Jimmy Fallon Nails the Bob Dylan Impersonation

He looks like Bob Dylan. He sings like our birth­day boy Bob Dylan. And yet he’s cov­er­ing per­haps the cheesi­est 80s sit­com theme song ever made — which makes it all the more hilar­i­ous…

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Peter Sellers Performs The Beatles “A Hard Day’s Night” in Shakespearean Voice

Back in 1964, Peter Sell­ers (aka Chief Inspec­tor Clouse­au in The Pink Pan­ther films) made a cameo appear­ance on “The Music of Lennon and McCart­ney,” a tele­vi­sion pro­gram pro­duced at the height of Beat­le­ma­nia. The schtick? To read the lyrics of A Hard Day’s Night in a way that com­i­cal­ly recalls Lau­rence Olivier’s 1955 per­for­mance of the open­ing solil­o­quy from Richard III. It starts famous­ly “Now is the win­ter of our dis­con­tent â€¦â€ť (See full text here.)

On a very relat­ed note, don’t miss:

Peter Sell­ers Reads The Bea­t­les’ “She Loves You” in Four Voic­es

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George Carlin’s “Modern Man” Rap

Forty years after George Car­lin first stopped by The Tonight Show (1966), he made one of his last appear­ances, deliv­er­ing a rap/poem that’s clas­sic Car­lin, a hyp­not­ic riff on mod­ern life and soci­ety. The lyrics appear right below.

I’m a mod­ern man,
A man for the mil­len­ni­um,
Dig­i­tal and smoke free.
A diver­si­fied mul­ti­cul­tur­al post­mod­ern decon­struc­tion­ist,
Polit­i­cal­ly anatom­i­cal­ly and eco­log­i­cal­ly incor­rect.
I’ve been uplinked and down­loaded.
I’ve been inputted and out­sourced.
I know the upside of down­siz­ing.
I know the down­side of upgrad­ing.
I’m a high tech lowlife.
A cut­ting edge state-of-the-art bicoastal mul­ti­tasker,
And I can give you a giga­byte in a nanosec­ond. (The rest after the jump…)
(more…)

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The Book Trailer as Self-Parody: Stars Gary Shteyngart with James Franco Cameo

What can we say about Gary Shteyn­gart? The nov­el­ist appeared last year in The New Yorker’s 20 Under 40 Fic­tion Issue (which list­ed authors “who cap­ture the inven­tive­ness and the vital­i­ty of con­tem­po­rary Amer­i­can fic­tion.”) He teach­es writ­ing at Colum­bia Uni­ver­si­ty and counts James Fran­co as one of his stu­dents. And he’s will­ing to hus­tle a lit­tle to sell a book. When his nov­el Super Sad True Love Sto­ry came out last sum­mer (find NYTimes review here), the quirky Leningrad-born author (key to under­stand­ing what comes next) released a satir­i­cal, self-dep­re­cat­ing trail­er to pro­mote his book. Jef­frey Eugenides, Jay McIn­er­ney, Edmund White, Mary Gait­skill and Fran­co him­self all get in on the joke … which gets bet­ter as it goes along.

Shteyn­gart’s book just came out in paper­back last week. To mark the occa­sion, Fresh Air re-aired an inter­view with him (sans accent) last week. His book is also avail­able as an audio down­load via Audible.com, and here’s how you can snag a free copy…

Relat­ed:

Review­ing Jonathan Franzen’s “Free­dom” with Wit

1956 Home Movie: Laurel & Hardy Together for the Last Time

There is no exact date for this silent home movie shot at the Rese­da, CA home of Stan Lau­rel’s daugh­ter, Lois. But the year must have been 1956, because, dur­ing that year, Oliv­er Hardy, the oth­er mem­ber of the great com­ic duo, lost more than 150 pounds, result­ing in a com­plete change of his out­ward appear­ance. Hardy had a mild heart attack in 1954 and start­ed look­ing after his health. But let­ters by Stan Lau­rel indi­cate that Oliv­er was also suf­fer­ing from can­cer. In Sep­tem­ber 1956 — prob­a­bly not long after this movie was made — Oliv­er suf­fered a major stroke, which left him unable to speak and con­fined to bed for sev­er­al months. Then, at the begin­ning of August 1957, he had two more strokes and slipped into a coma from which he nev­er recov­ered. He died on August 7 that year.

