How the World’s Oldest Computer Worked: Reconstructing the 2,200-Year-Old Antikythera Mechanism

In 1900, Greek sponge divers dis­cov­ered a ship­wreck off the Greek island of Antikythera. The arti­facts they came back up with includ­ed mon­ey, stat­ues, pot­tery, and var­i­ous oth­er works of art and craft, as well as a curi­ous lump of bronze and wood that turned out to be by far the most impor­tant item onboard. When an archae­ol­o­gist named Vale­rios Stais took a look at it two years lat­er, he noticed that the lump had a gear in it. Almost a half-cen­tu­ry lat­er, the sci­ence his­to­ri­an Derek J. de Sol­la Price thought this appar­ent­ly mechan­i­cal object might mer­it fur­ther exam­i­na­tion, and almost a quar­ter-cen­tu­ry after that, he and the nuclear physi­cist Char­alam­bos Karaka­los pub­lished their discovery–made by using X‑ray and gam­ma-ray images of the interior–that those divers had found a kind of ancient com­put­er.

“Under­stand­ing how the pieces fit togeth­er con­firmed that the Antikythera mech­a­nism was capa­ble of pre­dict­ing the posi­tions of the plan­ets with which the Greeks were famil­iar — Mer­cury, Venus, Mars, Jupiter and Sat­urn — as well as the sun and moon, and eclipses,” writes Big Think’s Rob­by Berman. “It even has a black and white stone that turns to show the phas­es of the moon.”

Deter­min­ing how it real­ly worked has required the build­ing of var­i­ous dif­fer­ent mod­els of var­i­ous dif­fer­ent kinds, one of which you can see assem­bled, oper­at­ed, and dis­as­sem­bled before your very eyes in the CGI ren­der­ing at the top of the post. Its design comes from the work of his­to­ri­an of mech­a­nism Michael T. Wright, who also put togeth­er the phys­i­cal recre­ation of the Antikythera mech­a­nism you can see him explain just above.

Image via Wiki­me­dia Com­mons

By its very nature, an arti­fact as fas­ci­nat­ing and as incom­plete as this draws all sorts of the­o­ries about the specifics of its design, pur­pose, and even its age. (It dates back to some­where between 205 and 100 BC.) In 2012, Tony Freeth and Alexan­der Jones pub­lished their own mod­el, dif­fer­ent from Wright’s, of this “machine designed to pre­dict celes­tial phe­nom­e­na accord­ing to the sophis­ti­cat­ed astro­nom­i­cal the­o­ries cur­rent in its day, the sole wit­ness to a lost his­to­ry of bril­liant engi­neer­ing, a con­cep­tion of pure genius, one of the great won­ders of the ancient world,” — but one which “didn’t real­ly work very well.” Some of the prob­lems has to do with the lim­i­ta­tions of ancient Greek astro­nom­i­cal the­o­ry, and some with the unre­li­a­bil­i­ty of its lay­ers of hand­made gears.

More recent research, adds Berman, has dis­cov­ered that “the device was built by more than one per­son on the island of Rhodes, and that it prob­a­bly wasn’t the only one of its kind,” indi­cat­ing that the ancient Greeks, despite the appar­ent defi­cien­cies of the Antikythera mech­a­nism itself, “were appar­ent­ly even fur­ther ahead in their astro­nom­i­cal under­stand­ing and mechan­i­cal know-how than we’d imag­ined.” Now watch the video just above, in which the Apple engi­neer makes his own Antikythera mech­a­nism with an entire­ly more mod­ern set of com­po­nents, and just imag­ine what the ancient Greeks could have accom­plished had they devel­oped Lego.

via Big Think

Relat­ed Con­tent:

Intro­duc­tion to Ancient Greek His­to­ry: A Free Online Course from Yale

How the Ancient Greeks Shaped Mod­ern Math­e­mat­ics: A Short, Ani­mat­ed Intro­duc­tion

How Ancient Greek Stat­ues Real­ly Looked: Research Reveals their Bold, Bright Col­ors and Pat­terns

