The Most “Intellectual Jokes”: Our Favorite Open Culture Reader Submissions

Last week, we point­ed to a Red­dit thread that asked for users’ most “intel­lec­tu­al jokes.” Using that idea as a plat­form, we asked our read­ers to sub­mit their favorites, and we received a healthy num­ber of howlers (and some clunk­ers). We also got a piece of dour crit­i­cism from one read­er, who wrote, “real­ly? intel­li­gent humor means that it’s wit­ty and sub­tle, not that it’s [sic] stan­dard type of joke with ‘smarter’ con­tent..
come on amer­i­cans, you can do bet­ter.”

I can only assume two things here (per­haps mak­ing an an ass of u and me): the writer is not an “amer­i­can” and is some­thing of a con­nois­seur of what he or she calls “intel­li­gent humor.” I am very sym­pa­thet­ic. Whether this per­son has in mind the mor­dant absur­dism of Beck­ett, the tren­chant wit of Swift or Wilde, the sur­re­al­is­tic flights of farce in Von­negut, or the heights of high-toned silli­ness in Mon­ty Python, I can’t say. All of these are excel­lent exam­ples of “intel­li­gent humor.”

But I’m afraid our read­er has mis­read the prompt, which asked specif­i­cal­ly for “intel­lec­tu­al jokes”—like the ani­mat­ed New York­er car­toon above. The for­mu­la for jokes every­one knows: set­up, punch­line. The “intel­lec­tu­al” part relates, I think, express­ly to the “smarter” con­tent, but the judg­ment of such humor is sub­jec­tive, of course, and in the brief selec­tion below of my favorite sub­mis­sions, I will cer­tain­ly admit as much. My sense of humor is nei­ther wit­ty nor sub­tle; I’m par­tial to the puerile—puns, sil­ly rever­sals, broad satire. Of course, the same can be said of all of the writ­ers above to some degree or anoth­er.

So with­out fur­ther going-on about it, here are a few of my favorite Open Cul­ture read­ers’ “intel­lec­tu­al jokes” (with my edi­to­r­i­al intru­sions in brack­ets):

  • Rene Descartes is attend­ing a soiree at the Palais Ver­sailles. A som­me­li­er approach­es and asks, “Mon­sieur Descartes, would you like a glass of wine?” Descartes paus­es and answers, “I think not.” And poof!–he dis­ap­pears.

[This one’s not par­tic­u­lar­ly funny—it’s cute—but I quite like the speci­fici­ty in the set­up and the fun sur­prise of “poof!”]

  •  I used to be a struc­tur­al lin­guist, but now I’m not Saus­sure.

[Told you I like puns]

  • Masochist walks up to a sadist in a bar, says to the sadist “hurt me.” Sadist says “no.”
  • What do you get when you com­bine a joke with a rhetor­i­cal ques­tion?

[So dry and dead­pan, these two. Love it.]

  • What did the indige­nous per­son say to the post­mod­ern anthro­pol­o­gist? “Can we talk about me for a change?”

[A lit­tle crack at navel-gaz­ing po-mo academics—part of a pop­u­lar genre]

  • Blind guy with a see­ing eye dog walks into a depart­ment store. Guy picks up dog by the tail and starts swing­ing him around over his head. Clerk rush­es over and says ner­vous­ly “Can I help you sir?” Guy replies: “No thanks, I’m just look­ing around.”

[I don’t think the con­tent of this one is par­tic­u­lar­ly “intel­lec­tu­al,” but the style is—it’s dark and weird and skirts a line between slap­stick and cru­el­ty, requir­ing a mor­bid and elas­tic imag­i­na­tion.]

  • Q: What does a dyslex­ic, agnos­tic insom­ni­ac do? A: Stays up nights won­der­ing if there’s a dog.
  • JOKE: What do Japan­ese pigeons sing? Answer: High Coos

[More puns, bless ‘em]

  • Argon walks into a bar and orders a drink. The bar­tender says, “sir, we don’t serve noble gasses.”
 There was no reac­tion.

