Hear 75 Free, Classic Audio Books on Spotify: Austen, Joyce, Bukowski, Kafka, Vonnegut, Poe, Shakespeare, Kerouac & More

spotify-free-audio-books

Here’s a lit­tle known tip. If you open Spo­ti­fy, click “Browse” (in the left hand nav), then scroll way down to “Word,” you will find a num­ber of free audio­book col­lec­tions–read­ings by Sylvia PlathLangston Hugh­es, and Dylan Thomas; old time crime and sci-fi dra­mas; a big H.P. Love­craft com­pendi­um and more. But that way of nav­i­gat­ing things real­ly only scratch­es the sur­face of what Spo­ti­fy has to offer.

If you rum­mage around enough, you’ll find many qual­i­ty recordings–everything from Christo­pher Lee read­ing Drac­u­la and Franken­stein, to Kurt Von­negut read­ing four of his nov­els, to a 68-hour playlist of Shakespeare’s plays being per­formed by leg­endary actors. We’ve found 75+ record­ings in recent months and grad­u­al­ly added them to our col­lec­tion, 1,000 Free Audio Books: Down­load Great Books for Free. But they seemed worth high­light­ing and call­ing to your atten­tion here.

If you need Spo­ti­fy’s free soft­ware, down­load it here. And if you find any oth­er gems, please list them in the com­ments below and we’ll add them to our list.