Mod­ern Artists Show How the Ancient Greeks & Romans Made Coins, Vas­es & Arti­sanal Glass

Dis­cov­er the “Brazen Bull,” the Ancient Greek Tor­ture Machine That Dou­bled as a Musi­cal Instru­ment

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. He’s at work on a book about Los Ange­les, A Los Ange­les Primer, the video series The City in Cin­e­ma, the crowd­fund­ed jour­nal­ism project Where Is the City of the Future?, and the Los Ange­les Review of Books’ Korea Blog. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Discover Lincos, the Language a Dutch Mathematician Invented Just to Talk to Extraterrestrials (1960)

lincos

The recent hit film Arrival took on a ques­tion that has, in recent decades, deeply con­cerned those involved in the search for intel­li­gent life else­where in the uni­verse. Say we locate that intel­li­gent life. Say we decide what we want to say. On what basis, then, do we fig­ure out how to say it? Aliens, while they may well have evolved cer­tain qual­i­ties in com­mon with us humans, prob­a­bly haven’t hap­pened to come up with any of the same spo­ken or writ­ten lan­guages we have.

In 1960, the Dutch math­e­mati­cian Hans Freuden­thal came up with a solu­tion: why not cre­ate a lan­guage they could learn? The efforts came pub­lished in the book Lin­cos: Design of a Lan­guage for Cos­mic Inter­course. In it, writes The Atlantic’s Daniel Ober­haus, “Freuden­thal announced that his pri­ma­ry pur­pose ‘is to design a lan­guage that can be under­stood by a per­son not acquaint­ed with any of our nat­ur­al lan­guages, or even their syn­tac­tic struc­tures … The mes­sages com­mu­ni­cat­ed by means of this lan­guage [con­tain] not only math­e­mat­ics, but in prin­ci­ple the whole bulk of our knowl­edge.’ ”

Freuden­thal cre­at­ed Lin­cos as a kind of spo­ken lan­guage “made up of unmod­u­lat­ed radio waves of vary­ing length and dura­tion, encod­ed with a hodge­podge of sym­bols bor­rowed from math­e­mat­ics, sci­ence, sym­bol­ic log­ic, and Latin. In their var­i­ous com­bi­na­tions, these waves can be used to com­mu­ni­cate any­thing from basic math­e­mat­i­cal equa­tions to expla­na­tions for abstract con­cepts like death and love.” You can read Lin­cos: Design of a Lan­guage for Cos­mic Inter­course (PDF), over at Mono­skop, and even though it con­sti­tutes only the first of a planned series of books Freuden­thal nev­er fin­ished, you can still learn the basics of Lin­cos from it.

Be warned, how­ev­er, of the intel­lec­tu­al chal­lenge ahead: Freuden­thal just plows ahead with­out even defin­ing many of the con­cepts, which read­ers with­out a back­ground in math­e­mat­ics or log­ic will like­ly need explained, and Ober­haus quotes even one astro­physi­cist as call­ing Freuden­thal’s book “the most bor­ing I have ever read. Log­a­rithm tables are cool com­pared to it.” Still, 56 years on from its cre­ation, this inter­galac­tic Esperan­to has had a kind of influ­ence: Freuden­thal demon­strat­ed the idea of includ­ing an intu­itive­ly under­stand­able dic­tio­nary in the space­ward-sent mes­sage itself, an idea Carl Sagan went on to use in his nov­el Con­tact, in which extrater­res­tri­al intel­li­gence-seek­ing astronomers receive a sig­nal from else­where that con­sid­er­ate­ly does the same.