[For you sci­ence types. Anoth­er read­er responds with a pun for bonus points]:

  • Thanks. Now all the good chem­istry jokes Argon.

Good work, read­ers. Keep ‘em com­ing. This was fun. Remem­ber, you can scan through the oth­er sub­mis­sions here.

Relat­ed Con­tent:

What’s the Most Intel­lec­tu­al Joke You Know?: The Best from Red­dit (and You?)

New York­er Car­toon Edi­tor Bob Mankoff Reveals the Secret of a Suc­cess­ful New York­er Car­toon

What’s the Deal with Pop Tarts? Jer­ry Sein­feld Explains How to Write a Joke

Josh Jones is a writer and musi­cian based in Wash­ing­ton, DC. Fol­low him at @jdmagness

What’s the Most Intellectual Joke You Know?: The Best from Reddit (and You?)

Long before cap­i­tal “A” Acad­e­mia became a pro­fes­sion­al net­work of accred­it­ed schol­ars and fund-grub­bing insti­tu­tions, intel­lec­tu­al dis­course con­sist­ed of near­ly as much humor—bad puns, scat­ol­ogy, innu­en­do, bit­ing caricature—as deep philo­soph­i­cal dia­logue and sparkling eru­di­tion. So-called “wits” gath­ered in cof­fee hous­es to trade barbs and bon mots and to cir­cu­late their favorite lit­er­ary satires from writ­ers like Jonathan Swift, Alexan­der Pope, and John Wilmot, the 2nd Earl of Rochester, whose poet­ic out­put was often equal parts raunchy prosody and thought­ful crit­i­cal inquiry.

In our dig­i­tal times, intel­lec­tu­al humor bub­bles around the mar­gins of high cul­ture, as much as in the oblique car­toons of The New York­er as in forums like Red­dit, where jokes can be crude, hate­ful, and bor­der­line psy­chot­ic, or gen­uine­ly wit­ty and unique. Slate recent­ly picked up on a Red­dit thread that asked users “what’s the most intel­lec­tu­al joke you know?” The authors of the Slate piece com­piled sev­er­al con­tenders (and inane­ly explained each joke with  “why it’s fun­ny” addenda—good humor should­n’t require didac­tic com­men­tary).

Below, find a sam­pling of some of the Red­dit sub­mis­sions. In the com­ments sec­tion, please feel free to sub­mit your own “intel­lec­tu­al jokes” after perus­ing Red­dit to make sure some­one hasn’t beat you to the punch­line.

  • From user Watch_Closely: “It’s hard to explain puns to klep­to­ma­ni­acs because they always take things lit­er­al­ly.”
  • From user Arca­di­an 5656: “A biol­o­gist, a chemist, and a sta­tis­ti­cian are out hunt­ing. The biol­o­gist shoots at a deer and miss­es 5ft to the left, the chemist takes a shot and miss­es 5ft to the right, and the sta­tis­ti­cian yells, ‘We got ‘im!’ ”
  • From user shan­n­man: “Who does Polyphe­mus hate more than Odysseus? Nobody!”

And below, two of the Red­di­tors’ favorites:

  • From user phattmatt: “Jean-Paul Sartre is sit­ting at a French cafe, revis­ing his draft of Being and Noth­ing­ness. He says to the wait­ress, “I’d like a cup of cof­fee, please, with no cream.” The wait­ress replies, “I’m sor­ry, Mon­sieur, but we’re out of cream. How about with no milk?”
  • From user snake­sand­doves: “An Irish­man goes to a build­ing site for his first day of work, and a cou­ple of Eng­lish­men think, ‘Ah, we’ll have some fun with him!’ So they walk up and say, ‘Hey, Pad­dy, as you’re new here make sure you know a joist from a gird­er…’ ‘Ah, sure, I knows’ says Pad­dy, ‘twas Joyce wrote Ulysses and Goethe wrote Faust.’”

