Depending on how you reckon it, the “American century” has already ended, is now drawing to its close, or has some life left in it yet. But whatever its boundaries, that ambiguous period has been culturally defined by one medium above all: film, or more broadly speaking, motion pictures. These very words might start a series of clips rolling in your mind, a highlight reel of industrial developments, political speeches, protest marches, sports victories, NASA missions, and foreign wars. But that represents just a tiny fraction of America on film, much more of which you can easily discover with a visit to the Prelinger Archives.
Rick Prelinger founded the Prelinger Archives in 1982 with the mission of preserving “ephemeral films.” According to the program of a 2002 series he introduced at the Berkeley Art Museum and Pacific Film Archive a couple of decades later, these are “typically educational, industrial, or amateur films,” often made to serve a “pragmatic and narrow purpose. It is only by chance that many of them survive.”
These pieces of “throwaway media” — of which the Prelinger Archives now has some 30,000 — include newsreel-type documentaries, works of political propaganda, instructional productions for use in schools and workplaces, and a great many home movies that offer candid glimpses into everyday American lives.
As any enthusiast of mid-twentieth-century American culture would hope, the Prelinger Archives also has its oddities: take the 1923 Felix the Cat cartoon at the top of the post, overdubbed with voices (and a reference to “hippies”) in the nineteen-sixties. Their free online collections at the Internet Archive (which contains 9,229 films as of this writing) and Youtube, contain everything from a 1942 profile of the art scene in San Francisco (the Prelinger Archives’ current home); to “You and Your Family,” the kind of home-life primer that would be ridiculed half a century later on Mystery Science Theater 3000; to “While Brave Men Die…,” surely the only pro-Vietnam War documentary to feature Joan Baez.
If you really want to see the United States, as we’ve previously said here on Open Culture, you’ve got to drive across the country. What holds true in life also holds true in film, and the Prelinger Archives’ digitization and uploading have made it possible to experience the history of the great American road trip through the eyes — or the eight-millimeter cameras — of travelers who took it in the forties, fifties, and sixties, rolling through sites of interest from the Grand Canyon and Mount Rushmore to the Corn Palace. If a culture is preserved most clearly through its ephemera, then there’s a whole lot more America awaiting us in the Prelinger Archives.
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Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the Substack newsletter Books on Cities, the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall or on Facebook.