  • Austen, JanePride and Prej­u­diceSpo­ti­fy
  • Beck­ett, Samuel Wait­ing for Godot (The­atri­cal per­for­mance with Bert Lahr) – Spo­ti­fy
  • Bukows­ki, Charles – 4 Hours of Bukows­ki Read­ings – Spo­ti­fy
  • Bukows­ki, CharlesHostageSpo­ti­fy
  • Bukows­ki, CharlesMas­ter Col­lec­tionSpo­ti­fy
  • Bur­roughs, William S.Call Me Bur­roughs (his first spo­ken word album) – Spo­ti­fy
  • Bur­roughs, William S. – Let Me Hang You (posthu­mous album sett­ting read­ings of Naked Lunch to music) – Spo­ti­fy
  • Car­roll, Lewis – Alice’s Adven­tures in Won­der­land (Read by Sir John Giel­gud) – Spo­ti­fy
  • Car­roll, Lewis – Through the Look­ing Glass (Read by Joan Green­wood, Stan­ley Hol­loway) – Spo­ti­fy
  • Cia­r­di, JohnAs If: Poems New and Select­ed by John Cia­r­di (read by the author) –Spo­ti­fy
  • Coleridge, SamuelPoems (Read by Ralph Richard­son) – Free Spo­ti­fy
  • Collins, Bil­lyThe Best Cig­a­rette (Poet­ry col­lec­tion read by the author) – Free Spo­ti­fy
  • Collins, Bil­lySoapSpo­ti­fy
  • Conan Doyle, Arthur The Adven­tures of Sher­lock Holmes (64 Hours of Read­ings) – Spo­ti­fy
  • Dante AlighieriThe Infer­no, Can­tos I‑VIII (Read by John Cia­r­di) – Spo­ti­fy
  • Defoe, Daniel Robin­son Cru­soe (Read by Nigel Gra­ham)
  • Dick­in­son, Emi­lyPoems & Let­ters – Spo­ti­fy
  • Eliot, T.S. – The Cock­tail Par­ty (Per­formed by Alec Guin­ness & Cath­leen Nes­bitt) – Free Spo­ti­fy
  • Eliot, T.S.Old Possum’s Book of Prac­ti­cal Cats (Read by T.S. Eliot) – Spo­ti­fy playlist
  • Eliot, T.S. T.S. Eliot Read­ing Poems and Cho­rus­esSpo­ti­fy
  • Eliot T.S.T.S. Eliot Reads the Waste LandSpo­ti­fy
  • Fer­linghet­ti, Lawrence A Coney Island of the MindSpo­ti­fy
  • Frost, RobertRobert Frost Reads His Poet­ryFree Spo­ti­fy
  • Gins­berg, AllenHowlSpo­ti­fy
  • Gins­berg, Allen – First Blues: Rags, Bal­lads and Har­mo­ni­um SongsSpo­ti­fy
  • Gins­berg, AllenThe Last Word on First BluesSpo­ti­fy
  • Gins­berg, Allen The Lion for Real – Free on Spo­ti­fy
  • Gins­berg, Allen Witchi­ta Vor­tex SutraSpo­ti­fy
  • Hawthorne, Nathaniel – The Scar­let Let­terSpo­ti­fy
  • Hugo, Vic­tor – The Hunch­back of Notre Dame (Abridged ver­sion read by Christo­pher Lee) – Spo­ti­fy
  • Hesse, Her­mann – Sid­dhartha – Spo­ti­fy
  • Hitch­cock, Alfred – Alfred Hitch­cock Presents Ghost Sto­ries for Young Peo­pleSpo­ti­fy
  • Hugh­es, LangstonLangston Hugh­es Reads Langston Hugh­esSpo­ti­fy
  • Hugh­es, Langston  The Dream Keep­er and Oth­er Poems of Langston Hugh­es (Read by Hugh­es) – Spo­ti­fy
  • Hugh­es, Langston The Glo­ry of Negro His­to­rySpo­ti­fy
  • Hugh­es, LangstonThe Voice of Langston Hugh­esSpo­ti­fy
  • Joyce, James Dublin­ers – Free on Spo­ti­fy
  • Joyce, James – “The Dead” (Read by Bart Wolffe) – Spo­ti­fy
  • Kaf­ka, Franz – The Meta­mor­pho­sis – Spo­ti­fy
  • Ker­ouac, Jack4 Albums with Ker­ouac Recit­ing Poet­ry & VerseSpo­ti­fy
  • Ler­oux, Gas­tonThe Phan­tom of the Opera (Abridged ver­sion read by Christo­pher Lee) – Spo­ti­fy
  • Love­craft, H.P – The Call of of Cthul­hu & Oth­er Sto­riesSpo­ti­fy
  • Melville, Her­man – Moby-Dick (Abridged ver­sion read by Hay­ward Morse) – Spo­ti­fy
  • Miller, Arthur – Read­ings from The Cru­cible and Death of a Sales­manSpo­ti­fy
  • Nabokov, Vladimir – Vladimir Nabokov Reads from Loli­ta & Select­ed Poems – Spo­ti­fy
  • Nash, OgdenChrist­mas with Ogden NashSpo­ti­fy
  • Nash, OgdenOgden Nash Reads Ogden NashSpo­ti­fy
  • Neru­da, PabloPablo Neru­da Lee a Pablo Neru­da (in Span­ish) – Spo­ti­fy
  • Orwell, George – Ani­mal FarmSpo­ti­fy
  • Poe, Edgar AllanThe Essen­tial Edgar Allan PoeSpo­ti­fy
  • Poe, Edgar AllanThe Mask of the Red Death (Read by William S. Bur­roughs) –Spo­ti­fy
  • Prokofiev, SergeiPeter and the Wolf (Nar­rat­ed by David Bowie) – Spo­ti­fy
  • Sand­burg, CarlA Lin­coln Album: Read­ings by Carl San­durgSpo­ti­fy
  • Sand­burg, Carl The Peo­ple YesSpo­ti­fy
  • Sex­ton, AnneWhat’s ThatSpo­ti­fy
  • Schiller, Friedrich – Poet­ry of Friedrich von Schiller: Read in Ger­man by Kin­s­kiSpo­ti­fy
  • Shake­speare, William – A 68 Hour Playlist of Shakespeare’s Plays Being Per­formed by Great Actors: Giel­gud, McK­ellen & MoreFree on Spo­ti­fy
  • Shake­speare, WilliamHam­let (French trans­la­tion by Mar­cel Pag­nol) – Spo­ti­fyYouTube
  • Shake­speare, WilliamHam­let (Star­ring John Giel­gud) – Spo­ti­fy + Archive.org
  • Shake­speare, WilliamMac­beth (with Alec Guin­ness) – Free Spo­ti­fy
  • Shel­ley, Mary – Franken­stein (Abridged ver­sion read by Christophe Lee) – Spo­ti­fy
  • Shel­ley, Per­cy Bysshe Var­i­ous Poems (Read by Vin­cent Price) – Free Spo­ti­fy
  • Stein­beck, John – “The Snake” and “John­ny Bear” – Free Stream – Spo­ti­fy
  • Steven­son, Robert Louis – The Strange Case of Dr Jekyll & Mr Hyde (Read by Christo­pher Lee) – Spo­ti­fy
  • Steven­son, Robert Louis – Trea­sure Island (Read by Hans Con­ried) – Spo­ti­fy
  • Stok­er, Bram – Drac­u­la (Read by Christo­pher Lee) – Spo­ti­fy
  • Thomas, DylanDylan Thomas Reads 8 Hours of His Poet­rySpo­ti­fy
  • Thomas, Dylan An Evening with Dylan ThomasSpo­ti­fy
  • Thomas, DylanRichard Bur­ton Reads 15 Poems by Dylan Thomas – Spo­ti­fy
  • Twain, Mark – The Adven­tures of Tom SawyerSpo­ti­fy ver­sion
  • Von­negut, Kurt Slaugh­ter­house 5, Cat’s Cra­dle, Break­fast of Cham­pi­ons, Wel­come to the Mon­key House (Abridged read­ings by Von­negut) – Spo­ti­fy
  • Welles, Orson — 61 Hours of Orson Welles’ Clas­sic 1930s Radio Plays: War of the Worlds, Heart of Dark­ness & More — Spo­ti­fy
  • Wells, HG – The War of the Worlds (Read by Maxwell Caulfield) – Spo­ti­fy
  • Wilde, Oscar – The Impor­tance of Being Earnest (Per­formed by John Giel­gud) – Free
  • Woolf, Vir­ginia – The Short Sto­riesSpo­ti­fy
  • Yeats, William But­ler – William But­ler Reads His Own WorkSpo­ti­fy

