Hear the Very First Sounds Ever Recorded on Mars, Courtesy of NASA

Pre­dict­ing the state of the world in 2014 after a vis­it to the 1964 World’s Fair, Isaac Asi­mov wrote that “only unmanned ships will have land­ed on Mars, though a manned expe­di­tion will be in the works and in the 2014 Futu­ra­ma will show a mod­el of an elab­o­rate Mar­t­ian colony.” While we haven’t seen a Futu­ra­ma show in some time (oth­er than the one cre­at­ed by Matt Groen­ing), he was cer­tain­ly right about those unmanned ships, the lat­est of which, four years after the one about which he proph­e­sied, has just picked up the first sounds ever record­ed on the Red Plan­et. You can hear it, prefer­ably with the use of a sub­woofer or a pair of capa­bly bass-repro­duc­ing head­phones, in the video above.

“That’s the sound of winds blow­ing across NASA’s InSight lan­der on Mars, the first sounds record­ed from the red plan­et,” writes the New York Times’ Ken­neth Chang. “It’s all the more remark­able because InSight — which land­ed last week — does not have a micro­phone.”

Instead it picked up this rum­ble, which NASA describes as “caused by vibra­tions from the wind, esti­mat­ed to be blow­ing between 10 to 15 mph (5 to 7 meters a sec­ond),” with its seis­mome­ter and air pres­sure sen­sor right there on Mars’ Ely­si­um Plani­tia where it land­ed. “The winds were con­sis­tent with the direc­tion of dust dev­il streaks in the land­ing area, which were observed from orbit.”

Sci­ence fic­tion enthu­si­asts will note that InSight’s record­ing of Mar­t­ian wind, espe­cial­ly in the more eas­i­ly audi­ble pitched-up ver­sions includ­ed in the video, sounds not unlike the way cer­tain films and tele­vi­sion shows have long imag­ined the son­ic ambi­ence of Mars. NASA did­n’t launch InSight to test the the­o­ries implic­it­ly pre­sent­ed by Hol­ly­wood sound design­ers — rather, to col­lect data on the for­ma­tion of Mars and oth­er rocky plan­ets, as well as to check for the pres­ence of liq­uid water — but they will equip the next Mar­t­ian lan­ders they send out in 2020 with prop­er micro­phones, and not just one but two of them. Among oth­er sci­en­tif­ic tasks, writes Big Think’s Stephen John­son, those micro­phones will be equipped to “lis­ten to what hap­pens when the craft fires a laser at rocks on the sur­face.” Back here on Earth, one ques­tion looms above all oth­ers: which musi­cian will be the first to sam­ple all this?

via Big Think

Relat­ed Con­tent:

NASA Puts Online a Big Col­lec­tion of Space Sounds, and They’re Free to Down­load and Use

NASA Dig­i­tizes 20,000 Hours of Audio from the His­toric Apol­lo 11 Mis­sion: Stream Them Free Online

Hear the Declas­si­fied, Eerie “Space Music” Heard Dur­ing the Apol­lo 10 Mis­sion (1969)

Video: The Min­utes Before & After the Land­ing of the Mars Curios­i­ty Rover

Ray Brad­bury Reads Mov­ing Poem on the Eve of NASA’s 1971 Mars Mis­sion

NASA Releas­es a Mas­sive Online Archive: 140,000 Pho­tos, Videos & Audio Files Free to Search and Down­load

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

The Full Rotation of the Moon: A Beautiful, High Resolution Time Lapse Film

This is a sight to behold. Above, the moon spins in full rota­tion, all in high-res­o­lu­tion footage tak­en by The Nation­al Aero­nau­tics and Space Admin­is­tra­tion.

Here’s how NASA explains what you’re see­ing:

No one, present­ly, sees the Moon rotate like this. That’s because the Earth­’s moon is tidal­ly locked to the Earth, show­ing us only one side. Giv­en mod­ern dig­i­tal tech­nol­o­gy, how­ev­er, com­bined with many detailed images returned by the Lunar Recon­nais­sance Orbiter (LRO), a high res­o­lu­tion vir­tu­al Moon rota­tion movie has now been com­posed. The above time-lapse video starts with the stan­dard Earth view of the Moon. Quick­ly, though, Mare Ori­en­tale, a large crater with a dark cen­ter that is dif­fi­cult to see from the Earth, rotates into view just below the equa­tor. From an entire lunar month con­densed into 24 sec­onds, the video clear­ly shows that the Earth side of the Moon con­tains an abun­dance of dark lunar maria, while the lunar far side is dom­i­nat­ed by bright lunar high­lands.

