­ings dis­persed through­out the nation in the ear­ly twen­ti­eth cen­tu­ry. Some were cat­a­logued by the NAACP and dis­played as exam­ples of Amer­i­can bru­tal­i­ty and bar­barism. Oth­ers, how­ev­er, were fea­tured on post­cards and sent to white Amer­i­cans through­out the coun­try, small trin­kets of white ter­ror.”

This chill­ing his­to­ry gives rise to an under­stand­able ambiva­lence about shar­ing videos of police killings. Are these evi­dence of bar­barous injus­tice or racist snuff films run­ning on an end­less loop? As in the lynch­ing pho­tographs, it depends on the audi­ence and the con­text in which the videos are shown. But when Spike Lee made Do the Right Thing—pre-Rod­ney King and cell phone cameras—hardly any­one out­side of heav­i­ly policed black neigh­bor­hoods wit­nessed first­hand the kind of bru­tal­i­ty that is now so depress­ing­ly famil­iar in our news­feeds.

The death of Radio Raheem was shock­ing to audi­ences, as it was dev­as­tat­ing to the char­ac­ters and remains, for those who grew up with the film, a mov­ing cin­e­mat­ic touch­stone of the time. It is tru­ly heart­break­ing and enrag­ing that such scenes have become com­mon cur­ren­cy on social media, instead of his­toric exam­ples of the bru­tal­i­ty of the past—a sto­ry, as one per­son wrote of the 1968 police killing of poet Hen­ry Dumas, of “gen­er­a­tions of lost poten­tial.”

via Boing Boing

Relat­ed Con­tent:

Spike Lee Shares His NYU Teach­ing List of 87 Essen­tial Films Every Aspir­ing Direc­tor Should See

How Spike Lee Got His First Big Break: From She’s Got­ta Have It to That Icon­ic Air Jor­dan Ad

Spike Lee Directs, “Wake Up,” a Five-Minute Cam­paign Film for Bernie Sanders

Gil Scott-Heron Spells Out Why “The Rev­o­lu­tion Will Not Be Tele­vised”

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

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