Look­ing for free, pro­fes­sion­al­ly-read audio books from Audible.com? Here’s a great, no-strings-attached deal. If you start a 30 day free tri­al with Audible.com, you can down­load two free audio books of your choice. Get more details on the offer here.

Relat­ed Con­tent:

1,000 Free Audio Books: Down­load Great Books for Free

Free Online Lit­er­a­ture Cours­es

Down­load Two Har­ry Pot­ter Audio Books for Free (and Get the Rest of the Series for Cheap)

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5 Hours of Free Alfred Hitchcock Interviews: Discover His Theories of Film Editing, Creating Suspense & More

hitchcock photo

Image by Fred Palum­bo, via Wiki­me­dia Com­mons

Here’s an audio col­lec­tion worth shar­ing with the cinephiles among you. Alfred Hitch­cock Inter­views (embed­ded below) brings togeth­er 12 inter­views record­ed over sev­er­al decades, col­lec­tive­ly run­ning five hours and four min­utes. If you need Spo­ti­fy’s soft­ware, down­load it here. Then tune into Track 3 and hear Hitch­cock describe his three the­o­ries of film edit­ing. Track 10 lets you lis­ten to his 33-minute “Mas­ters of Cin­e­ma” inter­view record­ed in 1972. And Track 12 presents a 96-minute “Mas­ter Class” on film­mak­ing. This audio col­lec­tion will be housed in our col­lec­tion, 1,000 Free Audio Books: Down­load Great Books for Free.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

22 Free Hitch­cock Movies Online

Watch Alfred Hitch­cock Make Cameo Appear­ances in 37 of His Films (Plus Free Hitch­cock Films Online)

The Eyes of Hitch­cock: A Mes­mer­iz­ing Video Essay on the Expres­sive Pow­er of Eyes in Hitchcock’s Films

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Free: Hear Robert Louis Stevenson’s Treasure Island, Read by Hans Conried (1958)

treasure island

Briefly not­ed: Over on Spo­ti­fy you can stream a clas­sic audio book of Robert Louis Steven­son’s Trea­sure Island (iPad/iPhone – Kin­dle + Oth­er For­mats – Read Online). Record­ed in 1958 by char­ac­ter actor Hans Con­ried, this clas­sic pirate’s tale runs 5 hours, 20 minutes–which is short­er than oth­er record­ings avail­able on the mar­ket, sug­gest­ing that it’s abridged. But nonethe­less it’s worth the lis­ten. Con­ried’s read­ing (which can also be pur­chased online) will be added to our col­lec­tion, 1,000 Free Audio Books: Down­load Great Books for Free. Steven­son’s text itself appears in our col­lec­tion of Free eBooks. If you need Spo­ti­fy’s free soft­ware, down­load it here.

