Shakespeare’s Julius Caesar Read in Celebrity Voices

Last sum­mer, actor Jim Meski­men pro­duced a viral video where he imper­son­at­ed 25 famous fig­ures recit­ing Clarence’s mono­logue from Shake­speare’s great his­to­ry play, Richard III. Woody Allen, Jack Nichol­son, Jim­my Stew­art — they all made an appear­ance.

Now, Meski­men returns with a new cast of char­ac­ters, and this time he’s read­ing lines from Marc Antony’s famous speech in Julius Cae­sar.

If you live in LA, you can see the impres­sion­ist per­form live at The Act­ing Cen­ter on Feb­ru­ary 17 & 18 at 8 p.m. Enjoy.

Relat­ed Con­tent:

Nine Imper­son­ations by Kevin Spacey in Six Min­utes

F. Scott Fitzger­ald Reads Shake­speare

William S. Bur­roughs Shoots Shake­speare

The Muppets Strike Back at Fox!

In Fox’s world, noth­ing good is ter­ri­bly safe. Even the lov­able Mup­pets fall under with­er­ing attack.

Last month, Fox Busi­ness spent sev­en min­utes (below) unrav­el­ing the left wing con­spir­a­cy in the lat­est Mup­pet movie. Then the Mup­pets, not tak­ing things lying down, struck back. Appear­ing at a press con­fer­ence in Lon­don last week, Ker­mit the Frog and Miss Pig­gy rebutted Fox’s charges in one com­ic minute. It’s a pret­ty fun­ny clip. But the best part is watch­ing a major news out­let argue with pup­pets.

If you need some­thing to make you feel bet­ter about the world, don’t miss Jim Hen­son’s 1969 primer on how to make your own pup­pets, using noth­ing oth­er than house­hold items. H/T SF Gate

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Nine PAC Ads from Stephen Colbert Spoof U.S. Election System

When the Supreme Court, in its infi­nite wis­dom, decid­ed that cor­po­ra­tions enjoy the free speech rights of indi­vid­u­als, it took a bad cam­paign finance sys­tem and made it worse. Sud­den­ly, free-spend­ing PACs, rep­re­sent­ing pow­er­ful busi­ness inter­ests, could flood our cam­paign finance sys­tem with unprece­dent­ed amounts of mon­ey and dis­tort the way we elect lead­ers in the Unit­ed States. In the ear­ly days of the Repub­li­can nom­i­na­tion process, we’re already see­ing the results. Super PACs, some­times receiv­ing $5 mil­lion from one indi­vid­ual, are run­ning attack ads — lots of attack ads — in pri­ma­ry states. And the real del­uge has yet to come. Just wait until next fall.

What to do about the sanc­tioned dis­tor­tion of our polit­i­cal sys­tem? It’s hard to be opti­mistic when fix­ing the prob­lem would real­is­ti­cal­ly require a con­sti­tu­tion­al amend­ment. But that’s what Lawrence Lessig (Har­vard law pro­fes­sor and founder of Cre­ative Com­mons) is try­ing to do. Appear­ing at Google (see below), Lessig describes how spe­cial inter­ests cor­rupt our polit­i­cal sys­tem, and what we can do to stop it. But even Lessig will admit that it’s an uphill bat­tle.

That leaves us with the next best solu­tion: turn a joke of an elec­tion sys­tem into a good joke. Enter Stephen Col­bert. The come­di­an has cre­at­ed his own Super PAC (run by Jon Stew­art) that comes com­plete with its own TV ads. The par­o­dy above — an attack ad on attack ads — makes its point pret­ty effec­tive­ly. You can watch eight more Col­bert PAC com­mer­cials here, and make a dona­tion to his PAC here. And, if you’re feel­ing gen­er­ous, you can show your sup­port for Open Cul­ture here.

Break­ing News: Stephen Col­bert ends qua­si-pres­i­den­tial cam­paign

Christopher Walken Reads The Three Little Pigs, The Raven, and a Little Lady Gaga

Here we go again. We’re get­ting meta with read­ings by the great Christo­pher Walken. It all starts with the actor appear­ing on a 1993 broad­cast of the British TV series “Sat­ur­day Zoo” host­ed by Jonathan Ross, and he’s read­ing and riff­ing on the beloved fairy tale, The Sto­ry of the Three Lit­tle Pigs. The poten­tial­ly ter­ri­fy­ing sto­ry is unchar­ac­ter­is­ti­cal­ly jol­ly. Walken goes for laughs, not chills. The same can’t be said for the next tale.

