Carl Sagan Returns to His Old Sixth-Grade Classroom to Turn a New Generation of Kids On To Science

All through­out his career, Carl Sagan cit­ed the events in his for­ma­tive years that set him on the road to becom­ing, well, Carl Sagan: the intro­duc­tion to “skep­ti­cism and won­der” pro­vid­ed by his par­ents; his vis­it to the 1939 New York World’s Fair; his first trips to the pub­lic library, the Amer­i­can Muse­um of Nat­ur­al His­to­ry, and the Hay­den Plan­e­tar­i­um; his dis­cov­ery of Astound­ing Sci­ence Fic­tion Mag­a­zine and its fan­tas­tic visions under­gird­ed by gen­uine knowl­edge. That last hap­pened around the same time he entered the sixth grade at David A. Boody Junior High School, where he would even­tu­al­ly return, decades lat­er, to teach the les­son seen in the video above.

“As a child, it was my immense good for­tune to have par­ents and a few teach­ers who encour­aged my curios­i­ty,” Sagan says in voiceover. “This was my sixth-grade class­room. I came back here one after­noon to remem­ber what it was like.” Any­one watch­ing him hand­ing out the “breath­tak­ing pic­tures of oth­er worlds that had been radioed back by the Voy­ager space­craft” and address­ing the excit­ed stu­dents’ ques­tions will under­stand that, in addi­tion to his for­mi­da­ble hunger for knowl­edge and deep under­stand­ing of his sub­jects, Sagan also pos­sessed a qual­i­ty rare in the sci­en­tif­ic com­mu­ni­ty: the abil­i­ty and will­ing­ness to talk about sci­ence clear­ly and engag­ing­ly, and trans­mit his excite­ment about sci­ence, to absolute­ly any­one.

The clip also pro­vides a sense of what it was like to learn direct­ly from Sagan. In the inter­view clip above, no less a sci­ence guy than Bill Nye talks about his own expe­ri­ence tak­ing Sagan’s class­es at Cor­nell in the 1970s. “If you saw his series Cos­mos — the orig­i­nal Cos­mos — his lec­tures were like those tele­vi­sion shows,” says Nye. He goes on to tell the sto­ry of meet­ing Sagan again, at his ten-year class reunion. “I said I want to do this show about sci­ence for kids. He said, ‘Focus on pure sci­ence. Kids res­onate to pure sci­ence.’ That was his verb, res­onate.” And so, when Bill Nye the Sci­ence Guy debuted a few years lat­er, it spent most of its time not on the fruits of sci­ence — “bridges, dams, and civ­il engi­neer­ing works and gears” and so on — but on sci­ence itself.

Carl Sagan co-found­ed the Plan­e­tary Soci­ety in 1980. Nye, drawn by its mis­sion of “empow­er­ing the world’s cit­i­zens to advance plan­e­tary sci­ence and explo­ration,” joined that same year. After speak­ing at Sagan’s memo­r­i­al a decade and a half lat­er, Nye found him­self on its board of direc­tors. Then he became Vice Pres­i­dent, and then “there was a din­ner par­ty, there was wine or some­thing, and now I’m the CEO.” In that way and oth­ers, Nye con­tin­ues Sagan’s lega­cy, and Nye hard­ly counts as Sagan’s only suc­ces­sor. “This is how we know nature,” as Nye puts Sagan’s view of sci­ence. “It’s the best idea humans have ever come up with.” That view, whether expressed in Sagan’s own work or that of the count­less many he has direct­ly or indi­rect­ly influ­enced, will sure­ly con­tin­ue to inspire gen­er­a­tions of learn­ers, inside or out­side the class­room.