Look­ing for free, pro­fes­­sion­al­­ly-read audio books from Audible.com? Here’s a great, no-strings-attached deal. If you start a 30 day free tri­al with Audible.com, you can down­load two free audio books of your choice. Get more details on the offer here.

Hear Arthur C. Clarke Read 2001: A Space Odyssey: A Vintage 1976 Vinyl Recording

When we hear the open­ing of Also Sprach Zarathus­tra, we instinc­tive­ly steel our­selves for enor­mous leaps through space and time. We have since 1968, when Stan­ley Kubrick­’s 2001: A Space Odyssey made Richard Strauss’ 1896 piece its theme music. (Kubrick, as we post­ed in 2014, did com­mis­sion an orig­i­nal score, only to reject it as “com­plete­ly inad­e­quate for the film.”) If you saw and loved it dur­ing its orig­i­nal the­atri­cal run, long before the advent of home video, you had only a lim­it­ed set of ways to re-live it at will. The obvi­ous choice includ­ed buy­ing a copy of the sound­track or Arthur C. Clarke’s epony­mous nov­el (or, for the kids, to go eat at Howard John­son’s), but in 1976, you could also buy a record that gave you a bit of both at once.

On this now out-of-print record, Clarke reads the final chap­ters of 2001 with the accom­pa­ni­ment of that most rec­og­niz­able piece from the film score, all pack­aged in a sleeve fea­tur­ing an image of Keir Dul­lea as Mis­sion Com­man­der David Bow­man on one of the film’s immac­u­late­ly craft­ed space-sta­tion sets. You can hear side one at the top, and side two below.

If all this strikes you as an uncon­scionable inter­min­gling of book and movie, remem­ber that Kubrick­’s 2001 does­n’t straight­for­ward­ly adapt Clarke’s 2001. Both of those inde­pen­dent but com­ple­men­tary works grew from the seed of “The Sen­tinel,” Clarke’s 1948 short sto­ry about a daz­zling and mys­ti­fy­ing arti­fact left behind by an ancient alien civ­i­liza­tion. Kubrick had orig­i­nal­ly tapped Clarke to write a whole new screen­play, but that col­lab­o­ra­tion ulti­mate­ly turned into two par­al­lel projects, with the nov­el­ist writ­ing to his own sen­si­bil­i­ty and the film­mak­er cer­tain­ly direct­ing to his. Some Clarke fans pre­fer the nov­el and some Kubrick fans pre­fer the film, but those who admire the virtues of both 2001s will appre­ci­ate the exis­tence of this record, in its own way an impres­sive arti­fact of a dis­tant era.

You can’t buy this album new these days, but used copies can still be pur­chased online.

Relat­ed Con­tent:

The Clas­si­cal Music in Stan­ley Kubrick’s Films: Lis­ten to a Free, 4 Hour Playlist

James Cameron Revis­its the Mak­ing of Kubrick’s 2001: A Space Odyssey

1966 Film Explores the Mak­ing of Kubrick’s 2001: A Space Odyssey (and Our High-Tech Future)

Watch Steven Soderbergh’s Re-Edit­ed Ver­sion of Kubrick’s 2001: A Space Odyssey Free Online

Howard Johnson’s Presents a Children’s Menu Fea­tur­ing Kubrick’s 2001: A Space Odyssey (1968)

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. He’s at work on a book about Los Ange­les, A Los Ange­les Primer, the video series The City in Cin­e­ma, the crowd­fund­ed jour­nal­ism project Where Is the City of the Future?, and the Los Ange­les Review of Books’ Korea Blog. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

A Six-Hour Playlist of Shel Silverstein’s Poems & Songs: Where the Sidewalk Ends, A Light in the Attic & More

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Image via Wiki­me­dia Com­mons

Ah, the dog days of sum­mer…

Is your fam­i­ly hot and cranky? Crammed togeth­er in a car for the long ride home? Has bore­dom set in, despite the thou­sands of Poké­mon still at large?