Some clever humor above, I’d say (and in the ani­mat­ed New York­er car­toon at the top of the post). So, you think you can do bet­ter? Let’s hear your jokes in the com­ments.

via Kot­tke

Relat­ed Con­tent:

New York­er Car­toon Edi­tor Bob Mankoff Reveals the Secret of a Suc­cess­ful New York­er Car­toon

Friedrich Niet­zsche & Exis­ten­tial­ism Explained to Five-Year-Olds (in Com­i­cal Video by Red­dit)

What’s the Deal with Pop Tarts? Jer­ry Sein­feld Explains How to Write a Joke

Josh Jones is a writer and musi­cian based in Wash­ing­ton, DC. Fol­low him at @jdmagness

New Yorker Cartoon Editor Bob Mankoff Reveals the Secret of a Successful New Yorker Cartoon

A friend of mine rails against the New York­er’s week­ly car­toon cap­tion con­test, insist­ing that while the read­er-sub­mit­ted entries are uni­ver­sal­ly bad, the win­ner is always the weak­est of the lot.

I dis­agree, agog at peo­ple’s clev­er­ness. Any line I come up with feels too obvi­ous or too obscure. Unlike my friend, I nev­er feel I could do bet­ter.

Car­toon edi­tor Bob Mankof­f’s recent TED Talk offers some key insights into what the mag­a­zine is look­ing for (incon­gruity, dis­po­si­tion­al humor, cog­ni­tive mash ups), as well as what it’s not inter­est­ed in (gross-out jokes, mild child-cen­tered can­ni­bal­ism) He also cites for­mer con­trib­u­tor and author of my father’s favorite New York­er car­toon, E.B. White on the futil­i­ty of ana­lyz­ing humor.

Fre­quent con­trib­u­tor Matthew Dif­fee’s short  satir­i­cal film Being Bob sug­gests Mankoff edi­to­r­i­al selec­tions owe much to gut response (and a jerk­ing knee). Such intu­ition is hard won. Mankoff glee­ful­ly alludes to the 2000 rejec­tion let­ters he him­self received between 1974 and 1977, fol­low­ing an uncer­e­mo­ni­ous dis­missal from psy­chol­o­gy school. Then, final­ly, he got his first accep­tance.

That accep­tance let­ter is some­thing to see.

Ayun Hal­l­i­day used Charles Bar­sotti’s New York­er car­toon of a danc­ing bird as her high­school year­book’s senior say­ing. Fol­low her @AyunHalliday

Relat­ed Con­tent:

The New Yorker’s Fic­tion Pod­cast: Where Great Writ­ers Read Sto­ries by Great Writ­ers

Improv with New York­er Car­toon­ists

Einstein’s Rel­a­tiv­i­ty: An Ani­mat­ed New York­er Car­toon

The Do’s and Don’ts of Improv Comedy with Liam Neeson, Ricky Gervais, Tina Fey, and Del Close

Atten­tion, all strug­gling come­di­ans! There’s big mon­ey in teach­ing cor­po­rate exec­u­tives the rules of impro­vi­sa­tion. Not to pre­pare them for a high­ly lucra­tive sec­ond career on some late night, black box stage, but rather to hone their lis­ten­ing skills, teach them how to work col­lab­o­ra­tive­ly, and give them prac­tice com­mu­ni­cat­ing in a flexible—and there­fore effective—manner.

The above clip from Ricky Ger­vais and Stephen Mer­chan­t’s Life’s Too Short, sug­gests that actor Liam Nee­son might ben­e­fit from sim­i­lar train­ing.

Or are Ger­vais and Mer­chant guilty of fail­ing to embrace the Rules of Improv, when Nee­son, hav­ing solicit­ed a sug­ges­tion of “hypochon­dri­ac at the doc­tor’s office” from series star War­wick Davis, announces that he’s con­tract­ed full blown AIDS from a starv­ing African pros­ti­tute?

Even though it’s obvi­ous that the supreme­ly gift­ed Nee­son is hav­ing a laugh, let’s see if we can deter­mine who’s break­ing the car­di­nal rules of improv in this scene.