You can find many more Lunar Recon­nais­sance Orbiter videos on this page, and down­load your own copy of the Moon Rota­tion Movie right here.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

via @ZonePhysics

Relat­ed Con­tent:

NASA Cre­ates a Visu­al­iza­tion That Sets Breath­tak­ing Footage of the Moon to Claude Debussy’s “Clair de Lune” (Moon­light)

Watch the Orig­i­nal TV Cov­er­age of the His­toric Apol­lo 11 Moon Land­ing: Record­ed on July 20, 1969

The Source Code for the Apol­lo 11 Moon Land­ing Mis­sion Is Now Free on Github

 

The Solar System Quilt: In 1876, a Teacher Creates a Handcrafted Quilt to Use as a Teaching Aid in Her Astronomy Class

Ded­i­cat­ed teach­ers often go well beyond the call of duty, sac­ri­fic­ing large amounts of free time for the bet­ter­ment of their class­rooms and their pupils.

Any teacher who’s ever paid for sup­plies out of their own pock­et, then spent the week­end con­struct­ing an elab­o­rate bul­letin board dis­play, will appre­ci­ate the her­culean efforts of Sarah Ellen Hard­ing Bak­er.

Bak­er, a teacher and astronomer in Cedar Coun­ty, Iowa, is rumored to have spent 7 years embroi­der­ing a beau­ti­ful appliquéd quilt to use as a visu­al aid in lec­tures.

Fin­ished in 1876, the quilt is large enough that even a near-sight­ed stu­dent could see its plan­ets and moons from the back row.

Orbits are indi­cat­ed with silken threads against a black back­ground.

A comet in the upper left is thought to be Hal­ley’s Comet, whose last appear­ance would have been in 1835, 12 years before Baker’s birth.

The Smith­son­ian Nation­al Muse­um of Amer­i­can His­to­ry, where Baker’s quilt is housed, notes that astron­o­my was deemed an accept­able inter­est for 19th-cen­tu­ry women, which may explain the num­ber of celes­tial-themed quilts that date to the peri­od.

Author and quilt his­to­ri­an Bar­bara Brack­man includes a few on her Mate­r­i­al Cul­ture blog, while her His­tor­i­cal­ly Mod­ern blog vis­its some more recent exam­ples, includ­ing one that makes use of a stars-and-earth hot-iron trans­fer pub­lished in Good House­keep­ing mag­a­zine, to accom­pa­ny an arti­cle cel­e­brat­ing the win­ners of its 1939 World of Tomor­row Quilt Con­test.

Bak­er got just ten years out of her quilt before suc­cumb­ing to tuber­cu­lo­sis at the age of 39, the moth­er of 7 chil­dren, 5 of whom sur­vived her.

via Messy Nessy

Relat­ed Con­tent:

A Mas­sive, Knit­ted Tapes­try of the Galaxy: Soft­ware Engi­neer Hacks a Knit­ting Machine & Cre­ates a Star Map Fea­tur­ing 88 Con­stel­la­tions

The Ancient Astron­o­my of Stone­henge Decod­ed

Too Big for Any Muse­um, AIDS Quilt Goes Dig­i­tal Thanks to Microsoft

Watch Nina Paley’s “Embroi­der­ma­tion,” a New, Stun­ning­ly Labor-Inten­sive Form of Ani­ma­tion

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Join her in NYC this Decem­ber for the 10th anniver­sary pro­duc­tion of Greg Kotis’ apoc­a­lyp­tic hol­i­day tale, The Truth About San­ta, and the next month­ly install­ment of her book-based vari­ety show, Necro­mancers of the Pub­lic Domain. Fol­low her @AyunHalliday.

Stephen Hawking’s Final Book and Scientific Paper Just Got Published: Brief Answers to the Big Questions and “Information Paradox”

How did it all begin?  Is there a god? Can we pre­dict the future? Is there oth­er intel­li­gent life in the uni­verse? For decades, many of us turned to Stephen Hawk­ing for answers to those ques­tions, or at least supreme­ly intel­li­gent sug­ges­tions as to where the answers might lie. But the cel­e­brat­ed astro­physi­cist’s death ear­li­er this year — after an aston­ish­ing­ly long life and career, giv­en the chal­lenges he faced — took that option away. It turns out, though, that we haven’t actu­al­ly heard the last of him: his last book, Brief Answers to the Big Ques­tions (whose trail­er you can watch just above), came out just this week.