The per­fect anti­dote, dear read­ers, is this six-hour playlist of poet and musi­cian Shel Sil­ver­stein’s best loved work. If you need Spo­ti­fy, down­load it here.

Uncle Shel­by him­self kicks things off with an invi­ta­tion to all dream­ers, wish­ers, liars, hop­ers, pray-ers, mag­ic-bean-buy­ers, and pre­tenders.

That net seems suf­fi­cient­ly wide to encom­pass just about every­one, even (espe­cial­ly!) the sullen teen who wasn’t allowed to stay home by him or her­self.

Sil­ver­stein did not sub­scribe to the dry nar­ra­tive style that E.B.White used to such great effect on the audio­book of Charlotte’s Web.

Instead, he cracks him­self up, hiss­ing, yip­ping and howl­ing his way through Where the Side­walk Ends and A Light in the Attic. A vet­er­an of Off-Broad­way and the author of over a hun­dred one-act plays, Sil­ver­stein clear­ly rel­ished per­form­ing his own work.

(As evi­dence, we sub­mit “Warn­ing,” an instruc­tion­al poem con­cern­ing the sharp-toothed snail dwelling inside every human nose.)

His unhinged gus­to is dou­bly pleas­ing when one recalls the attempts to ban his work from libraries and ele­men­tary schools due to the pres­ence of demons, dev­ils, ghosts, and a manip­u­la­tive lit­tle girl who makes good on her threat to die if her par­ents won’t buy her a pony.

The back end of the playlist is a tes­ta­ment to the poet’s musi­cal abil­i­ties. Per­haps the best known song in his mas­sive cat­a­log is John­ny Cash’s hit “A Boy Named Sue,” above. In addi­tion to Cash and Silverstein’s own hoarse tenor, you’ll encounter the likes of Willie Nel­son, Bob­by Bare and long­time Sil­ver­stein col­lab­o­ra­tor Dr. Hook.

My only regret is the absence of my per­son­al favorite Sil­ver­stein poem …it seems unlike­ly that such a track exists, but I do love imag­in­ing the hav­oc it could wreak in the fam­i­ly car. Chil­dren, don’t for­get your eggs.

Relat­ed Con­tent:

Six Ani­ma­tions of Sto­ries and Poems by Shel Sil­ver­stein

Shel Sil­ver­stein Nar­rates an Ani­mat­ed Ver­sion of The Giv­ing Tree (1973)

Studs Terkel Inter­views Bob Dylan, Shel Sil­ver­stein, Maya Angelou & More in New Audio Trove

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Her lat­est script, Fawn­book, is avail­able in a dig­i­tal edi­tion from Indie The­ater Now.  Fol­low her @AyunHalliday.

Hear the Voice of Albert Einstein: Vintage Album Features Him Talking About E=MC2, World Peace & More

einstein speaks

We all have a men­tal image of Albert Ein­stein. For some of us, that men­tal image does­n’t get much more detailed than the mus­tache, the unruly hair, and the rum­pled dress, all of which, thanks to his achieve­ments in the­o­ret­i­cal physics, have become visu­al sig­ni­fiers of for­bid­ding intel­li­gence. But when we imag­ine this image of Ein­stein actu­al­ly speak­ing, what does he sound like? Beyond guess­ing at a rea­son­ably suit­able Ger­man­ic accent, many of us will real­ize that we’ve nev­er actu­al­ly heard the man who came up with the The­o­ry of Rel­a­tiv­i­ty speak.

By the time Ein­stein died in 1955, record­ing tech­nol­o­gy had pro­lif­er­at­ed, and so the bits and pieces of his speech­es com­mit­ted to tape add up to over an hour of mate­r­i­al in total. Spo­ti­fy has gath­ered it all togeth­er in the album Albert Ein­stein in His Own Voice. (If you don’t have Spo­ti­fy’s free soft­ware, you can down­load it here.) It includes some of the Ein­stein audio we’ve fea­tured here before, such as his 1940 radio broad­cast on why he chose to become an Amer­i­can cit­i­zen and his read­ing, from the next year, of his essay “The Com­mon Lan­guage of Sci­ence.”