Con­tact became a major motion pic­ture, some­thing of the Arrival of its day, in 1997. Two years lat­er, a cou­ple of Cana­di­an Defense Research Estab­lish­ment astro­physi­cists used a radio tele­scope to beam out a Lin­cos-encod­ed mes­sage toward a few close stars. Like any enthu­si­as­tic mem­ber of their pro­fes­sion would, they sent out infor­ma­tion about math, physics, and astron­o­my. They have yet to hear back from any res­i­dents, fel­low astro­physi­cists or oth­er­wise, of those dis­tant neigh­bor­hoods. But if any extrater­res­tri­als did hear the mes­sage, and even if they have yet to ful­ly grasp Lin­cos, I have to believe they feel at least a lit­tle grate­ful that, unlike some humans attempt­ing to com­mu­ni­cate with oth­ers unlike them here on Earth, we did­n’t just start yam­mer­ing in Eng­lish and hope for the best.

via Mono­skop

Relat­ed Con­tent:

Free NASA eBook The­o­rizes How We Will Com­mu­ni­cate with Aliens

An Ani­mat­ed Carl Sagan Talks with Studs Terkel About Find­ing Extrater­res­tri­al Life (1985)

Ani­mat­ed Video Explores the Invent­ed Lan­guages of Lord of the Rings, Game of Thrones & Star Trek

Klin­gon for Eng­lish Speak­ers: Sign Up for a Free Course Com­ing Soon

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. He’s at work on a book about Los Ange­les, A Los Ange­les Primer, the video series The City in Cin­e­ma, the crowd­fund­ed jour­nal­ism project Where Is the City of the Future?, and the Los Ange­les Review of Books’ Korea Blog. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

An Animated Carl Sagan Talks with Studs Terkel About Finding Extraterrestrial Life (1985)

This week, Blank on Blank wraps up its series “The Exper­i­menters,” with an episode ani­mat­ing a con­ver­sa­tion between Carl Sagan and Studs Terkel–two fig­ures we’ve high­light­ed on our site many times before. But nev­er have we brought them togeth­er. So here they are.

Record­ed in Octo­ber, 1985, as part of Terkel’s long-run­ning Chica­go radio show (find an archive of com­plete episodes here), the con­ver­sa­tion touched on some the big ques­tions you might expect: the com­pat­i­bil­i­ty between sci­ence and reli­gion; the prob­a­bil­i­ty we’ll encounter extrater­res­tri­als if giv­en enough time; and more. You can hear more out­takes from their con­ver­sa­tion here:

Oth­er episodes in “The Exper­i­menters” series fea­ture:

Relat­ed Con­tent

Studs Terkel Inter­views Bob Dylan, Shel Sil­ver­stein, Maya Angelou & More in New Audio Trove

Carl Sagan Presents Six Lec­tures on Earth, Mars & Our Solar Sys­tem … For Kids (1977)

Simone de Beau­voir Tells Studs Terkel How She Became an Intel­lec­tu­al and Fem­i­nist (1960)

Two Leg­ends Togeth­er: A Young Bob Dylan Talks and Plays on the Studs Terkel Pro­gram, 1963

Adam Savage’s Animated Lesson on the Simple Ideas That Lead to Great Scientific Discoveries

Edu­ca­tor, indus­tri­al design fab­ri­ca­tor and Myth Busters cohost Adam Sav­age is dri­ven by curios­i­ty.

Sci­ence gets his wheels turn­ing faster than the notched disc Hip­poly­te Fizeau used to mea­sure the speed of light in 1849.

In his TED-Ed talk on how sim­ple ideas lead to sci­en­tif­ic dis­cov­er­ies, above, Sav­age zips across the cen­turies to share the work of three game chang­ers — Fizeau, Eratos­thenes, and Richard Feyn­man (one of the de fac­to patron saints of sci­ence-relat­ed TED talks).

I found it dif­fi­cult to wrap my head around the sheer quan­ti­ties of infor­ma­tion Sav­age shoe­horns into the sev­en minute video, giv­ing sim­i­lar­ly vol­u­ble and omniv­o­rous math­mu­si­cian Vi Hart a run for her mon­ey. Clear­ly, he under­stands exact­ly what he’s talk­ing about, where­as I had to take the review quiz in an attempt to retain just a bit of this new-to-me mate­r­i­al.