The book is quin­tes­sen­tial Hawk­ing,” writes physics pro­fes­sor Marce­lo Gleis­er at NPR. “He starts by address­ing the ques­tions in physics and cos­mol­o­gy that he ded­i­cat­ed his intel­lec­tu­al life to answer, using easy-to-fol­low argu­ments and draw­ing from every­day images and thought exper­i­ments.” Hawk­ing’s answers to the big ques­tions fig­ure into his view of not just the world but all exis­tence: he believes, writes Gleis­er, “that human­i­ty’s evo­lu­tion­ary mis­sion is to spread through the galaxy as a sort of cos­mic gar­den­er, sow­ing life along the way. He believes, even if not with­out wor­ry, that we will devel­op a pos­i­tive rela­tion­ship with intel­li­gent machines and that, togeth­er, we will redesign the cur­rent fate of the world and of our species.”

In par­al­lel with his career as a pub­lic fig­ure and writer of pop­u­lar explana­to­ry books, which began with 1988’s A Brief His­to­ry of Time, Hawk­ing per­formed sci­en­tif­ic research on black holes. The Guardian’s sci­ence edi­tor Ian Sam­ple describes it as a “career-long effort to under­stand what hap­pens to infor­ma­tion when objects fall into black holes,” capped off by a posthu­mous­ly pub­lished paper titled “Black Hole Entropy and Soft Hair.” “Toss an object into a black hole and the black hole’s tem­per­a­ture ought to change,” writes Sam­ple. “So too will a prop­er­ty called entropy, a mea­sure of an object’s inter­nal dis­or­der, which ris­es the hot­ter it gets.” In the paper Hawk­ing and his col­lab­o­ra­tors show that “a black hole’s entropy may be record­ed by pho­tons that sur­round the black hole’s event hori­zon, the point at which light can­not escape the intense grav­i­ta­tion­al pull. They call this sheen of pho­tons ‘soft hair’.”

If that sounds tricky to under­stand, all of us who have appre­ci­at­ed Hawk­ing’s writ­ing know that we can at least go back to his books to get a grip on black holes and the ques­tions about them that get sci­en­tists most curi­ous. Much remains for future astro­physi­cists to work on about that “infor­ma­tion para­dox,” to do with where, exact­ly, every­thing that seem­ing­ly gets sucked into a black hole actu­al­ly goes. “We don’t know that Hawk­ing entropy accounts for every­thing you could pos­si­bly throw at a black hole, so this is real­ly a step along the way,” Hawk­ing’s col­lab­o­ra­tor Mal­colm J. Per­ry tells Sam­ple. “We think it’s a pret­ty good step, but there is a lot more work to be done.” As Hawk­ing sure­ly knew, the big ques­tions — in physics or any oth­er realm of exis­tence — nev­er quite get ful­ly answered.

Relat­ed Con­tent:

Stephen Hawk­ing (RIP) Explains His Rev­o­lu­tion­ary The­o­ry of Black Holes with the Help of Chalk­board Ani­ma­tions

Stephen Hawking’s Ph.D. The­sis, “Prop­er­ties of Expand­ing Uni­vers­es,” Now Free to Read/Download Online

Watch A Brief His­to­ry of Time, Errol Mor­ris’ Film About the Life & Work of Stephen Hawk­ing

The Big Ideas of Stephen Hawk­ing Explained with Sim­ple Ani­ma­tion

Watch Stephen Hawking’s Inter­view with Neil DeGrasse Tyson, Record­ed 10 Days Before His Death: A Last Con­ver­sa­tion about Black Holes, Time Trav­el & More

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

A Massive, Knitted Tapestry of the Galaxy: Software Engineer Hacks a Knitting Machine & Creates a Star Map Featuring 88 Constellations

The next time some non-crafty type dis­par­ages your hob­by as a frumpy pur­suit, show them soft­ware engi­neer Sarah Spencer’s “Stargaz­ing.”

The 9’x 15’ knit­ted tapes­try is an accu­rate equa­to­r­i­al star map fea­tur­ing all 88 con­stel­la­tions as viewed by the naked eye, includ­ing the Milky Way and the South­ern Cross, the best known star group in Spencer’s native Aus­tralia.

The project ate up 33 pounds of Aus­tralian wool in three shades, includ­ing the same ultra­ma­rine blue sport­ed by a num­ber of accom­plished Aus­tralian women whose por­traits are on dis­play as part of the 2018 Archibald Prize.