Ein­stein left behind plen­ty of writ­ing in addi­tion to that piece, but often, to real­ly under­stand how a mind works, you need to hear its own­er talk. (And few minds, or in any case brains, have drawn as much atten­tion as Ein­stein’s.) “I speak to every­one in the same way, whether he is the garbage man or the pres­i­dent of the uni­ver­si­ty,” he once said, pre­sum­ably includ­ing the sorts of audi­ences he spoke to in these record­ings. Hav­ing heard Albert Ein­stein in His Own Voice, you’ll under­stand much more ful­ly the intel­lec­tu­al inter­est to which Ein­stein, when not stick­ing it out in order to become the world’s dorm-room icon of wacky genius, could put the use of his tongue.

Albert Ein­stein in His Own Voice will be added to our col­lec­tion, 1,000 Free Audio Books: Down­load Great Books for Free.

Relat­ed con­tent:

Albert Ein­stein Reads ‘The Com­mon Lan­guage of Sci­ence’ (1941)

Rare Audio: Albert Ein­stein Explains “Why I Am an Amer­i­can” on Day He Pass­es Cit­i­zen­ship Test (1940)

Albert Ein­stein Tells His Son The Key to Learn­ing & Hap­pi­ness is Los­ing Your­self in Cre­ativ­i­ty (or “Find­ing Flow”)

Albert Ein­stein on Indi­vid­ual Lib­er­ty, With­out Which There Would Be ‘No Shake­speare, No Goethe, No New­ton’

Lis­ten as Albert Ein­stein Calls for Peace and Social Jus­tice in 1945

Albert Ein­stein Express­es His Admi­ra­tion for Mahat­ma Gand­hi, in Let­ter and Audio

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. He’s at work on a book about Los Ange­les, A Los Ange­les Primer, the video series The City in Cin­e­ma, the crowd­fund­ed jour­nal­ism project Where Is the City of the Future?, and the Los Ange­les Review of Books’ Korea Blog. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

23 Hours of H.P. Lovecraft Stories: Hear Readings & Dramatizations of “The Call of Cthulhu,” “The Shadow Over Innsmouth,” & Other Weird Tales

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Image by Lucius B. Trues­dell, via Wiki­me­dia Com­mons

H.P. Love­craft has some­what fall­en out of favor in many cir­cles of hor­ror and fan­ta­sy writ­ing. Just this past year, after much debate, the World Fan­ta­sy Awards decid­ed to remove his like­ness from their stat­uette. Because, quite frankly, Love­craft was not only a big­ot but a com­mit­ted anti-Semi­te and white suprema­cist who loathed vir­tu­al­ly every­one who wasn’t, as he put it, “Nordic-Amer­i­can.” This includ­ed African-Amer­i­cans and “stunt­ed bra­cy­cephal­ic South-Ital­ians & rat-faced half-Mon­goloid Russ­ian & Pol­ish Jews, & all that cursed scum,” as he wrote in a let­ter to fel­low writer August Der­leth. The state­ment is rep­re­sen­ta­tive of many, many more on the sub­ject.

Were these sim­ply pri­vate polit­i­cal opin­ions and noth­ing more, there might not be suf­fi­cient rea­son to read them into his work, but as sev­er­al peo­ple have argued con­vinc­ing­ly, Lovecraft’s opin­ions form the basis of so much of his work. Chi­na Miéville, for exam­ple, writes “I fol­low [French nov­el­ist Michel Houelle­becq—hard­ly known for any kind of polit­i­cal cor­rect­ness] in think­ing that Lovecraft’s oeu­vre, his work itself, is inspired by and deeply struc­tured with race hatred. As Houelle­becq said, it is racism itself that rais­es in Love­craft a ‘poet­ic trance.’”