I’m glad he glossed over Feynman’s child­hood fas­ci­na­tion with iner­tia in order to spend more time on the less­er known of his three sub­jects. Lit­tle Feynman’s obser­va­tion of his toy wag­on is charm­ing, but the Nobel Prize winner’s life became an open book to me with Jim Otta­viani and Leland Myrick’s excel­lent graph­ic biog­ra­phy. What’s left to dis­cov­er?

How about Eratos­thenes? I’d nev­er before heard of the Alexan­dri­an librar­i­an who cal­cu­lat­ed the Earth­’s cir­cum­fer­ence with aston­ish­ing accu­ra­cy around 200 BC. (It helped that he was good at math and geog­ra­phy, the lat­ter of which he invent­ed.) Inspi­ra­tion fuels the arts, much as it does sci­ence, and I’d like to learn more about him.

Dit­to Fizeau, whom Sav­age describes as a less sexy sci­en­tif­ic swash­buck­ler than method­i­cal fact check­er, which is what he was doing when he wound up crack­ing the speed of light in 1849. Two cen­turies ear­li­er Galileo used lanterns to deter­mine that light trav­els at least ten times faster than sound. Fizeau put Galileo’s num­ber to the test, exper­i­ment­ing with his notched wheel, a can­dle, and mir­rors and ulti­mate­ly set­ting the speed of light at a much more accu­rate 313,300 Km/s. Today’s mea­sure­ment of 299792.458 km/s was arrived at using tech­nol­o­gy unthink­able even a few decades ago.

Per­son­al­ly, I would nev­er think to mea­sure the speed of light with some­thing that sounds like a zoetrope, but I might write a play about some­one who did.

Relat­ed Con­tent:

Neil deGrasse Tyson Deliv­ers the Great­est Sci­ence Ser­mon Ever

The Feyn­man Lec­tures on Physics, The Most Pop­u­lar Physics Book Ever Writ­ten, Now Com­plete­ly Online

Sam Har­ris: Sci­ence Can Answer Moral Ques­tions

Ayun Hal­l­i­day is an author, illus­tra­tor, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Her play, Fawn­book, opens in New York City lat­er this fall. Fol­low her @AyunHalliday

The Solar System Drawn Amazingly to Scale Across 7 Miles of Nevada’s Black Rock Desert


Wylie Over­street and Alex Gorosh set out to cre­ate some­thing you’ve nev­er seen before — our solar sys­tem drawn to actu­al scale. For­get what you’ve seen in books, or on web sites. To depict things accu­rate­ly, you need a big­ger sur­face. A real­ly large can­vas. Like a sev­en-mile expanse in Nevada’s Black Rock Desert (which oth­er­wise hosts The Burn­ing Man Fes­ti­val). It’s on this dry lakebed that Over­street and Gorosh built “the first scale mod­el of the solar sys­tem with com­plete plan­e­tary orbits” and it’s a sight to behold. Cre­ative, indus­tri­ous, and hum­bling. Enjoy.

Fol­low us on Face­book, Twit­ter, Google Plus and LinkedIn and share intel­li­gent media with your friends. Or bet­ter yet, sign up for our dai­ly emailAnd if you want to make sure that our posts def­i­nite­ly appear in your Face­book news­feed, just fol­low these sim­ple steps.

Relat­ed Con­tent:

Free Online Astron­o­my Cours­es

Mag­ni­fy­ing the Uni­verse: Move From Atoms to Galax­ies in HD

Carl Sagan, Stephen Hawk­ing & Arthur C. Clarke Dis­cuss God, the Uni­verse, and Every­thing Else

Lawrence Krauss Explains How You Get ‘A Uni­verse From Noth­ing’

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Watch Neil deGrasse Tyson’s Clever Promo for Ridley Scott’s New Sci-Fi Film, The Martian

“Ever since our species first looked up at the sky, we dreamed of reach­ing Mars. Back in 2029, that dream became real, when the first humans stepped foot on the Red plan­et. And, in a few months, a new group of astro­nauts will make the jour­ney.…”

It all seems like many oth­er Neil deGrasse Tyson videos you’ve seen before. Until he says, “Back in 2029.” Wait, what?