While “Stargaz­ing” is machine knit, its cre­ation took longer than most hand-knit­ted projects.

What start­ed as a lark, hack­ing and pro­gram­ming a 40-year-old, sec­ond­hand Emp­isal knit­ting machine, grew into some­thing much larg­er when Spencer devel­oped a com­put­er algo­rithm that allowed one tri-col­ored knit stitch per pix­el.

Years lat­er, she was ready to start knit­ting her star map, a reflec­tion of her inter­est in STEM—science, tech­nol­o­gy, engi­neer­ing, and math­e­mat­ics.

“Stargaz­ing” is actu­al­ly com­prised of sev­en pan­els, each the result of dusk-to-dawn labor on the part of the hacked machine. Stitch­ing them togeth­er required many more human hours.

The piece was unveiled at the UK’s tech-and-arts fes­ti­val, Elec­tro­mag­net­ic Field, on August 31. Spencer had cal­i­brat­ed the place­ment of the tapestry’s plan­ets to cor­re­spond with their celes­tial coun­ter­parts’ loca­tions that night.

For now, the tapes­try is one-of-a-kind, but giv­en its indus­tri­al ori­gins, it’s not hard to fore­see a future in which cou­ples can cud­dle under astro­nom­i­cal­ly cor­rect afghans, while gaz­ing up at the stars.

via Atlas Obscu­ra

Relat­ed Con­tent:

Free Online Astron­o­my Cours­es

The Ancient Astron­o­my of Stone­henge Decod­ed

The His­to­ry of Car­tog­ra­phy, “the Most Ambi­tious Overview of Map Mak­ing Ever Under­tak­en,” Is Free Online

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Join her in NYC on Mon­day, Sep­tem­ber 24 for anoth­er month­ly install­ment of her book-based vari­ety show, Necro­mancers of the Pub­lic Domain. Fol­low her @AyunHalliday.

Jocelyn Bell Burnell Discovered Radio Pulsars in 1974, But the Credit Went to Her Advisor; In 2018, She Gets Her Due, Winning a $3 Million Physics Prize

Say you made a Nobel-wor­thy sci­en­tif­ic dis­cov­ery and the prize went to your the­sis super­vi­sor instead. How would you take it? Prob­a­bly not as well as Joce­lyn Bell Bur­nell, dis­cov­er­er of the first radio pul­sars, to whom that very thing hap­pened in 1974. “Demar­ca­tion dis­putes between super­vi­sor and stu­dent are always dif­fi­cult, prob­a­bly impos­si­ble to resolve,” she said a few years lat­er. “It is the super­vi­sor who has the final respon­si­bil­i­ty for the suc­cess or fail­ure of the project. We hear of cas­es where a super­vi­sor blames his stu­dent for a fail­ure, but we know that it is large­ly the fault of the super­vi­sor. It seems only fair to me that he should ben­e­fit from the suc­cess­es, too.”

But now, 44 years lat­er, Bell Bur­nel­l’s achieve­ment has brought a dif­fer­ent prize her way: the Spe­cial Break­through Prize in Fun­da­men­tal Physics, to be pre­cise, and the $3 mil­lion that comes with it, all of which she will donate “to fund women, under-rep­re­sent­ed eth­nic minor­i­ty and refugee stu­dents to become physics researchers.” “Like the stars of Hid­den Fig­ures and DNA researcher Ros­alind Franklin, Bell Burnell’s per­son­al sto­ry embod­ies the chal­lenges faced by women in sci­en­tif­ic fields,” write the Wash­ing­ton Post’s Sarah Kaplan and Anto­nia Noori Farzan. “Bell Bur­nell, who was born in North­ern Ire­land in 1943, had to fight to take sci­ence class­es after age 12.”

Reject­ing an expect­ed life of cook­ery and needle­work, Bell Bur­nell “read her father’s astron­o­my books cov­er to cov­er, teach­ing her­self the jar­gon and grap­pling with com­plex con­cepts until she felt she could com­pre­hend the uni­verse. She com­plained to her par­ents, who com­plained to the school, which ulti­mate­ly allowed her to attend lab along with two oth­er girls. At the end of the semes­ter, Bell Bur­nell ranked first in the class.” Still, by the time she arrived at Cam­bridge Uni­ver­si­ty for grad­u­ate school, she “was cer­tain some­one had made a mis­take admit­ting her.” Her sub­se­quent work there on one of “the most impor­tant astro­nom­i­cal finds of the 20th cen­tu­ry,” which you can see her talk about in the clip above, should have dis­pelled that notion.

