You may not know much about the Church of the SubÂGeÂnius, but you’ve defÂiÂniteÂly seen its prophet. The intenÂsiveÂly groomed, Ward Cleaveresque J. R. “Bob” Dobbs (below) began as a humÂble piece of 1950s clip art and went on to become “a way of life to milÂlions… yet half of them don’t even know it.” Or so claims the sweepÂing, absurÂdiÂty-laced, sonÂiÂcalÂly (and perÂhaps intelÂlecÂtuÂalÂly) twistÂed narÂraÂtion of Arise! The SubÂGeÂnius, an “instrucÂtionÂal barÂrage video” put out by the Church in 1992 as the most potent disÂtilÂlaÂtion of its reliÂgion-satÂiÂrizÂing senÂsiÂbilÂiÂty.
The obsesÂsion with worldÂwide conÂspirÂaÂcies, the imporÂtance grantÂed to voraÂcious conÂsumpÂtion and “remixÂing” of pop culÂture (visÂiÂble everyÂwhere in Arise!), the hardÂline oppoÂsiÂtion to work, the all-imporÂtant and nevÂer-defined qualÂiÂty of “Slack,” the askew eschaÂtolÂogy: how much of the Church of the SubÂgeÂnius’ docÂtrine has remained mere parÂoÂdy reliÂgion, and how much, since its foundÂing in the late 1970s, have its “followers”—a group that includes such alt-icons as David Byrne, Robert Crumb, and Mark Mothersbaugh—come to conÂsidÂer as good as the real thing?
But whatÂevÂer legitÂiÂmaÂcy this surÂprisÂingÂly long-runÂning postÂmodÂern joke has attained, we can also view it, like all reliÂgions, as a culÂturÂal moveÂment. This approach raisÂes its own quesÂtions: how, exactÂly, did Dobbs’ pipe-clenchÂing, fatherÂly yet sinÂisÂter visÂage become one of the most recÂogÂnizÂable subÂculÂturÂal emblems of the 1980s and 1990s? You may nevÂer learn the answer, just as you may nevÂer get a hanÂdle on the entireÂty of the Church’s ever more labyrinthine and aggresÂsiveÂly preÂposÂterÂous mytholÂoÂgy, but you’ll cerÂtainÂly find it all strangeÂly comÂpelling in the attempt.
And even if Arise! The SubÂGeÂnius doesÂn’t recruit you into the Church of the SubÂGeÂnius’ ranks, you’ve got to respect what they’ve preÂdictÂed: not the end of the world, as much as they talk about it, but our curÂrentÂly thrivÂing 21st-cenÂtuÂry culÂture of media approÂpriÂaÂtion, reconÂtexÂtuÂalÂizaÂtion, and absurÂdiÂfiÂcaÂtion. If ever there were a reliÂgion for the Youtube era, here it is. And if you find nothÂing novÂel in its charÂacÂterÂisÂtic ambivaÂlence about what counts as seriÂous and what doesÂn’t, maybe the Church of the SubÂGeÂnius’ teachÂings have penÂeÂtratÂed even deepÂer into the zeitÂgeist than all those “Bob” stickÂers made us susÂpect.
RelatÂed ConÂtent:
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When William S. BurÂroughs Joined SciÂenÂtolÂogy (and His 1971 Book DenouncÂing It)
MonÂty Python’s Life of BriÂan: ReliÂgious Satire, PolitÂiÂcal Satire, or BlasÂpheÂmy?
ColÂin MarÂshall hosts and proÂduces NoteÂbook on Cities and CulÂture as well as the video series The City in CinÂeÂma and writes essays on cities, lanÂguage, Asia, and men’s style. He’s at work on a book about Los AngeÂles, A Los AngeÂles Primer. FolÂlow him on TwitÂter at @colinmarshall or on FaceÂbook.