Behold Neil deGrasse Tyson appear­ing in a clever pro­mo for Rid­ley Scot­t’s upcom­ing film The Mar­t­ian

Based on Andy Weir’s best­selling 2011 nov­el The Mar­t­ian, the movie will star Matt Damon as Mark Wat­ney, an astro­naut who goes on a big mis­sion to Mars — the one so stir­ring­ly described by Tyson above. But the jour­ney to Mars is not where the real action hap­pens, and we’ll just leave it at that. No spoil­ers here.

The film will hit the­aters in Octo­ber. You can watch an offi­cial trail­er here. And, in the mean­time, you can always lis­ten to Neil’s Star Talk Radio Show (ref­er­enced in the clip) any­time.

via Slate

Relat­ed Con­tent:

William Shat­ner Nar­rates Space Shut­tle Doc­u­men­tary

Astro­naut Reads The Divine Com­e­dy on the Inter­na­tion­al Space Sta­tion on Dante’s 750th Birth­day

Neil deGrasse Tyson Lists 8 (Free) Books Every Intel­li­gent Per­son Should Read

Take a 360° Virtual Tour of Taliesin, Frank Lloyd Wright’s Personal Home & Studio

360 tour taliesin2

You can learn a lot about an archi­tect from look­ing at the build­ings they designed, and you can learn even more by look­ing at the build­ings they lived in, but you can learn the most of all from Frank Lloyd Wright’s Tal­iesin. For that best-known of all Amer­i­can archi­tects, this house stands still today not just as his home but as one of his notable works, and as the stu­dio in which he designed oth­er notable works (includ­ing Falling­wa­ter). Wright’s enthu­si­asts make pil­grim­ages out to Spring Green, Wis­con­sin to pay their respects to this sin­gu­lar house on a hill, which offers tours from May through Octo­ber.

For those less inclined toward archi­tec­tur­al pil­grim­ages, we have this HD 360-degree “vir­tu­al vis­it” of Tal­iesin (also known as Tal­iesin East since 1937, when Wright built a Tal­iesin West in Scotts­dale, Ari­zona). “The cen­ter of Frank Lloyd Wright’s world was Tal­iesin East,” write the online tour’s devel­op­ers. “It was his home, work­shop, archi­tec­tur­al lab­o­ra­to­ry and inspi­ra­tion for near­ly all his life.” In the com­fort of your web brows­er, you can “expe­ri­ence what he saw dai­ly, sur­round­ed by Asian art, expan­sive views of Wisconsin’s rolling hills, his own court­yard gar­dens and a space to relax before a fire watched over by a por­trait of his moth­er.”

You can also get a view of “the actu­al draft­ing tables where Wright designed his most famous build­ings” and the draw­ings on them, all while “staff his­to­ri­an Keiran Mur­phy shares the his­to­ry, the per­son­al sto­ries and points out spe­cial objects in the room” (if you choose to keep the “tour guide” option turned on). And Tal­iesin cer­tain­ly does­n’t lack his­to­ry, either per­son­al or archi­tec­tur­al. Wright built its first iter­a­tion in 1911, and it last­ed until a para­noid ser­vant burnt it down in 1941, axe-mur­der­ing sev­en peo­ple there (includ­ing Wright’s live-in ladyfriend and her chil­dren) in the process. Wright, who’d been away at the time of the tragedy, recov­ered from the shock of it all, then set to work on Tal­iesin II, though he did­n’t real­ly live in it until after he returned from his work on Toky­o’s Impe­r­i­al Hotel in 1922.

Three years lat­er, anoth­er fire (this time prob­a­bly due to an elec­tri­cal prob­lem) bad­ly dam­aged the house again, neces­si­tat­ing the design of a Tal­iesin III, which he could begin only after dig­ging him­self out of a finan­cial hole in 1928. It is more or less that Tal­iesin that you can see today, whether you vis­it in per­son or through the inter­net. If you feel suf­fi­cient­ly inspired as a result, you could even apply to study at the Frank Lloyd Wright School of Archi­tec­ture locat­ed there. While the house won’t like­ly turn you into an archi­tec­tur­al genius just by osmo­sis, at least you can rest assured that it has prob­a­bly put its most dra­mat­ic dis­as­ters behind it.