Lovecraft’s xeno­pho­bic loathing begins to seem like an almost patho­log­i­cal hatred and fear of any­one dif­fer­ent, and of any kind of change in the nation’s make­up. It goes far beyond casu­al “man of his time” atti­tudes (and increas­ing­ly, of our time). F. Scott Fitzger­ald lived dur­ing Lovecraft’s time. And Fitzger­ald had the crit­i­cal dis­tance to sat­i­rize fanat­i­cal big­otry like Love­craft’s in The Great Gats­by’s Tom Buchanan. All of that said, how­ev­er, it’s impos­si­ble to deny Lovecraft’s influ­ence on hor­ror and fan­ta­sy, and almost no one has done so, even among those writ­ers who most vehe­ment­ly lob­bied to retire his image or who found his pres­ence deeply trou­bling.

World Fan­ta­sy Award win­ner Nne­di Oko­rafor writes about con­tem­po­rary authors hav­ing to wres­tle with the fact “that many of The Elders we hon­or and need to learn from hate or hat­ed us.” Win­ner Sofia Samatar, who want­ed the stat­uette changed, exclaimed, “I am not telling any­body not to read Love­craft. I teach Love­craft! I actu­al­ly insist that peo­ple read him and write about him!” In a short essay at Tor, sci-fi and fan­ta­sy writer Eliz­a­beth Bear expressed many of the same ambiva­lent feel­ings about her “com­pli­cat­ed rela­tion­ship with Love­craft.” While find­ing his “big­otry of just about any stripe you like… revolt­ing,” his work has nonethe­less pro­vid­ed “a pow­er­ful source of inspi­ra­tion, the foun­da­tions of it like Hadrian’s Wall; full of mate­r­i­al for min­ing and repur­pos­ing.”

It’s not par­tic­u­lar­ly unusu­al to find such ambiva­lent atti­tudes expressed toward lit­er­ary ances­tors. All artists—all people—have their char­ac­ter flaws, and to expect every writer we like to share our val­ues seems naive, nar­row, and super­fi­cial. But Love­craft presents an extreme exam­ple, and also one whose prose is often pret­ty ter­ri­ble: over­stuffed, over­wrought, pre­ten­tious, and archa­ic. But it’s that pulpy style that makes Love­craft, Lovecraft—that con­tributes to the fever­ish atmos­phere of para­noia and alien­ation in his sto­ries. “He’s a mas­ter of mood,” Bear avows, “of sweep­ing blast­ed vis­tas of despair and the bone-soak­ing cold of space.”

That much of his despair and hor­ror emanat­ed from a place inside him that feared the “ges­tures & jab­ber­ing” of oth­er humans does not make it any less effec­tive­ly creepy or hyp­not­ic. It just makes it that much hard­er to love Love­craft the author, no mat­ter how much we might admire his work. But per­haps Love­craft was such an effec­tive hor­ror writer pre­cise­ly because he was so ter­ri­bly afraid of change and dif­fer­ence. As he him­self wrote of his par­tic­u­lar brand of super­nat­ur­al hor­ror, or “weird fic­tion,” as he called it: “hor­ror and the unknown or the strange are always close­ly con­nect­ed… because fear is our deep­est and strongest emo­tion.” One need­n’t be a pho­bic racist to write good hor­ror fic­tion, but in Love­craft’s case, I guess, it seems to have helped.

Just as much as the work of Isaac Asi­mov, or Robert Hein­lein, or Gene Rod­den­ber­ry resides in the DNA of sci­ence fic­tion, so too does Love­craft inhab­it the organ­ic build­ing blocks of hor­ror writ­ing. Hor­ror and fan­ta­sy writ­ers who some­how avoid read­ing Love­craft may end up absorb­ing his influ­ence any­way; read­ers who avoid him will end up read­ing some ver­sion of “Love­craft pas­tiche,” as Bear puts it. So it behooves us to go to the source, find out what Love­craft him­self wrote, take the good over the bad, even “pick a fight with him,” writes Bear, “because of what he does right, that makes his sto­ries too com­pelling to just walk away from, and because of what he does wrong… for exam­ple, the way he treats peo­ple as things.”