Come­di­an Tina Fey has Four Rules of Improv that res­onate with both busi­ness and fun­ny peo­ple:

  1. The first rule of impro­vi­sa­tion is to AGREE. 
  2. The sec­ond rule of improv is to not only say YES, say YES, AND.
  3. The next rule is MAKE STATEMENTS. (Nee­son does great in this depart­ment)
  4. THERE ARE NO MISTAKES only OPPORTUNITIES. 

Hmm. One thing’s clear. A bad impro­vis­er can drag the most gift­ed prac­ti­tion­ers of the form down with him.

The bril­liance of the script­ed scene recalls late improv guru Del Close’s Eleven Com­mand­ments:

  1. You are all sup­port­ing actors.
  2. Always check your impuls­es.
  3. Nev­er enter a scene unless you are NEEDED.
  4. Save your fel­low actor, don’t wor­ry about the piece.
  5. Your prime respon­si­bil­i­ty is to sup­port.
  6. Work at the top of your brains at all times.
  7. Nev­er under­es­ti­mate or con­de­scend to your audi­ence.
  8. No jokes (unless it is tipped in front that it is a joke.)
  9. Trust… trust your fel­low actors to sup­port you; trust them to come through if you lay some­thing heavy on them; trust your­self.
  10. Avoid judg­ing what is going down except in terms of whether it needs help (either by enter­ing or cut­ting), what can best fol­low, or how you can sup­port it imag­i­na­tive­ly if your sup­port is called for.
  11. LISTEN

That’s like­ly ample rules, though it’s tempt­ing to add:

Nev­er (or per­haps always) pre­tend to knock on a door by say­ing “knock knock.”

Nev­er (or per­haps always) pre­tend to open a shop door by say­ing “tring.”

Nev­er (or per­haps always) iden­ti­fy a “well known homo­sex­u­al actor” by name.

And if any cor­po­rate clients—or Ricky Ger­vais—need lessons in how to keep from “corps­ing” while deliv­er­ing fun­ny mate­r­i­al, Liam Nee­son is for sure the man for the job.

Relat­ed Con­tent:

Ricky Ger­vais Presents “Learn Gui­tar with David Brent”

“Learn Eng­lish With Ricky Ger­vais,” A New Pod­cast Debuts (NSFW)

Tina Fey Brings Bossy­pants Tour to Google

Ayun Hal­l­i­day was a found­ing mem­ber of The No Fun Mud Pira­nhas, North­west­ern Uni­ver­si­ty’s Improv Olympic Team. Fol­low her @AyunHalliday

The Beatles Perform in a Spoof of Shakespeare’s A Midsummer Night’s Dream, 1964

In late April of 1964, Eng­land was cel­e­brat­ing the 400th birth­day of William Shake­speare. At the same time, “Beat­le­ma­nia” was in full swing. And for a brief moment, two of Britain’s cul­tur­al trea­sures inter­sect­ed when the Bea­t­les per­formed in a play­ful send-up of A Mid­sum­mer Night’s Dream.

The sketch was record­ed in Lon­don on April 28, 1964. Only the month before, the Bea­t­les had made their Amer­i­can debut on the Ed Sul­li­van Show. The Shake­speare­an spoof was part of a one-hour British TV spe­cial called “Around the Bea­t­les.” It’s from the play-with­in-a-play in Act 5, Scene 1 of A Mid­sum­mer Night’s Dream, in which a group of actors make a mess of the clas­sic Pyra­mus and This­be sto­ry from Ovid’s Meta­mor­phoses.

Pyra­mus and This­be, a source of inspi­ra­tion for Shake­speare’s Romeo and Juli­et, are a pair of star-crossed lovers whose feud­ing par­ents for­bid them from see­ing one anoth­er. They live next-door to each oth­er but are sep­a­rat­ed by walls. Through a crack in one wall they whis­per their love and make plans to meet on a moon­lit night under a mul­ber­ry tree. This­be arrives first, only to see a lion with blood drip­ping from its mouth after eat­ing its prey. Ter­ri­fied, she drops her veil and runs. Pyra­mus arrives soon after­ward and sees both the blood and the veil. He assumes the lion has killed This­be, so he falls on his sword and dies. This­be returns and finds Pyra­mus dead. She takes his sword and kills her­self.