Relat­ed Con­tent:

Frank Lloyd Wright Reflects on Cre­ativ­i­ty, Nature and Reli­gion in Rare 1957 Audio

The Mod­ernist Gas Sta­tions of Frank Lloyd Wright and Mies van der Rohe

Frank Lloyd Wright’s Falling­wa­ter Ani­mat­ed

Col­in Mar­shall writes on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer, and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

1980s Photo Captures Neil deGrasse Tyson Looking Hip in Grad School (Plus More on His “Failed Experiment” at UT-Austin)

Neil deGrasse Tyson in graduate school at Texas - 1980s - Imgur

Last year, we revis­it­ed the high school days of Neil deGrasse Tyson. Grow­ing up in New York City dur­ing the 1970s, Tyson attend­ed Bronx Sci­ence (class of ’76), ran an impres­sive 4:25 mile, cap­tained the school’s wrestling team, and, he fond­ly recallswore bas­ket­ball sneak­ers belong­ing to the Knick’s Walt “Clyde” Fra­zier. Tyson was, of course, also a pre­co­cious stu­dent. Famous­ly, Carl Sagan recruit­ed Tyson to study with him at Cor­nell. But Tyson polite­ly declined and went to Har­vard for his under­grad­u­ate stud­ies. Then, he head­ed off to Texas, to start his PhD at UT-Austin. That’s where the pho­to, tak­en cir­ca 1980, cap­tures him above — hang­ing out with friends, and look­ing hip­per than your aver­age astro­physics stu­dent.

This pho­to (now mak­ing the rounds on Red­dit) orig­i­nal­ly appeared in a 2012 arti­cle pub­lished in the Alcaldethe alum­ni mag­a­zine of The Uni­ver­si­ty of Texas. To the mag­a­zine’s cred­it, the arti­cle takes an unvar­nished look at Tyson’s “failed exper­i­ment” in Texas. The piece starts with the lede “Neil deGrasse Tyson, MA ’83, is the pub­lic face of sci­ence. But he says his suc­cess has noth­ing to do with UT.” And, from there, it recounts how pro­fes­sors and uni­ver­si­ty police imme­di­ate­ly stereo­typed him.

The first com­ment direct­ed to me in the first minute of the first day by a fac­ul­ty mem­ber I had just met was, ‘You must join the depart­ment bas­ket­ball team!

or

I was stopped and ques­tioned sev­en times by Uni­ver­si­ty police on my way into the physics build­ing. Sev­en times. Zero times was I stopped going into the gym—and I went to the gym a lot. That says all you need to know about how wel­come I felt at Texas.

But the real prob­lem was­n’t race. Accord­ing to Tyson, “there was sim­ply no room for me to be the full per­son that I was.” “An obses­sive focus on one thing at a time; a strong con­nec­tion to pop cul­ture, from the moon­walk to the Rubik’s cube; and a refusal to put research first: these traits con­tributed to Tyson’s fail­ure at UT,” con­cludes the Alcalde. They also allowed him to flour­ish lat­er in life.

After his “advi­sors dis­solved his dis­ser­ta­tion committee—essentially flunk­ing him,” Tyson trans­ferred to Colum­bia, earned his PhD in 1988, and became the great­est pop­u­lar­iz­er of sci­ence since Carl Sagan. We like sto­ries with hap­py end­ings.

Read more about Tyson’s expe­ri­ence in Texas at the Alcalde.

via Boing Boing

Relat­ed Con­tent:

Neil deGrasse Tyson, High School Wrestling Team Cap­tain, Invent­ed a Physics-Based Wrestling Move

Carl Sagan Writes a Let­ter to 17-Year-Old Neil deGrasse Tyson (1975)

Neil deGrasse Tyson Lists 8 (Free) Books Every Intel­li­gent Per­son Should Read

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