Relat­ed Con­tent:

Carl Sagan Presents a Mini-Course on Earth, Mars & What’s Beyond Our Solar Sys­tem: For Kids and Adults (1977)

Carl Sagan’s Syl­labus & Final Exam for His Course on Crit­i­cal Think­ing (Cor­nell, 1986)

Carl Sagan’s Under­grad Read­ing List: 40 Essen­tial Texts for a Well-Round­ed Thinker

Bill Nye, The Sci­ence Guy, Says Cre­ation­ism is Bad for Kids and America’s Future

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

The Ancient Astronomy of Stonehenge Decoded

The sum­mer sol­stice draws nigh, and many of us will spend it bemoan­ing the fact that we have yet again failed to make it to Stone­henge to view the sun ris­ing over its mas­sive Heel Stone.

Don’t beat your­self up too bad­ly.

Accord­ing to Vox’s Senior Edi­to­r­i­al Pro­duc­er Joss Fong, above, it’s like­ly that the win­ter sol­stice was actu­al­ly a far big­ger deal to the Neolith­ic builders who engi­neered the site.

While much of it is now in ruins, arche­ol­o­gists, his­to­ri­ans, astronomers, and oth­er experts have been able to recon­struct what the ancient mon­u­ment would have looked like in its hey­day. The place­ment of the mas­sive stones in care­ful­ly arranged con­cen­tric cir­cles sug­gest that its feats of astron­o­my were no acci­dent.

As Fong points out, the builders would not have known that the earth trav­els around the sun, nor that it tilts on its ver­ti­cal axis, thus effect­ing where the sun’s rays will strike through­out the year.

They would, how­ev­er, have had good cause to mon­i­tor any nat­ur­al phe­nom­e­na as it relat­ed to their agri­cul­tur­al prac­tices.

The sum­mer sol­stice would have come at the height of their grow­ing sea­son, but if this year’s sun­rise cel­e­brants spin 180 degrees, they will be fac­ing in the same direc­tion as those ancient builders would have when they arrived to cel­e­brate the win­ter sol­stice with a sun­set feast.

These days, the win­ter sol­stice attracts a siz­able num­ber of tourists, along with neo-druids, neo-pagans, and Wic­cans.

Bun­dle up and join them, take a vir­tu­al tour, or at the very least, try your hand at assem­bling the nifty Aedes-Ars Stone­henge Mod­el Kit Fong glues togeth­er like a pro.

Relat­ed Con­tent:

An Artist Vis­its Stone­henge in 1573 and Paints a Charm­ing Water­col­or Paint­ing of the Ancient Ruins

Vis­it Pom­peii (also Stone­henge & Ver­sailles) with Google Street View

Lis­ten to the Old­est Song in the World: A Sumer­ian Hymn Writ­ten 3,400 Years Ago

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Her solo show Nurse!, in which one of Shakespeare’s best loved female char­ac­ters hits the lec­ture cir­cuit to set the record straight opens June 12 at The Tank in New York City. Fol­low her @AyunHalliday.

Carl Sagan’s “The Pale Blue Dot” Animated

Back in 1990, Voy­ager 1 snapped a pho­to of plan­et Earth from a record dis­tance – 3.7 bil­lion miles away. And there we saw it, our home, Plan­et Earth, a small blue dot almost swal­lowed by the vast­ness of space. This image inspired the title of Carl Sagan’s 1994 book, The Pale Blue Dot: A Vision of the Human Future in Spacewhich cap­ti­vat­ed mil­lions of read­ers then, and still many more now.

A quar­ter cen­tu­ry lat­er, The Pale Blue Dot con­tin­ues to give cre­ative inspi­ra­tion to many, includ­ing film­mak­ers who have pro­duced ani­ma­tions that sync with Sagan’s nar­ra­tion of a famous pas­sage from his book. The lat­est ani­ma­tion comes from a class of stu­dents at the Rin­gling Col­lege of Art and Design, locat­ed in Sara­so­ta, Flori­da. Give it a watch. It will help you put every­thing in per­spec­tive.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

The Won­der, Thrill & Mean­ing of See­ing Earth from Space. Astro­nauts Reflect on The Big Blue Mar­ble

Carl Sagan Presents a Mini-Course on Earth, Mars & What’s Beyond Our Solar Sys­tem: For Kids and Adults (1977)