In the sil­ly Bea­t­les sketch, Paul McCart­ney plays Pyra­mus, John Lennon plays This­be, Ringo Starr plays the Lion and George Har­ri­son plays Moon­shine. When Lennon was asked why he took the role of the maid­en, he said, “Because if any­one likes dress­ing up more stu­pid than the rest, I enjoy it, you know. I was asked to do it because they thought I had the deep­er voice.”

via Brain­Pick­ings

Relat­ed Con­tent:

Peter Sell­ers Per­forms The Bea­t­les “A Hard Day’s Night” in Shake­speare­an Mode

Pink Floyd’s David Gilmour Sings Shakespeare’s Son­net 18

Shakespeare’s Satir­i­cal Son­net 130, As Read By Stephen Fry

Find Shake­speare’s Col­lect­ed Works in our Free eBooks and Free Audio Books Col­lec­tions

Down­load Shake­speare Cours­es from our Col­lec­tion of Free Online Cours­es

Watch Monty Python’s “Summarize Proust Competition” on the 100th Anniversary of Swann’s Way

Mar­cel Proust’s Swan­n’s Way, the first vol­ume of In Search of Lost Time, appeared in 1913. This year, exact­ly a cen­tu­ry lat­er, Proust enthu­si­asts, both indi­vid­u­al­ly and insti­tu­tion­al­ly, have found all man­ner of ways to cel­e­brate. The Mor­gan Library and Muse­um, for instance, put on an exhi­bi­tion of “a fas­ci­nat­ing selec­tion of the author’s note­books, pre­lim­i­nary drafts, gal­ley-proofs, and oth­er doc­u­ments from the col­lec­tion of the Bib­lio­thèque nationale de France” — lit­er­ar­i­ly seri­ous stuff. For a Proust cen­ten­ni­al expe­ri­ence equal­ly lit­er­ary but far less seri­ous, why not watch the Mon­ty Python sketch above depict­ing the “All-Eng­land Sum­ma­rize Proust Com­pe­ti­tion”?

The sit­u­a­tion presents the chal­lenge you’d expect: con­tes­tants must relate, in fif­teen sec­onds, the entire­ty of Proust’s sev­en-vol­ume mas­ter­work, “once in a swim­suit, and once in evening dress.” The attempt of one hap­less par­tic­i­pant, por­trayed by Gra­ham Chap­man, runs as fol­lows: “Proust’s nov­el osten­si­bly tells of the irrev­o­ca­bil­i­ty of time lost, the for­fei­ture of inno­cence through expe­ri­ence, the rein­stall­ment of extra-tem­po­ral val­ues of time regained. Ulti­mate­ly, the nov­el is both opti­mistic and set with­in the con­text of a humane reli­gious expe­ri­ence, re-stat­ing as it does the con­cept of atem­po­ral­i­ty. In the first vol­ume, Swann, the fam­i­ly friend, vis­its…” But ah, too long. Watch the whole thing and find out if Michael Pal­in’s char­ac­ter fares any bet­ter at sum­ma­riz­ing the unsum­ma­riz­able, and, this hap­pen­ing in Mon­ty Python’s real­i­ty, how quick­ly it will all cease to mat­ter any­way.

Works by Proust can be found in our col­lec­tion of Free eBooks.

Relat­ed Con­tent:

New Ani­mat­ed Film Tells the Life Sto­ry of Mon­ty Python’s Gra­ham Chap­man

John Cleese’s Eulo­gy for Gra­ham Chap­man: ‘Good Rid­dance, the Free-Load­ing Bas­tard, I Hope He Fries’

Mon­ty Python’s Best Phi­los­o­phy Sketch­es

Mon­ty Python Chan­nel Launch­es on Youtube

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on lit­er­a­ture, film, cities, Asia, and aes­thet­ics. He’s at work on a book about Los Ange­lesA Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall.