But as Josh Jones wrote here on Open Cul­ture last month, Bell Bur­nell was a vic­tim of the “Matil­da effect,” named for suf­frag­ist and abo­li­tion­ist Matil­da Joslyn Gage, which iden­ti­fies the “denial of recog­ni­tion to women sci­en­tists” seen through­out the his­to­ry of sci­ence. The new gen­er­a­tion of prizes like the Break­through Prize in Fun­da­men­tal Physics, found­ed in 2012 by physi­cist-entre­pre­neur Yuri Mil­ner, have the poten­tial to coun­ter­act the Matil­da effect, but many oth­er Matil­das have yet to be rec­og­nized. “I am not myself upset about it,” as Bell Bur­nell put it in 1977 when asked about her non-recep­tion of the Nobel. “After all, I am in good com­pa­ny, am I not!”

Relat­ed Con­tent:

“The Matil­da Effect”: How Pio­neer­ing Women Sci­en­tists Have Been Denied Recog­ni­tion and Writ­ten Out of Sci­ence His­to­ry

Read the “Don’t Let the Bas­tards Get You Down” Let­ter That Albert Ein­stein Sent to Marie Curie Dur­ing a Time of Per­son­al Cri­sis (1911)

Marie Curie Attend­ed a Secret, Under­ground “Fly­ing Uni­ver­si­ty” When Women Were Banned from Pol­ish Uni­ver­si­ties

Pop Art Posters Cel­e­brate Pio­neer­ing Women Sci­en­tists: Down­load Free Posters of Marie Curie, Ada Lovelace & More

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Discover “Journey of the Universe,” a Multimedia Project That Explores Humanity’s Place in the Epic History of the Cosmos

Today we know what no pre­vi­ous gen­er­a­tion knew: the his­to­ry of the uni­verse and of the unfold­ing of life on Earth. Through the aston­ish­ing achieve­ments of nat­ur­al sci­en­tists world­wide, we now have a detailed account of how galax­ies and stars, plan­ets and liv­ing organ­isms, human beings and human con­scious­ness came to be.

With this knowl­edge, the ques­tion of what role we play in the 14-bil­lion-year his­to­ry of the uni­verse impos­es itself with greater poignan­cy than ever before. In ask­ing our­selves how we will tell the sto­ry of Earth to our chil­dren, we must inevitably con­sid­er the role of human­i­ty in its his­to­ry, and how we con­nect with the intri­cate web of life on Earth.

In Jour­ney of the Uni­verse–a mul­ti­me­dia edu­ca­tion­al project that fea­tures a book, film and free online courses–evolutionary philoso­pher Bri­an Thomas Swimme and his­to­ri­an of reli­gions Mary Eve­lyn Tuck­er pro­vide an ele­gant, sci­ence-based nar­ra­tive to tell this epic sto­ry, lead­ing up to the chal­lenges of our present moment. The authors describe the ori­gins of humans on Earth, how we devel­oped a sym­bol­ic con­scious­ness, and how our abil­i­ty to com­mu­ni­cate using sym­bols make humans a “plan­e­tary pres­ence.”

We are now faced with a new dynamic—one where the sur­vival of the species and entire ecosys­tems depend pri­mar­i­ly on human activ­i­ty, and the choic­es humans make.

Weav­ing togeth­er the find­ings of mod­ern sci­ence togeth­er with endur­ing wis­dom found in the human­is­tic tra­di­tions of the West, Asia, and indige­nous peo­ples, the authors explore cos­mic evo­lu­tion as a pro­found­ly won­drous process based on cre­ativ­i­ty, con­nec­tion, and inter­de­pen­dence, and they envi­sion an unprece­dent­ed oppor­tu­ni­ty for the world’s peo­ple to address the daunt­ing eco­log­i­cal and social chal­lenges of our times.

Devel­oped over sev­er­al decades, and inspired by the authors’ long col­lab­o­ra­tion with Thomas Berry, Jour­ney of the Uni­verse boasts an impres­sive ros­ter of sci­ence advi­sors includ­ing Ursu­la Good­e­nough, Craig Kochel, and Ter­ry Dea­con.