Carl Sagan Presents His “Baloney Detec­tion Kit”: 8 Tools for Skep­ti­cal Think­ing

Carl Sagan Explains Evo­lu­tion in an Eight-Minute Ani­ma­tion

Carl Sagan Issues a Chill­ing Warn­ing to Amer­i­ca in His Final Inter­view (1996)

NASA Lets You Download Free Posters Celebrating the 40th Anniversary of the Voyager Missions

A quick fyi: Last year, NASA released 14 Free Posters That Depict the Future of Space Trav­el in a Cap­ti­vat­ing­ly Retro Style. Now, on the 40th anniver­sary of the Voy­ager mis­sions (Aug. 20 and Sept. 5, 1977), the space agency has issued three attrac­tive new posters to cel­e­brate our “ambas­sadors to the rest of the Milky Way.” All are free to down­load and print here. Writes Space.com: “One of the Voy­ager posters is an image of a star­ry night sky [see above], and anoth­er adver­tis­es the mis­sion using the flam­boy­ant design style of the 1970s, the decade when the probes launched. A third poster hon­ors the probes’ ‘grand tour’ of the plan­ets, on their way to the edge of the solar sys­tem.” Hap­py down­load­ing!

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

How the Icon­ic 1968 “Earth­rise” Pho­to Was Made: An Engross­ing Visu­al­iza­tion by NASA

NASA Archive Col­lects Great Time-Lapse Videos of our Plan­et

Ray Brad­bury Reads Mov­ing Poem on the Eve of NASA’s 1971 Mars Mis­sion

NASA Presents “The Earth as Art” in a Free eBook and Free iPad App

NASA Sends Image of the Mona Lisa to the Moon and Back

Free Inter­ac­tive e‑Books from NASA Reveal His­to­ry, Dis­cov­er­ies of the Hub­ble & Webb Tele­scopes

Leonard Nimoy Nar­rates Short Film About NASA’s Dawn: A Voy­age to the Ori­gins of the Solar Sys­tem

The Best of NASA Space Shut­tle Videos (1981–2010)

 

Neil deGrasse Tyson is Creating a New Space Exploration Video Game with the Help of George R.R. Martin & Neil Gaiman

Although Neil deGrasse Tyson is some­what hes­i­tant to go in on plans to ter­raform and col­o­nize Mars, that doesn’t mean he doesn’t like a good ol’–yet science-based–video game. Sev­er­al out­lets announced recent­ly that the videogame Space Odyssey, spear­head­ed by deGrasse Tyson–one of America’s main defend­ers of log­ic and Enlightenment–has sur­passed its Kick­starter fund­ing goal. The game promis­es to send play­ers on “real sci­ence-based mis­sions to explore space, col­o­nize plan­ets, cre­ate and mod in real time.”

In the game, accord­ing to deGrasse Tyson, “you con­trol the for­ma­tion of plan­ets, of comets, of life, civ­i­liza­tion. You could maybe tweak the force of grav­i­ty and see what effect that might have.” It will be, he says, “an explo­ration into the laws of physics and how they shape the world in which we live.”

The game has been form­ing for sev­er­al years now, and most impor­tant­ly to our read­ers, has called in sev­er­al sci-fi and fan­ta­sy writ­ers to help cre­ate the var­i­ous worlds in the game, as they have apt­ly demon­strat­ed their skills in doing so on the print­ed page. That includes George R.R. Mar­tin, cur­rent­ly ignor­ing what­ev­er HBO is doing to his cre­ation Game of Thrones; Neil Gaiman, who cre­ates a new uni­verse every time he drops a new nov­el; and Len Wein, who has had a hand in cre­at­ing both DC’s Swamp Thing and Marvel’s Wolver­ine. Also on board: deGrasse Tyson’s bud­dy Bill Nye, for­mer NASA astro­naut Mike Mas­simi­no, and astro­physi­cist Charles Liu.