A Lover’s Spat Set to the Lyrics of 17 Beatles Songs

Those of us who spent hours sit­ting in front of the record play­er with our dads’ Radio Shack recorders, striv­ing to dupli­cate the hilar­i­ty of Dick­ie Good­man’s nov­el­ty hit 1975 “Mr. Jaws,” will find much to appre­ci­ate in the staged spat above.

Musi­cal pranksters Col­lec­tive Caden­za raid­ed the Bea­t­les’ cat­a­logue for sev­en­teen songs to dri­ve the nar­ra­tive of a sus­pi­cious wife con­fronting her phi­lan­der­ing hus­band. Which hussy sent him that pas­sion­ate text? Lady Madon­na? Julia? Michelle? Eleanor Rig­by seems to have more com­ic poten­tial than a tired ageist dig, and giv­en their high pro­duc­tion val­ues, I’m mys­ti­fied that the cre­ators shied away from hir­ing a real­is­ti­cal­ly hot plumber.

Per­haps I’m over-think­ing things. It’s a lark, that’s all. Don’t expect Shake­speare, and you won’t lose sleep won­der­ing why they failed to include “I Am the Wal­rus.”

Relat­ed Con­tent:

Peter Sell­ers Reads The Bea­t­les’ “She Loves You” in Four Dif­fer­ent Accents

Hold Me Clos­er, Tony Dan­za and Oth­er Mis­heard Lyrics for Your Lis­ten­ing Plea­sure

Ayun Hal­l­i­day had a girl­ish crush on Paul, then switched to George, before wis­ing up and going with John. Fol­low her @AyunHalliday

Want to Know What Makes the Troops Laugh? Comedian Louis CK in Afghanistan (Quite NSFW)

The oth­er day, a teenaged friend asked me if the war in Afghanistan is still going on. The answer is yes. Pre­sum­ably, it won’t be when he reach­es draft age.

In the mean­time, here’s some extreme­ly NSFW footage of Louis CK enter­tain­ing the troops at Bagram Air­field in Afghanistan a few years back. Look­ing for a quick overview of what makes the troops laugh? Cinnabon, schlub­by mid­dle aged dudes com­par­ing them­selves unfa­vor­ably to the audi­ence’s rock hard lean­ness, and the F word. The one whose non-slang def­i­n­i­tion is “a bun­dle of sticks.”

Giv­en the make up of the crowd, it made me uneasy. This was most assured­ly not a preach­ing-to-the-choir sit­u­a­tion, though the young audi­ence mem­ber who filmed the rou­tine with­out the ben­e­fit of a tri­pod notes: ” I did­n’t even know who he was before this set. He’s one of my top 3 favorites now. I just want­ed oth­er peo­ple to see him like I did. I wish I could have a con­ver­sa­tion with him!”

Hope­ful­ly, by now, hero wor­ship will have steered him to the sec­ond episode of CK’ s semi­au­to­bi­o­graph­i­cal show, in which extreme­ly forth­com­ing gay come­di­an, Rick Crom, schools a table­ful of straight pok­er bud­dies on var­i­ous sex­u­al prac­tices. His mat­ter-of-fact demeanor leads CK to ask how a queer crowd might react to his “fag­got” rou­tine. The fact that CK also pro­duced and script­ed this show is enough to con­vince me that his aim is true.

It’s worth not­ing that the pre­sum­ably straight (watch his oth­er videos) Youtu­ber who filmed and hosts this video liked ‘Louis CK — Laugh­ing at Gay Peo­ple” but also the Fred­die Mer­cury Google Doo­dle.

Giv­en CK’s mad respect for any­one serv­ing in the mil­i­tary, per­haps this young man can con­vince him that it’s time to retire “retard” as a pejo­ra­tive … even if he’s talk­ing about his own kids.

Relat­ed Con­tent:

The Sur­re­al Short Films of Louis C.K., 1993–1999

Louis CK Ridicules Avant-Garde Art on 1990s MTV Show

Sein­feld, Louis C.K., Chris Rock, and Ricky Ger­vais Dis­sect the Craft of Com­e­dy (NSFW)

Ayun Hal­l­i­day is also sick of epilep­sy as punch­line or short­cut. Fol­low her @AyunHalliday

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