We’re not clear on the back­sto­ry of this read­ing. But we do know Walken is read­ing Edgar Allan Poe’s poem, The Raven, and stays true to the orig­i­nal text pub­lished in 1845. The Raven made Poe famous then, and it remains influ­en­tial today — so much so they named a foot­ball team after the poem. How many oth­er sports teams can make such a claim?

And then we come full cir­cle again. Almost 16 years after Walken’s read­ing of The Three Lit­tle Pigs, the star returned to anoth­er show host­ed by Jonathan Ross (BBC’s Fri­day Night) and served up a sec­ond com­ic read­ing. This time it’s “Pok­er Face” by the inescapable Lady Gaga.

Walken read­ing Where the Wild Things Are by Mau­rice Sendak? If only, if only .….

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Watch Terry Gilliam’s Animated Short, The Christmas Card (1968)

In 1968, Ter­ry Gilliam was a young Amer­i­can car­toon­ist liv­ing in Lon­don. He was hav­ing trou­ble mak­ing a liv­ing from mag­a­zine work, so his friend John Cleese sug­gest­ed he get in touch with Humphrey Bar­clay, who was pro­duc­ing a slight­ly sub­ver­sive tele­vi­sion show for chil­dren called Do Not Adjust Your Set.

Sub­ti­tled “The Fair­ly Point­less Show,” it fea­tured a group of pre­vi­ous­ly unknown actors includ­ing Eric Idle, Michael Palin and Ter­ry Jones, and attract­ed a cult fol­low­ing among adults. Bar­clay looked at Gilliam’s port­fo­lio and decid­ed he would fit right in.

For one ear­ly assign­ment, Gilliam was asked to pre­pare some­thing for a spe­cial show to be broad­cast on Christ­mas day, 1968, called Do Not Adjust Your Stock­ing. Look­ing for inspi­ra­tion, he decid­ed to vis­it the Tate Gallery. In The Pythons Auto­bi­og­ra­phy of the Pythons, Gilliam remem­bered the project and how it fig­ured into his emerg­ing artis­tic style:

I went down to the Tate and they’ve got a huge col­lec­tion of Vic­to­ri­an Christ­mas cards so I went through the col­lec­tion and pho­to­copied things and start­ed mov­ing them around. So the style just devel­oped out of that rather than any plan­ning being involved. I nev­er analysed the stuff, I just did it the quick­est, eas­i­est way. And I could use images I real­ly loved.

The result (above) is a hilar­i­ous free-asso­ci­a­tion­al send-up of tra­di­tion­al Christ­mas card motifs. In addi­tion to being aired on the show, The Christ­mas Card was incor­po­rat­ed into Gilliam’s short debut film from 1968, Sto­ry­time, which is part of our col­lec­tion of Free Movies Online.

For an update of Gilliam’s twist­ed take on Christmas–a dark­er rework­ing of his Malev­o­lent San­ta theme in The Christ­mas Card–look below for a draw­ing Gilliam post­ed a few days ago on his Face­book page. And as the man says, you bet­ter watch out!

via Bleed­ing Cool

Relat­ed Con­tent:

Ter­ry Gilliam: The Dif­fer­ence Between Kubrick (Great Film­mak­er) and Spiel­berg (Less So)

Ter­ry Gilliam (Mon­ty Python) Shows You How to Make Your Own Cutout Ani­ma­tion

“Werner Herzog” Reads ‘Twas The Night Before Christmas

Anoth­er chest­nut — fake Wern­er Her­zog read­ing from ‘Twas The Night Before Christ­mas. This isn’t the sto­ry as you know it. No, this ver­sion is dark, packed with bleak social com­men­tary and some wit­ty lit­er­ary crit­i­cism, and shat­ters all illu­sions.

Ide­al­ly this clip should be watched with faux Wern­er Her­zog read­ing oth­er chil­dren’s clas­sics: Curi­ous George, Made­line, and Where’s Wal­do. And then this: the real Wern­er Her­zog read­ing Go the F**k to Sleep, the 15 minute hit, at The New York Pub­lic Library this past June.