The idea of world/­galaxy-build­ing is not new in video games, espe­cial­ly recent­ly. No Man’s Sky (2015) fea­tures “eigh­teen quin­til­lion full-fea­tured plan­ets” and Minecraft seems lim­it­less. But Space Odyssey (still a tem­po­rary title!) is the first to have deGrasse Tyson and friends work­ing the con­trols in the back­ground. And a game is as good as the vision­ar­ies behind it.

 

Accord­ing to the Kick­starter page, the raised funds will go into “the abil­i­ty to have this com­mu­ni­ty play the game and engage with it while the final build is under­way. As the Kick­starter gam­ing com­mu­ni­ty begins to beta test game-play and pro­vide feed­back, we can begin to use the funds raised via Kick­starter to incor­po­rate your mod­ding, map­ping and build­ing sug­ges­tions, togeth­er build­ing the awe­some gam­ing expe­ri­ence you helped to cre­ate.”

DeGrasse Tyson will be in the game him­self, urg­ing play­ers onward. There’s no indi­ca­tion whether Mr. Mar­tin will be pop­ping up, though.

Relat­ed Con­tent:

Neil deGrasse Tyson: “Because of Pink Floyd, I’ve Spent Decades Undo­ing the Idea That There’s a Dark Side of the Moon”

David Byrne & Neil deGrasse Tyson Explain the Impor­tance of an Arts Edu­ca­tion (and How It Strength­ens Sci­ence & Civ­i­liza­tion)

Are We Liv­ing in a Com­put­er Sim­u­la­tion?: A 2‑Hour Debate with Neil Degrasse Tyson, David Chalmers, Lisa Ran­dall, Max Tegmark & More

Ted Mills is a free­lance writer on the arts who cur­rent­ly hosts the artist inter­view-based FunkZone Pod­cast and is the pro­duc­er of KCR­W’s Curi­ous Coast. You can also fol­low him on Twit­ter at @tedmills, read his oth­er arts writ­ing at tedmills.com and/or watch his films here.

Carl Sagan Sent Music & Photos Into Space So That Aliens Could Understand Human Civilization (Even After We’re Gone)

A pop­u­lar thought exper­i­ment asks us to imag­ine an advanced alien species arriv­ing on Earth, not in an H.G. Wells-style inva­sion, but as advanced, bemused, and benev­o­lent observers. “Wouldn’t they be appalled,” we won­der, “shocked, con­fused at how back­ward we are?” It’s a pure­ly rhetor­i­cal device—the sec­u­lar equiv­a­lent of tak­ing a “god’s eye view” of human fol­ly. Few peo­ple seri­ous­ly enter­tain the pos­si­bil­i­ty in polite com­pa­ny. Unless they work at NASA or the SETI pro­gram.

In 1977, upon the launch­ing of Voy­ager 1 and Voy­ager 2, a com­mit­tee work­ing under Carl Sagan pro­duced the so-called “Gold­en Records,” actu­al phono­graph­ic LPs made of cop­per con­tain­ing “a col­lec­tion of sounds and images,” writes Joss Fong at Vox, “that will prob­a­bly out­last all human arti­facts on Earth.” While they weren’t prepar­ing for a vis­i­ta­tion on Earth, they did—relying not on wish­ful think­ing but on the con­tro­ver­sial Drake Equa­tion—ful­ly expect that oth­er tech­no­log­i­cal civ­i­liza­tions might well exist in the cos­mos, and assumed a like­li­hood we might encounter one, at least via remote.

Sagan tasked him­self with com­pil­ing what he called a “bot­tle” in “the cos­mic ocean,” and some­thing of a time cap­sule of human­i­ty. Over a year’s time, Sagan and his team col­lect­ed 116 images and dia­grams, nat­ur­al sounds, spo­ken greet­ings in 55 lan­guages, print­ed mes­sages, and musi­cal selec­tions from around the world–things that would com­mu­ni­cate to aliens what our human civ­i­liza­tion is essen­tial­ly all about. The images were encod­ed onto the records in black and white (you can see them all in the Vox video above in col­or). The audio, which you can play in its entire­ty below, was etched into the sur­face of the record. On the cov­er were etched a series of pic­to­graph­ic instruc­tions for how to play and decode its con­tents. (Scroll over the inter­ac­tive image at the top to see each sym­bol explained.)