Exact­ly one week after Oliv­er’s death, Stan gave a rare radio inter­view and recount­ed the moment when he and Oliv­er met for the first time. The full, one-hour inter­view can be enjoyed here. Stan died on 23 Feb­ru­ary 1965 after suf­fer­ing a heart attack of his own. He was buried at For­est Park Memo­r­i­al Park in Bur­bank. Footage from the funer­al shows celebri­ties such as Dick Van Dyke, Buster Keaton and George Chan­dler in atten­dance. Stan’s friend Dick Van Dyke deliv­ered this mov­ing eulo­gy.

A Daily Dose of Jerry Seinfeld

Jer­ry Sein­feld has decid­ed to go on tour, and as if to remind us that his stand-up life pre­ced­ed his decade-plus dom­i­nance of net­work TV, he’s also archived the best bits from a com­e­dy career that now spans over 25 years. (He first appeared on nation­al tele­vi­sion in 1977.) The new site/archive will fea­ture just a few clips, mak­ing new ones avail­able each day. It’s a smart move; the steady trick­le of new jokes will no doubt keep fans hun­gry.

For a reminder of the days when it was Sein­feld him­self who was hun­gry, here’s a set from 1981, his first appear­ance on HBO. He’s being pre­sent­ed by the pitch-per­fect Smoth­ers Broth­ers, who intro­duce the bare­ly known come­di­an as “Jer­ry Ste­in­feld.”

via NYT

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly

Spy Magazine (1986–1998) Now Online

You want to know why Rupert Mur­doch runs the world and you don’t? Here’s a hint: In 1990, Spy Mag­a­zine (now archived at Google Books) sent Mur­doch and a slew of oth­er wealthy celebri­ties checks for $1.11 as a prank. Mur­doch cashed his right away — because even when he was just a low­ly bil­lion­aire, the guy under­stood mon­ey.

And the edi­tors at Spy (1986–98) under­stood celebri­ty cul­ture, which is why they became arguably the most influ­en­tial mag­a­zine of the late 20th cen­tu­ry, or, in Dave Eggers’ words “cru­el, bril­liant, beau­ti­ful­ly writ­ten and per­fect­ly designed, and feared by all.” Com­bin­ing an ele­gant house style, barbed satire, and a healthy dose of class-rage, Spy inspired a rad­i­cal tonal shift in Amer­i­can jour­nal­ism just in time for the arrival of a per­fect­ly suit­ed new plat­form: The Inter­net.

You can read more about the mag­a­zine’s lega­cy in Will Hines’ excel­lent arti­cle Div­ing into the Archives of Spy, The Fun­ni­est Mag­a­zine Ever, at the com­e­dy blog Split­sider. Before accus­ing Hines of hyper­bole, take a look at some of his finds:

Joe Queenan sends up the The Cult of Bob Dylan

The edi­tors list Clin­ton’s First 100 Lies

Newt Gin­grich, top­less, on the cov­er

And that’s with­out even start­ing on the true clas­sics from the 80’s. It’s all at Google Books. Enjoy.

via Split­sider

Relat­ed:  The Onion: Fake News Site Launch­es Real Archive

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

“Jersey Shore” in the Style of Oscar Wilde

We gid­di­ly present “Jer­sey Shore” Gone Wilde, as per­formed by the cast of The Impor­tance of Being Earnest, a pro­duc­tion cur­rent­ly being staged by the Round­about The­atre Com­pa­ny in New York City.

Go ahead and catch this inspired mashup of Vic­to­ri­an com­e­dy and MTV “real­i­ty” at Play­bill Video in 5 parts … unless you have work to do this after­noon.

via @MaudNewton

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly

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