 

Conformity Isn’t a Recipe for Excellence: Wisdom from George Carlin & Steve Jobs (NSFW)

Dur­ing the 1960s, George Car­lin had some­thing of an epiphany. Con­front­ed by the coun­ter­cul­ture, the young come­di­an real­ized that he was­n’t stay­ing true to him­self — that he was try­ing to be Dan­ny Kaye, a very main­stream star, when he was real­ly an out­law and a rebel at heart. (Watch him on The Tonight Show in 1966). Even­tu­al­ly, Car­lin learned “not to give a shit,” to break with mil­que­toast con­ven­tions that restrained oth­er come­di­ans, and that’s when his com­ic genius bloomed. Note that some of Car­lin’s com­ments here are … not sur­pris­ing­ly … not safe for work.

Steve Jobs, anoth­er child of the coun­ter­cul­ture, did­n’t learn Car­lin’s les­son over time. As Wal­ter Isaac­son makes clear in his new biog­ra­phy, Jobs under­stood from the begin­ning that excel­lence is rarely achieved by walk­ing down the path of con­for­mi­ty. In a 1995 inter­view, Jobs boiled down his basic approach to life. The mas­ter­mind behind the leg­endary Think Dif­fer­ent tele­vi­sion cam­paign (watch the ver­sion nar­rat­ed by Jobs him­self) said:

When you grow up, you tend to get told the world is the way it is, and your life is just to live your life inside the world. Try not to bash into the walls too much. Try to have a nice fam­i­ly, have fun, save a lit­tle mon­ey.

That’s a very lim­it­ed life. Life can be much broad­er once you dis­cov­er one sim­ple fact: Every­thing around you that you call life was made up by peo­ple that were no smarter than you and you can change it, you can influ­ence it, you can build your own things that oth­er peo­ple can use. Once you learn that, you’ll nev­er be the same again.

You can find more pearls of wis­dom from Jobs over at Brain­Pick­ings, and we’ll leave you below with more cul­tur­al fig­ures med­i­tat­ing on life:

Stephen Fry: What I Wish I Had Known When I Was 18

Paulo Coel­ho: Suc­cess Nev­er Hap­pens With­out Tak­ing Risks

One of the Biggest Risks is Being Too Cau­tious…

Bono Tells Grad­u­ates “Pick a Fight, Get in It” (2004)

Conan O’Brien: Through Dis­ap­point­ment You Can Gain Clar­i­ty

J.K. Rowl­ing Tells Har­vard Grad­u­ates What They Need to Know

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Stephen Colbert Talks Science with Astrophysicist Neil deGrasse Tyson

With a fast-mov­ing mix­ture of com­e­dy and seri­ous­ness, an inter­view on The Col­bert Report is some­thing of an impro­vi­sa­tion­al fly­ing trapeze act. “Stephen Col­bert is an amaz­ing­ly good inter­view­er,” writes physi­cist Sean Car­roll, “man­ag­ing to mix top­i­cal jokes and his usu­al schtick with some real­ly good ques­tions, and more than a bit of real back­ground knowl­edge.”

Beneath the humor there is a sense that Col­bert under­stands and respects sci­ence. The sad thing, writes Car­roll, “is that more peo­ple are exposed to real sci­en­tists doing cut­ting-edge research by watch­ing Com­e­dy Cen­tral than by watch­ing, shall we say, cer­tain chan­nels you might have thought more appro­pri­ate venues for such con­ver­sa­tions.” But the expo­sure is all too brief. An inter­view on The Col­bert Report typ­i­cal­ly lasts only a few min­utes.

So it was inter­est­ing when Col­bert stepped away from his comedic char­ac­ter for a more in-depth con­ver­sa­tion with one of his fre­quent guests, astro­physi­cist Neil deGrasse Tyson. The inter­view took place last year at Mont­clair Kim­ber­ley Acad­e­my in Mont­clair, New Jer­sey. Ear­li­er this week Tyson uploaded the video to the web­site of the Hay­den Plan­e­tar­i­um, where he is direc­tor, but the serv­er was over­whelmed by the result­ing surge in traf­fic. So some­one placed the ver­sion above on YouTube. It’s an inter­est­ing, and wit­ty, one-hour-and-19-minute con­ver­sa­tion. For more of Tyson with Col­bert, you can watch his appear­ances on The Col­bert Report at the Hay­den Plan­e­tar­i­um site.

via Kot­tke

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