Fong out­lines those con­tents, writ­ing, “any aliens who come across the Gold­en Record are in for a treat.” That is, if they are able to make sense of it and don’t find us hor­ri­bly back­ward. Among the audio selec­tions are greet­ings from then-UN Sec­re­tary Gen­er­al Kurt Wald­heim, whale songs, Bach’s Bran­den­berg Con­cer­to No. 2 in F, Sene­galese per­cus­sion, Abo­rig­ine songs, Peru­vian pan­pipes and drums, Nava­jo chant, Blind Willie Johnson’s “Dark Was the Night” (play­ing in the Vox video), more Bach, Beethoven, and “John­ny B. Goode.” Chal­lenged over includ­ing “ado­les­cent” rock and roll, Sagan replied, “there are a lot of ado­les­cents on the plan­et.” The Bea­t­les report­ed­ly want­ed to con­tribute “Here Comes the Sun,” but their record com­pa­ny wouldn’t allow it, pre­sum­ably fear­ing copy­right infringe­ment from aliens.

Also con­tained in the space­far­ing archive is a mes­sage from then-pres­i­dent Jim­my Carter, who writes opti­misti­cal­ly, “We are a com­mu­ni­ty of 240 mil­lion human beings among the more than 4 bil­lion who inhab­it plan­et Earth. We human beings are still divid­ed into nation states, but these states are rapid­ly becom­ing a sin­gle glob­al civ­i­liza­tion.” The mes­sages on Voy­agers 1 and 2, Carter fore­casts, are “like­ly to sur­vive a bil­lion years into our future, when our civ­i­liza­tion is pro­found­ly altered and the sur­face of the Earth may be vast­ly changed.” The team chose not to include images of war and human cru­el­ty.

We only have a few years left to find out whether either Voy­ager will encounter oth­er beings. “Incred­i­bly,” writes Fong, the probes “are still com­mu­ni­cat­ing with Earth—they aren’t expect­ed to lose pow­er until the 2020s.” It seems even more incred­i­ble, forty years lat­er, when we con­sid­er their prim­i­tive tech­nol­o­gy: “an 8‑track mem­o­ry sys­tem and onboard com­put­ers that are thou­sands of times weak­er than the phone in your pock­et.”

The Voy­agers were not the first probes sent to inter­stel­lar space. Pio­neer 10 and 11 were launched in 1972 and 1973, each con­tain­ing a Sagan-designed alu­minum plaque with a few sim­ple mes­sages and depic­tions of a nude man and woman, an addi­tion that scan­dal­ized some puri­tan­i­cal crit­ics. NASA has since lost touch with both Pio­neers, but you may recall that in 2006, the agency launched the New Hori­zons probe, which passed by Plu­to in 2015 and should reach inter­stel­lar space in anoth­er thir­ty years.

Per­haps due to the lack of the depart­ed Sagan’s involve­ment, the lat­est “bot­tle” con­tains no intro­duc­tions. But there is time to upload some, and one of the Gold­en Record team mem­bers, Jon Lomberg, wants to do just that, send­ing a crowd­sourced “mes­sage to the stars.” Lomberg’s New Horizon’s Mes­sage Ini­tia­tive is a “glob­al project that brings the peo­ple of the world togeth­er to speak as one.” The lim­i­ta­tions of ana­log tech­nol­o­gy have made the Gold­en Record selec­tions seem quite nar­row from our data-sat­u­rat­ed point of view. The new mes­sage might con­tain almost any­thing we can imag­ine. Vis­it the pro­jec­t’s site to sign the peti­tion, donate, and con­sid­er, just what would you want an alien civ­i­liza­tion to hear, see, and under­stand about the best of human­i­ty cir­ca 2017?

via Ezra Klein/Vox

Relat­ed Con­tent:

Carl Sagan Presents a Mini-Course on Earth, Mars & What’s Beyond Our Solar Sys­tem: For Kids and Adults (1977)

NASA Releas­es a Mas­sive Online Archive: 140,000 Pho­tos, Videos & Audio Files Free to Search and Down­load

NASA’s New Online Archive Puts a Wealth of Free Sci­ence Arti­cles Online

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Watch a Star Get Devoured by a Supermassive Black Hole

Like­ly, in a moment of qui­et down­time, you’ve won­dered: Just what would hap­pen if a star, burn­ing bright in the sky, wan­dered by a black hole? What would that meet­ing look like? What kinds of cos­mic things would go down?

Now, thanks to an artis­tic ren­der­ing made avail­able by NASA, you don’t have to leave much to imag­i­na­tion. Above, watch a star stray a lit­tle too close to a black hole and get shred­ded apart by “tidal dis­rup­tions,” caus­ing some stel­lar debris to get “flung out­ward at high speed while the rest falls toward the black hole.”

This ren­der­ing isn’t the­o­ret­i­cal. It’s based on obser­va­tions gleaned from “an opti­cal search by the All-Sky Auto­mat­ed Sur­vey for Super­novae (ASAS-SN) in Novem­ber 2014.” The “tidal dis­rup­tions” wit­nessed above, writes NASA, “occurred near a super­mas­sive black hole esti­mat­ed to weigh a few mil­lion times the mass of the sun in the cen­ter of PGC 043234, a galaxy that lies about 290 mil­lion light-years away.” It’s a sight to behold.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Free Online Astron­o­my Cours­es

NASA Puts Online a Big Col­lec­tion of Space Sounds, and They’re Free to Down­load and Use

Free NASA eBook The­o­rizes How We Will Com­mu­ni­cate with Aliens

NASA Archive Col­lects Great Time-Lapse Videos of our Plan­et

by | Permalink | Make a Comment ( 7 ) |

NASA Releases a Massive Online Archive: 140,000 Photos, Videos & Audio Files Free to Search and Download

Last sum­mer, astronomer Michael Sum­mer wrote that, despite a rel­a­tive­ly low pro­file, NASA and its inter­na­tion­al part­ners have been “liv­ing Carl Sagan’s dream for space explo­ration.” Sum­mers’ cat­a­logue of dis­cov­er­ies and ground­break­ing experiments—such as Scott Kelly’s year­long stay aboard the Inter­na­tion­al Space Station—speaks for itself. But for those focused on more earth­bound con­cerns, or those less emo­tion­al­ly moved by sci­ence, it may take a cer­tain elo­quence to com­mu­ni­cate the val­ue of space in words. “Per­haps,” writes Sum­mers, “we should have had a poet as a mem­ber of every space mis­sion to bet­ter cap­ture the intense thrill of dis­cov­ery.”

Sagan was the clos­est we’ve come. Though he nev­er went into space him­self, he worked close­ly on NASA mis­sions since the 1950s and com­mu­ni­cat­ed bet­ter than any­one, in deeply poet­ic terms, the beau­ty and won­der of the cos­mos. Like­ly you’re famil­iar with his “pale blue dot” solil­o­quy, but con­sid­er this quote from his 1968 lec­tures, Plan­e­tary Explo­ration:

There is a place with four suns in the sky — red, white, blue, and yel­low; two of them are so close togeth­er that they touch, and star-stuff flows between them. I know of a world with a mil­lion moons. I know of a sun the size of the Earth — and made of dia­mond. There are atom­ic nuclei a few miles across which rotate thir­ty times a sec­ond. There are tiny grains between the stars, with the size and atom­ic com­po­si­tion of bac­te­ria. There are stars leav­ing the Milky Way, and immense gas clouds falling into it. There are tur­bu­lent plas­mas writhing with X- and gam­ma-rays and mighty stel­lar explo­sions. There are, per­haps, places which are out­side our uni­verse. The uni­verse is vast and awe­some, and for the first time we are becom­ing a part of it.