Jour­ney of the Uni­verse is a mul­ti­me­dia edu­ca­tion­al project that includes:

1.) The Jour­ney of the Uni­verse: A Sto­ry for Our Time Spe­cial­iza­tion avail­able on Cours­era, cre­at­ed by Yale.  This is a col­lec­tion of three Mas­sive Online Open Cours­es that take stu­dents through the sci­en­tif­ic and cul­tur­al cos­mol­o­gy found through­out Jour­ney of the Uni­verse, as well as deep into its lin­eage with cul­tur­al his­to­ri­an and cos­mol­o­gist Thomas Berry:

Course 1: Jour­ney of the Uni­verse: The Unfold­ing of Life

Course 2: Jour­ney of the Uni­verse: Weav­ing Knowl­edge and Action

Course 3: The World­view of Thomas Berry: The Flour­ish­ing of the Earth Com­mu­ni­ty

2) The Jour­ney of the Uni­verse Film, win­ner of the 2012 San Francisco/Northern Cal­i­for­nia Emmy® Award for best doc­u­men­tary. You can watch the trail­er for the film above

3) The Jour­ney of the Uni­verse Book, pub­lished by Yale Uni­ver­si­ty Press. Trans­lat­ed into French, Ital­ian, Span­ish, Ger­man, Turk­ish, Chi­nese, Kore­an, Indone­sian.

4) The Jour­ney of the Uni­verse Con­ver­sa­tion Series, a twen­ty-part edu­ca­tion­al series inte­grates the per­spec­tives of the sci­ences and the human­i­ties into a retelling of our 13.7 bil­lion year sto­ry. In a series of one-on-one inter­views, sci­en­tists, his­to­ri­ans, and envi­ron­men­tal­ists explore the unfold­ing sto­ry of the uni­verse and Earth and the role of the human in respond­ing to our present chal­lenges.

Devin O’Dea lives in San Fran­cis­co where he serves as the man­ag­er of the Jour­ney of the Uni­verse project: a col­lab­o­ra­tive, mul­ti­me­dia con­ver­sa­tion that draws togeth­er sci­en­tif­ic dis­cov­er­ies with human­is­tic insights con­cern­ing the nature of the uni­verse.  Devin wel­comes all inter­ests and feed­back to Jour­ney mate­ri­als at devin@journeyoftheuniverse.org.

NASA Creates a Visualization That Sets Breathtaking Footage of the Moon to Claude Debussy’s “Clair de Lune” (Moonlight)

From NASA’s Ernie Wright comes “Moon­light (Clair de Lune),” a visu­al­iza­tion that takes beau­ti­ful images of the lunar ter­rain and sets them to Claude Debussy’s 1905 com­po­si­tion, Clair de Lune (1905). Here’s how Wright describes the project:

This visu­al­iza­tion attempts to cap­ture the mood of Claude Debussy’s best-known com­po­si­tion, Clair de Lune (moon­light in French). The piece was pub­lished in 1905 as the third of four move­ments in the com­poser’s Suite Berga­masque, and unlike the oth­er parts of this work, Clair is qui­et, con­tem­pla­tive, and slight­ly melan­choly, evok­ing the feel­ing of a soli­tary walk through a moon­lit gar­den. The visu­als were com­posed like a nature doc­u­men­tary, with clean cuts and a most­ly sta­tion­ary vir­tu­al cam­era. The view­er fol­lows the Sun through­out a lunar day, see­ing sun­ris­es and then sun­sets over promi­nent fea­tures on the Moon. The sprawl­ing ray sys­tem sur­round­ing Coper­ni­cus crater, for exam­ple, is revealed beneath reced­ing shad­ows at sun­rise and lat­er slips back into dark­ness as night encroach­es. The visu­al­iza­tion was cre­at­ed to accom­pa­ny a per­for­mance of Clair de Lune by the Nation­al Sym­pho­ny Orches­tra Pops, led by con­duc­tor Emil de Cou, at the Kennedy Cen­ter for the Per­form­ing Arts in Wash­ing­ton, DC, on June 1 and 2, 2018, as part of a cel­e­bra­tion of NASA’s 60th anniver­sary. The visu­al­iza­tion uses a dig­i­tal 3D mod­el of the Moon built from Lunar Recon­nais­sance Orbiter glob­al ele­va­tion maps and image mosaics. The light­ing is derived from actu­al Sun angles dur­ing lunar days in 2018.

Enjoy…

via Aeon

Relat­ed Con­tent:

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Watch Clas­si­cal Music Come to Life in Art­ful­ly Ani­mat­ed Scores: Stravin­sky, Debussy, Bach, Beethoven, Mozart & More

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