We’ve pre­vi­ous­ly brought to your atten­tion sev­er­al online Love­craft archives, such as this com­pi­la­tion of Love­craft eBooks and audio­books, and these many fine drama­ti­za­tions of Love­craft’s sto­ries. Addi­tion­al­ly, you can down­load many of Love­craft’s sto­ries and let­ters pub­lished in the sem­i­nal hor­ror and fan­ta­sy mag­a­zine Weird Tales. And in the Spo­ti­fy playlist above (down­load Spo­ti­fy here if you need it), you can hear The H.P. Love­craft Com­pendi­um, 23 hours of read­ings and drama­ti­za­tions of Love­craft’s creepy short sto­ries and novel­las, includ­ing The Shad­ow Over Inns­mouth, “The Dun­wich Hor­ror,” The Whis­per­er in Dark­ness, “The Call of Cthul­hu,” and many, many more. How­ev­er repug­nant many of Love­craft’s atti­tudes, there’s no deny­ing the pow­er of his “weird fic­tion.” As the playlist advis­es, “you might want to leave a light on when lis­ten­ing to these chill­ing per­for­mances.…”

This playlist will be added to our col­lec­tion, 1,000 Free Audio Books: Down­load Great Books for Free.

Relat­ed Con­tent:

H.P. Lovecraft’s Clas­sic Hor­ror Sto­ries Free Online: Down­load Audio Books, eBooks & More

Hear Drama­ti­za­tions of H.P. Lovecraft’s Sto­ries On His Birth­day: “The Call of Cthul­hu,” “The Dun­wich Hor­ror,” & More

Down­load Issues of “Weird Tales” (1923–1954): The Pio­neer­ing Pulp Hor­ror Mag­a­zine Fea­tures Orig­i­nal Sto­ries by Love­craft, Brad­bury & Many More

H.P. Love­craft Gives Five Tips for Writ­ing a Hor­ror Sto­ry, or Any Piece of “Weird Fic­tion”

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Hear a BBC Radio Drama of Dostoyevsky’s The Brothers Karamazov: Streaming Free for a Limited Time

Dostoyevsky - The Brothers Karamazov

A quick heads up: For the next two weeks, you can stream a BBC Radio 4 drama­ti­za­tion of Fyo­dor Dos­toyevsky’s final nov­el, The Broth­ers Kara­ma­zov. Pub­lished between Jan­u­ary 1879 and Novem­ber 1880, the philo­soph­i­cal nov­el has influ­enced gen­er­a­tions of readers–certainly me, maybe you, and then some oth­er notable fig­ures like Ein­stein, Wittgen­stein, Hei­deg­ger, Freud and more. The radio drama­ti­za­tion is trun­cat­ed, just 5 hours, where­as most com­plete ver­sions run 34 hours. (Find those in our col­lec­tion of Free Audio Books. Or get a pro­fes­sion­al­ly-read ver­sion on Audible.com, by check­ing out Audi­ble’s 30-day free tri­al pro­gram.) Below, you can find the install­ments of the BBC radio dra­ma.

  • Episode 1: Rus­sia, 1880: The unpre­dictable Fyo­dor Kara­ma­zov and his sons are reunit­ed to dis­cuss Dmit­ry’s inher­i­tance. Stars Roy Mars­den.
  • Episode 2: As Alyosha attends to dying Father Zosi­ma, rela­tions between Dmit­ry and his father turn ever more dan­ger­ous. Stars Paul Hilton.
  • Episode 3: Fol­low­ing a vio­lent encounter at the Kara­ma­zov home, Dmit­ry flees the town in search of Grushen­ka. Stars Paul Hilton.
  • Episode 4: As Dmit­ry goes on tri­al for mur­der, Alyosha des­per­ate­ly seeks proof of his inno­cence. Stars Paul Hilton and Carl Prekopp.
  • Episode 5: Fol­low­ing Ivan’s dra­mat­ic appear­ance at his broth­er’s tri­al, Kate­ri­na pre­pares to deal Dmit­ry a fatal blow. Stars Paul Hilton.

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Relat­ed Con­tent:

800 Free eBooks for iPad, Kin­dle & Oth­er Devices

Fyo­dor Dostoyevsky’s Life & Lit­er­a­ture Intro­duced in a Mon­ty Python-Style Ani­ma­tion

Fyo­dor Dos­to­evsky Draws Elab­o­rate Doo­dles In His Man­u­scripts

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