Sagan’s lyri­cal prose alone cap­tured the imag­i­na­tion of mil­lions. But what has most often made us to fall in love with, and fund, the space pro­gram, is pho­tog­ra­phy. No mis­sion has ever had a res­i­dent poet, but every one, manned and unmanned, has had mul­ti­ple high-tech pho­tog­ra­phers.

NASA has long had “a trove of images, audio, and video the gen­er­al pub­lic want­ed to see,” writes Eric Berg­er at Ars Tech­ni­ca. “After all, this was the agency that had sent peo­ple to the Moon, tak­en pho­tos of every plan­et in the Solar Sys­tem, and launched the Hub­ble Space Tele­scope.”

Until the advent of the Inter­net, only a few select, and unfor­get­table, images made their way to the pub­lic. Since the 1990s, the agency has pub­lished hun­dreds of pho­tos and videos online, but these efforts have been frag­men­tary and not par­tic­u­lar­ly user-friend­ly. That changed this month with the release of a huge pho­to archive140,000 pic­tures, videos, and audio files, to be exact—that aggre­gates mate­ri­als from the agency’s cen­ters all across the coun­try and the world, and makes them search­able. The visu­al poet­ry on dis­play is stag­ger­ing, as is the amount of tech­ni­cal infor­ma­tion for the more tech­ni­cal­ly inclined.

Since Sum­mers laud­ed NASA’s accom­plish­ments, the fraught pol­i­tics of sci­ence fund­ing have become deeply con­cern­ing for sci­en­tists and the pub­lic, pro­vok­ing what will like­ly be a well-attend­ed march for sci­ence tomor­row. Where does NASA stand in all of this? You may be sur­prised to learn that the pres­i­dent has signed a bill autho­riz­ing con­sid­er­able fund­ing for the agency. You may be unsur­prised to learn how that fund­ing is to be allo­cat­ed. Earth sci­ence and edu­ca­tion are out. A mis­sion to Mars is in.

As I perused the stun­ning NASA pho­to archive, pick­ing my jaw up from the floor sev­er­al times, I found in some cas­es that my view began to shift, espe­cial­ly while look­ing at pho­tos from the Mars rover mis­sions, and read­ing the cap­tions, which casu­al­ly refer to every rocky out­crop­ping, moun­tain, crater, and val­ley by name as though they were tourist des­ti­na­tions on a map of New Mex­i­co. In addi­tion to Sagan’s Cos­mos, I also began to think of the col­o­niza­tion epics of Ray Brad­bury and Kim Stan­ley Robinson—the cor­po­rate greed, the apoc­a­lyp­tic wars, the his­to­ry repeat­ing itself on anoth­er plan­et….

It’s easy to blame the cur­rent anti-sci­ence lob­by for shift­ing the focus to plan­ets oth­er than our own. There is no jus­ti­fi­ca­tion for the mutu­al­ly assured destruc­tion of cli­mate sci­ence denial­ism or nuclear esca­la­tion. But in addi­tion to map­ping and nam­ing galax­ies, black holes, and neb­u­lae, we’ve seen an intense focus on the Red Plan­et for many years. It seems inevitable, as it did to the most far-sight­ed of sci­ence fic­tion writ­ers, that we would make our way there one way or anoth­er.

We would do well to recov­er the sense of awe and won­der out­er space used to inspire in us—sublime feel­ings that can moti­vate us not only to explore the seem­ing­ly lim­it­less resources of space but to con­serve and pre­serve our own on Earth. Hope­ful­ly you can find your own slice of the sub­lime in this mas­sive pho­to archive.

 

via the Cre­ators Project

Relat­ed Con­tent:

How the Icon­ic 1968 “Earth­rise” Pho­to Was Made: An Engross­ing Visu­al­iza­tion by NASA

NASA Releas­es 3 Mil­lion Ther­mal Images of Our Plan­et Earth

NASA Its Soft­ware Online & Makes It Free to Down­load

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

« Go BackMore in this category... »
Quantcast
Open Culture was founded by Dan Colman.